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♪ ♪
ANNOUNCER: In 1991, she became the first female
late-night talk-show host on a major network.
ANNOUNCER 2: Tonight with Katherine Newbury
is the gold standard...
ANNOUNCER 3: She has hosted over 6,000 episodes,
winning 43 Primetime Emmy Awards...
ANNOUNCER 4: She's brilliant.
She is excellence without compromise.
ANNOUNCER 5: Ladies and gentlemen,
please welcome to the stage
-this year's recipient... -Three, two.
...of the American Humor Award,
-Katherine Newbury. -(cheering and applause)
KATHERINE: Thank you so much
for this incredible honor, although I do have to say
I think America is in a tough spot if it's giving
this amazing award for American comedy to an Englishwoman.
-(laughter) -I guess they're right--
foreigners are taking all your jobs.
I mean, what happened?
Is there no one funny left in the country?
Is Martin Short dead?
What about Jerry Seinfeld?
Or how about Alec Baldwin?
I mean, come on.
Did someone blow up the Hamptons?
Whatever the reason, I'm assuming I'm here because,
28 years ago, you gave me the greatest honor of my life.
You made me the host
of Tonight with Katherine Newbury.
(cheering and applause)
Oh, God. (groans)
I have hated many pairs of shoes in my time,
but none more than these.
And everything hurts. I'm in hell. How are you?
-I liked your speech. -But you have notes.
-I know you have notes. -My only note is
-to drink as much as you want. -I ran into Steve Martin.
-He sends his love. -He sends his love?
Jesus Christ. How sick do people think I am?
Oh, please don't die before I get home.
I haven't got the strength to organize your funeral.
-(chuckles) Go party. -Are you kidding?
My Spanx have actually cut off the blood supply to my head.
-I'm going to bed. -(laughs)
-Good night, my love. -I'll see you tomorrow.
(laughter)
You know what I hate?
Those friends who are like,
"Oh, can you take off your shoes?"
Nope, not taking 'em off.
You know why?
'Cause this is not Japan.
It's the United States of America.
Next time you go to a friend's house
and that friend says, "Ooh, hold on,
can you take your shoes off?" here's what you do.
You take one of their shoes,
-and you take a shit in it. -(laughter)
All right? Right in front of them.
Boom. You're welcome, America.
(sighs): Oh, what a wanker.
(phone ringing)
RECEPTIONIST: Tonight with Katherine Newbury.
So, how did the speech go?
Did you like what the writers wrote?
Well, I kept the last line.
"Thank you for this honor. Good night."
I'll take that as a no.
Okay, so the network has been trying to contact us.
You have to call Caroline back.
Oh, I was just reading about her. Yeah, here.
Listen to this: "As a female president of a network..."
Don't start any sentence with: "As a female..."
So tacky.
"I want to remind my network
"that show business is still business.
When I was at Harvard Business School,"
where, apparently, she majored in name-dropping,
"I learned that if we're not hitting prospective consumers
"in all four quadrants, we are not going to make
a return on our investment." She sounds hilarious.
-I can't wait to call her back. -Great.
And Gabe Eichler is waiting to talk to you.
-I don't know who that is. -He's one of our writers.
Whoopee.
I'm in a single-income household,
and Jen and I just had our second baby, Taylor.
Adorable, huh?
She takes after you.
(chuckling): Yeah. Thanks.
So there's just a lot of expenses
at home right now, and... I think it's time for a raise.
I see.
This is actually very exciting to me.
-Really? Great. -Because what you're describing
is the most clear-cut example of the classic sexist argument
for the advancement of men in the workplace.
You're asking for a raise not because of
any work-related contribution you've made,
but simply because you have a family.
And that's why, in the 1950s, family men were promoted
over the women they worked with.
I've never encountered it, actually,
in such a clean, teachable way.
I don't think that's at all what's happening.
I can't give you a raise, Gabe.
-It's like giving a raise to a drug addict. -What?
Well, your situations are virtually identical.
A drug addict makes certain decisions
outside of work for their sense of self
and comfort, and then the addiction
demands more time, more energy, more money, just like a child.
-My child's like a drug problem? -Exactly.
You want special treatment. I'm sure you can see
how unfair that would be to a single man or-or woman.
There are no women on this staff.
-Gabe. -And the reason there aren't any women
is because you hate women.
So you can sit there spouting all this
pseudo-feminist bullshit, but we all know
what's going on here.
We need to hire a woman.
You're fired, obviously.
Just so you know,
this show sucks and has for years.
Everybody's here for the paycheck.
That would mean so much more coming from someone with a job.
(quietly): Sorry, man.
Yeah, sorry.
Bradley, I don't hate women.
I don't think you think you hate women.
What does that mean?
I think you might have a problem with women.
I love Mary Tyler Moore. I love Gilda Radner.
They're both dead. I-I think you have a problem
with living female writers on your staff.
You never want to renew their contracts.
Well, find me one worth keeping.
-Would a gay guy work? -No!
(horns honking)
♪ ♪
"I have spread my dreams under your feet.
Tread softly because you tread on my dreams."
God!
Okay, all right, all right.
(elevator bell dings, doors slide open)
(indistinct chatter)
Oh, there's my guy.
-How are you, buddy? Hey. -Good.
You guys remember my little brother, Hayes, right?
-Hey. -He's the funny one in the family.
-Oh. What? -Wait, someone in your family is funny?
-(light laughter) -Hey, man.
Hayes, your timing could not be better.
-Gabe got fired last week. -Oh, yeah.
See, Gabe asked if he could go home
and have dinner with his kids. Suicide.
Yeah, so listen, so when you go in there, okay, no commitments.
-Okay. -No girlfriend. All right?
-You're a monk. -All right.
-Monk. I'm a monk. -Dad already called the network.
-You got this. -(whispers): You got this.
-Thank you. -Good luck, man.
-Thanks. -Text me after, okay?
All right.
So, you worked at "Chemical Plant."
Is that a cable show?
No, it's a place.
It's a... a chemical plant.
I still work there, actually.
How did you even hear about this job?
Your submission came from Margaret Yang
at Human Resources.
At the chemical plant where I work,
there is a corkboard--
you know, where people hang notices
for bikes, futons, missing cats--
and one day, I saw a notice
for a company-sponsored essay contest
where the prize was you could meet any executive you want.
-An essay contest? -Yes.
To meet an executive, like...
the head of the chemical plant?
Yes, I think that's what
you could have picked, traditionally.
-But you didn't? -No.
I picked Vernon Gleason, the chief operating officer
for all of Mainline Chemical, which owns my plant,
but also owns Comtech, which owns this network,
which owns Tonight with Katherine Newbury.
(laughing): So... so you went
to our parent's parent company
in order to make this interview?
-Yep. -And you have no experience in comedy?
No. No, I'm obsessed with comedy.
No, I've seen every episode of this show.
I-I've read every book written about it.
-I do a little stand-up. -Where?
If you have a problem, ask a chemist.
-She'll always have the solution. -(laughter)
Which kills with people who know about chemistry.
And I'm actually emceeing a benefit
in the city pretty soon.
-It's kind of cool. -Um...
"Cancer Isn't Funny: A Night of Comedy
in Support of Lung Cancer." Jesus Christ.
(phone ringing)
-Yes. -KATHERINE: Yeah, it's me.
Did you hire a woman yet?
-Uh, working on it. -What's taking so long?
The submissions haven't exactly been the strongest.
KATHERINE: Just hire a woman!
(click, dial tone)
I also wanted to add
that I live with my aunt and uncle
and 11-year-old cousin in Queens.
I have no friends, no boyfriend.
I am a monk.
This job would be my entire life.
Would you consider yourself a litigious person?
-Litigious? -A TV writers' room is...
it's not very PC. It can be a pretty masculine environment.
Oh. I saw most of the writers.
I'm not overly worried about masculinity.
(chuckles): Oh.
Uh... you're hired.
For 13 weeks-- and if it doesn't work out,
which it probably won't, you'll be gone.
I can't believe this.
I thought this was going very badly.
It did, and then it didn't.
Okay, here's my spiel to all new writers.
Nothing funny happened after 1995.
Don't talk about the Internet.
She doesn't want to leave her desk.
She certainly doesn't want to leave the office.
-Here's the new schedule. -Don't rock the boat.
Oh, but don't use the expression,
"Don't rock the boat," 'cause she hates it.
Got it?
Didn't you pitch us this same exact thing last week?
-Yes. -I didn't... okay, well, I did
-a different iteration. -Pitched that same thing.
Hey. Guys, uh, this is, um...
-What's your name again? -Molly.
Malee. She used to work at a chemical plant,
and now she's working here.
Oh. Oh, thank God. We're starving.
Uh, can you find out what
the soup of the day is at Au Bon Pain?
MANCUSO: Oh, and I need you to send some packages
back to L.L.Bean for me.
She's not a production assistant, dipshits.
-She's the new writer. -Mm-hmm.
Hi.
So, you start tomorrow at 10:00.
-Great. -Okay.
(door closes)
♪ ♪
RECEPTIONIST: Tonight with Katherine Newbury.
(sighs)
(chuckling)
Are you okay?
I'm so happy, I feel sick.
(Molly sniffs)
That's our show, everyone.
I hope I earned the privilege of your time.
-(buzzer blares) -(cheering, whistling)
-Brad. -Yeah.
Who is the woman who was the second guest?
Dianne Feinstein?
U.S. Senator?
I thought it was Mike Myers doing a bit in old-lady makeup.
Jesus Christ. Why does she keep booking these boring old broads
when I rep the funniest comedians in the city?
KATHERINE: Probably because I have
a soft spot for boring old broads.
Speaking as one, hello, Billy.
-Katherine, you look gorgeous as ever. -Thank you.
To what do I owe the pleasure of a visit
from the world's pushiest talent manager?
How about getting some of my guys on the show?
It'll shake the dust off of this place.
Dust?
-Well... -Okay, Billy, I think your charm is wearing off.
-I'll-I'll walk you out. -You know I'm right.
MOLLY'S MOM (over phone): Good for you.
Uh, you're going to go celebrate
-with your friends? -Mm-hmm.
-We're gonna go get drinks. -You deserve it.
Okay, Mom, well, I don't want to keep them waiting.
-I better go. -(microwave beeps)
-Was that the microwave? -Oh, no, it's the doorbell.
Be right there, you guys! Okay, I got to go.
(buzzer blares)
Where did that catchphrase come from?
"I hope I earned the privilege of your time"?
It came from me. (clears throat)
Sign of respect for my audience.
