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- Sebas, give me the marble! - Not.
- Give it to me! - There is more.
- For! Give them to me! - Leave me.
- Bring it on, it's mine! - My nose is going to be yours!
Mom, tell Sebas to give it back to me!
You are idiot?
Let's go.
You know that mom doesn't like us to stop at the old woman's house.
Julian!
Let's go.
What do you do?
He has gotten inside.
Hello?
Ms,
I am entering your house.
I'm coming for my marble.
Ms,
Can you give me back the marble?
¡Sebas! ¡Sebas!
Run!
[Some who are born, others will die.]
[Sorrows and glories, wars and peace.]
[There is always something to live for,]
[why fight.]
[There is always someone to suffer for]
[and who to love.]
[In the end, the works remain,]
[people leave.]
[Others who come will continue.]
[Life goes on...]
[same.]
- We have already arrived? - Come on.
- It's here? - There you have it.
How great! Is this all our home?
Not all. Look, it's that one over there. You see?
The third floor. How nice. We will be like kings.
The sky of Madrid for us alone.
The Olmedos? They finally arrive.
- Esteban Ocaña, the administrator. - But I spoke with Don Felipe.
Yes, sure, my boss. But no problem, I'm already up to date.
Well nothing. Manuel Olmedo Fernandez. And my lady, Candela.
- Haunted. - So much pleasure.
- They come? - Yes of course.
The goalkeeper is out, but he joins next week.
The procedures to install the elevator are already underway .
- It's just a few stairs. - Is it a third party?
It will be hard for my father to climb up here.
You've heard Mr. Ocaña, woman. Soon we will have an elevator.
That is precisely why it has cost you much cheaper
a flat like this, with all these comforts.
You have made a very good investment, believe me.
Well, the apartment is not ours, it belongs to the bank.
And even selling everything we had, we had to take out a mortgage.
And how close are you going to be to your job what?
You have a letter of recommendation to work in Galleries.
That is great. And what you do for a living?
I have always worked in the field,
But one of the people spoke for me and tomorrow I start at the Pegaso truck factory.
Well here it is, third B.
Well ... go ahead.
- What is that? - It's ... from Mateo.
I haven't read it, huh?
Grandfather,
What are you doing there?
The living room.
What heat.
Yes, well, this is where the summers last until September.
They will get used to it. As you can see,
everything is as the previous owner left it .
- What happened? - Passed away.
- Shall we continue? - Yes of course.
- Big windows. - Well look, they are like the town.
But the views are better.
Than? Don't tell me you don't like the house.
- How long has it been closed? - Well, four years, I think.
That's what they told me when I came to see her.
Look, we have a record player.
- Manolo, don't do that. - Why?
Because it's bad luck.
Why do we want such a big house?
Candela, what's in town?
- Nothing. - Nothing.
We are in Madrid. Madrid is the future.
Let's give the kids a chance . And us too
what a good need we do.
Come on, you'll see how happy we are going to be here.
[If I were queen of daylight,]
[from the wind and the sea ...]
Excuse me, but I have to go.
I hope you enjoy it.
Welcome ... to your home.
What have I told you, Rafael? Not inside the house.
Why do you put that there?
For good things to happen to us.
Isn't it going to happen to us like in the town?
- No, everything will be better from now on. - Someone help me?
Come on, run, go. Go with your sister.
- I will help you. - No, not you, Rafita.
Which is my room?
The one in the background.
Rafita!
- Mom, Mom, I scared Amparo! - This kid...
Watch your feet there.
More for the background, to the living room.
There, next to the table.
Watch out. Watch out, watch out, watch out.
- Sorry. - With that you fix everything?
Amparo, come.
Go take your things to your room, come on .
- Candela. - Than?
- Where do I leave this? - Where you want.
You like?
Why do I have to sleep with Grandpa?
- Because it is so, son. It is so. - Can't I sleep with Amparo?
Your sister is older.
Amparo, what are you doing?
You know your father doesn't like closed doors.
Is not my father. Well, it's my room, right?
Yeah, but this room is in this house.
I know, you do n't have to remind me.
You can leave the door open when you leave.
- Are you going to throw it all away? -Yes.
If you want something you ... I'm not going to wear any of this, it's horrible.
This is pretty.
