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- Okay, are you ready?
- Yup
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We start...
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1, 2 , 3, 4. P>
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In the past we were just kids... there were no dependents
and there were no definite reasons. P>
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But we have songs...
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And we have a dream.
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So we put all the equipment
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Into the van and started driving.
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Our goal... Sound City.
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Seeing the world through the window,
there's no reason to look back.
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We left it behind.
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When you were young, you were not afraid
what will happen next.
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You just feel happy.
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We drive in a van
which can be damaged at any time...
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Depart tour...
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Which could be canceled suddenly.
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And playing music with people
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What can disappear at any time.
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We don't know if the next 16 days
will change our world forever.
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But I remember when I entered the place
park and think, "Really?"
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This is Sound City? "
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You know, it feels weird, like,
when you walk into Sound City, p >
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Either you like it or hate it.
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It looks very messy
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It's a nest of dirt.
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Everything is used.
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That's something like space time
I think, or the like.
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Dark brown carpet on the wall.
That's the kind...
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You just want to put it in the van .
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It's like, "okay, this place is
trash can". So...
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That's how it is, you know?
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The place is dirty /
I really don't want to...
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to sit on each sofa that exists.
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Please record there and
don't come back for 15 years. Then...
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Back again, and that place will still be the same. P>
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Like the last time you went there. P>
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The parking lot...
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Frequent flooding. And always...
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inundates the Sound City field. P>
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Sound City is the place,
where you can throw...
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Cigarette butts on the floor. <
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A bottle of Jack Daniel spilled
on all the carpets.
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"Who cares? That's Sound City.
Who cares?
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I always say, you can urinate
in the corner of the room...
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and no one complains.
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That's only a small part...
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Chaos compared to...
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I think it should be.
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But when crossing the room and...
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Seeing all placards
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platinum recordings on the wall...
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Tom Petty.
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Fleetwood Mac.
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Rick Springfield.
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Neil Young, man.
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Cheap Trick.
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The Chili Peppers.
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Rob Halford.
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Pat Benatar.
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Kansas. P>
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Guns n & apos; Roses. P>
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Nine Inch Nails. P>
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Nevermind. P>
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♪ Hot-blooded
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Foreigner. P>
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Slayer .
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Ratt.
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Johnny Cash.
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Carl Perkins.
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Metallica.
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REO Speedwagon. P>
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♪ Time for me to fight
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Michael McDonald. P>
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Mick Fleetwood. P>
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Buckingham Nicks. P>
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Like a rainbow in the
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dark ♪
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Stevie Nicks.
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Masters of Reality.
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Frank Black.
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Brisbane.
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Rick Rubin.
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Kyuss.
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Weezer.
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How many cool
albums have been created here?
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Vincent Price, Telly Savalas. P>
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We can record everyone...
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Anyone who enters this building
then pays the bill. P>
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Tom big, tall, thin,
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Like people who fall
from radish trucks.
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He wants people to think that.
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p >
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That was the first time I
entered the recording studio.
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First time the studio I knew.
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♪ Southern man
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I used to work in the company "west Virginia"
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Who bought a small company.
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Joe Gottfried and others
started Sound City in 1969.
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He used to be a singer...
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For American soldiers.
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When he became a soldier.
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He stayed at one of the hotels
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in Manhattan.
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His friend, Joe Leahy, who is
one of the big band frontman and
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already made a song for CBS, and both of them
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was the first person to start...
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studio when I joined in 1970.
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Keith Olsen as...
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Chief Engineer.
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One of the reasons why the studio business
survives is...
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Because of the ownership of the building...
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Owned Tom. And Tom doesn't want to
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Submit it to them. P>
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They have one week
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Before being closed by the taxation. P>
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Due to tax arrears
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It's very chaotic
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Honestly.
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Even though it's one of the occasions
to enter...
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The business world entertainment...
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This is Beatle land, formerly
known as Great Britain, where...
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"Beatlemania" outbreak
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has been received by teenagers
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especially women.
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The next big goal
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is to look for artists like "The Beatle".
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Then we will get millions of dollars,
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Do you know?
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Hi-fi and stereo equipment
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Creating an industry with
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Today's annual income is
$ 2.5 billion. p >
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Someone at Sound City came up with the idea
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Like this, "we can start...
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... record company".
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Then it becomes my goal.
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To make some recordings and...
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make a recording that hits, then
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make money.
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That's our big plan...
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Next.
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Sound City, the place that
isn't interesting.
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We used to pass it when we were going to
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Hollywood.
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The valley was very flat
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Population densely populated. p >
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You know, so it's like
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Not where you want to be.
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Neil Young drives fast
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With a car very old
and spouting smoke
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Exit the window.
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Behind him are two policemen.
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Aim the weapon at it.
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You know? P>
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Okay, walk behind the car. P>
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Put your hands together. P>
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I attract a lot of police
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because of the car I'm driving
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And I'm not on SIM
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Because I'm Canadian.
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I'm not supposed to be there.
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About five minutes later,
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They go back into the car
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and then leave.
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I made a recording
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in my house.
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Mostly, I made it at home.
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Then we go to Sound City
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With Briggs, my producer, and we
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put the song piano titled
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"Birds" there.
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Then, we record vocal sounds.
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Then that sounds really good.
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Then I said, "okay, let's go...
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sing anything".
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So it's really a mixed recording.
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♪ I can love
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♪ I can really love
♪ I can really love
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My father and Joe are like friends in
committing a crime. They are very close. P>
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They are almost like thieves. P>
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Tom is like a businessman
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And so on. But Joe...
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It's the heart of everything, really. P>
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The best person on earth. P>
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Certainly one of the best people...
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and the honestest I've ever known.
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He wasn't the one who wore the suit
then counted the money then...
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tried to take a lot of advantages.
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from the musicians he can.
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It's not his nature.
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He prefers facts if bands
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Who entered and made
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Great footage there. P>
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Joe is always a positive and optimistic person.
Always, "Next big plan...
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Will come from here".
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Joe gave us time to study
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And honed my skills.
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He was a quiet person.
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When we bought a studio
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We fought for a year or...
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two years. And we know...
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Will not be able to get
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the main action. P>
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We need equipment...
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Adequate to get best results
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With a high budget.
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So that is my job.
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This person, Rupert Neve,
makes the latest generation of machines.
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I went to England. And me...
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Seeing it once, and they...
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Like making it...
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messing up at home. P>
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He's a person. .
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Very engineer.
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There are only four like this
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in the world. And this is the only
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based on the order from
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Factory by Keith. P>
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There is something about "Neve sound"
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So my ears must be sensitive.
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The calculation is very good
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and very, very good.
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Also very dense.
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Same as Tanks or the like.
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The "Neve" tool is not made in bulk
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p>
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Because it's done by hand.
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This Neve board you're talking about...
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You know... This is not my world.
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Experts the machine takes an hour
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for kick-drum sound.
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Please, I'm better
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Blood transfusion.
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00:12:41,819 --> 00:12:43,552
But I also remember if...
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There is something different about
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Sounds generated from that board.
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And of course, everyone...
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00:12:47,058 --> 00:12:50,361
"Oh, God, this Neve machine,"
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I will never forget their words. P>
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The recording machine is like...
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The center is an outer plane sky.
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If you are going to Mars...
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00:12:59,170 --> 00:13:01,470
main controller.
249
00:13:01,472 --> 00:13:03,806
It's like...
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00:13:03,808 --> 00:13:06,142
Objects from outer space
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Originating from the past.
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00:13:08,313 --> 00:13:10,746
The device is like giant stereo,
but even can do
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bass, middle, and treble
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That's like, you can do every part
255
00:13:13,918 --> 00:13:15,618
drum. Each mic section. P>
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Each part. P>
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Each microphone in the studio
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Directly directed
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To a mixer machine. P>
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From there, you can change the equalizer.
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Add effects, change the level.
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And go straight to the tape machine.
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And recorded.
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This board, if you raise
faders and raise the mic sound
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Then someone hits tom-tom
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or snare drum, it sounds really good.
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His voice is very wide open. sounds thick.
If you wear an extra mic...
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it's loud and the sound is interrupted.
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It still sounds good.
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the analogue.
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That's the center of the voice.
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00:14:05,503 --> 00:14:09,939
Especially Neve's s.
I mean, everything sounds really good.
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People's voice sounds really good.
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P>
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♪ You come on with a come-on ♪
♪ You don't fight fair
279
00:14:20,685 --> 00:14:22,017
The Neve Console is very
280
00:14:22,019 --> 00:14:23,519
Embellished in...
281
00:14:23,521 --> 00:14:24,787
the context of rock & apos; n & apos; roll.
282
00:14:24,789 --> 00:14:25,888
Very good for drums.
283
00:14:25,890 --> 00:14:26,922
Very good for bass.
284
00:14:26,924 --> 00:14:28,057
Very good for guitars.
285
00:14:28,059 --> 00:14:29,792
It is very facilitating.
286
00:14:29,794 --> 00:14:31,927
It's really an amazing console.
287
00:14:31,929 --> 00:14:33,162
♪ Hit me with your best
288
00:14:33,164 --> 00:14:34,597
shot ♪
289
00:14:34,599 --> 00:14:35,965
It's not like
290
00:14:35,967 --> 00:14:37,600
Other machines I've used.
291
00:14:37,602 --> 00:14:39,001
And I'm pretty lucky
292
00:14:39,003 --> 00:14:40,836
Can use it very often.
293
00:14:40,838 --> 00:14:42,505
That will always be
294
00:14:42,507 --> 00:14:44,273
The best mixer ever...
295
00:14:44,275 --> 00:14:45,140
I use it.
296
00:14:48,779 --> 00:14:52,616
There are large numbers as a guide
that looks similar.
297
00:14:52,617 --> 00:14:53,917
But it has a limit
298
00:14:53,918 --> 00:14:55,150
Different.
299
00:14:55,152 --> 00:14:59,889
The circuit is a microphone amp circuit.
300
00:14:59,891 --> 00:15:01,957
Opposite circuit and
301
00:15:01,959 --> 00:15:03,893
Delivered a fuse...
302
00:15:03,895 --> 00:15:05,127
Very important.
303
00:15:05,129 --> 00:15:11,101
The way to properly transform
between incoming fuses can be different
304
00:15:11,102 --> 00:15:12,702
Based on the material from
305
00:15:12,703 --> 00:15:15,271
the point and between the gaps of
306
00:15:15,273 --> 00:15:16,171
The core itself.
307
00:15:16,173 --> 00:15:19,008
If all of that works well,
308
00:15:19,010 --> 00:15:22,111
You get a vote
309
00:15:22,113 --> 00:15:23,312
Yang baik.
310
00:15:29,086 --> 00:15:30,986
Rupert Neve is a person...
311
00:15:30,988 --> 00:15:32,888
Very genius.
312
00:15:35,190 --> 00:15:41,166
At that time, the Neve
console was worth $ 76,000.
313
00:15:42,167 --> 00:15:43,967
For your example , me...
314
00:15:43,968 --> 00:15:45,935
just bought a house in Toluca Lake
315
00:15:45,937 --> 00:15:47,736
And I spent $ 38,000 for
316
00:15:47,738 --> 00:15:48,237
That house.
317
00:15:49,040 --> 00:15:50,839
My wife might kill me if...
318
00:15:50,841 --> 00:15:55,278
He knows I did that.
319
00:15:55,780 --> 00:15:57,313
I think if this place ever
320
00:15:57,315 --> 00:15:58,948
is below, the problem is
321
00:15:58,950 --> 00:16:02,918
That will pay all debts.
322
00:16:02,920 --> 00:16:05,187
The first track we recorded with
323
00:16:05,189 --> 00:16:07,790
was "Crying in the Night"
324
00:16:07,792 --> 00:16:09,725
with Buckingham Nicks.
325
00:16:09,727 --> 00:16:11,360
Really the first thing to do
326
00:16:11,362 --> 00:16:14,363
at that session. P>
327
00:16:14,365 --> 00:16:18,100
That's how it started. P>
328
00:16:18,102 --> 00:16:23,372
♪ She was that kind of lady
329
00:16:23,374 --> 00:16:28,010
♪ Times were hard, whoa
330
00:16:28,012 --> 00:16:29,311
We contracted them for
331
00:16:29,313 --> 00:16:30,379
production agreements.
332
00:16:30,381 --> 00:16:32,114
They wrote their own songs.
333
00:16:32,116 --> 00:16:34,016
And we gave whatever was needed
334
00:16:34,018 --> 00:16:35,818
in the studio. Engineer and
335
00:16:35,820 --> 00:16:36,885
recordings. P>
336
00:16:36,887 --> 00:16:42,791
Tom Skeeter and Joe Gottfried
almost like parents to us. P>
337
00:16:42,793 --> 00:16:44,793
But Keith is the one who p >
338
00:16:44,795 --> 00:16:46,028
Bringing us to Sound City.
339
00:16:46,030 --> 00:16:48,030
♪ Crying in the night
340
00:16:48,032 --> 00:16:50,399
♪ She & apos; s back in town
341
00:16:50,401 --> 00:16:52,234
When we first moved to LA
342
00:16:52,236 --> 00:16:53,402
We have no place to stay.
343
00:16:53,404 --> 00:16:55,070
We live in Keith's house.
344
00:16:55,072 --> 00:16:56,772
They are starving and have no money.