(chuckles) Your audience.
Your tiny, proper, catchphrase-loving audience.
It's cute. I like it.
That's a little insulting, isn't it?
Do you know what's insulting? Waiting a week
for one of your employees to call you back.
I apologize. I was away, accepting an award for comedy.
Comedy is the three-and-a-half-minute chunks
of filler on TV between the commercials you sell.
I came to tell you this year is your last.
What?
This season is your last.
You're canceling the show?
No, I'm canceling you.
This show is irrelevant. The ratings reflect that.
Do you want to know who Jimmy Fallon had on
last Tuesday when you had Doris Kearns Goodwin?
Robert Downey Jr.
They washed a sheepdog together.
It was fucking glorious.
I'm sorry, Caroline.
Should I have played giant Connect Four with her
or perhaps sung a karaoke song
on the back of a tandem bicycle?
It's Doris Kearns Goodwin. She's a national treasure.
Agreed. I only wish she'd been an Avenger
instead of writing books about Abraham Lincoln.
-She could be an Avenger if she tried. -Your ratings
have been in a steady decline the past ten years.
You won't even try to appeal to a mainstream audience.
The worst part is, you seem proud of it,
as if it's beneath you to put forth any effort.
It's so... English.
I'm sure that attitude scores you points at dinner parties,
-but unfortun... -I don't go to dinner parties.
Who are you replacing me with?
Well, we haven't decided yet, but...
we will.
I hope I earned the privilege of your time.
KATHERINE: After all the years, the decades
I've put into that show, can you believe it?
As a matter of fact, I can.
They're all a bunch of idiots.
I mean, this is the cyclical nature of late-night TV.
There are gonna be highs, and there are gonna be slumps.
This particular slump has lasted for over a decade.
-What? -The show hasn't been good for years.
Wow. I'm glad your candor's still intact.
Sorry.
But if you felt this way, why, for God's sake,
didn't you say something?
I thought you knew and didn't care.
-No. -Are you sure?
Walter, I have invested in precisely
two things my entire life: you and this show.
I won't lose it now. I can't.
Then you have to fight again.
Something you haven't had to do for a long, long time.
WALTER: They want to replace you.
But they can't replace you
if everyone loves you.
(sighing): Okay, okay, okay, okay.
(snoring)
Good morning!
Oh, my God, you are so funny.
Why am I even awake right now? I'm a stand-up.
I didn't even start my set till 10:00 last night.
Yeah, why did Brad want us here so early anyway?
That makes me kind of nervous.
You're nervous? That's surprising.
Brad's assistant said he saw Caroline Morton here yesterday.
Caroline Morton? Why would the head of the network come here?
Well, hopefully, they don't lay everybody off, you know?
-I need this job. -They did fire Gabe.
-Hey, babe. -Gabe should have been fired years ago.
He once went home early because he had a "bad bagel."
Hey, dickhead, I shared an office
with that guy for 17 years.
-Oh, I heard he got hired at Kimmel. -Fuck him.
I thought you said Kimmel wasn't hiring.
Guys, there's a lot of reasons Caroline could be here.
Maybe she wants to sleep with me.
Hey, man, it's a little early in the morning for you to be
this sexually charged, okay, so let's just... (grunts)
BRAD: Uh, sorry to interrupt your coffee cake
and catching up, but Katherine is in the writers' room.
God.
Uh, if I may, I just want to say,
it is such an honor to meet you, Ms. Newbury.
I'm Chris Reynolds.
Uh, my name is Eugene Mancuso, and when my parents
-got divorced, this show... -I don't know who any of you are.
I don't know who any of them are.
-BRAD: Um... -TOM: Oh, well,
uh, Tom. I'm-I'm Tom.
I, uh... I write the monologue. I'm actually the youngest
monologue writer in the history of the show.
No, no, no. (stammers) Don't care.
-No? Okay. -Do you know what?
I'm not gonna remember any of this,
so here's what we're gonna do. Um, you're One.
Two. Three.
Four.
BURDITT: Hi, Katherine.
Oh, Burditt. Thank God. How's your baby?
She's 27.
Her baby's doing well.
She just started preschool.
-She's, uh... -(makes buzzing sound)
Never mind. I-I don't want to know.
I don't know why I asked, actually. You're Five.
Six. Seven. That's what I'm gonna call you all from now on.
-It's just easier. -Are we allowed to call each other
by our own names?
J-Just learn the numbers, Reynolds.
-Yeah, yeah. -I mean Two.
-Yeah. -TOM: Can One and I switch?
I'm-I'm just... I'm the most senior writer.
I'll take Seven. Seven.
-Lucky Seven. -Okay, can we just
get into it now and see if we can
-salvage anything worth taping? -Yes.
You-you had that "Trapped in the Closet" thing.
Why are you dressed like you work HR at a funeral home?
Pavarti, I don't look like that.
I look professional.
Like I work HR at a law firm.
♪ ♪
(indistinct chatter)
KATHERINE: Um, anyway, but it's something like that.
-BRAD: Yeah, you start. -Okay, um...
Now, but it could be funny.
-That-that'd be your job. -Who are you?
Uh, I, uh... I-I'm Molly.
I'm a new writer.
-Uh, the new female writer. -Yeah, I can see that, Brad.
What are those?
These are cupcakes.
They're my way of saying thank you
-for this amazing opportun... -You're late.
Late?
I thought I was almost two hours early.
Does it look like you're early?
Uh, Brad told her we start at 10:00.
Oh.
Well, get in here, then.
-Should I... -What? You want to sit down?
-Okay. Yeah. -(chatter resumes)
MANCUSO: Oh, that's where Mendelsohn sits.
He's in the bathroom, so...
-Okay. -And that's McCrary's seat.
-Oh. -KATHERINE: Where is McCrary?
I told everyone to be here at 8:00.
Oh, he got a call from his girlfriend,
so it's gonna be a while.
They're actually newly long-distance,
-and I think it's been really hard for her. -Has it been?
Has it been hard for McCrary's girlfriend?
Oh, wow, he must be such a catch.
-Could you sit down, please? -Uh, I-I-I want to.
-I'm trying. -Could you try harder?
Uh, yes.
Oh, okay. I'll just use, uh, this trash can.
There's... you know, there's hardly any trash in it at all.
-Excuse me. Thank you. -Yeah.
Ooh, it's kind of comfortable. Better than a chair.
-You're Eight. -What?
Your name is Eight.
-I'm Molly. -None of this matters.
Why would anyone care what your name is?
Do none of you understand what is at stake here?
I am being replaced as host of this show
because of declining ratings and general lack of quality.
-Wait, what? -The show is great.
Let's see them do 300 shows a year.
-(overlapping chatter) -What do they expect?
What do they know?
-What do you think? -(chatter stops)
Oh, I think it's horrible.
It's terrible.
It's-it's the worst. It's... I hate it.
Please stop saying synonyms for "bad."
Tell me what you think.
If I'm being completely honest, and...
also acknowledging how much of a fan
I am of the show and all of your work,
I think there is room for a little bit of improvement.
TOM: Oh, well, sorry the show
doesn't appeal to the heightened sensibilities
of you and your friends at the factory.
It's a chemical plant, not a factory.
-Whatever. -KATHERINE: Seven's right. It's not the smartest
thing in the world to come in on your first day
and criticize a room full of people
who've been doing this for years, but...
I asked your opinion,
and honestly, I do not disagree with you.
I've been hearing a lot of this recently.
Last night, from the person I know most in the world,
and today, from this person sitting on a trash can
whom I know the least.
But taking both into account,
the show is bad-- I don't know why--
and I think it's your fault.
I love you, too.
Oh, you must be McCrary.
-Oh, wow. -How's your girlfriend?
Good. Really good. Yeah, she just got this new job,
so she's a little emotional.
-She misses me. -Well, she's gonna be
seeing a lot more of you now,
'cause you're fired. Could you see him out?
Now, this is what's gonna happen.
From this moment forth, none of you has a life.
You have no wives, no girlfriends, no kids.
You have only this.
You live this show.
You breathe this show.
When you masturbate, you think about this show.
You're finally going to earn those big, fat paychecks
that have been paying for your divorces
and gym memberships you clearly never use.
Think about why the show is bad,
and come up with ways to fix it.
And, Eight, sit on a chair tomorrow, for God's sake!
Okay.
So...
Can I take the fired man's seat?
We're all gonna be out of jobs.
I'm gonna have to move to Long Island City,
probably sell all my clothes.
-Don't be so dramatic. -Oh, how would you know?
You don't even have nice clothes.
Okay, it's not all that surprising.
Any of your friends talk about the show anymore?
No, it's a relic. Okay? There's no buzz
-about it at all. -No. -TOM: Hey.
It's not a relic, okay? She is an icon.
I mean, it would take them a month
just to remove all of her Emmys.
Well, you know, who knows?
Maybe Little Miss Chemical Plant can help us.
TOM: Please, don't even joke about that.
You know what, Reynolds? Give me one of your Xanaxes.
No, I need all my Xannies now that I'm in the poorhouse.
Molly Patel! Molly Patel,
-the quality control specialist. -TOM: Oh, my God.
MANCUSO: Hobbies include ruining our lives.
TOM: I don't think she's worked a day in television.
You know, I think she's a pathological liar.
I wish I was a woman of color so I could just get
any job I want with zero qualifications.
We talked about this. You can't say that.
(chuckling)
Hey, man.
You remember, uh, Molly from earlier?
Yes. She told everyone the show was bad.
That's her. You'll be sharing an office with her.
Brad? Brad. Brad?
This is nice. Who's that?
That's the guy whose desk you're taking.
He was fired last week.
He was my best friend.
So... you must be pretty new, too.
You don't have any stuff.
Oh, I-I've been here 27 years.
In case I get fired, I don't want to get too comfortable.
So, are you gonna tell me about your day?
It was a bit like trying to mount
a prison production of Hamlet.
But at least prisoners get sunlight
-and exercise once a day. -(laughs)
That sounds very promising.
You always worked best with a captive audience.
(laughs)
Right now it is a hostile environment
in which to be an educated white male.
I mean, it's staggering how unfair it is, okay?
Staggering.
Yeah, they completely overlooked my brother.
All right.
She's, like, a diversity hire or something.
Man, she'll be here 13 weeks.
She's, like, a single mom or something.
Hey.
I'm not a single mom, by the way.
I just look like one.
And I guess I dress like one.
No, I... I-I wasn't talking about you.
-Then who were you talking about? -Uh, my...
cleaning lady.