Although the color green ...
it does not convince me.
Anything else?
Yes, can you go bathing Rafita?
- Now? - Now. I'm going to make dinner.
And from tomorrow you will have to take care
of your brother while we work.
Candela, come take care of the child for a moment.
Ya va.
Can you stand still?
Are we going to stay here long?
I suppose.
Well, I liked the house in the village better .
Can we play again?
Again?
"Porfi"...
Don't you prefer to play with grandpa?
"I see I see".
- "Do you see?". - "A little thing".
"What little thing is it?"
"Start ... with the P."
["What will I be? What will I be? What will I be?"
- Hair comb! - No.
Pared.
- Hair. - You will not guess in life.
Come on, tell me what it is.
Paris.
- What is "paris"? - A place that does not smell poor.
Come on, that's not worth it! It has to be something you see.
- Stay here a moment. - Voucher.
Grandpa, what are you doing?
¿Rafa?
Rafa, open the door.
Rafael, stop playing, our dinner will be cold.
Rafa, what are you doing? Why don't you open?
Rafa, what are you doing?
- Mom, Mom, there's someone inside! - What happens? What are those voices?
Rafael is inside! You've closed the door, I can't open it!
- Rafa! Rafa! - Get away!
- How do you think of leaving the kid alone? - He could have killed himself!
- Where is your head, Amparo? Where? - I've seen someone, I swear.
What have I told you? What have I told you? No closed doors!
I don't want any more nonsense in my house, do you hear me?
"Bless us, Lord, and bless the food that we are going to receive ..."
Take advantage.
Pass me the oil, Pepe.
- Father, eat. - Come on, Rafita, hit those potatoes.
To eat.
What's up, Amparo?
I do not know. No...
I think I'm upset from the trip, I'm going to bed.
- What is it, my love? - It scares me.
Grandpa is not well, he needs this machine to sleep.
They are like the local crayfish.
Close your eyes.
So, very good.
Imagine that they are singing to you.
Best?
Good night, precious.
Good night mom.
Rafa, what are you doing?
It's magic.
The bill will be magical as long as you don't turn it off.
Turn off, let's go to sleep.
Look, Manolo, that's line 25.
Here we all help each other. Every two hours you can throw a cigarette.
And if you need to go to the bathroom, then tell a partner to cover you.
Any questions you have, you ask me, okay?
- Yes of course. - I am Miguel. Welcome.
Thank you.
Welcome. Have a happy shopping.
- Thank you so much. - Thank you so much.
The important thing is that you always smile.
That and that you meet the sales objectives . That is also very important.
- Oh, and always wear a lipstick. - Is it important too?
It is very important.
Let's see, stop. Let.
So.
Pepe,
you'll see how you are going to find something.
This is not like the town, there is room for everyone here.
Even for us.
I did not want to leave.
And me? Do you think I wanted to go and leave Mateo?
But here we are, you have to take it easy.
You have hot milk in the kitchen
in case you want to have breakfast before you go looking for work.
Rafael, how many times have I told you not to play with the spinning top here?
It is that, if not, I will never learn.
Look, you're messing up the floor. It's over, give me the spinning top. Already.
Sorry.
We go to breakfast?
Come on, Rafael, please, have breakfast.
- Do you want me to give it to you? - I can do it alone.
Ah, well.
But you eat it all, huh?
Yes Yes.
If that?
Raffite.
- What do you say? - You asked me.
No, I haven't asked you anything.
[You asked me.]
Grandfather?
Don't move, did you hear me?
Than?
Much.
[One balloon, two balloons, three balloons.]
[The Moon is a balloon] [that escaped me.]
[One balloon, two balloons, three balloons.]
[The Earth is a globe] [where I live.]
[One balloon, two balloons, three balloons.]
[The Moon is a balloon] [that escaped me.]
[One balloon, two balloons, three glo ...]
[Tralará, larita,]
[I am very happy.]
[Tralará, larota,]
[I am very happy.]
[I'm waiting] [for my little grandchildren to come.]
[I have prepared cookies ...]
[But what a handsome boy.]
[And what greater.]
[What is your name? Let's see.]
[Aren't you going to tell Grandma Berta]
[What is your name?]
[I'm going to be very sad.]