345
00:16:56,774 --> 00:16:57,172
346
00:16:57,174 --> 00:16:58,907
Lindsey used to be a painter. And Stevie
347
00:16:58,909 --> 00:17:00,242
Officers clean the house
348
00:17:00,244 --> 00:17:00,909
Keith Olsen. P>
349
00:17:00,911 --> 00:17:02,645
I pass by carrying
350
00:17:02,647 --> 00:17:04,213
Sweep. And, keith...
351
00:17:04,215 --> 00:17:05,948
Will say, "that's
352
00:17:05,950 --> 00:17:06,882
My maid".
353
00:17:06,884 --> 00:17:09,952
And I'm just...
354
00:17:09,954 --> 00:17:11,086
"I'm not going to be a maid
355
00:17:11,088 --> 00:17:12,721
forever, for you to know.
356
00:17:12,723 --> 00:17:13,856
For all of you know.
357
00:17:13,858 --> 00:17:15,758
♪ But she & II leave you
358
00:17:15,760 --> 00:17:18,260
♪ Cryin & apos; in the night
359
00:17:18,262 --> 00:17:20,996
♪ She will leave you
360
00:17:20,998 --> 00:17:22,998
♪ Cryin & apos; in the night, whoa
361
00:17:23,000 --> 00:17:27,639
Definitely if Lindsey
and Stevie are special people.
362
00:17:28,140 --> 00:17:30,040
Buckingham Nicks left the year...
363
00:17:30,041 --> 00:17:32,174
& apos; 73 with the criticism given
364
00:17:32,176 --> 00:17:34,443
then they were issued by Polydor. P>
365
00:17:34,445 --> 00:17:35,978
The record label issued them. P>
366
00:17:35,980 --> 00:17:37,346
and they don't have
367
00:17:37,348 --> 00:17:38,147
record label agreements.
368
00:17:38,149 --> 00:17:39,882
So they just play around
369
00:17:39,884 --> 00:17:40,282
Here.
370
00:17:40,284 --> 00:17:44,820
♪ She & apos; sa come-on lady
371
00:17:44,822 --> 00:17:46,088
It's like our own home.
372
00:17:46,090 --> 00:17:47,756
It's like our home is far away.
373
00:17:47,758 --> 00:17:49,727
374
00:17:55,966 --> 00:17:57,966
I live in
Laurel Canyon, and I go to the
375
00:17:57,968 --> 00:17:59,902
shop around there, which still visible...
376
00:17:59,904 --> 00:18:02,237
the same until now.
377
00:18:02,239 --> 00:18:05,173
And someone I vaguely remember
was there.
378
00:18:05,242 --> 00:18:07,408
He said, "What are you looking for? "
379
00:18:07,478 --> 00:18:11,615
I said," I'm actually looking for
studio and looking for price info
380
00:18:11,616 --> 00:18:13,116
To know if we can rent it ".
381
00:18:13,184 --> 00:18:15,250
Then he said, "I am the orangya."
382
00:18:16,454 --> 00:18:20,191
A rock man & apos; n & apos; roll come
to us one day, and say...
383
00:18:20,192 --> 00:18:22,292
"You know, I know all...
384
00:18:22,293 --> 00:18:23,992
the rock band, because I went to the club with them
385
00:18:23,994 --> 00:18:25,194
After the business is finished.
386
00:18:25,196 --> 00:18:27,029
If I can bring the band here,
387
00:18:27,031 --> 00:18:28,764
you want to give me 10%? "
388
00:18:28,766 --> 00:18:30,365
Kami bilang, "Silahkan saja.
389
00:18:30,367 --> 00:18:33,168
Bring them here ".
390
00:18:33,170 --> 00:18:35,904
Mick Fleetwood came to see
391
00:18:35,906 --> 00:18:37,039
studio.
392
00:18:37,041 --> 00:18:38,173
I played with him some songs
393
00:18:38,175 --> 00:18:41,443
from Stevie and Lindsey.
394
00:18:45,850 --> 00:18:47,816
Stevie and I are
395
00:18:47,818 --> 00:18:49,852
in studio "B", behind.
396
00:18:49,854 --> 00:18:51,954
And I'm resting, then I'm
397
00:18:51,956 --> 00:18:53,155
walk out.
398
00:18:53,157 --> 00:18:54,957
I heard our song,
399
00:18:54,959 --> 00:18:56,291
"Frozen Love," came out of
400
00:18:56,293 --> 00:18:57,760
studio "A".
401
00:18:57,762 --> 00:19:06,268
I opened it the door, and there was a man
as high as 6 & 6; 6 "swaying solo.
402
00:19:06,270 --> 00:19:08,241
Then I thought," who is he? "
403
00:19:12,843 --> 00:19:14,777
I met Lindsey
404
00:19:14,779 --> 00:19:15,344
coincidence.
405
00:19:15,346 --> 00:19:17,045
And I went out,
406
00:19:17,047 --> 00:19:19,647
didn't even think anything before.
407
00:19:19,649 --> 00:19:23,016
"I heard good music being worked on
on the studio. And me...
408
00:19:23,020 --> 00:19:25,088
Will use it. "
409
00:19:25,790 --> 00:19:27,856
We agreed to make
410
00:19:27,858 --> 00:19:30,259
Fleetwood Mac's latest album & apos; s
411
00:19:30,261 --> 00:19:31,426
At Sound City.
412
00:19:31,428 --> 00:19:33,162
Joe feels happy .. "God, we p >
413
00:19:33,164 --> 00:19:34,496
Will get paid! "
414
00:19:34,498 --> 00:19:35,831
Everything went well.
415
00:19:35,833 --> 00:19:37,332
Fleetwood Mac made
416
00:19:37,334 --> 00:19:38,867
Some albums with Peter Green
417
00:19:38,869 --> 00:19:40,035
On The English...
418
00:19:40,037 --> 00:19:40,836
Very successful. P>
419
00:19:40,838 --> 00:19:42,337
Then after Peter left,
420
00:19:42,339 --> 00:19:44,439
Bob Welch, then joined
421
00:19:44,441 --> 00:19:46,275
in the band, with more like
422
00:19:46,277 --> 00:19:47,176
jazz guitarist.
423
00:19:47,178 --> 00:19:48,510
Mick called me.
424
00:19:48,512 --> 00:19:50,979
"Bob Welch left the band".
425
00:19:50,981 --> 00:19:53,182
I contacted Keith Olsen.
426
00:19:53,184 --> 00:19:56,018
I said, "Do you know any recordings ever...
427
00:19:56,020 --> 00:19:57,219
I played?"
428
00:19:57,221 --> 00:19:59,888
Tell me.
429
00:19:59,890 --> 00:20:01,323
Guitar player.
430
00:20:01,325 --> 00:20:03,859
And Keith said, "Looks like,
431
00:20:03,861 --> 00:20:06,061
There's a little problem,
432
00:20:06,063 --> 00:20:08,597
Because you won't be able to invite her to join
433
00:20:08,599 --> 00:20:09,932
Without taking her lover too.
434
00:20:09,934 --> 00:20:11,433
She must invite
435
00:20:11,435 --> 00:20:12,434
My beloved too.
436
00:20:13,204 --> 00:20:14,870
Dan that's the beginning.
437
00:20:14,872 --> 00:20:16,238
438
00:20:23,640 --> 00:20:27,818
We joined the first time
in 1975.
439
00:20:28,119 --> 00:20:29,919
And we went straight to
440
00:20:29,920 --> 00:20:30,886
Sound City .
441
00:20:30,888 --> 00:20:32,955
First day in the studio
442
00:20:32,957 --> 00:20:34,223
Very amazing.
443
00:20:36,894 --> 00:20:39,261
It's very pleasant overall.
444
00:20:39,263 --> 00:20:41,363
It's new, because of Christine,
445
00:20:41,365 --> 00:20:44,032
John McVie, and myself because of originating
446
00:20:44,034 --> 00:20:46,368
From a variety of musical backgrounds
447
00:20:46,370 --> 00:20:48,170
different.
448
00:20:48,172 --> 00:20:52,109
♪ Rhiannon rings like a bell
through the night ♪
449
00:20:52,110 --> 00:20:54,310
♪ And would you love to love
450
00:20:54,311 --> 00:20:55,410
451
00:20:55,412 --> 00:20:58,115
her ♪
452
00:20:58,116 --> 00:21:00,116
John McVie told me, "We are
the blues band" .
453
00:21:00,117 --> 00:21:00,649
This is very far from blues music.
454
00:21:00,651 --> 00:21:02,217
Then I said, "I know. But this...
455
00:21:02,219 --> 00:21:03,352
will sell more".
456
00:21:03,354 --> 00:21:06,121
♪ All your life you & apos; ve never
457
00:21:06,123 --> 00:21:10,158
seen
458
00:21:10,160 --> 00:21:12,427
That becomes very clear
459
00:21:12,429 --> 00:21:14,663
How everything can be together.
460
00:21:14,665 --> 00:21:17,065
And that's not just musicality.
461
00:21:17,067 --> 00:21:19,434
This is because of personal. P>
462
00:21:19,436 --> 00:21:22,471
Something has been translated. And...
463
00:21:22,473 --> 00:21:25,474
is real and deep. P>
464
00:21:25,476 --> 00:21:27,676
Only the truth is outside
465
00:21:27,678 --> 00:21:29,111
of necessity. P>
466
00:21:29,113 --> 00:21:30,078
This is more powerful. P>
467
00:21:30,080 --> 00:21:31,446
Like true love.
468
00:21:31,448 --> 00:21:32,414
That's right.
469
00:21:32,416 --> 00:21:36,385
But what if the Neve mixer
470
00:21:36,387 --> 00:21:38,120
Is not there?
471
00:21:38,122 --> 00:21:39,554
The main reason is very
472
00:21:39,556 --> 00:21:41,356
It's important to get a recording
473
00:21:41,358 --> 00:21:42,624
amazing drum tracks.
474
00:21:44,361 --> 00:21:47,195
This is the sound of a drum.
475
00:21:47,197 --> 00:21:48,931
Let's start there. Because of that
476
00:21:48,933 --> 00:21:51,199
Something we like.
477
00:22:18,601 --> 00:22:23,065
The drum beat and the feeling of a song
become the heart of the song itself.
478
00:22:23,067 --> 00:22:24,633
That can be a spine
479
00:22:24,635 --> 00:22:25,233
of a song.
480
00:22:25,235 --> 00:22:27,069
That can be the basis of
481
00:22:27,071 --> 00:22:27,469
A song.
482
00:22:31,742 --> 00:22:34,509
So that's the first thing you
483
00:22:34,511 --> 00:22:36,678
do.
484
00:22:36,680 --> 00:22:39,047
Arrange your cancellation. Then you
485
00:22:39,049 --> 00:22:40,615
Start installing
486
00:22:40,617 --> 00:22:41,717
Microphones. P>
487
00:22:41,719 --> 00:22:44,119
A room like this is very good
488
00:22:44,121 --> 00:22:47,356
For redirects. P>
489
00:22:47,358 --> 00:22:49,624
So , you put the mic around
490
00:22:49,626 --> 00:22:51,526
The room to record it.
491
00:22:51,528 --> 00:22:53,695
You put the mic near
492
00:22:53,697 --> 00:22:54,730
to the drum.
493
00:22:54,732 --> 00:22:58,169
You get all the mic parts < br /> individually
494
00:22:58,170 --> 00:23:00,570
numbers from the track. 16 tracks or
495
00:23:00,571 --> 00:23:02,070
12 tracks. P>
496
00:23:02,072 --> 00:23:05,707
Lalu kau bisa menaikkan faders
atau menurunkannya. Dan menyeimbangkan traknya.
497
00:23:12,216 --> 00:23:16,015
When you get a good drum recording.
It will be like, "Oh, okay, good
498
00:23:16,086 --> 00:23:17,119
Now we have the beginning
499
00:23:17,121 --> 00:23:17,552
of the song.
500
00:23:17,554 --> 00:23:18,553
Now we can start
501
00:23:18,555 --> 00:23:22,024
Enter more recording tracks ".
502
00:23:22,026 --> 00:23:24,292
♪ With the lights out, it & apos; s
503
00:23:24,294 --> 00:23:25,794
less dangerous ♪ p >
504
00:23:25,796 --> 00:23:29,197
♪ Here we are now, entertain
505
00:23:29,199 --> 00:23:30,265
us ♪
506
00:23:30,267 --> 00:23:32,801
♪ I feel stupid
507
00:23:32,803 --> 00:23:35,470
The reason for choosing a studio is
508
00:23:35,472 --> 00:23:38,106
do the initial test on the drum.
509
00:23:38,108 --> 00:23:39,274
Because you can record the section
510
00:23:39,276 --> 00:23:40,542
Guitar almost anywhere.
511
00:23:40,544 --> 00:23:42,110
And it will still produce good sound
512
00:23:42,112 --> 00:23:43,045
Like the sound of a guitar. P>
513
00:23:43,047 --> 00:23:44,279
But the drum is very different from each
514
00:23:44,281 --> 00:23:46,548
Room to another room. P>
515
00:23:46,550 --> 00:23:50,052
The room must not have a damper
516
00:23:50,054 --> 00:23:52,621
to be a good drum room.
517
00:23:52,623 --> 00:23:54,056
Because that's just
518
00:23:54,058 --> 00:23:56,359
rectangular space.
519
00:23:57,361 --> 00:24:01,094
Sound City used to be a Vox factory
in the 60s.
520
00:24:01,131 --> 00:24:03,197
They made Amply Vox there.
521
00:24:03,201 --> 00:24:05,734
And they built the controller
"A" in the room in 64.