Your brother lost a job to your housekeeper?
-Yep. -Whatever.
Just so you know, I'd rather be
a diversity hire than a nepotism hire.
'Cause at least I had to beat out
every minority and woman to get here.
You just had to be born.
TOM: Hey, you know, one of my grandparents was an immigrant.
This documentary was insane.
It said, basically, we're all covered
in, like, tiny bugs and...
-Oh. -No cupcakes today.
So, Molly, what is your deal?
Well, I am from central Pennsylvania. I love to laugh.
No, boring. Like, what do you hate?
What neighborhood do you live in? Who are you fucking?
Uh, I, uh... I hate injustice.
(Tom scoffs)
I live with my aunt and uncle in Queens.
And I'm not sleeping with anybody.
-Where'd you go to school? -Luzerne Community College.
-Loser Community College? -(laughter)
-Luzerne. -Oh, 'cause it really sounded like you said "loser."
-Yeah, but why would I say that? -Don't listen to them.
I dropped out of high school and worked at the docks.
That's why I write so many jokes about seagulls.
So, what is the stage like? I cannot wait to see it.
We're not allowed on the stage. Only Brad and Tom.
TOM: Yeah, I'm head monologue writer.
You are? 'Cause you hadn't mentioned it in ten minutes.
-I was worried. -(laughs)
Wait, so you all write on the show,
and you've never been to the stage?
Okay. Okay.
This is how it works.
The writers are supposed
-to get here at 10:00. -Good morning.
I usually get here at 9:00.
Then we go into our offices and read
the newspaper headlines for joke ideas.
Some of us are a little more focused than others.
Then we submit our jokes to Brad, who makes his selects.
That's what makes it in the show.
-Here you go. -I usually get some good stuff in there.
Ah!
Then we meet up in the writers' room
to go over Brad's selects.
-(indistinct chatter) -Oh, kiss my ass!
Then at 6:30, the show starts taping,
and we all watch.
And that is how we make a TV show.
So you never interact with her once the entire day?
Until yesterday, most of us hadn't even met her.
-(toilet flushes) -Oh, my God. I'm so sorry.
I thought this was the women's room.
No, no, no. Wait, wait, wait.
You're right. It is... it is the women's room.
We just... we haven't had a woman here
in, like, ever, so yeah, we use it.
Doesn't Katherine mind?
You kidding me? No, she doesn't come in here.
She has her own bathroom.
We actually... we-we come in here to...
to take a shit.
I don't understand anything about this job.
Well, you're right about not being allowed on set.
It's fucked up.
So, why don't you say something?
(laughs) Like, "See Something, Say Something"?
Because it's not airport security, Molly.
It's a TV show.
And she's not the, uh, classy role model
you've been watching on TV for 20 years.
Hey, you know... you know what?
I'm doing stand-up tomorrow night, all right?
Come see me.
We'll get a drink after.
(door opens)
(door closes)
Okay. Let's get going, everybody.
One, you're up.
I have an idea entitled "Hollywood Zoo."
It's animals that look like celebrities.
-No. -And... or celebrities that look like animals?
Can I? Okay.
"Shrimp My Ride."
"Fancy Pelosi."
"Celebrity Fitted-Sheet Folding Challenge."
Yeah, we worked on that together.
It's where we have you and a celebrity race
to fold a fitted sheet.
(chuckles) You know what? Forget it.
Can I just remind everybody here
that the stakes could not be higher.
-Two, go. -Uh, okay.
So, the Miss America pageant
and the Westminster Dog Show are both the same week.
So I thought, why not combine the two?
We ask the girls to run around in a circle,
and we ask the dogs their take on immigration.
Oh, the Miss America pageant.
The scholarship competition where it's still appropriate
to ask a beautiful teenager from Tampa
who can't afford college
but who can afford breast implants
about world peace.
No, we're not gonna be doing that.
Where's John Phillips?
I want to hear his pitches.
-Um... -Um...
What?
Uh, John died in 2012.
John's dead? Are you kidding me?
About the death of our coworker? No.
Oh, that's terrible.
-He was so funny. -Yeah.
Eight, what?
First of all, I'm very sorry for your loss.
He sounded like an incredible person.
Second, I'm really honored
to be presenting my ideas here today.
Oh, God, I wish I was John Phillips.
So, I thought I would take a step back
and see what wasn't working.
This is what I do at quality control
at the chemical plant, and I thought I would do that here.
The headline of my analysis is "Complacency."
And I noticed that there's three major areas
where there could be a lot of improvement.
The first is your overall unwillingness to do
high-concept recurring bits-- you know, where you have to
physically leave the studio.
Those are the ones that can go viral if executed well.
The second is your total lack of presence on social media.
You seem to have contempt for it, which feels ill-advised
because most of your audience is watching on their phones.
The third: I think people get very excited
when you share your beliefs.
So, what you just said about the Miss America pageant,
that was awesome.
When you reveal those kind of strong opinions,
it's when you really come alive as a performer.
That's when I come alive as a performer?
-Yeah. -Can I see that?
Absolutely.
I just want to say, I'm no longer attached
to this idea in any shape or form.
Thank you so much.
(sighs)
Mm-hmm. (clicks tongue)
So, what's the solution?
Oh, I don't have one.
Just to be clear, you don't have any new ideas or jokes?
No.
KATHERINE: Okay, I've been doing this job
for nearly 30 years, and I know what works.
And I'll tell you what doesn't work:
an absurdly confident newcomer coming in, criticizing my show
and giving me her assessment of my comic persona
without doing the hard work of presenting me with solutions.
This-this room is a ship.
I am the captain, and you have barely
earned the right to be an oar.
Do I make myself clear, Eight?
(sighs) I have not changed.
The audience has changed. They don't want smart comedy.
They want Kevin Hart on a Slip 'N Slide,
so let's just give them what they want.
Who's the most tacky famous person out there?
Reality star?
No, a YouTube celebrity. There was one at the club
I was at last night, and I got trampled.
It was the most glamorous thing that's ever happened to me
-in my entire life. -(sighs) What?
Wait. Come on, we're-we're not really
considering doing this, though, right?
-Mimi Mismatch. -Who?
She is a YouTube star who does comic sketches
in the basement of her parents' house.
-Oh, my God. -Uh, uh, she has
-25 million Twitter followers. -Okay.
My daughters are obsessed with her. She, um...
Just book her, book her, book her.
♪ ♪
-(crying) -(door opens)
Sorry.
I really got to go.
-Oh, God. -I'm sorry. Yeah.
-Or I can... you can... -I... Okay, okay.
Okay.
(Molly crying)
Oh, my God.
(sighs) Okay.
This has to stop.
(crying continues)
-(grunts) -MOLLY (crying): I don't know.
Maybe I should just move back to Pennsylvania.
Can I give you some advice?
You need to shut the fuck up.
Excuse me?
If you hear something you don't agree with,
you have to resist the urge to give your opinion.
I will not be marginalized
by the iron fist of white privilege
that pervades this work environment.
I am not trying to silence your strong female Indian
woman of color spirit, hashtag MeToo,
TransIsBeautiful, blah, blah, blah.
You're still a new writer with no experience.
You need to stop giving advice and write something.
You're a writer, so write.
Okay.
Come on. You get more work done
on top of the desk than under it.
-It's gonna be all right. -Thank you.
KATHERINE (on monitor): ...because of a coyote warning.
Not to worry, though-- they managed to get out
in the nick of time. Beep, beep.
I don't... I don't understand that.
BRAD (imitating Road Runner): Meep, meep. Meep, meep.
Burditt, what are they doing?
They're practicing the monologue.
-It's the Road Runner thing. -Oh, the Road Runner.
-What, the enemy of Wile E. Coyote? -Meep, meep.
BRAD: Yeah, exactly.
KATHERINE (on computer): Today, while President Bush
underwent a medical procedure, Vice President Dick Cheney
was acting president for two hours and 15 minutes,
which is longer than any woman.
-That's it. That's the joke. -(laughter)
Okay, so I think we're good for the monologue
unless I'm, uh, missing something.
I have some jokes for the monologue.
Uh, well, you don't write the monologue.
Yeah, but I wrote some jokes for it.
And I have some ideas for Katherine's hair,
but that's not my job.
Seven, shut up.
Eight, for God's sake, go.
I shouldn't do this in an English accent, should I?
No.
Three Republican senators are proposing a bill
to yet again defund Planned Parenthood.
As always, the men most obsessed with women's sex lives
are the ones getting laid the least.
-(chuckles) -I never thought I'd say this,
but thank God I'm going through menopause.
Good Lord, Eight.
Well, you're the only late-night talk-show host
who can make that joke.
Plus, you're pro-choice, aren't you?
I am. What do you think, Seven?
My philosophy is that the show is generally better
without the specter of abortion in it.
But, you know, that's just me.
I think it's audacious.
Do... do people really want to hear about menopause?
'Cause I-I don't.
I don't know, I kind of liked it.
BRAD: No, no, it is too political.
-We don't do that. -We haven't done that in a while.
Okay, so we'll start with fracking
and we work our way up to abortion.
People would talk about it, for sure. And you believe it.
It's a bit long.
Trim it and put it in the monologue.
Okay.
KATHERINE (over monitor): ...to Vegas,
40 tourists were...
Listen, you've written it out with 40.
No, not make it bigger.
-Make it wide... -That's got to be a word.
-BRAD: Yeah. -Okay, but don't change it now.
There's no point. Okay.
Today, in Las Vegas, 40 tourists were...
Burditt, I'm going to the bathroom.
You never have to tell me that.
♪ ♪
-(bell rings) -(indistinct chatter)
"I have spread my dreams under your feet.
Tread softly because you tread on my dreams."
Is that William Butler Yeats?
-Oh. -(band warming up)
-Uh, yeah, it is. -You're not supposed to be here.
-What? -(band playing show theme)
-All right. -(cheering, applause)
Mimi Mismatch is here.
I got a selfie.
Maybe now my daughters will start talking to me again.
So, you're doing the Planned Parenthood joke?
-Mm-hmm. -Be careful of showing who you are.
Once you turn that switch on,
you can never turn it off again.
ANNOUNCER: Katherine Newbury.
-(crowd laughing) -Yeah.
And I have not seen anyone so poorly received
since I took a peanut butter sandwich
into an elementary school.
(laughter)
It was announced today Starbucks will no longer
be requiring a purchase to use their restrooms.
Oh, no. I'm worried they might get disgusting.
(laughter)
(whispers): My joke's next.
(chuckles) Yeah.