Rafael Olmedo Jiménez.
[What a nice name.]
[Tell me one thing, Rafael,]
[Do you feel like ... playing?]
Grandpa, for God's sake, can you tell where he's going?
To the farm.
But what farm? If we no longer have the farm, we will sell it.
I have to get the shotgun.
Your father sure knows where he is.
He wouldn't have brought us to this house.
He also said he would see where we are again.
Grandpa, please, let's go home.
He's going to take it away.
To who? What does it say?
She.
["I see I see".]
-"Do you see?". [-"A little thing".]
"And what little thing is it?"
["Start with the letter ...]
[B.]
[What I will be? What I will be? What I will be?".]
Paris?
[No.]
Peonza.
Pepe knows how to put it in his hand and everything. He is going to teach me.
[And you?]
[Don't you want to ... try?]
They won't let me throw it away.
[But now you're ... alone.]
Protection.
[Amparo is gone.]
[He's alone ... with me.]
[I'm going to call a friend] [to come take care of you.]
[She knows a lot of games.]
[You can't imagine the desire] [he has to ...]
[meet.]
Grandpa, stay here and don't move, will you?
I have enough already.
Rafael, have you finished breakfast?
¿Rafael?
Rafa, salt.
Stop playing.
¡Rafa!
[Good,] [they left me some cookies.]
[They will come here now.] [I'm very nervous.]
[No, it's not them. It will take a long time.]
[Ten, the gun.] [Pim, pam, pum. Shoot alone.]
[Oh, what nerves ...]
Very good,
Do you want to add something else?
My father went out into the street.
It becomes disoriented.
Not well. He has something on his mind, no ... does not rule.
- And my daughter came out after him. - And left the kid alone?
Good.
We have reviewed the building from top to bottom: storage rooms, roof terrace, the spark ...
We have asked the shops in the area and they do not know anything.
And that's it? Won't they do anything else?
We are going to notify all police stations in Madrid.
The best thing is that they take us off the phone, just in case.
We still don't have a line, we just moved in.
We will come to see you if we have any news. Sir, madam, good night.
Manolo, can't you see that ...?
I know, you're right. Come on.
- Where are you going? - To look for it, I will not wait.
- And I also. - I'm going with you.
No, we come every little bit and we will tell you.
I am not going to stay dying of anguish.
- I can go? - No, stay with Grandpa.
We will find it.
[Protection?]
Rafael, where are you?
[Don't leave me alone.]
Honey, we won't leave you alone, but you have to tell me where you are.
[I do not know.]
Vale.
What do you see around you?
[Shh ... That he will hear you.]
-Is there? [-Yes.]
Is that a man or a woman? Tell me.
[He has seen me.]
¡Rafael!
Mother!
Rafael! Rafael, are you there?
¡Rafael!
- Please help! Help! - Can you tell what those voices are coming to?
- Amparo, what is it? - It's Rafael, he's in there. Listen to it.
- Rafael? - Impossible, nobody lives in the third.
- My daughter says she has listened to the boy! - Father, I've heard it. It's in there.
Apartaos.
Rafael, son!
¡Rafael!
Come? There is no one, the apartment has been empty for centuries.
Is here.
I think I have a flashlight at home.
¡Rafa!
Rafael, darling!
Come out now, kid.
Rafa.
¿Rafa?
Rafa, are you there?
Father.
Oh my God.
Rafa, it's me, Amparo.
Rafa, come on, come out, nothing happens.
Rafa.
Doesn't this wall face our house?
Yes.
Protection!
- Amparo! - Amparo!
Protection! Protection!
- Amparo! - Amparo, what's wrong with you? What's wrong?
Amparo, it's me, look at me! Look at me! Look at me, look at me, look at me!
What's wrong?
Daughter, what is it? What happens?
Daughter, look at me.
What happens? What's up, Amparo? What happens?
- There is nothing here. - Have they found it?
Help me get her home, please.
Come on, come here. Come here.
Come.
That's it, that's it.
It's over, it's over, it's over
How are we going to go to work without knowing the child is there?
We've only been at work one day, we can't miss it anymore.
We need the money to pay the mortgage.
Candela, we have to go to work. We have no other choice.
The calf says she is sure she saw it.
- Don't start again, please. - She saw it.