522
00:24:05,736 --> 00:24:08,170
That was one of the rooms created
523
00:24:08,172 --> 00:24:10,105
Randomly, carelessly...
524
00:24:10,107 --> 00:24:12,207
Being a great place to
525
00:24:12,209 --> 00:24:13,442
record drum parts.
526
00:24:13,444 --> 00:24:15,110
That room is a place
527
00:24:15,112 --> 00:24:16,778
What happens between
528
00:24:16,780 --> 00:24:18,647
>
529
00:24:18,649 --> 00:24:20,415
Not that you are playing.
530
00:24:20,417 --> 00:24:21,583
There is a very sound
531
00:24:21,585 --> 00:24:23,685
Magic.
532
00:24:23,687 --> 00:24:25,821
Every room has its own beauty
533
00:24:25,823 --> 00:24:28,156
In Voice matters.
534
00:24:28,158 --> 00:24:30,258
Here... I think it will always be
535
00:24:30,260 --> 00:24:31,626
the best place in Sound City.
536
00:24:31,628 --> 00:24:32,727
And strangely enough,
537
00:24:32,729 --> 00:24:34,463
Tak someone designed it.
538
00:24:34,465 --> 00:24:35,397
But it's not.
539
00:24:35,399 --> 00:24:37,165
It's just luck.
540
00:24:37,167 --> 00:24:38,767
Luck and magic.
541
00:24:38,769 --> 00:24:40,302
Not as it should be.
542
00:24:40,304 --> 00:24:42,437
And you're not can control
543
00:24:42,439 --> 00:24:43,305
Something like that.
544
00:24:43,307 --> 00:24:45,707
By itself, the sound of the drum
545
00:24:45,709 --> 00:24:47,843
is probably the reason we are there.
546
00:24:47,845 --> 00:24:48,743
I admit. p >
547
00:24:49,813 --> 00:24:51,446
♪ & apos; Cause when the lovin <
548
00:24:51,448 --> 00:24:54,382
549
00:24:54,384 --> 00:24:56,451
starts and the lights go down ♪
550
00:24:56,453 --> 00:24:58,386
♪ There & apos; s not another living
551
00:24:58,388 --> 00:25:00,589
soul around ♪
552
00:25:00,591 --> 00:25:03,125
It's not planned.
553
00:25:03,127 --> 00:25:05,360
Sound City is welcomed. And we...
554
00:25:05,362 --> 00:25:06,561
know if it is our home. P>
555
00:25:06,563 --> 00:25:08,864
That's a church. P>
556
00:25:08,866 --> 00:25:10,565
How good are you from, me...
557
00:25:10,567 --> 00:25:14,170
Choose to go in there. P>
558
00:25:15,672 --> 00:25:17,839
♪ Say that you love me
559
00:25:17,841 --> 00:25:20,542
Since Fleetwood Mac's album
560
00:25:20,544 --> 00:25:22,310
Grateful Dead.
561
00:25:22,312 --> 00:25:26,381
Once you have such a big hit
it will be awesome.
562
00:25:26,383 --> 00:25:27,849
♪ Dancin & apos; in the streets
563
00:25:27,851 --> 00:25:31,186
♪ Dancin & apos ;, dancin & apos ;, dancin & apos;
564
00:26:04,615 --> 00:26:09,196
Actually the first time the Heartbreakers played
to get a feeling for one another
565
00:26:09,197 --> 00:26:12,697
is in Sound City. P>
566
00:26:14,198 --> 00:26:15,397
The studio is fine, but we
567
00:26:15,399 --> 00:26:16,464
Don't get the same feeling
568
00:26:16,466 --> 00:26:16,932
Together. P>
569
00:26:16,934 --> 00:26:17,766
We don't ready.
570
00:26:17,768 --> 00:26:18,700
We don't have songs.
571
00:26:18,702 --> 00:26:19,668
We don't know how to play
572
00:26:19,670 --> 00:26:20,335
well.
573
00:26:20,337 --> 00:26:21,803
That's how you make < /p>
574
00:26:21,805 --> 00:26:22,504
Rekaman.
575
00:26:22,506 --> 00:26:24,206
It was very cruel, therefore
576
00:26:24,208 --> 00:26:25,307
Sounds the way it is.
577
00:26:25,309 --> 00:26:26,708
Then you enter the control room
578
00:26:26,710 --> 00:26:28,276
And they talk through the speaker
579
00:26:28,278 --> 00:26:29,678
Here's how, "My game is not good
580
00:26:29,680 --> 00:26:32,314
Very bad ".
581
00:26:32,316 --> 00:26:33,782
I think Mike's voice
582
00:26:33,784 --> 00:26:35,283
A little too hard.
583
00:26:35,285 --> 00:26:39,521
There are no variations, no influence.
584
00:26:39,523 --> 00:26:41,289
There is no place to hide. Everything...
585
00:26:41,291 --> 00:26:42,591
Exit the Amp or
586
00:26:42,593 --> 00:26:44,426
Everything comes out directly from the speaker
587
00:26:44,428 --> 00:26:45,694
Or goes directly from the mic
588
00:26:45,696 --> 00:26:47,395
That's how it is. P>
589
00:26:47,397 --> 00:26:50,634
That's Sound City. P>
590
00:26:52,536 --> 00:26:54,968
On the third album, we want to get...
591
00:26:54,972 --> 00:26:56,638
Someone who can make excellent
recordings
592
00:26:56,673 --> 00:26:58,340
So we hired Jimmy lovine.
593
00:26:58,342 --> 00:26:59,741
He is a record producer
594
00:26:59,743 --> 00:27:01,610
And he has worked with
595
00:27:01,612 --> 00:27:03,411
Lennon and with Springsteen.
596
00:27:03,413 --> 00:27:04,713
And they do the recording
597
00:27:04,715 --> 00:27:06,348
Directly.
598
00:27:06,350 --> 00:27:09,584
He doesn't want too many repetitions.
You have to learn to play.
599
00:27:09,586 --> 00:27:11,453
Lalu kau akan masuk dan memainkannya.
600
00:27:11,455 --> 00:27:17,161
I hired Jimmy as a producer for
"Damn the Torpedoes" there,
601
00:27:17,162 --> 00:27:19,362
But he came with a producer
602
00:27:19,363 --> 00:27:21,730
without telling me.
603
00:27:23,300 --> 00:27:24,866
He manipulated it so that
604
00:27:24,868 --> 00:27:26,534
Become a record producer
605
00:27:26,536 --> 00:27:28,436
With me.
606
00:27:28,438 --> 00:27:33,541
Jimmy is a great person. I mean,
he has his own music business. P>
607
00:27:33,543 --> 00:27:36,478
When we met Jimmy
608
00:27:36,480 --> 00:27:38,847
at Sound City, he looked
609
00:27:38,849 --> 00:27:40,015
Fear. P>
610
00:27:40,017 --> 00:27:42,884
Fear like, "what place
611
00:27:42,886 --> 00:27:44,386
is this?"
612
00:27:44,388 --> 00:27:45,687
And the first thing he said
613
00:27:45,689 --> 00:27:47,055
to me, "I don't know if we can
614
00:27:47,057 --> 00:27:48,323
Making recordings here.
615
00:27:48,325 --> 00:27:49,691
Someone has to destroy
616
00:27:49,693 --> 00:27:51,993
this ugly place ".
617
00:27:51,995 --> 00:27:54,329
I said," yes, I thought you would
618
00:27:54,331 --> 00:27:55,397
chased ".
619
00:27:57,567 --> 00:27:59,067
We recorded directly, and we
620
00:27:59,069 --> 00:28:00,902
Don't edit each record.
621
00:28:00,904 --> 00:28:02,771
So we have to do it right
622
00:28:02,773 --> 00:28:03,772
From start to finish.
623
00:28:03,774 --> 00:28:04,973
When you record directly,
624
00:28:04,975 --> 00:28:06,074
The pressure will be on the drummer
625
00:28:06,076 --> 00:28:06,741
Very big.
626
00:28:06,743 --> 00:28:07,942
Until you can,
627
00:28:07,944 --> 00:28:08,576
You can't do anything.
628
00:28:08,578 --> 00:28:09,878
I just think I have to play
629
00:28:09,880 --> 00:28:10,545
correctly. P>
630
00:28:10,547 --> 00:28:11,680
Follow the beat rhythm
631
00:28:11,682 --> 00:28:12,914
point. P>
632
00:28:16,116 --> 00:28:18,188
Whoa! P>
633
00:28:18,189 --> 00:28:20,089
It's very emotional. P>
634
00:28:20,090 --> 00:28:23,127
But, at the same time
we all want to learn. P>
635
00:28:25,429 --> 00:28:27,362
"Refugee," we play almost
636
00:28:27,364 --> 00:28:29,097
150 times or more
637
00:28:29,099 --> 00:28:30,799
We try to get
638
00:28:30,801 --> 00:28:32,467
light in the bottle.
639
00:28:32,469 --> 00:28:33,735
That's very good.
640
00:28:33,737 --> 00:28:34,803
Yes, I still don't
641
00:28:34,805 --> 00:28:36,037
feels like it.
642
00:28:36,039 --> 00:28:37,572
I still haven't done my part
correctly
643
00:28:37,574 --> 00:28:38,773
I think we should do it
644
00:28:38,775 --> 00:28:39,641
Again and listen.
645
00:28:39,643 --> 00:28:40,108
Alright.
646
00:28:40,110 --> 00:28:41,876
Then you start playing
647
00:28:41,878 --> 00:28:43,078
That song again .
648
00:28:43,080 --> 00:28:46,348
♪ You don't have to live like
649
00:28:46,350 --> 00:28:47,515
a refugee ♪
650
00:28:47,517 --> 00:28:50,951
♪ You don't have to live like
a refugee ♪
651
00:28:50,954 --> 00:28:52,587
That might look easy, but if
652
00:28:52,589 --> 00:28:53,822
You try to search
653
00:28:53,824 --> 00:28:55,523
The best then the more
654
00:28:55,525 --> 00:28:57,092
You will make a mistake. And you
655
00:28:57,094 --> 00:28:58,660
Must accept it. P>
656
00:28:58,662 --> 00:29:01,429
That night. P>
657
00:29:01,431 --> 00:29:02,030
In your mind. P>
658
00:29:02,032 --> 00:29:02,897
You damn base! P>
659
00:29:02,899 --> 00:29:04,065
You drive me crazy! P>
660
00:29:04,067 --> 00:29:06,534
You make me even more
661
00:29:06,536 --> 00:29:07,135
Being crazy!
662
00:29:07,137 --> 00:29:09,106
♪ Ohhhh
663
00:29:12,008 --> 00:29:14,042
It's a heavy atmosphere.
664
00:29:14,044 --> 00:29:16,911
You know, music really isn't
665
00:29:16,913 --> 00:29:19,080
Must perfect.
666
00:29:19,082 --> 00:29:21,883
It's all about the connection of people
667
00:29:21,885 --> 00:29:24,052
To do it together.
668
00:29:24,054 --> 00:29:26,988
Something really is from
669
00:29:26,990 --> 00:29:27,822
In the heart.
670
00:29:27,824 --> 00:29:29,524
That must come
671
00:29:29,526 --> 00:29:31,025
From the heart.
672
00:29:31,027 --> 00:29:33,561
♪ Oh! Oh! Oh! P>
673
00:29:33,563 --> 00:29:38,767
Tom is great. All of his approaches are
under his supervision. P>
674
00:29:38,769 --> 00:29:40,835
He comes like being on
675
00:29:40,837 --> 00:29:43,105
Studio's own garage. P>
676
00:29:44,007 --> 00:29:49,144
Paula... he's like a field general
677
00:29:49,146 --> 00:29:51,045
He is in the front row.
678
00:29:51,047 --> 00:29:51,780
679
00:29:51,782 --> 00:29:53,181
Paula is a good person.
680
00:29:53,183 --> 00:29:54,816
He can't be bothered.
681
00:29:54,818 --> 00:29:56,718
No one can
682
00:29:56,720 --> 00:29:57,152
Interrupting it.
683
00:29:57,154 --> 00:29:59,154
Paula, I think it took over from
684
00:29:59,156 --> 00:30:00,922
Jemima when Jemima left.
685
00:30:00,924 --> 00:30:04,159
Jemima Eddy, Bibi Jemima. Has
686
00:30:04,161 --> 00:30:07,495
A small female assistant
687
00:30:07,497 --> 00:30:09,697
named Barbie, which ends
688
00:30:09,699 --> 00:30:12,601
Menjadi istri Rick Springfield.
689
00:30:13,103 --> 00:30:15,570
He is in charge of
690
00:30:15,572 --> 00:30:17,906
Call when he is
691
00:30:17,908 --> 00:30:20,175
16, 17. Always tempted by all
692
00:30:20,177 --> 00:30:22,076
Band members, of course.
693
00:30:22,078 --> 00:30:24,546
Then, after Jemima. P>
694
00:30:24,548 --> 00:30:26,114
Come in Paula. P>
695
00:30:26,116 --> 00:30:29,687
I only saw it once, and I
immediately fell in love. P>
696
00:30:29,688 --> 00:30:32,188
He was very sexy and
697
00:30:32,189 --> 00:30:33,087
Very pretty.