So, there's an owl that's been dive-bombing tourists
-in Times Square. -She skipped it.
KATHERINE: Very dramatic.
Not the only species angry about the price
-of Hamilton tickets, I see. -(laughter)
(band playing show theme)
We're back. I'm excited.
I'm here with YouTube phenomenon Mimi Mismatch.
-(cheering) -(Mimi laughing)
And the bit that launched you into superstardom, really,
was you with your dog... Lenny. Here he is.
And you sniffing his butt, sniffing Lenny's butt,
and you pretend to faint.
(laughter, applause)
Because it smelled real bad. Yeah.
And, um, how on earth did you come up with that?
My dog Lenny had colitis
and, for a while, had a real smelly butt.
So I took my life, and I filmed it,
because I find that the best comedy comes from truth.
How wise.
And these little videos of yours
are your, as it were, contribution to the world?
Your way of pushing mankind forward?
-(laughter) -Well, they're fun.
What would you say was your calling?
My calling?
Yes, I mean, what is it you're most passionate about?
Is it dog butt videos, or would you ever expand
into... cat butt videos, say?
(crowd laughing, groaning)
I know what you're doing.
-Excuse me? -You're mocking me.
You think that because my videos are light and silly
that I'm somehow intellectually inferior to you?
The only reason that I said yes to this talk show
is because my mom said you were smart.
But now I see that you are just a bitter, out of touch,
-old lady who's mean to people she's... -Go, go.
-...never even met before. -Go, go, go, go, go, go, go.
-(band playing) -And the fact of the matter is...
is that you need me, not the other way around.
Bye.
♪ ♪
-(buzzer blares) -Uh, I don't know.
-I'm sorry about that. -Did you not prep her?
(horn honking)
-Who here is good at sex? -MAN: Yeah!
-(cheering, whooping) -Oh, all right, okay.
-(laughter) -Now, I think
that we're all about the same.
All right? 'Cause the truth is there are like ten sex acts.
And-and if you're... if you're an average American guy,
you only need to do the first five.
-(laughter) -That thought is
entering your head: "I'm gonna go to six.
I'm going..." Especially you.
-Do not go to six. -(laughter)
'Cause everybody's number six is different.
What was your favorite part?
MOLLY: You assumed I had one?
Yeah. I was watching you, and you liked it.
I did like it.
I-I like how relaxed you are.
Like you're not doing it for them.
You know, you're doing it for you.
I've never been relaxed a day in my life.
No, I know, you're the hardest worker
I've ever met, besides Tom.
Which is probably why he's so threatened by you.
Well, he shouldn't be. Katherine cut my joke.
It was so embarrassing. I told my mom to watch.
Oh, God. Oh, no, no, no, no.
Never tell your parents to watch the show.
That's like guaranteeing that they cut your joke.
Also, um, get ready for this.
Like, you'll spend all day writing 50 jokes,
and they'll cut all of them, and you will have achieved
as much as if you just stayed at home and called in sick.
Okay.
-So let me get this straight. -Mm-hmm.
-Never use the women's restroom. -Mm-hmm.
Never tell your parents to watch the show.
-Mm-hmm. -Don't decorate your office.
-And be fine being completely obsolete. -(chuckling)
So just don't enjoy your job.
-Uh, exactly. Yeah. -Oh.
Oh, Tom tells me you do stand-up.
-Are you good? -Oh, no.
No, it's just a way for me to test out material.
I am emceeing a show soon.
It's a benefit for lung cancer.
That's random.
Not really. My dad died from it.
Oh, fuck. (stammers)
Uh, were you close?
-With my father? -Well...
(laughing): Yeah, I was. I was.
-Now I feel I bad. -Fuck. I'm sorry.
-I'm sorry. -No, I'm sorry.
Do you need a-a good-looking,
moderately funny stand-up to-to close out the night?
-Wait, really? -Do you know any?
(laughs) That would be amazing.
Why would you do that for me?
Because I'm a nice guy.
Okay, I know you're not.
Look, I know what everyone thinks of me.
But just because I was lucky enough to get this job
doesn't mean I'm stupid enough to lose it.
So, if you think you can sleep with me
'cause you're not gonna see me
after three months, you're mistaken.
Who said anything about sleeping together?
♪ ♪
-♪ Oh, my, my, my... ♪ -Okay.
Thank you. I had a nice time.
"Thank you"? Wait, whoa, whoa.
Wait, wait. Where are you going?
Come over.
Oh. No.
No. Thank you. Thank you.
I just don't think it's a good idea.
Uh, yeah, no, sure. Yeah, yeah, yeah.
We-we can do this dance.
-Dance? -Yeah.
You won't sleep with me now, but you will in three weeks.
That's... I get it. It's a feminist thing.
Are you kidding?
Has this ever worked before?
(cell phone chimes)
Oh, no.
What?
The Mimi interview went viral in a bad way.
(crowd groaning, murmuring)
MIMI: You are just a bitter, out of touch, old lady
who's mean to people she's never even met before, and...
(phone ringing)
BRAD: The Mimi thing will blow over.
Am I like your least favorite aunt?
All my aunts are dead.
I need a publicist.
ROBIN: Making you accessible to the average American--
that's what I do best.
I told Leo, "You want an Oscar?
Fight a bear."
You're not above the American public
or looking down at them. You are one of them.
-You're America's sweetheart, baby. -(Brad laughs)
But you got to put in face time with these journalists,
because they don't want to talk to me, and they certainly
don't want to talk to Brad. No offense.
Yeah, no, no. None taken.
I've been told I have no charisma.
Exactly. So, what if we threw a party
at your house and invited the press?
They could see you in your element.
You are not some cold witch who hates children.
You're cozy and domestic.
-I don't entertain. -You're an entertainer.
-I'm bad at small talk. -You're a talk-show host.
-I'm not a people person. -Oh, honey, that's ridiculous.
If you want to turn this ship around,
you're gonna have to be.
How do you feel about extensions?
♪ ♪
Holy shit, honey.
(chuckles)
(whispers): Oh, what am I doing here?
DANIEL: That's right. What's up, baby?
-Yes. Blah... -WOMAN: Hey, Daniel.
MAN: Daniel, you're funny, man.
Is that, um, that comedian, Daniel...
-Daniel Tennant. -Hmm.
(sighs) Billy Kastner's done amazing things with his career.
"You're welcome, America."
-(chuckles) -BRAD: Oh.
We're gonna get you some face time.
You got to just, you know, be cool about it.
Steve Martin gave it to her.
Costs more than my apartment.
It's so beautiful.
Mm.
Is that a tag?
Hmm? No.
-Well... -Oh, God.
Fuck.
Um, what are you doing after this?
I don't know.
But I w-will keep you posted.
-CHARLIE: Hello. -Oh, God.
-I thought you could use this. -Oh, I could.
-(Charlie chuckles) -(Katherine sighs)
I have never fake-smiled so much in my life.
-Is it obvious? -Very. Yeah.
It's-it's the same smile you had
when you lost your first Emmy to John Oliver.
(both chuckling)
-Thank you so much for reminding me. -Yeah.
-Have you got a cigarette? -CHARLIE: Yeah.
I was... yeah, I was wondering if I'd get a...
-a chance to talk to you alone. -Stop it, Charlie.
It was a mistake, and it'll never happen again.
And that's how I got involved in that charity.
I'm gonna go talk to some other people.
-Oh! -Oh, God. -Oh, shit.
-Oh, I'm so sorry. -Oh, I just got this blazer.
I need it for "Lampoon" hazing next week.
TOM: Hayes, remember Molly?
Yes. Hey, I'm so happy that you got that job.
It's really cool they did that.
-It's important. -Yeah.
Yeah, I think it's important
that they hire the funniest, most qualified people, too.
(piano playing slow melody)
Damn it.
Can I help you?
Uh, sorry, I just thought this was an empty room.
Why were you looking for an empty room?
Uh, just to be alone for a minute.
Not to steal anything.
Uh, although you have a lot of really nice stuff in here.
I'm not a thief, though. My name is Molly.
Hello, Molly, who's not a thief.
I know who you are, by the way.
You're Walter Lovell.
It's such an honor to meet you. You were one of the greats.
"Were." Jesus Christ.
Oh, no, no.
No, I mean, you're still amazing. (chuckles)
I mean, aren't you a professor emeritus at NYU?
"Emeritus" is what they call you
when you're not dead yet
but they don't want you to come in.
(chuckles)
I actually know what that's like.
I write on the show.
Your wife doesn't like me very much.
-Mm. -Why aren't you downstairs
with the rest of the party?
I think people have a better time
when they don't have to pretend they don't notice me twitching.
It's called neuropathy.
One of the symptoms of Parkinson's disease.
A piece of advice:
don't marry a man until he gives you
a complete genetic profile.
(chuckles) Luckily for me, there is
literally no interest from any man.
About Katherine:
Be useful.
Make it so that even if she doesn't like you,
she needs you.
If it's okay with you,
I'd like to stay here a little while
and just listen to you play.
All right.
♪ ♪
You have said "the only true meritocracy is in comedy."
Indeed, yes. I mean, it doesn't matter
where you're from, what you look like,
how much money your parents have.
Funny is funny, and that's meritocracy.
As long as you're white,
male and from an elite college, right?
Because that's all your writing staff is comprised of.
(crowd gasping, murmuring)
MOLLY: I write on the show.
And I definitely didn't go to a fancy college.
Tell me, does Katherine know your name?
I heard she refers to the writers by number.
I am called Eight.
-(crowd murmuring) -Because Katherine said
she couldn't be bothered to learn
everyone's name, so she just
pointed at the writers and shouted numbers
-and named me Eight. -(crowd murmuring)
Yeah, she also keeps us in cages and doesn't feed us.
-(laughter) -But she does let us
go to the bathroom once a day.
No, of course she knows our names.
My name is Molly. You have some bad information.
Yes, you do. This is, of course, Molly.
-Hi. Hello, Brad. -Everybody, let's make some room.
KATHERINE: Mm...
ROBIN: One of the writers, everybody.
-Hi. -How would you describe Molly?
Molly? Molly...
Molly is... (groans)
She said I was the vibrant splash of color
on the gray canvas of our writing staff.
I was really touched.
-Mm. -And then she said something to me
-that I will never forget. -Mm-hmm.
She said to me that,
despite our very different backgrounds,
that I reminded her
-of a younger her. -Younger me.
-ROBIN: Isn't that wonderful? -(crowd murmuring)
I mean... (mimics explosion)
-Huge. (laughs) -Mm...