There was no one there, there was no one.
Whatever you see you saw, or imagined or ...
Well, because of the nerves or ...
- What do I know, I don't know. - But where is it?
You said we were going to do well in the city . We were going to do well in the city.
I can't leave this house without my son.
Candela, look at me.
You are afraid, it is normal. I have fear also.
But we cannot lose our minds, nor hope.
We can not.
They hurt my heel.
I'm sure it's okay.
How do you know?
Because I am his father.
Hello?
Do I speak with Susana?
Yes Yes.
No, no, no, you don't know me.
Mire,
I live at Calle Manuela Malasaña, 32, at 3rd B.
I wanted to ask you if you knew the previous owner.
Listen? Suzanne?
Cut it up, girl.
Hello?
Excuse me, can I help you with something?
Have you come alone?
Lola, honey.
- Excuse me, I don't know what happened. - What is your name?
- Me? -Yes.
Candle.
Excuse my daughter, she gets nervous when I'm not around.
He must have seen something in you.
If I can help you with something ...
Lola wants me to deliver this to her.
If you want my partner to come or ...
Read it to your children.
- But ... - He's going to help them.
- Is everything okay, Mrs. Dávalos? -Yes.
Do you need us to take it to the dry cleaner?
I already take care of it.
Yes, of course. Sorry.
¿Clara?
Hello?
¿Clara?
Clara.
Hi.
Grandfather?
[I am the one]
[that chases you every night.]
[I am the one]
[who, for loving you, no longer lives.]
[The one who waits for you,]
[the one who dreams of you,]
[the one who would like to own]
[of your love, of your love.]
[I am the one ...]
Grandfather.
Grandpa, it's burning.
[Protection.]
[Help me.]
[You have to get me out of here.]
[Help me.]
[Picks up the phone, Amparo.]
[Cógelo.]
¿Rafael?
¡Rafa!
Rafa.
Close your eyes.
Rafa...
Rafa.
You're good?
¡Manolo!
- Manolo! - Yes here.
You have a call, something from your son.
Now I'm listening to your little heart.
In his state it is normal that he does not speak,
it may take a few days to do it again.
I have a grandson of the same age. You have to have a thousand eyes with them.
So much time in the dark has been able to cause shock.
When he recovers his voice, he will surely tell them what happened.
It is best to rest and avoid any startles.
- Very good. - Thank you very much doctor.
- You're welcome. - Here.
Manolo.
Than?
I don't like this house, I don't like Madrid.
It's not being easy for me either.
I thought I can talk to my cousin
that can put you as a temporary.
Candela, listen. We don't have a penny.
Everything we had we have put in this house.
We cannot go back.
Come, rest.
- What if God is punishing us? - Here we go again!
- We can't even get married. - I do not want to talk about this topic again,
¿vale?
I don't want to, it's over.
Protection.
- What are you doing up? - Nothing.
- Are you going out? - No, no, where am I going?
You look very pretty.
Mother.
Dime.
Nothing.
What happens?
You see something?
Candela, the power has gone out.
Good grief, this is from the year of the polka.
Protection.
"I see I see."
["Do you see?".]
Candela, what is it? Where are you?
Protection.
Amparo, what are you doing?
Fuck.
Mother!
[Own.]
- Mother! - Manolo, take my father!
Protection! Protection!
Pepper! Pepper!
[Own.]
- Amparo! Protection! - Mother!
Get away!
Run!
They are 360 ​​pesetas a night.
390 with bathroom. Can I have the family book?
The family book?
I don't think we have it on top of us. We had to run.
Well, I can't let them stay if they don't teach me the family book.
I pay you for two rooms, but let us all stay together.
Tomorrow I want you out.
"Our Father, who...
that you are in heaven,
Hallowed be thy name.
Come to us...
Your kingdom."
"Your will be done on earth as it is in heaven.
Give us our daily bread today.
Forgive us our debts, as we forgive our debtors.
And do not let us into temptation,
but deliver us from evil. Amen."
Tell me?
I have consulted it.
Thank you very much.
We gave them the money and now they have to pay it back.
Things happen in that house.
What things? Do they have leaks? Is there a plague?
- There is a spirit ... - We don't mind losing the ticket ...
nor the bills that have already been paid.