698
00:30:33,089 --> 00:30:35,523
♪ Do you know where your
699
00:30:35,525 --> 00:30:38,660
woman is tonight? ♪
700
00:30:38,662 --> 00:30:40,528
♪ Think about it. ♪
701
00:30:40,530 --> 00:30:43,898
Paula Salvatore, an Italian girl. P>
702
00:30:43,900 --> 00:30:45,500
Yes, italiana, italiana. P>
703
00:30:45,502 --> 00:30:47,135
Every musician who comes there
704
00:30:47,137 --> 00:30:48,970
Then meet Paula
705
00:30:48,972 --> 00:30:49,737
Definitely thought Paula fell in love with them.
706
00:30:49,739 --> 00:30:50,238
I think.
707
00:30:50,240 --> 00:30:51,773
Or that's just me.
708
00:30:51,775 --> 00:30:52,974
But it doesn't seem like that.
709
00:30:52,976 --> 00:30:54,542
>
710
00:30:54,544 --> 00:30:55,877
Do you remember Paula?
711
00:30:55,879 --> 00:30:57,679
The woman in charge of the studio?
712
00:30:57,681 --> 00:31:00,081
Paula the dark-haired woman?
713
00:31:00,083 --> 00:31:02,053
Curls?
714
00:31:02,354 --> 00:31:05,754
I'm "Paula at Sound City".
That be my last name for a year.
715
00:31:05,755 --> 00:31:07,722
Paula is one audience
716
00:31:07,724 --> 00:31:08,957
woman, you know?
717
00:31:08,959 --> 00:31:11,493
♪ Do you know where your
718
00:31:11,495 --> 00:31:13,895
woman is tonight? ♪
719
00:31:13,897 --> 00:31:15,230
Whenever we get a song or
720
00:31:15,232 --> 00:31:16,498
Whenever we have something
721
00:31:16,500 --> 00:31:17,832
Want to be shown that makes me happy
722
00:31:17,834 --> 00:31:19,267
I'll come out and say,
723
00:31:19,269 --> 00:31:20,168
"Paula, come on.
724
00:31:20,170 --> 00:31:21,035
Take a look at this.
725
00:31:21,037 --> 00:31:22,737
Listen to what we just did".
726
00:31:22,739 --> 00:31:24,506
Paula will say, " I'm very
727
00:31:24,508 --> 00:31:25,907
Like this one. " P>
728
00:31:25,909 --> 00:31:27,642
That can make my day fun. P>
729
00:31:27,644 --> 00:31:29,544
Because I know he doesn't have to say that
730
00:31:29,546 --> 00:31:31,246
Because he has listened to
731
00:31:31,248 --> 00:31:32,647
Musik setiap harinya.
732
00:31:32,649 --> 00:31:34,215
But that makes me think,
733
00:31:34,217 --> 00:31:35,116
"Okay, wow.
734
00:31:35,118 --> 00:31:38,119
Maybe this one is really good".
735
00:31:38,121 --> 00:31:41,657
Paula sang the first time on
Recording master, actually. P>
736
00:31:41,658 --> 00:31:43,158
He and his friend help fill
737
00:31:43,159 --> 00:31:44,692
Background sounds. P>
738
00:31:48,965 --> 00:31:52,567
Many female background singers
end up working and p >
739
00:31:52,569 --> 00:31:54,802
Become a secretary in the studio.
740
00:31:54,804 --> 00:31:57,640
When you need a background singer,
just call someone at the front desk.
741
00:31:57,641 --> 00:31:59,041
And there for sure
742
00:31:59,042 --> 00:31:59,707
There someone.
743
00:31:59,709 --> 00:32:01,142
My dream is to
744
00:32:01,144 --> 00:32:01,743
Play music.
745
00:32:01,745 --> 00:32:02,944
But that doesn't happen.
746
00:32:02,946 --> 00:32:04,646
You know, and before I realize
747
00:32:04,648 --> 00:32:08,280
p>
748
00:32:08,318 --> 00:32:09,884
I'm actually in that environment.
749
00:32:09,886 --> 00:32:11,152
That's really attitude.
750
00:32:11,154 --> 00:32:12,887
I want to do this.
751
00:32:12,889 --> 00:32:13,788
I'll do anything for that.
752
00:32:13,790 --> 00:32:15,156
That's a training place.
753
00:32:15,158 --> 00:32:16,891
Six months become a driver.
754
00:32:16,893 --> 00:32:18,593
Then six months become
755
00:32:18,595 --> 00:32:20,094
answer the phone at night.
756
00:32:20,096 --> 00:32:21,863
And when someone above you stops
757
00:32:21,865 --> 00:32:23,298
Or gets a promotion or moves.
758
00:32:23,300 --> 00:32:25,600
Then everyone gets promoted.
759
00:32:25,602 --> 00:32:30,271
I hired Nick because he could
make "guacamole " That's very important. P>
760
00:32:30,273 --> 00:32:31,205
Indeed. P>
761
00:32:31,207 --> 00:32:33,608
I make guacamole every time. P>
762
00:32:33,610 --> 00:32:37,314
As a messenger, I'll go
everywhere. then empty...
763
00:32:37,315 --> 00:32:39,715
Ashtrays and dust on the console machine
764
00:32:39,716 --> 00:32:40,682
and vacuum.
765
00:32:40,684 --> 00:32:42,617
And that's when I start
766
00:32:42,619 --> 00:32:43,785
learning with mixer.
767
00:32:43,787 --> 00:32:45,753
We have messengers who then
768
00:32:45,755 --> 00:32:46,654
become technicians.
769
00:32:46,656 --> 00:32:48,356
Then, then become producers.
770
00:32:48,358 --> 00:32:50,592
Many people are often here
771
00:32:50,594 --> 00:32:56,594
Being very successful in the
recording business.
772
00:32:57,968 --> 00:33:00,201
You know, the recording is
773
00:33:00,203 --> 00:33:01,769
Another form of art.
774
00:33:08,845 --> 00:33:10,011
♪ Down on South Street ,
Philadelphia ♪
775
00:33:10,013 --> 00:33:13,182
When we came to Sound City,
the producer, Gary Lublow.
776
00:33:13,183 --> 00:33:14,783
Saying, "no... no... slow the tempo
777
00:33:14,784 --> 00:33:16,150
so they can listen to the song ".
778
00:33:16,152 --> 00:33:17,652
We just said," This is Punk Rock!
779
00:33:17,654 --> 00:33:18,920
We won't slow it down! "
780
00:33:18,922 --> 00:33:19,954
781
00:33:19,956 --> 00:33:23,660
♪ I don & rs; t care about you
♪ Fuck you
782
00:33:24,662 --> 00:33:26,995
You get 50 seconds worth of
from music with the same amount
783
00:33:26,997 --> 00:33:28,096
of each note. because...
784
00:33:28,098 --> 00:33:29,230
We play it fast.
785
00:33:30,333 --> 00:33:31,399
♪ I saw a man that was sleeping
786
00:33:31,401 --> 00:33:32,100
in puke ♪
787
00:33:32,102 --> 00:33:33,067
♪ And a man with no legs.
788
00:33:33,069 --> 00:33:34,068
fallin & apos; down Fifth Street ♪
789
00:33:34,070 --> 00:33:35,670
♪ Tryin & apos; to get something to
790
00:33:35,672 --> 00:33:37,071
eat ♪
791
00:33:37,073 --> 00:33:38,840
♪ I don & apos; t care about you
792
00:33:38,842 --> 00:33:39,874
♪ Oh, no
793
00:33:39,876 --> 00:33:44,380
One from a punk album the best
-rock they made the recording
794
00:33:44,381 --> 00:33:45,681
at Sound City.
795
00:33:45,782 --> 00:33:47,315
The sound came out directly
796
00:33:47,317 --> 00:33:48,149
from him.
797
00:33:48,151 --> 00:33:49,851
That really the sound.
798
00:33:51,888 --> 00:33:55,189
♪ I don & apos; t care about you
799
00:33:55,191 --> 00:33:57,325
Gary Lublow was once
800
00:33:57,327 --> 00:33:58,793
Producer for
801
00:33:58,795 --> 00:34:00,828
REO P>
802
00:34:00,830 --> 00:34:02,930
Speedwagon. P>
803
00:34:02,932 --> 00:34:04,732
Technicians who always fuss with me
804
00:34:04,734 --> 00:34:05,400
Every day. P>
805
00:34:10,807 --> 00:34:14,212
I became a producer accidentally.
Because nobody knows
806
00:34:14,213 --> 00:34:16,513
What is the producer. P>
807
00:34:18,314 --> 00:34:21,684
The previous definition of the producer
is to oversee
808
00:34:21,685 --> 00:34:23,385
finance, the schedule of musicians,
809
00:34:23,386 --> 00:34:24,952
Studio usage schedule.
810
00:34:24,954 --> 00:34:26,320
That's what they don't do
811
00:34:26,322 --> 00:34:27,088
At Sound City.
812
00:34:27,090 --> 00:34:28,756
The producer works with
813
00:34:28,758 --> 00:34:29,290
Songs- song.
814
00:34:29,292 --> 00:34:33,695
♪ You don't know how it feels
815
00:34:33,697 --> 00:34:36,964
to be me ♪
816
00:34:36,966 --> 00:34:38,099
The producer must say, "Hey, me...
817
00:34:38,101 --> 00:34:39,233
Think this could be better.
818
00:34:39,235 --> 00:34:40,435
I think it's better.
819
00:34:40,437 --> 00:34:41,469
I think it's amazing.
820
00:34:41,471 --> 00:34:43,204
Why can't the rest be good p >
821
00:34:43,206 --> 00:34:44,138
like before? "
822
00:34:44,140 --> 00:34:45,473
That's not easy to do.
823
00:34:45,475 --> 00:34:47,108
Everything I tried to do
824
00:34:47,110 --> 00:34:48,443
More based on perspective.
825
00:34:48,445 --> 00:34:50,144
I can listen then, "Hmm...
826
00:34:50,146 --> 00:34:51,446
this part really talks to me. P>
827
00:34:51,448 --> 00:34:53,214
This part is not what I want". P>
828
00:34:53,216 --> 00:34:53,815
p >
829
00:34:53,817 --> 00:34:55,016
That sounds like you brought it
830
00:34:55,018 --> 00:34:56,117
a little lower today than
831
00:34:56,119 --> 00:34:56,784
Previously.
832
00:34:56,786 --> 00:34:59,220
It takes courage, to say
833
00:34:59,222 --> 00:35:01,189
a star if they
834
00:35:01,191 --> 00:35:02,190
is wrong.
835
00:35:02,192 --> 00:35:04,392
♪ But let me get to the
836
00:35:04,394 --> 00:35:05,760
point ♪
837
00:35:05,762 --> 00:35:08,896
♪ Let 's roll another joint
838
00:35:08,898 --> 00:35:10,164
I like to force myself for
839
00:35:10,166 --> 00:35:10,998
recordings. p >
840
00:35:11,000 --> 00:35:12,867
For example, I hit the guitar, and
841
00:35:12,869 --> 00:35:14,001
Screw it up.
842
00:35:14,003 --> 00:35:15,269
I want to be more enthusiastic.
843
00:35:16,671 --> 00:35:19,874
Working with Ross is very hard.
844
00:35:19,876 --> 00:35:23,044
We made 12 songs at the first night
we were there.
845
00:35:23,046 --> 00:35:24,846
And every time, he
846
00:35:24,848 --> 00:35:26,814
Threw a pot of plants at us.
847
00:35:26,816 --> 00:35:28,216
I took one of the candles,
848
00:35:28,218 --> 00:35:29,784
Then I throw past the wall
849
00:35:29,786 --> 00:35:30,518
As hard as I can.
850
00:35:30,520 --> 00:35:32,019
Candles scatter about his face, then...
851
00:35:32,021 --> 00:35:34,956
852
00:35:34,958 --> 00:35:36,390
He shouted and fell on the floor.
853
00:35:36,392 --> 00:35:37,391
It's very exciting.
854
00:35:37,393 --> 00:35:39,327
♪ You don't know how it feels
855
00:35:39,329 --> 00:35:40,663
856
00:35:40,664 --> 00:35:41,864
What I like about one
857
00:35:41,865 --> 00:35:43,331
Producer, he is like the person
858
00:35:43,333 --> 00:35:45,032
Putting the lid
859
00:35:45,034 --> 00:35:46,300
On an emergency call. P>
860
00:35:46,302 --> 00:35:49,139
They limit you from the outside world.
And they help you...
861
00:35:49,140 --> 00:35:51,340
Remove the sound inside
862
00:35:51,341 --> 00:35:51,939
Your head.
863
00:35:51,941 --> 00:35:54,108
The task of a Producer is very
864
00:35:54,110 --> 00:35:54,842
Easy.
865
00:35:54,844 --> 00:35:57,011
It is a vehicle that bring
866
00:35:57,013 --> 00:35:59,914
the creativity of musicians into recordings
867
00:35:59,916 --> 00:36:02,784
Those who can be accepted accordingly
868
00:36:02,786 --> 00:36:03,918
Market goals.
869
00:36:03,920 --> 00:36:08,256
♪ To be me
870
00:36:08,258 --> 00:36:10,057
What you have to do is
871
00:36:10,059 --> 00:36:11,559
to get the listener's wishes
872
00:36:11,561 --> 00:36:14,462
According to what they expect.
873
00:36:24,599 --> 00:36:26,677
A boyfriend, ex-boyfriend, I mean
874
00:36:26,678 --> 00:36:29,378
ex girlfriend. Introduce me
875
00:36:29,379 --> 00:36:30,978
On someone named Joe
876
00:36:30,980 --> 00:36:31,479
at Sound City.
877
00:36:31,481 --> 00:36:33,047
And he said, "Joe is looking for artists
878
00:36:33,049 --> 00:36:33,948
To contract".