You know what? Everybody's gonna want to get this.
-(cameras clicking) -Let's get a picture
of Katherine and her beautiful Indian protégée...
-Molly. -ROBIN: Molly.
-(applause) -(cameras continue clicking)
ROBIN: Oh. You guys getting that?
(crowd murmuring)
MAN: Thank you.
Yeah, it's pretty good.
Oh, I think it's going beautifully.
Mm-hmm.
You haven't killed anybody yet.
-KATHERINE: Nope. -(Walter chuckles)
KATHERINE: But it's still early.
You want to come over?
-Uh, yeah, sure. -Oh, excuse me.
-(cell phone alarm ringing) -Thank you.
Oh. (chuckles)
Three weeks. Right on time.
Wait, really?
(laughing): No, I just set that before I came over.
-Very funny. Very, very funny. -Come on.
Billy Kastner.
-Hey. -I guess everybody can get
invited to this party.
(chuckles) Uh, I would like
to introduce you two to Danny Tennant.
-Danny, Walter Lovell. -Hey, man.
How you doing, Walter?
-And, of course... -Wow.
-Katherine Newbury. -Wow.
Classiest couple in New York City
since Diane Sawyer and Mike Nichols.
Danny here-- very funny, very famous,
and currently, every female coed
in the United States wants to lose
-their virginity to him. -Stop. That's... Just half.
-Well, that's gonna keep you busy. -Mm.
And, Katherine, I'm sorry, I have to say, I am such a fan.
I mean, you were such an inspiration for me growing up.
And your comedy is so smart.
You know, I'll-I'll be watching your show, and I have to, like,
look up half the words you say. (laughs)
(chuckles) That's so kind.
Did you take a shit in anyone's shoes yet?
-Um... -You know, from your stand-up.
When you're at parties, you like to take a shit
-in other people's shoes. -(laughter)
That's from the special. You saw the special.
-BILLY: Yeah, well... -DANIEL: Remember that?
-Diarrhea! -(laughter)
Did you enjoy talking to my writing staff?
-Yes. Talented guys. -They are.
Charlie Fain, especially.
So, Danny, what's next for you? Prank show on MTV?
Or an arena tour sponsored by an energy drink?
(chuckles) No, I think, actually,
I'm gonna take a little bit of time off,
you know, and work on some new material
and just kind of kick around some new ideas and stuff.
You're at the height of your stand-up career,
and you're stopping to kick around ideas?
Yeah.
Oh.
Daniel Tennant?!
You're replacing me with Daniel fucking Tennant?!
We're in negotiations with him. Thank you, Margaret.
You cannot do this.
We are working on something back there.
-You have to give us a chance. -You had a chance.
That's what ten years of ratings decline is.
Look, you can make it easy for yourself.
You can welcome him in, make it seem like
you were part of the decision.
Or it can be hard.
The choice is entirely up to you.
Believe me, I take no pleasure in this.
Oh, for God's sake, do me the courtesy
of at least not lying to my face.
(laughing): Fine. I take a great deal of pleasure in this.
Katherine, did you ever wonder if I think you're funny?
No.
Do you think I should think you're funny,
as president of the network you're on?
I've seen six presidents of this network
come and go while I've been here.
Somalian fucking warlords have more job stability.
You didn't answer my question.
If you're asking me if I've ever respected your taste,
then the answer, Caroline, is no.
And if you want to replace me with a meme--
a T-shirt of a man who hides his xenophobia
and, by the way, his hatred of women
behind a congenial frat-boy persona--
just to make yourself seem relevant,
then, by all means, you go ahead.
But I will not allow you to destroy the show that I built.
♪ ♪
You know what's funny? You remember how kids
used to have those, like, little games in their pocket.
-We passed on that. -(indistinct chatter)
Oh.
Where are you going?
Oh, uh, Four and I have that charity comedy event.
-I'm the emcee. -Well, you're not going.
I'm so sorry. I have to go. It starts in 30 minutes,
and there would be no one to replace me.
And who's going to be replacing you here?
Look around the room-- all these guys are staying.
Four's not going.
-Molly, it's not worth it. -I would listen to that.
That's pretty good advice.
I have stayed late every single night this month.
It's for a charity.
-I'm sorry, I'm very torn. -Well, you shouldn't be torn,
and you shouldn't be letting me know that you're torn.
You can't just download your emotional state onto me
and hope that your honesty will somehow exonerate you.
"Upload."
What?
Uh, it's-it's "upload your emotional state."
So, if, um... if you take something
off the Internet, that's "download."
If you put something on, that's "upload."
So, like, if this conversation were the Internet...
-Shut up, Seven. What the fuck? -Yeah.
Eight, if you leave, don't come back.
I made a commitment. I'm sorry.
-(door opens, closes) -MANCUSO: Okay. Okay.
-TOM: Okay, so... -BRAD: Yeah, continue.
(quiet chatter)
Hey, hey, hey. Give me the lineup.
Thank you.
(indistinct chatter)
Okay, so... okay, so here's the pitch.
You are a pirate.
It's 1860s.
(conversation continues indistinctly)
Yeah, no, look, I mean, that's, like,
well, if it's, like she's got
-the parrot on her shoulder... -Right.
My day sucked.
I was fired from my job.
No, yeah.
Really, really, like 15 minutes ago.
I was actually fired for coming here to be with you guys.
And now, looking out in the audience,
(laughing): I'm not sure I made the right decision.
-(laughter) -No, but really,
I got fired, and, um,
I didn't think that was possible.
I mean, look at me, guys.
Look. I am a dark-skinned Indian woman.
-Aren't I un-fireable? -(laughter)
I mean, I'm a token, for God's sakes. You don't...
Why is this for lung cancer?
I think the emcee girl's dad died from it.
-Who's the emcee? -I think she works at Colbert.
-She works for me. -MOLLY: See, now
I'm convincing myself that I-I should've been fired.
-(laughter) -Thank you so much for being here, and thank you
for coming out for this great cause.
Let's keep it going. Our next performer is...
Our next performer, uh, uh...
Okay, this is surprising for a-a variety of reasons.
Our next performer is Katherine Newbury, everyone.
(crowd murmuring)
(cheering and applause)
Thanks. Thank you. Thank you.
Thank you so much. Thank you.
Thank you very much.
Thank you. Thank you very much.
Thank you. Now shut up.
So, I joined Twitter.
I didn't want to. My publicist made me.
And... (sighs) I was okay at first.
I was... with the twittering and the tweeting,
but do you know where it lost me?
Fave-ing. Fave-ing.
Because "fave" is short for "favorite," right?
But you can only have one favorite.
You can only have one.
You can't have lots of favorites. It's stupid.
F-Faves. Faves.
They can't all be your favorite.
It's stupid.
Lot of Twitter fans in the audience tonight, I see.
So, that's not working.
Well, shit, guys.
I don't know. I just don't know.
I guess that's why
they're taking my show away from me.
-Yeah. -Whoa.
Yeah, that's happening.
They're taking my show away, and the thing is...
The thing is, if they take my show away,
I do not know what I am going to do.
I am a woman in my 50s in Hollywood.
I don't know what I'm going to do.
In Hollywood, what am I going to do?
You know what? I've got it.
I could play Sean Penn's grandmother
in the movie where he is married to Emma Stone.
-(laughter) -His childhood sweetheart.
It's so unfair.
I mean, Tom Cruise is the same age as me.
We're the same age.
He gets to fight the Mummy. I am the Mummy.
-(laughing) -You know what? No, no, no.
I'm too old to play the Mummy.
They'd get Anne Hathaway in to play the Mummy
and put, like, Mummy makeup on her.
-(laughter) -I'm probably gonna have to have
a facelift just to do voice work.
I'm gonna have to have, like, Botox and lip filler
just to play the voice of a wise old tree in a Pixar movie.
-(laughter) -You know when you're watching
an awards show, and they play people off with music?
You know, when they've gone on for too long?
I feel like that's what they're doing to my life right now.
They're just, "Get off. Time to die.
"Just fuck off.
"Take that old face and just go.
"Go sit. Go sit in the dark somewhere.
"You remind us all of our ex-wives.
Yeah. The older ones."
(laughter, applause)
Thank you. Yeah.
I hope I earned the privilege of your time.
(cheering)
Thank you, Dee, so very much.
-Get in the car. -Okay.
She's coming back. She's coming back!
Come on, come on, you guys.
(frantic chatter)
Don't push me. Don't push me.
She's coming back.
-Uh, um... -Uh...
(overlapping, indistinct chatter)
-(door opens) -Hey, hey. Look who's back.
-Oh, my God. -(writers murmuring)
-Hey. -Hey.
(sighs) This is my fault.
You were too scared to tell me what you really think,
and I think I was too scared to hear the truth.
I am the only woman in late-night network television,
but I have been doing the same format and the same jokes--
hell, even the same cadences-- as some of these other guys.
So, what are you saying?
You want more jokes about female issues?
No, Seven, I-I'm not asking you
to write me a tight five on menstruation.
I just want to say only things I can talk about.
Nothing is off-limits. If you think it's funny,
I don't care how personal it is.
I am a 56-year-old Englishwoman
who has never given birth or seen a superhero film.
Write to that. You cannot offend me.
If you don't know enough about me, come and talk to me.
I swear I will not scream at you.
I want it to be specific, and I want it to be political.
I'm gonna do the abortion joke tomorrow, and, Seven,
she's writing monologue jokes with you.
Uh... sorry, I'm not
a screenwriting course at the JFK Radisson.
I can't teach a total novice how to write jokes overnight.
(chuckles) No. I hate to break this to you, Seven,
but you're not gonna be teaching anything,
because I want someone who doesn't think in exactly
the same way as everyone else in the goddamn room.
So she's writing monologue jokes with you.
Listen to me, no matter what you hear--
online, from your agents, wherever--
believe only this:
This is my show,
and I'm not going fucking anywhere.
(applause)
Thank you. Thank you so much.
We've got a great show for you tonight.
More good news from Washington.
Three Republican senators have yet again proposed
a bill to defund Planned Parenthood.
As always, the men most obsessed with women's sex lives
are the ones getting laid the least.
(laughter)
I never thought I'd say this,
but thank God I'm going through menopause.
-(laughter) -♪ It's how you dance now ♪
♪ Shakin' your hair around ♪
-(laughs) -♪ Oh, yeah ♪
♪ There's only one you, so do it like you do... ♪
What exactly is wrong with my bits?
To be honest,
you're a little old and a little white.
Okay. Those are facts.
What the fuck can I do about that?