Surely there is something we can do, sell the car.
Gentlemen, a mortgage is forever.
That's why they signed a life insurance policy.
I warn you that you must continue to pay your debt rigorously,
whether or not they live in that house. Good Morning.
Listen to me. Listen to me, fuck ...
- I got fired. - How did you get fired?
I have disappeared without explanation. What were they going to do?
- Come on, Candela, calm down. - How do you want me to calm down?
Give me time. Right now I can't think, but I'm going to fix it.
I swear.
I'm not going to put my children on that floor.
And what do we do, we sleep in the car under a bridge? What are we going to do?
Candela, where are you going?
Someone will have to raise this family.
[Give them ... Give them ...]
Give them ... Give them ... Give them ...
Give them ... Give them.
What do you do?
Did you want to personally deliver it to the customer?
I would never think of doing something like that.
You're running late and have barely any sales.
At the end of the month you will have to explain yourself.
- Julia ... - I'm really trying.
I really do try, but you don't make it easy for me.
Say your name, I trusted you, even knowing not ...
Even knowing what what?
I don't know what I expected from someone who gets into bed with his brother-in-law,
having his sister dying in the next room.
Haven't you had enough ...?
making life bitter in the village,
that you also have to rot it here?
Don't get into my life anymore.
Good afternoon.
- Good afternoon. - What I can help?
- I come from Galleries. - Leave it to me if you want.
May I speak to the lady of the house?
No this. But, come on, I can deliver it to you without problem.
Rosario, who is it?
You already know Lola, right?
He can hear you perfectly.
Hi.
Why did you take so long to come?
What did you see when we met in Galleries?
How did you know?
Lola sees things that others do not see.
Presences need
a weakened mind to communicate,
a mind that does not put barriers
to enter it.
Some people are in the world for a reason.
That is Lola's reason.
It must have been terrible what happened on that floor
so that the former tenant does not want to leave.
But why? That's what I do not understand.
We are not to blame for anything. Why don't you leave us alone?
Lola knew how to see it in you and continues to see it.
Your husband and children already carry that pain with them.
What are you trying to tell me?
You can leave, sell the apartment ...
It is the same, it is already inside.
The pain will haunt you until you can calm it down.
Can you help us?
He wants something from your family, Candela.
Something you have.
Pepe, where were you?
How do you think to leave your brother alone with everything that happened, man?
It's ... what they gave me ... for the metronome.
Have you come home?
Missing ... twelve pesetas
of the subway.
Hi.
Doña Susana López García?
On the phone you sounded different.
How old are you?
- seventeen. - Seventeen years,
Holy Virgin.
Are you OK?
No. Come in.
Thank you.
- Have you done this before? - Ever.
- And Amparo? - Wasn't he with you?
He said ... he ... was ... going to find you.
- We have to wait for your daughter. - Why wait?
- Manolo. - No, not Manolo.
I don't know why the kids have to be here.
You can help us, right? Do what you have to do, but alone.
This is not done that way, Mr. Olmedo.
Ah, it is not done that way. And how is it done?
He wants us to go inside.
Different ones come every day. They keep me company.
Thank you for having me. I thought after talking on the phone ...
I don't like phones.
But come on, come on, I'm not going to eat you.
Today Julia will be here with you, darling.
Mother...
It's okay, son.
Dona Susana, I don't know if you could tell me who lived in the house.
Why do you want to know?
Your phone number is the only one listed in the phone book.
And on the bills.
He always called.
But I didn't answer him.
Who was?
How many are you in your family?
My mother, my grandfather,
- Manolo ... - Brothers? Any child?
- Rafael. - Age?
Five years.
And what has he done to him?
He took it, but he's already given it back to us.
Because a child is coming.
I can still smell the bellies.
Didn't you live alone?
Friend.
Blessed Christ.
My girl.
Doña Susana?
I think I'm going to leave.
It's not me.
- What's going on? - Don't touch her.
Punishments did not serve him.
My father locked it in the clock.
She would slit her throat to cry until she pulled it out.
But it didn't matter
the next day he would do the same again,
I was taking my green dress.
My father went crazy when he was walking down the landing,
with the heels,
faking a pregnancy.
Holy God.
There was one day my father ran into him with the neighbor in the basement.