879
00:36:33,950 --> 00:36:35,550
I think we just contracted him. P>
880
00:36:35,552 --> 00:36:38,052
Mid-70s. P>
881
00:36:38,054 --> 00:36:40,188
Joe's office is under
882
00:36:40,190 --> 00:36:43,491
Climb the car heading
883
00:36:43,493 --> 00:36:47,161
To the parking lot on the building.
884
00:36:47,163 --> 00:36:48,262
Actually I had time to think
885
00:36:48,264 --> 00:36:49,463
Not to accept the contract because
886
00:36:49,465 --> 00:36:50,565
That thing.
887
00:36:50,567 --> 00:36:55,571
♪ Love is all right tonight
888
00:36:56,873 --> 00:37:00,610
He was previously contracted by RCA
for five years.
889
00:37:00,611 --> 00:37:02,211
I started coming to the studio when
890
00:37:02,212 --> 00:37:04,178
Client payments were issued.
891
00:37:04,180 --> 00:37:05,413
"Tom Petty just
892
00:37:05,415 --> 00:37:06,113
cancel. P>
893
00:37:06,115 --> 00:37:07,381
We get the studio & apos; A & apos; Over
894
00:37:07,383 --> 00:37:08,249
Four hours". P>
895
00:37:08,251 --> 00:37:09,884
Joe made Rick Springfield
896
00:37:09,886 --> 00:37:11,385
Under his care, and he helped
897
00:37:11,387 --> 00:37:12,320
Develop it.
898
00:37:12,322 --> 00:37:13,888
Enter it into acting lessons.
899
00:37:13,890 --> 00:37:15,056
Give it an apartment.
900
00:37:15,058 --> 00:37:16,357
Give it a car.
901
00:37:16,359 --> 00:37:18,059
Give a way to "General Hospital "
902
00:37:18,061 --> 00:37:21,262
The thing that started his career.
903
00:37:21,264 --> 00:37:24,633
He's Bobbie, one of
our best nurse.
904
00:37:24,634 --> 00:37:26,134
Bobbie Spencer, this is
905
00:37:26,135 --> 00:37:26,968
Noah Drake.
906
00:37:26,970 --> 00:37:27,902
How are you?
907
00:37:27,904 --> 00:37:29,337
I'm very happy to meet you
908
00:37:29,339 --> 00:37:30,204
Again.
909
00:37:30,206 --> 00:37:33,307
Financial stability during my first life
by getting 500 dollars per week.
910
00:37:33,309 --> 00:37:35,376
That is the first fixed financial
911
00:37:35,378 --> 00:37:36,377
What ever happened.
912
00:37:36,379 --> 00:37:38,346
Joe came to me and asked p >
913
00:37:38,348 --> 00:37:40,248
To work on some songs.
914
00:37:42,385 --> 00:37:43,384
Keith Olsen chose
915
00:37:43,386 --> 00:37:44,919
"Jessie & sos' s Girl" demo that
916
00:37:44,921 --> 00:37:45,486
was given to her.
917
00:37:45,488 --> 00:37:46,954
Aku tidak tau kenapa ia memilih itu.
918
00:37:46,956 --> 00:37:48,289
I think there are more songs
919
00:37:48,291 --> 00:37:48,890
good again.
920
00:37:48,892 --> 00:37:50,291
Rick doesn't think I know what
921
00:37:50,293 --> 00:37:51,325
I'm talking about.
922
00:37:51,327 --> 00:37:54,529
♪ Well, Jessie is a friend
923
00:37:55,031 --> 00:37:57,231
♪ And, oh, he & # 39; s been a good
924
00:37:57,233 --> 00:37:58,266
friend of mine ♪
925
00:37:58,268 --> 00:38:00,334
Keith doesn't like my guitar game.
926
00:38:00,336 --> 00:38:02,436
So he told Neil Geraldo
927
00:38:02,438 --> 00:38:04,472
to play a guitar called "Jessie & sos; s Girl"
928
00:38:04,474 --> 00:38:05,339
and bass.
929
00:38:05,341 --> 00:38:07,141
Become a record producer,
930
00:38:07,143 --> 00:38:09,076
There are times when you have to say
931
00:38:09,078 --> 00:38:10,945
"This will be very good
932
00:38:10,947 --> 00:38:12,914
for your career if you leave it
933
00:38:12,916 --> 00:38:13,915
still like this." p >
934
00:38:13,917 --> 00:38:15,683
Keith never likes games
935
00:38:15,685 --> 00:38:16,484
my guitar.
936
00:38:16,486 --> 00:38:18,653
He's really fucking.
937
00:38:18,655 --> 00:38:20,354
Patricia just finished
938
00:38:20,356 --> 00:38:22,089
Records "Crimes of Passion "
939
00:38:22,091 --> 00:38:22,490
at Sound City.
940
00:38:22,492 --> 00:38:25,628
Then I only met him one day,
and at that time we just did it.
941
00:38:25,629 --> 00:38:27,529
I mean, maybe I only knew him for
942
00:38:27,530 --> 00:38:29,397
15 minutes before we made
943
00:38:29,399 --> 00:38:31,399
p>
944
00:38:32,001 --> 00:38:34,369
Song.
945
00:38:34,370 --> 00:38:35,370
He has a pit terrier and
takes it into
946
00:38:35,371 --> 00:38:36,437
studio, then he will show it.
947
00:38:36,439 --> 00:38:37,471
Throwing a ball basketball.
948
00:38:37,473 --> 00:38:38,172
Then the dog will take the basketball
949
00:38:38,174 --> 00:38:39,273
then, "pghh!"
950
00:38:39,275 --> 00:38:39,941
Bite with
951
00:38:39,943 --> 00:38:41,375
The teeth. p >
952
00:38:41,377 --> 00:38:43,010
My dog, Ron, The recording crew
953
00:38:43,012 --> 00:38:44,512
will play with the laser beam
954
00:38:44,514 --> 00:38:45,379
then the dog will chase it anywhere
955
00:38:45,381 --> 00:38:47,248
In the studio "B".
956
00:38:47,250 --> 00:38:49,050
Then he bit the studio wall layer
957
00:38:49,052 --> 00:38:50,584
and made a hole at all
958
00:38:50,586 --> 00:38:52,286
Those walls.
959
00:38:52,288 --> 00:38:52,687
We are getting ready to start
960
00:38:52,689 --> 00:38:54,422
Then suddenly the dog enters
961
00:38:54,424 --> 00:38:56,257
into the studio, sits down,
962
00:38:56,259 --> 00:38:58,159
puts his nose on my back
963
00:38:58,161 --> 00:38:59,427
Maybe, if I screw up
964
00:38:59,429 --> 00:39:00,227
he'll bite me.
965
00:39:00,229 --> 00:39:01,529
What is this?
966
00:39:01,531 --> 00:39:03,497
♪ And she's watching him with
967
00:39:03,499 --> 00:39:05,299
those eyes ♪
968
00:39:05,301 --> 00:39:06,667
I'm complete the recording.
969
00:39:06,669 --> 00:39:08,235
Maybe even just one shot.
970
00:39:08,237 --> 00:39:08,636
971
00:39:08,638 --> 00:39:09,704
The dog is very funny.
972
00:39:09,706 --> 00:39:10,471
Never moves.
973
00:39:10,473 --> 00:39:11,505
p>
974
00:39:11,507 --> 00:39:12,473
He just sat there.
975
00:39:12,475 --> 00:39:15,176
That was fantastic.
976
00:39:15,178 --> 00:39:17,445
♪ You know, I wish that I had
977
00:39:17,447 --> 00:39:19,347
Jessie> s girl ♪ <
978
00:39:19,349 --> 00:39:20,214
♪ I wish that I had Jessie
979
00:39:20,216 --> 00:39:21,615
girl ♪
980
00:39:21,617 --> 00:39:23,150
We contracted a lot of artists.
981
00:39:23,152 --> 00:39:24,652
Whoever you contract, you. .
982
00:39:24,654 --> 00:39:25,386
will think, "this will be
983
00:39:25,388 --> 00:39:27,021
"This is the next new star".
984
00:39:27,023 --> 00:39:28,222
I'm the only one who
985
00:39:28,224 --> 00:39:30,457
really gives them an advantage.
986
00:39:30,459 --> 00:39:31,258
987
00:39:31,260 --> 00:39:35,430
Nominated for male rock singers,
singing songs
988
00:39:35,431 --> 00:39:36,531
Jessie & sos; s girl. this is
989
00:39:36,532 --> 00:39:38,065
Rick Springfield
990
00:39:41,771 --> 00:39:48,746
The first payment we got,
bigger than what RCA got first.
991
00:39:52,148 --> 00:39:53,714
That was very surprising.
992
00:39:53,716 --> 00:39:55,783
I think Joe has very good karma
993
00:39:55,785 --> 00:39:58,085
And a magical studio.
994
00:39:58,087 --> 00:40:00,321
Even though it's in a very bad place.
995
00:40:00,323 --> 00:40:02,023
Housing in "Van Nuys ". P>
996
00:40:02,025 --> 00:40:03,791
Then everyone starts
997
00:40:03,793 --> 00:40:05,226
coming in. P>
998
00:40:05,228 --> 00:40:06,360
That's really amazing. P>
999
00:40:11,662 --> 00:40:15,469
Throughout the 80s, our books were very good.
You heard from one of the
1000
00:40:15,471 --> 00:40:17,104
stations that played songs
1001
00:40:17,106 --> 00:40:18,806
rock & apos; n & apos; roll, 7 or 8 of
1002
00:40:18,808 --> 00:40:21,242
10 songs are recorded
1003
00:40:21,244 --> 00:40:22,680
On Sound City.
1004
00:40:26,182 --> 00:40:27,381
Tell Hollywood in the 80s
1005
00:40:27,383 --> 00:40:28,649
1006
00:40:28,651 --> 00:40:34,589
Hollywood in the 80s.
I don't remember.
1007
00:40:35,391 --> 00:40:39,660
It's all about hairstyles. about make-up
1008
00:40:39,662 --> 00:40:41,697
Men dress up like women.
1009
00:40:42,799 --> 00:40:46,534
♪ & apos; Cause I & apos; ma wanted man
1010
00:40:46,536 --> 00:40:51,106
I'm curious who will use the mixer
after us, do they have
1011
00:40:51,107 --> 00:40:52,507
the feeling of excitement the next day.
1012
00:40:52,508 --> 00:40:53,307
1013
00:40:53,309 --> 00:40:55,443
So you know if we were there.
1014
00:40:56,345 --> 00:40:58,345
♪ Some kind, some kind
1015
00:40:58,347 --> 00:41:01,082
of you turned out to be ♪
1016
00:41:01,084 --> 00:41:02,783
I only recorded one
1017
00:41:02,785 --> 00:41:03,784
on Sound City.
1018
00:41:03,786 --> 00:41:05,853
There is more family compared to
1019
00:41:05,855 --> 00:41:07,788
Other studios I've visited.
1020
00:41:07,790 --> 00:41:10,091
"family" may be a little
1021
00:41:10,093 --> 00:41:11,792
heavy. But it does have a warm feeling
1022
00:41:11,794 --> 00:41:13,594
between us and people
1023
00:41:13,596 --> 00:41:15,362
Who works there.
1024
00:41:15,364 --> 00:41:16,630
Dio, "Holy Diver".
1025
00:41:16,632 --> 00:41:18,466
Yes, you know that album.
1026
00:41:22,238 --> 00:41:24,405
♪ Stand up and shout p >
1027
00:41:24,407 --> 00:41:26,444
♪ Let it out
1028
00:41:26,446 --> 00:41:28,445
♪ Stand up and shout
1029
00:41:28,647 --> 00:41:31,080
Paula is an Italian.
1030
00:41:31,082 --> 00:41:32,081
That's one of them.
1031
00:41:32,183 --> 00:41:35,149
Ronnie and I are also Italian. So
we can be familiar with it. And they...
1032
00:41:35,150 --> 00:41:36,550
Just let us do anything. P>
1033
00:41:36,619 --> 00:41:38,252
That's very fun. P>
1034
00:41:38,254 --> 00:41:40,354
We have a nice time
1035
00:41:40,356 --> 00:41:42,356
On Sound City. It's almost like a place
1036
00:41:42,358 --> 00:41:44,425
hopping and we can only
1037
00:41:44,427 --> 00:41:45,226
play. P>
1038
00:41:47,897 --> 00:41:50,164
I guess it's just luck. P>
1039
00:41:50,166 --> 00:41:51,632
Even for all of us.
1040
00:41:51,634 --> 00:41:53,434
I met Barbara there. I met him
1041
00:41:53,436 --> 00:41:55,169
For the first time in front
1042
00:41:55,171 --> 00:41:55,703
Mixer board. P>
1043
00:41:55,705 --> 00:41:58,405
♪ Baby's got the cold feet
1044
00:41:58,407 --> 00:41:59,707
♪ Oh, baby, stay
1045
00:41:59,709 --> 00:42:01,609
♪ We've got all night
1046
00:42:01,611 --> 00:42:03,410
I found a lot of things
1047
00:42:03,412 --> 00:42:05,246
Who formed me in that place
1048
00:42:05,248 --> 00:42:06,147
On Sound City.
1049
00:42:06,149 --> 00:42:08,182
When you were 20 years old
1050
00:42:08,184 --> 00:42:10,184
And you realize if this
1051
00:42:10,186 --> 00:42:11,452
won't last forever.