So, recently, someone accused me of being,
quote, "a little bit old and a little bit white."
To which I responded: "I'm very old and very white."
-I never do things halfway. -(laughter)
But what can a person like me do about that?
If I try and fix it, I can come across
as trying to be some sort of white savior.
Then I decided I was okay with that,
so let me introduce you to a new series on Tonight:
"Katherine Newbury: White Savior."
My name is Katherine Newbury. Do you watch my show?
-No. -Nah.
Okay. Well, that's demoralizing.
Could you tell me if there's been any instance recently
where you feel that you've been treated differently
because of the way you look?
-Yeah. -I feel like I can never hail a cab.
You feel like you can never hail a cab?
Let's see what we can do about that.
(whistles)
Here we go. Ah.
Hey, um...
I actually didn't need to go anywhere.
That doesn't matter. This is how white saviors work.
(laughter)
♪ It's how you move now ♪
(chuckling)
-♪ Gettin' your groove out... ♪ -Okay.
-(indistinct chatter) -Okay.
I don't understand why people wouldn't want
to get to know about great journalists and writers.
Because that shit is boring. This is a comedy show.
ANNOUNCER: And now your host, Katherine Newbury.
Now, you are in a show about teen vampires
-called Van Helsing Prep. -(scattered cheers)
And you play a character called Lydia Stoker.
I can see they did a lot... a lot of research for this.
(both chuckling)
It's-it's silly. Whatever. It's for teens.
She actually seems very smart.
ACTRESS: ...even though she's always in a bikini,
-which doesn't even really make sense. -I'd watch that show.
-I'll start to watch that show. -Mm-hmm.
Kind of a guilty pleasure?
Well, you know what I think?
There's no such thing as guilty pleasures--
only pleasures--
and I think Van Helsing Prep is a real pleasure.
You've seen it?
Yes. And your character is reminiscent
of Tess of the d'Urbervilles.
I... What I mean is that it is, um...
it's very hard to pull off.
Thank you so much for saying that.
-I mean, I haven't seen every episode. -(laughter)
Can I hug you?
I... Sorry?
Hug you?
-She wants to hug you. -Yeah.
-Hug her. -Yeah.
Um, yeah, sure.
♪ La-la la la ♪
(Katherine gasping)
♪ I'm gonna dance till I die... ♪
-Heavens to Betsy. -(audience awwing)
Th-th-there, there, there. There, there.
Hey.
Burditt's outside smoking.
No, I came to talk to you about a bit.
Katherine helps people
complain about a messed-up Meal Kwik order?
I don't even know if it's a thing yet,
but do you want to work on it with me?
-With me? -Yeah.
Oh, yeah. Oh, my God. Yeah, of course, of course.
Please. Come in. Welcome.
-I'll-I'll go get a chair. -Yeah.
Or even, like, a trash can or whatever.
-Very funny. -♪ I'm gonna do it... ♪
One of the best parts about being a celebrity
is that if you complain about something on social media,
the company actually takes care of it
because they're scared of bad publicity.
Nobody cares if your flight gets canceled,
but if Chrissy Teigen's does, watch out.
So, I've decided to file your grievances for you.
So, millennial, how did you feel
when your burger arrived without fries?
I-I forgot about it, and then I saw you
on the street, and you asked me...
Devastated. Devastated.
We're so happy we avenged you.
-Great. Great. -(cheering and applause)
Enjoy your fries, everyone.
REYNOLDS: "Playful viral bits
and an overall more engaged demeanor."
-Uh-huh. -"Tonight with Katherine Newbury
is becoming a must-see once again!"
(all cheering)
Now, tell me how you feel you're treated differently
because of the way you look.
-Yeah... -Something small, not systemic.
There's nothing I can do about getting you
-approved for a bank loan. -(laughter)
Into the cab, into the cab.
♪ You like it when I do it like that ♪
♪ And I know when we're moving like that ♪
(laughing)
♪ Ain't nobody else do it like that... ♪
-Thank you so much. -You're welcome.
♪ You like it when I bring it right back ♪
♪ And I know when we do it like that... ♪
No, don't wait up.
Okay, yeah, I love you. It's all good.
I'm proud of you, Katie.
KATHERINE (on computer): Hello, everyone.
My name is Katherine Newbury.
Now, let me ask, does anyone in the audience
suffer from depression?
No? Nobody? I can't really be the only one.
Well, I guess depressed people aren't really
the call-and-response type.
Now, schizophrenics, on the other hand, they're...
they're all like, "Here, here, here."
And that's just one person.
-(Molly chuckles) -(audience laughing)
Speaking of depression, this week for me
has been a total series of disasters.
(Molly chuckles)
It's late.
(over computer): It's been particularly irritating.
-(video stops) -You should be going home.
Were you really depressed?
Or was it just part of the act?
I'm sorry?
I've watched this stand-up so many times
when I was growing up, and...
it always made me feel better.
You know, like, she's talking about it,
and she's being so funny, so...
I must not be weird for feeling this way.
Yes, I was.
Depressed.
I still am.
Come with me.
♪ ♪
And here we are.
Oh, my God.
How many Emmys do you have?
And a Golden Globe? (gasps)
You were knighted?
You're Dame Katherine Newbury?
Mm-hmm. "Knight" sounds so much better
than "Dame," though, doesn't it?
"Knight" is Lancelot and romance,
"Dame" just the old bag who takes too long
in the grocery checkout line.
Wow.
Burditt is a baby in this photo.
That was the first year we won the Emmy.
It was good stuff back then.
Oh, that must be Tom's dad-- I-I mean Seven's dad.
Must be nice to inherit a job from your father.
You know, he's not terrible just 'cause he's privileged.
If his very worst qualities are elitism and snobbery,
that's not really all that bad, is it?
Yeah, well, he thinks I'm a diversity hire.
You are a diversity hire.
What? You think no one ever
accused me of sleeping my way to the top?
I mean, the point is, you're here.
And if you want people to see you as something
other than a diversity hire, you have to make them.
It's not fair, but it never is for women.
I want you to know that you have changed my life forever.
-No, look... -And I want...
No. I don't want you to take this the wrong way, but...
your earnestness can be very hard to be around.
God, why can't I express my admiration for you?
Because successful people hate their own admirers,
and we're suspicious of people who compliment us.
That's horrible. How do you have any friends?
I don't think I have any.
(sighs)
Ah, it's getting late.
♪ ♪
(traffic rumbling, horns honking)
I have bad news.
For sweeps, they...
want you to introduce Tennant as your replacement.
We tried.
DANIEL: I was watching Game of Thrones.
And I'm watching with my girlfriend, right?
And she's like, "Oh, my God.
"This is so unfair.
"All the women are nude,
but, like, none of the men are nude."
-So I whipped out my nuts. -(crowd laughs)
And she's like, "Oh, my God, balls!"
And I'm like, "Hypocrite much?"
Yeah, but that other one got cut, right?
Uh, we can cut it, and we can put this in there
-in its place, so if, um... -Okay.
-Oh, good. -So, if we're running long,
-we can end on the Supreme Court joke. -Okay. Yeah.
-And if not, then we have two more cards ready to go. -Here.
-Okay. -All right. So, why don't we, uh, I don't know...
Okay, I just have to say--
no, no, I-I need to say-- that you don't have to do this.
Stop.
Listen to me. You need to do this.
Introducing Tennant is the classy move.
You make it look like it was your decision.
I mean, it's-it's the best we can do.
No, it's not.
This is your show.
It's an expression of who you are.
Is handing the show over to Daniel Tennant who you are?
I have to prepare.
That's not cool.
Hey. Hey!
Are you out of your fucking mind?
Okay.
You can't tell her stuff like that.
They made a decision, Molly.
Now it's our job-- our-our actual job--
to find a way for our boss
to tell America that she's stepping down
and to do it in a way
that makes her look classy and smart,
and for all of us to save a little face.
Yes, saving face: the most important pillar
in the WASP handbook to life.
Oh, okay. There's no pillars in a handbook,
so get your metaphors straight.
And do you think we want her to give the show
to a douche like Tennant, no, but we don't go rogue
and just say anything we feel.
That's not how things work.
You know what? Fuck how things work.
If I cared how things work, I wouldn't have this job.
(chuckling): Which would be absolutely fantastic.
Do I remind you of a girlfriend that dumped you or something?
Oh, yes, yeah. I-I had a long string of failed relationships
with semi-talented women who overdress for work.
It must be so hard for you.
What?
That we have the same job.
Not the same job, Molly.
You write jokes for the monologue.
-I'm the head monologue writer. -Whatever, Seven.
Walk into a dead end-- that's a... that's a great finish.
Nope, go-go that... Yep, yep.
No, no, you showed me. Walking into-into a closet.
That's great.
♪ ♪
-(bell rings) -WOMAN: And in five,
-four, three, two... -(band plays show theme)
ANNOUNCER: Katherine Newbury.
Now, there are some rumors out there
that you might be replacing me.
(crowd murmuring, gasping)
Uh, well, uh...
you're a legend, okay?
I would be beyond honored.
Thank you.
The thing is, I... I don't want to go.
(laughter)
(both chuckling)
I get it. I mean, who would want to leave here, right?
Your name's on the drum.
Hey, give it up for Katherine Newbury, y'all.
-Make some noise! -(cheering and applause)
Thank you for the noise.
I find myself in a genuinely strange position, though,
because I truly do not want to go.
-Do you want me to go? -CROWD: No!
(indistinct shouting, murmuring)
Uh, we all wish she could stay, right?
-I mean... -(cheering and applause)
Right.
You really wish I could stay?
Sure. Yeah.
(both chuckle)
You really mean it?
(light laughter)
(chuckling): Yeah. Yes.
Well, you know what, Daniel?
I'll stay.
(cheering and applause)
But only because you really, really want me to.
Thank you, Daniel.
(chanting): Kate! Kate! Kate! Kate! Kate!
Kate! Kate! Kate! Kate! Kate!
You're welcome, America.
-Well, that's... -(Katherine laughs)
-CROWD: Kate! Kate! Kate! Kate! -If you agree with me,
why don't you show me some love on Twitter.
We have to take a break.
We'll see you back here shortly.
-(cheering and applause) -(band plays show theme)
You did great.
-BILLY: I got this. -What was that, man?
That sucked. We're done.
Did you enjoy that?
'Cause now you're fucked.
I don't know, Billy, I think it really
shook the dust off this place.
Don't you?
Now get the fuck off my stage.
She did what?
Oh, oh, another thing.