He beat him up so badly that he nearly killed him.
It was her brother.
And do you know what it said?
That it was not Miguel,
that we call him Clara.
The child is ours.
Don't hurt them
they are not to blame for your misfortunes.
You have to go.
He didn't realize he was hurting us.
Did you live alone all your life in that house?
We couldn't let him out, he was obsessed with being a mother.
That's why he took your brother.
When he found out you were pregnant, he released it.
Now he wants your son.
Imagine what they would have said about us if they had seen him like this:
dress and makeup.
My parents would not let him go out even to the street portal.
When my parents were absent , we divided the apartment in two:
the third A mine and the B his.
I had to leave my house to avoid listening to the gossip of the neighbors.
What a shame.
Since then I have not wanted to know anything about him.
He called constantly until the night he died.
And then the phone stopped ringing.
Maybe all he needed was a little company.
No,
he didn't deserve it.
Why couldn't it be the same as the others?
What would it have cost him?
Because of him we could never be a family.
- They could, but they didn't want to. - No!
It was a freak!
Be clear about one thing.
If there is something that you have not achieved in life,
I assure you that he will keep trying after he is dead.
"I believe in God the almighty father, creator of heaven and earth.
I believe in Jesus Christ, his only son, our Lord,
that it was conceived by the work and grace of the Holy Spirit.
I believe in the forgiveness of sins, the resurrection of the body
- and eternal life. Amen. " - No!
"I believe in the all mighty Father God..."
Rafa. Rafa.
Lola! Lola, no, daughter.
Mother!
¡Rafael!
Let go of my brother!
Lady.
No.
I know what they did was horrible.
You deserved a better life, not all of this.
Sorry, Clara.
Damn!
Own!
You have to go.
Father!
- No! - No!
Do they have it all?
I will let you know if there are any interested buyers.
Don't worry, no one is going to find out what happened in the house.
At least with her husband's insurance
have been able to remove the slab of the mortgage
and they can return to town in peace.
Send me the sewing machine as soon as I can.
- Give to me. - No, I can.
- Amparo. - Pepe ...
Everything is done, mom.
You will be fine, ma'am.
To the train station, please.
[You confused a dream with a plan.] [Welcome to the big city.]
[No one is going to give you a cable,] [they won't even look at you]
[when you pour yourself down the drain.]
[It is not even bad anger,]
[it's just that you look like, you're nobody.]
[So you understand that what you have] [at home is the important thing]
[or whatever comes next is not going to be easy.]
[Nor am I afraid of fire]
[nor to his insults,]
[what I'm afraid of is]
[to see a wall ...]
[that grows]
[between you and me.]
[Everything is so big, everything is so cold.]
[The monster knows]
[that divided ...]
[can us.]
[Don't walk away from me.]
[You do not believe me.]
[I'm asking you and you don't believe me.]
[You look at me and you don't believe me.]
[It's me, but you don't believe me.]
[Tell me you believe me and everything will be fine.]
[Tell me you believe me one last time.]
[Tell me that you believe me and don't lie to me.]
[Lie to Me. Trust me.]
[No one escapes.]
[The end of everything that happens out there] [is always coming home, yes.]
[The city is hostile, I know, but it holds on]
[when things are going well at home.]
[Nothing scares me.] [And it was the other way around, which terrifies me]
[is what I can find when I return,] [because I will always return.]
[You and me, believe me.]
[You and me against this city,] [we don't care about the rest.]
[We must be a home,]
[be our oasis of peace.]
[You and me against this city,] [the rest of us don't care.]
[We must be a home,]
[be our oasis of peace.]
[You do not believe me.]
[I'm asking you and you don't believe me.]
[You look at me and you don't believe me.]
[It's me, but you don't believe me.]
[Trust me.]
[Tell me you believe me and everything will be fine.]
[Tell me you believe me one last time.]
[Tell me that you believe me and don't lie to me.]
[Lie to Me. Trust me.]
[Sorry, there is a mistake I guess,]
[because I don't think I know her.]
[Than? Who are you?]
[Do you want me to call someone?] [Okay?]
[I don't know what it says.]
[Excuse me, but don't yell at me.] [I ask you to calm down.]
[How? Malasaña 32? Does not exist.]