1052
00:42:11,454 --> 00:42:13,521
♪... On my knees tonight
1053
00:42:13,523 --> 00:42:15,591
♪ Tonight
1054
00:42:17,193 --> 00:42:18,459
You don't know what's coming
1055
00:42:18,461 --> 00:42:20,195
Next. P>
1056
00:42:21,297 --> 00:42:23,164
Based on quality and
1057
00:42:23,166 --> 00:42:24,765
Size, more CD tapes
1058
00:42:24,767 --> 00:42:26,734
Possible to be part of
1059
00:42:26,736 --> 00:42:28,302
Our lives going forward.
1060
00:42:28,304 --> 00:42:30,271
This is all based on something
1061
00:42:30,273 --> 00:42:31,906
What is called "digital sound" from
1062
00:42:31,908 --> 00:42:33,908
Innovation techniques that use
1063
00:42:33,910 --> 00:42:34,808
Laser light.
1064
00:42:34,810 --> 00:42:37,678
Kami sudah menjual rekaman sebelum dalam
bentuk digital. Dan itu sangat bagus.
1065
00:42:37,680 --> 00:42:38,679
You can keep it forever
1066
00:42:38,681 --> 00:42:40,414
And you won't lose anything.
1067
00:42:40,416 --> 00:42:44,185
Factories that have agreed
do this 11 companies
1068
00:42:44,186 --> 00:42:44,786
Starting from Mitsubishi
1069
00:42:44,787 --> 00:42:46,554
Until Sony, has agreed to
1070
00:42:46,556 --> 00:42:48,489
Use the same chip and
1071
00:42:48,491 --> 00:42:49,423
The same equipment. P>
1072
00:42:49,425 --> 00:42:50,591
Everyone thinks it's very
1073
00:42:50,593 --> 00:42:51,192
p>
1074
00:42:51,194 --> 00:42:52,426
Good.
1075
00:42:52,428 --> 00:42:53,594
But the error is
1076
00:42:53,596 --> 00:42:54,862
They have lost everything
1077
00:42:54,864 --> 00:42:56,697
When they did that.
1078
00:42:56,699 --> 00:42:58,632
This is broken, toeri
1079
00:42:58,634 --> 00:43:00,601
Clear, the sound is
perfect forever.
1080
00:43:00,603 --> 00:43:02,436
At first, when they
1081
00:43:02,438 --> 00:43:04,338
make a calculation with
1082
00:43:04,340 --> 00:43:06,407
decide how music is recorded
1083
00:43:06,409 --> 00:43:07,541
Being digitally, that's where...
1084
00:43:07,543 --> 00:43:09,476
An error occurred.
1085
00:43:09,478 --> 00:43:09,877
So of course you
can duplicate it
1086
00:43:09,879 --> 00:43:11,545
It's just a form
1087
00:43:11,547 --> 00:43:12,246
A mere delusion.
1088
00:43:12,248 --> 00:43:13,547
Official company
1089
00:43:13,549 --> 00:43:14,815
Spokesperson, Mr. Spock,
1090
00:43:14,817 --> 00:43:15,783
Leonard Nimoy.
1091
00:43:15,785 --> 00:43:17,251
The sound is very good.
1092
00:43:17,253 --> 00:43:18,686
We have used it
1093
00:43:18,688 --> 00:43:19,987
In the company for a decade.
1094
00:43:19,989 --> 00:43:21,388
It's about time so you can...
1095
00:43:21,390 --> 00:43:23,091
Accepted by the community.
1096
00:43:23,993 --> 00:43:25,559
Everything changes.
1097
00:43:25,561 --> 00:43:27,428
You find everything coming.
1098
00:43:27,430 --> 00:43:28,495
At the same time.
1099
00:43:28,497 --> 00:43:29,830
The techno side starts appears.
1100
00:43:29,832 --> 00:43:31,599
The person named Roger Linn.
1101
00:43:31,601 --> 00:43:33,000
Which is our friend. I...
1102
00:43:33,002 --> 00:43:34,702
Remember Tom and I have come
1103
00:43:34,704 --> 00:43:35,970
His house. And...
1104
00:43:35,972 --> 00:43:37,438
Jim Keltner is there. P>
1105
00:43:37,440 --> 00:43:39,240
Then the cables are scattered everywhere
1106
00:43:39,242 --> 00:43:40,741
And the gadget is on the table. P>
1107
00:43:40,743 --> 00:43:41,642
Roger looks very busy.
1108
00:43:41,644 --> 00:43:42,576
What are you doing?
1109
00:43:42,578 --> 00:43:43,744
He said, "I made a machine
1110
00:43:43,746 --> 00:43:44,912
Drum ".
1111
00:43:44,914 --> 00:43:46,615
All the drum sounds are in my drum.
1112
00:43:46,616 --> 00:43:50,416
You have to be a drummer who
has a techno voice in those days.
1113
00:43:50,486 --> 00:43:55,089
1114
00:43:55,591 --> 00:43:57,458
I'm very good at it...
1115
00:43:57,460 --> 00:43:58,926
And I really like it.
1116
00:43:58,928 --> 00:44:00,394
And that's just a tool.
1117
00:44:00,396 --> 00:44:01,996
That's other ways to make...
1118
00:44:01,998 --> 00:44:03,531
music.
1119
00:44:04,033 --> 00:44:06,700
♪ Don & apos; t come around here no
1120
00:44:06,702 --> 00:44:07,635
more ♪
1121
00:44:07,637 --> 00:44:10,904
Digital Tools are starting to arrive .
1122
00:44:10,906 --> 00:44:12,740
In the 80s, everyone
1123
00:44:12,742 --> 00:44:14,775
Trying to get revelation for art.
1124
00:44:14,777 --> 00:44:17,378
People will say, "You're just...
1125
00:44:17,380 --> 00:44:19,913
have 24faders, and I want 32,
1126
00:44:19,915 --> 00:44:21,348
64.
1127
00:44:21,350 --> 00:44:23,017
We want 72 ".
1128
00:44:23,019 --> 00:44:25,352
1129
00:44:25,354 --> 00:44:28,856
♪ Getting stronger
1130
00:44:28,858 --> 00:44:30,624
♪ Don & apos; t come around here no
1131
00:44:30,626 --> 00:44:31,625
more ♪
1132
00:44:31,627 --> 00:44:33,827
Keith Olsen left Sound City
1133
00:44:33,829 --> 00:44:35,996
Then build the studio right next to it.
1134
00:44:35,998 --> 00:44:36,697
1135
00:44:36,699 --> 00:44:39,033
That's a very strange thing.
1136
00:44:39,035 --> 00:44:39,733
1137
00:44:39,735 --> 00:44:41,335
You go out to the parking area.
1138
00:44:41,337 --> 00:44:42,436
There is Keith Olsen.
1139
00:44:42,438 --> 00:44:43,671
I did this together
1140
00:44:43,673 --> 00:44:44,672
Rick Springfield.
1141
00:44:44,674 --> 00:44:46,307
I told Joe Gottfried, "I want to.
1142
00:44:46,309 --> 00:44:47,574
You made me a studio...
1143
00:44:47,576 --> 00:44:49,510
And I will give you the specifications...
1144
00:44:49,512 --> 00:44:51,045
And I will build it ".
1145
00:44:51,047 --> 00:44:53,013
He said to me one day, "You have to...
1146
00:44:53,015 --> 00:44:54,848
see the studio I made".
1147
00:44:54,850 --> 00:44:56,750
Then I go there, and...
1148
00:44:56,752 --> 00:44:58,752
It has a mixer with one fader
1149
00:44:58,754 --> 00:45:01,522
Then I said, "What are you going to do...
1150
00:45:01,524 --> 00:45:02,923
With that?"
1151
00:45:02,925 --> 00:45:04,692
He said, "This is what I need" p >
1152
00:45:04,694 --> 00:45:05,926
"Everything is inside...
1153
00:45:05,928 --> 00:45:06,627
computer".
1154
00:45:06,629 --> 00:45:07,961
He said, "Wait until you hear...
1155
00:45:07,963 --> 00:45:08,862
What I made".
1156
00:45:08,864 --> 00:45:10,464
Then I thought, "I...
1157
00:45:10,466 --> 00:45:11,899
Don't care ".
1158
00:45:11,901 --> 00:45:12,766
♪ Hey
1159
00:45:12,768 --> 00:45:14,702
I want something to do...
1160
00:45:14,704 --> 00:45:16,704
I want to turn the button.
1161
00:45:16,706 --> 00:45:18,339
And I don't believe this.
1162
00:45:18,341 --> 00:45:20,341
Keith Olsen really did a lot...
1163
00:45:20,343 --> 00:45:22,009
Things made Sound City
1164
00:45:22,011 --> 00:45:22,910
Until it was successful.
1165
00:45:22,912 --> 00:45:24,078
However, if you want make...
1166
00:45:24,080 --> 00:45:25,579
studio right next to it, it won't...
1167
00:45:25,581 --> 00:45:26,380
Become "Sound City".
1168
00:45:26,382 --> 00:45:28,048
That is the beginning of the move
1169
00:45:28,050 --> 00:45:29,116
Towards a digital studio. P>
1170
00:45:29,118 --> 00:45:31,085
That's an interesting time
1171
00:45:31,087 --> 00:45:33,053
in music, where sequencers
1172
00:45:33,055 --> 00:45:34,755
are starting to arrive. P>
1173
00:45:34,757 --> 00:45:38,559
Now you can make recordings
sound via computer.
1174
00:45:38,561 --> 00:45:41,995
We can manipulate it, which is not
we can do recording tape.
1175
00:45:41,997 --> 00:45:43,397
Then you can think about.
1176
00:45:43,399 --> 00:45:44,465
Things in a different way. p >
1177
00:45:44,467 --> 00:45:46,801
It's a new world.
1178
00:45:47,503 --> 00:45:51,143
♪ Here I go again on my own
1179
00:45:51,644 --> 00:45:56,044
♪ Going down the only road I & apos; ve
ever known ♪
1180
00:45:56,045 --> 00:45:58,445
♪ But here I go again
1181
00:45:58,447 --> 00:46:00,914
In the 80s, everything was
many digital forms.
1182
00:46:00,916 --> 00:46:03,118
Everything started to need
many processes.
1183
00:46:03,119 --> 00:46:04,719
Everything starts to sound
1184
00:46:04,720 --> 00:46:05,986
It's very overdone, with...
1185
00:46:05,988 --> 00:46:08,191
"The sound of the cannon" drum string.
1186
00:46:10,393 --> 00:46:13,961
♪ Here I go-oooo
1187
00:46:13,963 --> 00:46:16,997
Sound City can't follow.
1188
00:46:16,999 --> 00:46:19,666
Joe has twisted his brain...
1189
00:46:19,668 --> 00:46:22,805
And not just with the studio.
1190
00:46:24,807 --> 00:46:26,774
At the same time, we made a lot...
1191
00:46:26,776 --> 00:46:27,741
Error.
1192
00:46:27,743 --> 00:46:29,476
We spend a lot of money
1193
00:46:29,478 --> 00:46:31,482
Looking for other artists.
1194
00:46:35,484 --> 00:46:38,018
Then, one day, Rick decides...
1195
00:46:38,020 --> 00:46:40,154
He wants to find new people, p >
1196
00:46:40,156 --> 00:46:42,923
A better manager, based on...
1197
00:46:42,925 --> 00:46:43,891
His opinion.
1198
00:46:43,893 --> 00:46:46,960
At that time I was told to
1199
00:46:46,962 --> 00:46:49,563
Change manager.
1200
00:46:49,565 --> 00:46:52,433
And I didn't do it with
1201
00:46:52,435 --> 00:46:53,000
Very good. P>
1202
00:46:53,002 --> 00:46:55,068
That's more or less like...
1203
00:46:55,070 --> 00:46:57,504
Joe is Colonel Parker. And...
1204
00:46:57,506 --> 00:46:59,173
Rick is Elvis. P>
1205
00:46:59,175 --> 00:47:01,475
That is our description
1206
00:47:01,477 --> 00:47:02,843
About them. P>
1207
00:47:02,845 --> 00:47:04,545
Rick Springfield gives
1208
00:47:04,547 --> 00:47:06,146
Benefits for Joe and
other things. But Joe...
1209
00:47:06,148 --> 00:47:07,881
Like being a second father...
1210
00:47:07,883 --> 00:47:08,449
For him...
1211
00:47:08,451 --> 00:47:10,083
Rick is like his son. P>
1212
00:47:10,085 --> 00:47:12,920
Someone said to me...
1213
00:47:12,922 --> 00:47:14,721
You have to fire Joe.
1214
00:47:14,723 --> 00:47:17,558
And there are lots of lies...
1215
00:47:17,560 --> 00:47:18,660
He said.
1216
00:47:20,062 --> 00:47:22,529
Joe was very broken...
1217
00:47:22,531 --> 00:47:23,864
When that happened.
1218
00:47:23,866 --> 00:47:25,999
That destroy me too. but no...
1219
00:47:26,001 --> 00:47:28,638
Personally as he feels.
1220
00:47:31,640 --> 00:47:33,941
That's a very bad day...
1221
00:47:33,943 --> 00:47:35,175
For him.
1222
00:47:35,177 --> 00:47:37,177
That's what happened . Then the machine
1223
00:47:37,179 --> 00:47:39,580
Drums and the like. P>
1224
00:47:39,582 --> 00:47:40,848
Then "synthesizers", and...
1225
00:47:40,850 --> 00:47:42,115
The objects start taking...