I'm part of, um, um, something called a hashtag
in which over half a million people
participated or liked it or did whatever they do with it.
I don't know.
What's wrong?
Nothing.
You were spectacular.
Walter, I'm not afraid of Billy Kastner.
And you shouldn't be.
I'm going to open a champagne.
♪ ♪
(beeping)
Hi.
-Hey. -So, to celebrate
the single best day of my professional career,
I thought I would surprise you with vodka and with cupcakes.
Cupcakes are for me. The vodka's for you.
Uh, actually, the vodka's for me, too,
if I'm being completely honest.
(both chuckle)
You should call before you come over.
Yeah, but where's the fun in that?
I know, but I-I can't tonight.
Do you have someone over?
(chuckles)
Oh, my God, this is so embarrassing.
-No, no. -Oh, this fucking sucks.
-Oh, God. Oh... -No, no. Molly.
Molly. Molly.
-I think we should get a drink. -Yeah.
We should drink and maybe talk about "73 Questions."
-Yes. -Hey. (chuckles)
Uh, Molly, uh... Molly, you want to
-go somewhere and talk? -No, thanks.
-Come on, Molly. -You should ask someone else.
Maybe it won't take you three weeks to fuck them.
(Charlie exhales sharply)
(Charlie chuckles)
-(car horn honks) -TOM: Hey.
So, that was the other shoe.
What?
The other shoe dropping-- with Charlie.
Oh, no, I really don't want to talk to you about this.
-Can I tell you a story? -No, thanks.
All right, so the summer after freshman year,
Charlie and I saved up all of our money
to go to Pearl Jam in Chicago, right?
And it was gonna be this epic road trip.
The drive out was pretty great.
We just got high every day. We laughed a lot.
We even got these matching compass tattoos on our thighs.
Anyway, we get there, I go to get a T-shirt
at the merch stand, I come back, and he's gone.
Gone?
What do you mean, gone?
He met a girl, left with her.
I never saw him again.
I mean, you saw him again later that night?
-I never saw him again that summer. -That is horrible.
Why are you still friends with him?
Well, I know that you wouldn't be, right?
No, you're too principled for that.
Teach you that at the factory?
It's a chemical plant.
All right. Look.
When you work with someone that you've known for 18 years,
you can either be best friends or mortal enemies.
I mean, you can't be lifelong acquaintances.
Mortal enemies just felt like a lot more work.
-You still have that tattoo? -Oh, yeah. Yeah.
Compass points right to my balls.
-It's fucking horrible. -(laughs)
I-I don't want to wear it. That's all.
No, I get that. I do.
-Let me explain, though. -It's stupid.
MANCUSO: No, no, no, but the bit is the idea
-that you're a pirate that everybody knows. -Katherine.
-Katherine. Katherine. -This...
-Uh, sorry. -What?
(indistinct whispering)
(quietly): Oh, my God.
Okay.
We don't... we don't have to do the hook.
Hey. I got your McNuggets.
But I'm not gonna lie-- I had a few.
Look at this.
No. It can't be true. It's not possible.
They hacked his e-mail.
It has to be true.
He hasn't returned any of my calls.
MANCUSO: And why Charlie?
-Why him? -Because he's hot.
Do you think it should have been you?
No, I don't.
And, by the way, looks and fame aren't everything.
They're definitely everything.
Guys, can we not be glib about this, please?
I mean, I thought she really loved Walter.
-She does love him. -MANCUSO: The line is:
-"In sickness or in health." -And you know what?
People always make those vows in health,
so let's cut her some slack.
Let's get back to work.
(sighs)
Katherine Newbury is in the news for allegedly
carrying on an affair with a much younger man
who, uh, also happens to be an employee of hers.
Did you see this? (chuckles)
I guess she took the advice to get
more of the younger male demographic to heart.
(crowd laughing, applauding)
♪ ♪
-(line ringing) -This is Walter.
Leave a message.
KATHERINE: Walter, please call me back.
I need to see you.
(dog barking in distance)
-(door closes) -MOLLY: Katherine?
Oh, my God.
Open a window, for God's sakes.
It happened three years ago.
Walter had just been diagnosed,
and he was so depressed and angry,
and I got angry with him
for being angry,
and Charlie was so warm and funny and persistent and...
and gorgeous.
It's hard when there's someone that gorgeous
just knocking about.
Just a couple of months, but I've regretted it
every single second since.
You know what? It actually... it doesn't matter,
because I-I've been working on the monologue,
and I think we have an opportunity
to really say something here.
I'm not addressing it.
-What? -No, we'll go dark for a week,
and then I'll come back on, and I won't mention it.
And then, in a month, I'll be gone.
You'll be gone? Why are you doing that?
Because of my complete and utter humiliation
in the eyes of the American public, maybe?
No. You're being demonized, Katherine,
-and it's not fair. -It is fair.
I should be demonized. I'm Katherine Newbury.
I stand for excellence without compromise.
I fucked up. I don't deserve the show.
-I think that you're wrong. -You...
with over two months experience in television.
I get it. You are ashamed of what you did,
and you don't want to face it, but everybody makes mistakes.
You need to talk about it.
I need to talk about it?
You know, what's so fascinating about your generation is...
your obsession with catharsis.
It's so narcissistic.
In fact, we might as well
just go ahead and call it catharcissism.
Where, for some reason, just because
you confess something publicly,
you automatically get redemption.
Well, I'm not gonna play that trick.
I owe it to him, and I owe it to me.
And that's what's called backbone.
That's what's... that's what's known as grit.
You want to talk to me about grit?
I don't have any friends.
I don't come from a rich family.
I didn't have a man whisk me away when I was 20 years old
and tell me that I was beautiful and a genius.
And guess what-- I'm probably not a genius.
And this show... this is all I have.
So fuck you for giving it up.
You are selfish, and you are scared,
and you have deluded yourself into thinking
that is somehow the moral high ground, but it's not.
Well, you don't have to worry about that anymore,
because you no longer work for me.
You're fired.
You know, it's funny.
You know everything about me,
and I don't even think about you.
Bye-bye.
♪ ♪
Look, please don't make fun of where I live.
I know it sucks.
No, it's cool.
It's like you're in witness protection
and your secret identity is an elderly Indian woman.
Good amount of glitter. I like the ponies.
So, are you super excited about getting your first period?
(crying): Oh, come on, man.
Wait, are you...?
Oh, please don't do that.
Okay? I-I'm not...
I'm not good with... I'm not good with that.
It's-it's not what I do.
I just got fired after working less than three months
on the job of my dreams.
Now I have to go back to Pennsylvania
and work in a factory.
Thought it was a chemical plant.
It's basically the same thing.
Come on.
(chuckling): You're not going back there.
Who will hire me?
I'm such a fucking loser.
I make such a bad first impression on people.
Well, there is some truth to that, but, I mean...
I hate everybody, and you made me like you, so...
Honestly, you just need to stop being such a pussy.
Hey, that was incredibly offensive.
Maybe, but, I mean, it's also pretty true.
-(stammering) -What? You can't give up
just 'cause Katherine Newbury was mean to you.
Come on, suck it up. Okay?
Stay in New York. Get a... different apartment.
Not this one. Anything but this one, honestly.
-O-Okay. -Okay? And find another show to work on.
You're too good, Molly.
Do you really think that?
You know how hard it is for me to compliment people,
so just don't make me say it again.
(chuckles)
(sniffles, laughs)
♪ ♪
Good luck. Yeah?
Oh, you-you can leave that.
I kind of like it.
I'm on Zillow, and in your price range,
you can't really afford to live anywhere nice.
Okay, well, where can I afford to live?
SoGo? It's the neighborhood south of Gowanus.
Remember on the news? They found that corpse there.
God, Parvati, how is that helpful?
So, you left after ten weeks, huh?
I was fired.
Yeah, I figured. I was just trying to be polite.
I wasn't a good personality match with my boss.
What is she like, anyway?
Because she's nice to me at the Emmys,
but I can also tell on her face
that niceness is very hard for her.
She was the least compassionate person I've ever met.
She could be so casually cruel,
all in the name of excellence and efficiency.
Sounds like a laid-back place to work.
I thought your jokes were really good.
And yet, every morning,
I would wake up with this yearning
to impress her, you know?
Like, somehow, if I could make her laugh,
that meant that I was reaching my greatest potential.
So, anyways, your jokes...
God, and the sound of her laugh,
it would just light up the whole room.
It was like a thousand church bells.
It was incredible.
Well, I want to hire you,
but if you ever want to say something like that again,
it should definitely be... to a therapist.
Oh, my God. Okay, I-I would never...
I would never say that about you.
-Yeah, no, please don't. -Oh, my God.
Okay, thank you.
Thank you so much. Wow.
Fans on social media are all wondering
whether Katherine Newbury
will announce her retirement tomorrow night.
This comes after weeks of mostly tabloid reporting
on her alleged extramarital affair
and her pointed silence on the matter.
This caps off one of the most interesting seasons
in late-night television in recent years.
(indistinct chatter)
TOM: Dogs with, like, people names?
(chatter stops)
-BRAD: Hey. -TOM: Hey.
Hi.
No, it's fine.
-You need help with the speech? -No, no.
I'm sure you've all got something lined up after this.
I just came to say thank you.
Brad.
Tom.
Mancuso. Reynolds.
Burditt.
Mendelsohn. Weber.
Six.
How did John Phillips die?
Non-Hodgkin's lymphoma.
(crying): I remember being so hard on him.
You gave him a job.
I wasn't nice to him.
We're not here because you're nice.
-We're here because you're good. -(sniffles)
She cried. And thanked us.
-What? -It was crazy.
When she said my name, I almost got an erection.
-(laughs) -Look, I really think
you should watch the show later.
I mean, you worked so hard on this.
Tom, go to work. I'll talk to you later.
All right, all right.
Bye.
(cell phone ringing)
-Walter. -WALTER: Yeah.
I'd like to see you.
Okay.
KATHERINE: Oh, but there's press at the house.
Um, I'll think of somewhere.
(door closes)
WALTER: When I left my wife and family
for a beautiful young English girl,
they told me there would be karma.
That I would pay for it.
And then...
years passed, and nothing happened.
And I thought, "Well...
I'm the luckiest bastard alive."
I guess I was wrong. (sighs)
It's hard enough for me to live with a disease
that's probably going to kill me
without knowing that the woman I love...
...decided one night,
instead of staying at home with her invalid husband,
she would rather fuck a comedian.
I want to say...
it didn't mean anything...
...but it meant everything because it hurt you.