1226
00:47:42,117 --> 00:47:43,550
Transfer.
1227
00:47:43,552 --> 00:47:45,691
It's just a little annoying...
1228
00:47:47,692 --> 00:47:50,692
At the end of the 80s, Sound City...
1229
00:47:50,693 --> 00:47:53,260
Can't compete.
1230
00:48:00,236 --> 00:48:01,835
I think it's time
1231
00:48:01,837 --> 00:48:03,103
Studio to be better
and even better. P>
1232
00:48:03,105 --> 00:48:04,705
One studio has a hot tub. P>
1233
00:48:04,707 --> 00:48:05,973
But at Sound City, You're just...
1234
00:48:05,975 --> 00:48:07,541
Want to work and go from...
1235
00:48:07,543 --> 00:48:08,108
Sana secepatnya.
1236
00:48:08,110 --> 00:48:09,676
That's not the place that
you want for...
1237
00:48:09,678 --> 00:48:10,177
Spending time.
1238
00:48:10,179 --> 00:48:11,712
And it seems that it will...
1239
00:48:11,714 --> 00:48:12,946
It's easy to complete.
1240
00:48:12,948 --> 00:48:15,549
But no one can finish
1241
00:48:15,551 --> 00:48:16,917
Timely.
1242
00:48:16,919 --> 00:48:23,657
♪ Aaaaaaaaaah
1243
00:48:24,159 --> 00:48:26,026
What I got after
9 years worked
1244
00:48:26,028 --> 00:48:27,728
At Sound City, 29,000 dollars.
1245
00:48:27,730 --> 00:48:29,162
Without health insurance.
1246
00:48:29,164 --> 00:48:30,097
Joe doesn't give it to him.
1247
00:48:30,099 --> 00:48:31,164
He can't afford it .
1248
00:48:31,166 --> 00:48:32,766
Then when Joe doesn't
want to give me
1249
00:48:32,768 --> 00:48:34,001
Two weeks for vacation.
1250
00:48:34,003 --> 00:48:35,168
That's the time I said. "I...
1251
00:48:35,170 --> 00:48:37,640
Stop". P>
1252
00:48:40,042 --> 00:48:41,875
As long as I'm
1253
00:48:41,877 --> 00:48:44,144
At Sound City, it's very dying. P>
1254
00:48:44,146 --> 00:48:46,280
We have technicians who sell
1255
00:48:46,282 --> 00:48:48,682
Drugs. The receptionist who wants
1256
00:48:48,684 --> 00:48:49,850
is with Keith Olsen
1257
00:48:49,852 --> 00:48:50,984
Compared to being in the studio.
1258
00:48:50,986 --> 00:48:52,252
So I fired him.
1259
00:48:52,254 --> 00:48:54,054
I remember Keith telling me
1260
00:48:54,056 --> 00:48:55,923
I just wasted time and...
1261
00:48:55,925 --> 00:48:57,591
The studio will be closed in...
1262
00:48:57,593 --> 00:48:58,292
Six months.
1263
00:48:58,294 --> 00:49:00,827
I told him to go
1264
00:49:00,829 --> 00:49:01,995
And come out.
1265
00:49:01,997 --> 00:49:03,997
I took money 200 dollars from...
1266
00:49:03,999 --> 00:49:05,899
My personal account and buy...
1267
00:49:05,901 --> 00:49:09,971
Cat... Then we painted the walls. P>
1268
00:49:10,873 --> 00:49:12,172
Sound City has finished. P>
1269
00:49:12,174 --> 00:49:14,141
It's bankrupt.
1270
00:49:24,189 --> 00:49:27,689
To be honest, I don't even remember
why we chose...
1271
00:49:27,690 --> 00:49:29,692
Sound City.
1272
00:49:31,994 --> 00:49:37,130
That's a sandy place. But we
are used to living in slums...
1273
00:49:37,132 --> 00:49:38,531
So it's like... very fitting. P>
1274
00:49:38,533 --> 00:49:39,633
It's very comfortable. P>
1275
00:49:39,635 --> 00:49:45,105
Otherwise it's only 600 dollars per day.
16 days of the studio. The rest for...
1276
00:49:45,107 --> 00:49:46,039
Akomodasi.
1277
00:49:46,041 --> 00:49:47,374
I think it might cost 60,000 dollars
1278
00:49:47,376 --> 00:49:48,976
For the whole recording.
1279
00:49:48,978 --> 00:49:50,377
We have a song and we
1280
00:49:50,379 --> 00:49:51,311
Play it.
1281
00:49:51,313 --> 00:49:52,879
We have good thoughts for
1282
00:49:52,881 --> 00:49:55,115
What we want to do.
1283
00:49:55,117 --> 00:49:58,218
♪ He & apos; s the one who likes
1284
00:49:58,220 --> 00:50:00,787
all our pretty songs ♪
1285
00:50:00,789 --> 00:50:02,656
We really like noise
1286
00:50:02,658 --> 00:50:04,157
We like to be like punk-rock. P>
1287
00:50:04,159 --> 00:50:05,859
We just want to be a band...
1288
00:50:05,861 --> 00:50:06,259
Good. P>
1289
00:50:06,261 --> 00:50:08,061
We like "The Beatles". P>
1290
00:50:08,063 --> 00:50:11,999
♪ Don \ 't know what it means
1291
00:50:12,001 --> 00:50:13,900
One of the craziest songs
1292
00:50:13,902 --> 00:50:17,037
What we have recorded is "Lithium ".
1293
00:50:17,039 --> 00:50:19,840
Without any reason, band personnel...
1294
00:50:19,842 --> 00:50:22,242
And Dave continued to accelerate the tempo.
1295
00:50:22,244 --> 00:50:24,411
Not a little, but a lot.
1296
00:50:24,413 --> 00:50:25,779
It will start with tempo...
1297
00:50:25,781 --> 00:50:27,047
certain then becomes faster...
1298
00:50:27,049 --> 00:50:27,748
And fast.
1299
00:50:27,750 --> 00:50:28,782
Chasing each other, basically.
1300
00:50:28,784 --> 00:50:30,250
I said, "Dave, have you ever
1301
00:50:30,252 --> 00:50:31,785
playing with a metronome track
1302
00:50:31,787 --> 00:50:32,252
Previous? "
1303
00:50:32,254 --> 00:50:33,920
My heart is completely destroyed!
1304
00:50:33,922 --> 00:50:34,888
1305
00:50:34,890 --> 00:50:36,657
I'm just. I feel like...
1306
00:50:36,659 --> 00:50:38,325
Someone has stabbed me...
1307
00:50:38,327 --> 00:50:39,693
In the brain. P>
1308
00:50:39,695 --> 00:50:41,194
If you're a drummer. You don't...
1309
00:50:41,196 --> 00:50:42,863
Want anyone to ask you to play...
1310
00:50:42,865 --> 00:50:44,197
Based on metronome tracks. P>
1311
00:50:44,199 --> 00:50:46,900
Human feelings are talents...
1312
00:50:46,902 --> 00:50:49,036
Players based on itself.
1313
00:50:52,841 --> 00:50:54,274
Some drummers aren't that...
1314
00:50:54,276 --> 00:50:55,876
Know how to play to the beat.
1315
00:50:55,878 --> 00:50:57,411
That's what makes
they use p >
1316
00:50:57,413 --> 00:50:58,912
Metronome tracks.
1317
00:51:00,049 --> 00:51:02,282
♪ I’m so happy
1318
00:51:02,284 --> 00:51:03,784
today I found my friends ♪
1319
00:51:03,786 --> 00:51:05,419
Follow and see, the first recording...
1320
00:51:05,421 --> 00:51:07,287
He starts to understand if...
1321
00:51:07,289 --> 00:51:08,955
He must play with
listen to the metronome
1322
00:51:08,957 --> 00:51:10,057
Thousands of times .
1323
00:51:10,059 --> 00:51:11,291
And I think we
got the song
1324
00:51:11,293 --> 00:51:12,826
Only with one or
two recordings
1325
00:51:12,828 --> 00:51:15,363
♪ Yea-ea-ea-hh
1326
00:51:16,365 --> 00:51:20,167
♪ Yea-ea-h yea-ea-ea-hh
1327
00:51:20,169 --> 00:51:21,368
Then when I listen to it.
1328
00:51:21,370 --> 00:51:22,436
"Alright, now that's...
1329
00:51:22,438 --> 00:51:23,837
Sounds slow
1330
00:51:23,839 --> 00:51:24,404
Chorus section.
1331
00:51:24,406 --> 00:51:25,772
It's okay to raise a little.
1332
00:51:25,774 --> 00:51:26,440
Isn't that right? ".
1333
00:51:26,442 --> 00:51:31,011
♪ Yea- ea-h
♪ Yea-ea-ea-hh
1334
00:51:31,013 --> 00:51:34,216
I remember every night we
brought tapes from...
1335
00:51:34,217 --> 00:51:35,717
Sound City to Oakwood ..
1336
00:51:35,718 --> 00:51:36,983
Apartments where we are...
1337
00:51:36,985 --> 00:51:38,418
Stay. And hear what...
1338
00:51:38,420 --> 00:51:39,386
Sudah kami lakukan hari itu.
1339
00:51:40,723 --> 00:51:42,222
Imperfection, that...
1340
00:51:42,224 --> 00:51:42,856
Very cool.
1341
00:51:42,858 --> 00:51:44,324
And that sounds like...
1342
00:51:44,326 --> 00:51:45,694
Humans.
1343
00:51:47,296 --> 00:51:50,063
And Kurt fully about
1344
00:51:50,065 --> 00:51:52,370
Appearance.
1345
00:51:57,172 --> 00:51:59,106
For us, that is very important
1346
00:51:59,108 --> 00:52:01,108
There is honesty and...
1347
00:52:01,110 --> 00:52:03,276
The truth about what
what we do.
1348
00:52:03,278 --> 00:52:05,112
♪ I don't
1349
00:52:05,114 --> 00:52:06,947
♪ I don & t; t care
♪ I don & apos; t care
1350
00:52:06,949 --> 00:52:09,082
♪ I don & t; t care
♪ I don & apos; t care if it & apos; s old
1351
00:52:09,084 --> 00:52:10,751
The music starts to sound
1352
00:52:10,753 --> 00:52:12,085
In the speaker...
1353
00:52:12,087 --> 00:52:12,853
What it is
1354
00:52:12,855 --> 00:52:14,921
You can hear sweat everytime...
1355
00:52:14,923 --> 00:52:15,489
the recording section.
1356
00:52:15,491 --> 00:52:18,325
You can hear Kurt's pulse
1357
00:52:18,327 --> 00:52:19,192
1358
00:52:19,194 --> 00:52:23,830
♪ If you have, if you need
1359
00:52:23,832 --> 00:52:26,099
Looking back at Sound City. I...
1360
00:52:26,101 --> 00:52:28,268
Be aware that there are lots of recordings...
1361
00:52:28,270 --> 00:52:31,104
About appearance.
1362
00:52:35,077 --> 00:52:36,276
When we tried recording
1363
00:52:36,278 --> 00:52:37,878
"Something in the Way". We...
1364
00:52:37,880 --> 00:52:39,179
tried to record directly on...
1365
00:52:39,181 --> 00:52:40,480
Large room. And that's very...
1366
00:52:40,482 --> 00:52:42,949
Like a big room and...
1367
00:52:42,951 --> 00:52:44,785
A bombastic sound. P>
1368
00:52:44,787 --> 00:52:46,419
That song sounds good
1369
00:52:46,421 --> 00:52:48,388
Because of that very soft.
1370
00:52:48,390 --> 00:52:49,856
Fragile composition.
1371
00:52:49,858 --> 00:52:52,893
♪ Underneath the bridge
1372
00:52:52,895 --> 00:52:59,266
♪ The tarp has sprung a leak
1373
00:52:59,268 --> 00:53:00,467
Kurt goes into the room control
1374
00:53:00,469 --> 00:53:01,868
And he starts playing
1375
00:53:01,870 --> 00:53:02,335
That song.
1376
00:53:02,337 --> 00:53:03,804
He lies in front of the mixer in...
1377
00:53:03,806 --> 00:53:05,105
One of the sofas, then I < > turn off the fan
1378
00:53:05,107 --> 00:53:06,139
and call, and...
1379
00:53:06,141 --> 00:53:07,340
Everything. Then he played the song...
1380
00:53:07,342 --> 00:53:08,475
it muttered a little. P>
1381
00:53:08,477 --> 00:53:10,243
A little singing and a little...
1382
00:53:10,245 --> 00:53:12,012
bermain dengan gitar 5 senar.
1383
00:53:12,014 --> 00:53:15,115
♪ And the drippings from the
1384
00:53:15,117 --> 00:53:17,250
ceiling ♪
1385
00:53:17,252 --> 00:53:19,853
You have to focus on
making it so...
1386
00:53:19,855 --> 00:53:22,222
Right and that way. .
1387
00:53:22,224 --> 00:53:24,491
is not needed for
1388
00:53:24,493 --> 00:53:25,458
Perfect.
1389
00:53:25,460 --> 00:53:27,894
Enough to feel right.
1390
00:53:27,896 --> 00:53:31,498
♪ Something in the way
1391
00:53:32,000 --> 00:53:35,502
♪ Mmm-mmm
1392
00:53:35,504 --> 00:53:37,470
It was the first time
time I saw...
1393
00:53:37,472 --> 00:53:39,206
The computer is used for music. P>
1394
00:53:39,208 --> 00:53:41,174
Because it's very difficult /> to play
1395
00:53:41,176 --> 00:53:42,576
For the sound of the guitar.