Yes, it did.
I know.
The thing is... (stifled sob)
you can't just take away one terrible thing you did
any more than you can take away
the million beautiful things that we had together.
That's a million to one.
If you can live with that ratio
for another few years...
...then so can I.
♪ ♪
(Katherine crying)
(sighs)
But I'm not here as your husband.
I'm here as a man who has advised you
your entire adult life.
Are you sure that you're making
the right decision about the show?
(sniffles)
If it's over in one year or ten years,
what's the difference?
It'll be over.
And what did I leave behind?
No... friends or children, no...
You didn't want them.
You wanted excellence,
which almost no one gets in their lifetime.
Just be sure you're ready before you give it up.
I don't know what to say to them.
(sobs)
When the time comes, Katie,
you'll know.
(sniffling, panting)
(taking deep breaths)
(band playing show theme)
(cheering and applause)
(music ends)
Thank you.
Thank you very much.
(sighs) Well...
What a boring few weeks it's been.
-(laughter) -Although...
it's kind of refreshing
for a woman to be the perpetrator
in a Hollywood sex scandal for once, isn't it?
(scattered laughter)
I am, of course, referring to the multiple reports
that came out this week,
saying that I had been unfaithful to my husband
with one of my writers.
Spoiler alert:
It's true.
(murmuring)
I've learned an interesting term:
"slut-shaming."
My supporters have said that if I were a man,
I wouldn't be subject to this kind of scrutiny.
Well, here's what I think.
If it were a man doing this, it would be reprehensible,
but guess what-- it's a woman doing it,
and it's still reprehensible.
And none of this would even matter
if I were not so...
so hard on everyone, with such high standards
that I've defined my career by it.
Um, the fact of the matter is that... (clears throat)
...my husband is my family.
I...
have no one else in my life, so...
...so when this happened,
I felt worse than I have ever felt.
And I am clinically depressed, so that's saying something.
(light laughter)
And I thought,
"I don't deserve these things anymore.
Him or the show."
But it doesn't matter if I deserve you or not.
I need you.
And I've let you down.
I've taken you for granted for years,
underestimating you
and thinking that you wouldn't notice.
But you did.
And the other thing I've learned is that this show
is the source of my energy.
It's, um, the reason I get up in the morning.
It's my life. It's my blood.
Yes, and entertaining you...
has been the joy of my life.
Yeah.
Dear God, I hope I've earned the privilege of your time.
(cheering)
(cheering and applause continue over TV)
(knocking, door opens)
I hope I'm not interrupting.
You know, I got into this business
because I love television,
and I want to make relevant television.
And I know, when I say "relevant,"
you think I mean "pandering" or "lowest common denominator."
I've dreamed of this day.
-Caroline, please, I beg you... -You've been so abrupt.
But as I watched you out there, I realized
I want to hear your take-- on the world, on everything--
and so does everyone else.
So, the show is yours.
But I'm watching you, Katherine.
Just give a damn.
It's pretty fucking surprising, isn't it?
(electronic chiming)
Hey, is this my Thai food?
I hope you brought extra peanut sauce.
I hate when you forget.
MAN: This isn't your Thai food.
This is Ms. Newbury's driver.
Ms. Newbury would like you to come down to the car.
You can tell her that I don't want to see her. Thank you.
She said what? Oh, for fuck's sake!
(passing train rattling)
Come on.
("Light On" by Maggie Rogers playing)
♪ Would you believe me now ♪
♪ If I told you I got caught up in a wave? ♪
(sighs): Son of a bitch.
♪ Almost gave it away ♪
-♪ Would you hear me out ♪ -(toy squeaks)
♪ If I told you I was terrified for days? ♪
♪ Thought I was gonna break ♪
Good afternoon, sir.
♪ Oh, I couldn't stop it ♪
-♪ Tried to slow it all down ♪ -Nice.
♪ With everyone around me ♪
♪ Saying, "You must be so happy now" ♪
Oh, goddamn it.
-(panting) -♪ Keep reaching out
♪ Then I'll keep coming back, and if you're gone for good ♪
(panting): Oh, fucking hell.
-♪ Then I'm okay with that... ♪ -(groaning): Oh, God.
-(knocking) -Molly, open up. It's me.
MOLLY: No.
I have just driven
to this horrid little corner of Brooklyn
and climbed up six flights of stairs to talk to you.
Now open the bloody door.
-(panting) -(locks clicking)
What do you want? I-I'm very busy right now.
Why on earth do you live in Coney Island?
Huh.
Maybe it's the Ukrainian food scene,
or perhaps it's the endless subway commute.
Not all of us can live in a townhouse
-on Gramercy Park, Katherine. -Point taken.
I heard you got an offer from Seth Meyers.
-I don't think you should take it. -(faucet running)
Really? Because I was considering it.
Mostly because I don't have a job.
Also, he didn't call me a racial quota
whose existence was completely inconsequential to him.
Here.
-You remember that. Shit. -Yeah.
Look, I'm sorry.
I'm sorry.
The thing is, when you hate yourself,
the only thing that makes you feel better
is to get other people to feel the same way as you do.
Is this filtered?
I didn't mean what I said.
Thank you...
for saying that...
and for coming here.
-Do you like the color of my wall? -No.
You know what, I'm not gonna go back and work for you,
because that was a very toxic work environment.
(sighs)
I need you, Molly.
I need your pushiness and lack of boundaries.
I need the annoying way you light up
every time I walk into the room.
It makes me feel like I'm not a fraud.
But mostly, I need your talent.
You love me.
No, I didn't say that. I... No.
I mean, not in those words, but you...
No, I didn't say it in any of those words.
But you have made an impression on me.
A very big impression.
Please, Molly, come back.
It won't be the show you left,
but I need you to help me change it.
-If I do... -Hmm?
No more tantrums.
-Mm. -No more hiring people
-who all look the same. -Okay.
No humiliating people.
And no withering looks.
-Like that one. -That's my face.
Can you try smiling?
-Okay, forget it, forget it. -(sighs)
Okay. Yes.
Oh, yes?
Well, good.
Well, I guess I better go if I want to get
to the bottom of the stairs this century.
Thank you. All right.
(inhales deeply)
God, I hate Brooklyn.
(door opens, closes)
♪ Everybody got a nine ♪
♪ Everybody is a bad boy now ♪
♪ Everybody wanna shine ♪
♪ Everybody, drink your champagne now ♪
♪ Everybody is the shit ♪
♪ Everybody is the big thing now ♪
♪ Everybody is the boss ♪
♪ Everybody rocking gold chains now ♪
♪ Ain't nobody wanna work, ain't nobody wanna open up ♪
-Thank you. -♪ Ain't nobody wanna give ♪
♪ Ain't nobody wanna wrap shit up ♪
-♪ in't nobody wanna fail ♪ -Hey. -Hi.
♪ Ain't nobody do it real these days ♪
♪ Ain't nobody being true ♪
♪ Ain't nobody ever go my way ♪
-♪ Whoa, oh-oh-oh ♪ -(indistinct chatter)
♪ Whoa, oh-oh-oh, oh, oh ♪
♪ Whoa, oh-oh-oh ♪
♪ Whoa, oh-oh-oh, oh, oh ♪
Okay.
♪ Whoa, oh-oh-oh ♪
♪ Whoa, oh-oh-oh, oh, oh ♪
♪ Whoa, oh-oh-oh ♪
♪ Whoa, oh-oh-oh, oh, oh ♪
♪ Ain't nobody wanna work ♪
♪ Ain't nobody wanna give ♪
♪ Ain't nobody wanna fail ♪
♪ Ain't nobody being true ♪
(indistinct chatter, chuckling)
♪ Whoa, oh-oh-oh ♪
♪ Whoa, oh-oh-oh, oh, oh ♪
♪ Whoa, oh-oh-oh. ♪
(band playing show theme)
ANNOUNCER: Katherine Newbury.
(cheering and applause)
♪ Don't let the negative ever get in your way ♪
♪ Don't let it mess up your life ♪
♪ Don't let it fuck up your day ♪
♪ Don't let the shit they do get in under your skin ♪
♪ Gotta push it aside ♪
♪ And keep pushing ahead ♪
♪ Ooh, when this life knocks you on your ass ♪
♪ Keep up, just keep coming back ♪
♪ Don't let it get you down ♪
♪ Gotta get going ♪
♪ Keep moving in forward motion ♪
♪ Don't let nothing ever slow you down ♪
♪ eep on ♪
♪ Hit the gas, get your speed on ♪
♪ Never look back, no reason ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Stop you now, stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Don't let the darkness get in the way of your light ♪
♪ Don't let it mess with your head ♪
♪ Don't let it shut off your shine ♪
♪ You're on the fast track ♪
♪ hey're just stuck in reverse ♪
♪ Leave 'em under your wheels ♪
♪ Kick 'em all to the curb ♪
♪ Ooh, when this life knocks you on your ass ♪
♪ Get up, just keep coming back ♪
♪ Don't let it keep you down ♪
♪ Gotta keep going ♪
♪ Keep moving in forward motion ♪
♪ Don't let nothing ever slow you down ♪
♪ eep on ♪
♪ Hit the gas, get your speed on ♪
♪ Never look back, no reason ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Stop you now, stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop ♪
♪ No, no, nothing's gonna stop you now ♪
♪ So any time the drama comes ♪
♪ Don't let it get anywhere near you ♪
♪ Just go and leave it in the dust ♪
♪ Just disappearing in the rearview ♪
♪ You're on a ride that's just beginning ♪
♪ No, you got no limits ♪
♪ Oh, so just go with it ♪
♪ Don't let it get you down ♪
♪ Gotta keep going ♪
♪ Going, going ♪
♪ Gotta keep going ♪
♪ Going, going, going ♪
♪ Gotta keep going ♪
♪ Keep moving in forward motion ♪
♪ Keep moving in forward ♪
♪ Don't let nothing ever slow you down ♪
♪ eep on ♪
♪ Hit the gas, get your speed on ♪
♪ Never look back, no reason ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Gotta keep going ♪
♪ Keep moving in forward motion ♪
♪ Yeah ♪
♪ Don't let nothing ever slow you down ♪
♪ eep on ♪
♪ Hit the gas, get your speed on ♪
♪ Never look back, no reason ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Stop you now, stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop ♪
♪ No, no, nothing's gonna stop you now ♪
♪ Stop you now, stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop-stop you now ♪
♪ Stop you, stop-stop ♪
♪ No, no, nothing's gonna stop you now. ♪
♪ ♪
(music ends)