1396
00:53:42,578 --> 00:53:44,444
I don't know how...
1397
00:53:44,446 --> 00:53:46,179
To get the appearance
1398
00:53:46,181 --> 00:53:48,014
Simultaneously without having to try
1399
00:53:48,016 --> 00:53:49,516
Over-edit it.
1400
00:53:49,518 --> 00:53:51,418
Someone once told me
about this.
1401
00:53:51,420 --> 00:53:52,886
New digital machine.
1402
00:53:52,888 --> 00:53:54,554
Wrong one technician bought
1403
00:53:54,556 --> 00:53:56,456
Computer and monitor. And...
1404
00:53:56,458 --> 00:53:58,124
It's like... Basically like
1405
00:53:58,126 --> 00:53:59,860
It looks like "Pro Tools", or...
1406
00:53:59,862 --> 00:54:00,994
The same.
1407
00:54:00,996 --> 00:54:02,062
♪ Mmm-mmm p >
1408
00:54:02,064 --> 00:54:03,296
It's very old-fashioned.
1409
00:54:03,298 --> 00:54:04,965
It runs very slowly.
1410
00:54:04,967 --> 00:54:07,000
You can't use it
Like you did
1411
00:54:07,002 --> 00:54:08,235
Right now on "Pro Tools ". P>
1412
00:54:08,237 --> 00:54:10,237
If you press the" rendering "button. P>
1413
00:54:10,239 --> 00:54:12,105
And that will take two
1414
00:54:12,107 --> 00:54:12,606
Hours. P>
1415
00:54:12,608 --> 00:54:13,874
We call it. .
1416
00:54:13,876 --> 00:54:15,141
"Slow Tools". Because of that
1417
00:54:15,143 --> 00:54:16,443
Just slowing everything down
1418
00:54:16,445 --> 00:54:17,344
1419
00:54:17,346 --> 00:54:18,912
Then, when you finally
1420
00:54:18,914 --> 00:54:20,313
Listen to the results,
If you don't...
1421
00:54:20,315 --> 00:54:21,915
Like that, you only need to
choose "undo"
1422
00:54:21,917 --> 00:54:23,216
and try the other one then press...
1423
00:54:23,218 --> 00:54:24,017
"render" again.
1424
00:54:24,019 --> 00:54:25,185
It takes another time
1425
00:54:25,187 --> 00:54:25,652
Two Hours.
1426
00:54:25,654 --> 00:54:27,153
The computer only tortures...
1427
00:54:27,155 --> 00:54:27,654
Your butt.
1428
00:54:27,656 --> 00:54:28,955
It's like... it's just...
1429
00:54:28,957 --> 00:54:30,090
That's just a joke.
1430
00:54:30,092 --> 00:54:30,490
Only. P>
1431
00:54:30,492 --> 00:54:31,391
Luckily we have a ribbon. P>
1432
00:54:31,393 --> 00:54:33,426
This won't change. P>
1433
00:54:43,205 --> 00:54:44,104
When I hear
1434
00:54:44,106 --> 00:54:45,639
"Smells Like Teen Spirit" is radioed .
1435
00:54:45,641 --> 00:54:47,340
I remember it very
1436
00:54:47,342 --> 00:54:49,009
The moment we used to do
1437
00:54:49,011 --> 00:54:49,442
in the studio.
1438
00:54:49,444 --> 00:54:52,279
And 15 or 16 days. .
1439
00:54:52,281 --> 00:54:55,148
Whatever it is... The mixer...
1440
00:54:55,150 --> 00:54:58,153
Changes my life greatly.
1441
00:55:00,055 --> 00:55:00,620
Nirvana!
1442
00:55:02,024 --> 00:55:02,589
Nirvana!
1443
00:55:02,591 --> 00:55:03,356
Nirvana!
1444
00:55:03,358 --> 00:55:04,658
♪ Here we are now
1445
00:55:04,660 --> 00:55:06,593
♪ Entertain us
1446
00:55:06,595 --> 00:55:08,962
Sound City is impossible...
1447
00:55:08,964 --> 00:55:11,331
Survive if not because...
1448
00:55:11,333 --> 00:55:12,165
That album.
1449
00:55:12,167 --> 00:55:13,199
1450
00:55:13,201 --> 00:55:14,367
Nobody has ever heard of...
1451
00:55:14,369 --> 00:55:15,669
Nirvana. But when it rises to...
1452
00:55:15,671 --> 00:55:16,469
Number one.
1453
00:55:16,471 --> 00:55:18,104
We know after that we will
1454
00:55:18,106 --> 00:55:19,306
Get a lot of work.
1455
00:55:19,308 --> 00:55:22,342
♪ A denial
1456
00:55:22,344 --> 00:55:24,144
That's like Fleetwood Mac and everything
1457
00:55:24,146 --> 00:55:26,113
Repeated. P>
1458
00:55:27,215 --> 00:55:28,715
Joe used to be nice...
1459
00:55:28,717 --> 00:55:29,349
To me. P>
1460
00:55:29,351 --> 00:55:31,084
There was one of the placards he had. .
1461
00:55:31,086 --> 00:55:32,352
Bring it to me when...
1462
00:55:32,354 --> 00:55:33,987
"Nevermind" becomes number one.
1463
00:55:33,989 --> 00:55:35,555
And we hang it
on the wall, and... p >
1464
00:55:35,557 --> 00:55:37,390
After a few weeks later
1465
00:55:37,392 --> 00:55:39,659
Joe finally died.
1466
00:55:46,161 --> 00:55:51,738
He was a very friendly person.
A very kind person.
1467
00:55:51,740 --> 00:55:56,309
And me... I don't treat it
1468
00:55:56,311 --> 00:55:57,544
Well.
1469
00:55:57,546 --> 00:56:00,647
Because of separation...
1470
00:56:00,649 --> 00:56:05,151
And...
1471
00:56:05,153 --> 00:56:06,553
I'm very happy we
can make up.
1472
00:56:06,555 --> 00:56:08,188
Before he dies.
1473
00:56:10,690 --> 00:56:16,666
It was a hard day. He
helped many people do...
1474
00:56:16,667 --> 00:56:19,267
Many things in their careers. P>
1475
00:56:26,668 --> 00:56:29,211
I remember when I returned
to Sound City. P>
1476
00:56:29,212 --> 00:56:31,112
I didn't go there long enough. P>
1477
00:56:31,113 --> 00:56:33,146
And album sales increased
1478
00:56:33,148 --> 00:56:35,148
And they sent Albums
1479
00:56:35,150 --> 00:56:35,715
Platinum. P>
1480
00:56:36,785 --> 00:56:38,618
I remember opening the door and.
1481
00:56:38,620 --> 00:56:39,486
Seeing that.
1482
00:56:39,488 --> 00:56:41,521
And that is a precious moment
1483
00:56:41,523 --> 00:56:42,288
For me.
1484
00:56:42,290 --> 00:56:43,590
That's like...
1485
00:56:43,592 --> 00:56:45,392
Because I remember going there
1486
00:56:45,394 --> 00:56:47,093
First time and...
1487
00:56:47,095 --> 00:56:48,461
Seeing all recorded albums
1488
00:56:48,463 --> 00:56:49,796
Others. P>
1489
00:56:50,298 --> 00:56:52,766
For me, Sound City describe
1490
00:56:52,768 --> 00:56:55,502
like integrity of...
1491
00:56:55,504 --> 00:56:58,104
Reality. Very humane. P>
1492
00:56:58,106 --> 00:57:00,407
The person who actually did this
1493
00:57:00,409 --> 00:57:02,475
Has inspired a lot of people and...
1494
00:57:02,477 --> 00:57:04,711
Millions of fans from all over
1495
00:57:04,713 --> 00:57:06,613
the place that did the same thing.
1496
00:57:07,115 --> 00:57:09,382
In September, the telephone cable...
1497
00:57:09,384 --> 00:57:10,583
Exploded.
1498
00:57:10,585 --> 00:57:13,219
You arrived in the morning...
1499
00:57:13,221 --> 00:57:15,690
There are usually 50 messages.
1500
00:57:16,792 --> 00:57:19,292
It's like a tidal wave from...
1501
00:57:19,294 --> 00:57:21,127
Interest. And that...
1502
00:57:21,129 --> 00:57:23,229
is not Sound City's thinking. P>
1503
00:57:30,631 --> 00:57:34,241
We chose Sound City because
"Nevermind" was recorded there. P>
1504
00:57:34,743 --> 00:57:36,509
I've never been in studio
1505
00:57:36,511 --> 00:57:37,143
Previously.
1506
00:57:37,145 --> 00:57:38,678
It was very spend
a lot of time
1507
00:57:38,680 --> 00:57:40,480
Cutting tape tape
right on its position.
1508
00:57:40,482 --> 00:57:42,348
Then glue it back. P>
1509
00:57:42,350 --> 00:57:46,252
For me it's crazy.
It doesn't make sense to me. P>
1510
00:57:46,254 --> 00:57:47,623
♪ Killing in the name of
1511
00:57:50,425 --> 00:57:52,192
We're recording on. .
1512
00:57:52,194 --> 00:57:54,227
Sound City by direct method.
1513
00:57:54,229 --> 00:57:56,362
We carry a monitor and...
1514
00:57:56,364 --> 00:57:58,231
We invite several of...
1515
00:57:58,233 --> 00:57:59,332
our friend came.
1516
00:57:59,334 --> 00:58:01,134
I thought we got
half the recording
1517
00:58:01,136 --> 00:58:02,268
On the first night.
1518
00:58:06,441 --> 00:58:09,375
♪ Killing in the name of
1519
00:58:09,377 --> 00:58:12,178
p>
1520
00:58:12,180 --> 00:58:13,279
Everything gets rougher and...
1521
00:58:17,285 --> 00:58:18,885
Back in the beginning again.
1522
00:58:18,887 --> 00:58:20,753
I'm getting used to...
1523
00:58:20,755 --> 00:58:22,622
Improvements and analog recordings
1524
00:58:22,624 --> 00:58:23,623
p>
1525
00:58:23,625 --> 00:58:25,458
And old things are things too
1526
00:58:25,460 --> 00:58:27,560
like that.
1527
00:58:27,562 --> 00:58:30,669
And it's clear all the way to
1528
00:58:30,670 --> 00:58:36,570
Places like Sound City. p >
1529
00:58:36,771 --> 00:58:38,675
It's the center of my life.
1530
00:58:38,677 --> 00:58:42,575
♪ I have a date for the 11th hour ♪
1531
00:58:42,577 --> 00:58:44,310
♪ Ohhhhhhhh
1532
00:58:44,312 --> 00:58:45,778
Every part of Catholics stuff, that's all < br /> live recording of two tracks without more sound.
1533
00:58:45,780 --> 00:58:47,413
After making a recording
in the 80s
1534
00:58:47,415 --> 00:58:48,915
And working towards perfection.
1535
00:58:48,917 --> 00:58:50,850
Like, trying. Then...
1536
00:58:50,852 --> 00:58:52,819
Record it. And when it's done. P>
1537
00:58:52,821 --> 00:58:54,888
That just feels right. P>
1538
00:58:54,890 --> 00:58:58,959
♪ Well, who needs that now? P>
1539
00:58:59,461 --> 00:59:02,395
♪ Ah, who needs that now? P>
1540
00:59:02,397 --> 00:59:05,431
I still work there...
1541
00:59:05,433 --> 00:59:09,437
More or less until the 90s
Together with Rick.
1542
00:59:11,339 --> 00:59:12,839
What they always say first...
1543
00:59:12,841 --> 00:59:14,340
"There is no paula. P>
1544
00:59:14,342 --> 00:59:15,675
This is very strange". P>
1545
00:59:15,677 --> 00:59:17,644
And I'm just...
1546
00:59:17,646 --> 00:59:18,511
"really?" P>
1547
00:59:18,513 --> 00:59:19,812
Shivaun is very great.
1548
00:59:19,814 --> 00:59:21,548
He doesn't care about...
1549
00:59:21,550 --> 00:59:22,248
others.
1550
00:59:22,250 --> 00:59:23,816
♪ Yeah
1551
00:59:23,818 --> 00:59:26,886
♪ You wreck me, baby p >
1552
00:59:26,888 --> 00:59:28,955
♪ Yeah, you break me in two
1553
00:59:28,957 --> 00:59:30,757
Then right after that, Rick...
1554
00:59:30,759 --> 00:59:32,892
Making a recording with Johnny Cash.
1555
00:59:34,963 --> 00:59:36,629
He is a person the coolest...
1556
00:59:36,631 --> 00:59:38,264
In the world. And he was very trying. P>
1557
00:59:38,266 --> 00:59:39,732
He fell ill during the making
1558
00:59:39,734 --> 00:59:40,867
The album. And there...
1559
00:59:40,869 --> 00:59:43,336
It's time we have to rest.
But prefer...
1560
00:59:43,338 --> 00:59:43,803
Records. P>
1561
00:59:43,805 --> 00:59:45,238
He likes to be an artist. P >
1562
00:59:45,240 --> 00:59:47,811
♪ Too cold to start a fire
1563
00:59:47,812 --> 00:59:51,012
♪ Iosm burnin & apos; diesel, burnin
00:59:54,547
We keep calling him, Mr. Cash.
And he will get angry. P>
1565
00:59:54,549 --> 00:59:55,848
Di said, "No, call me Johnny". P>
1566
00:59:55,850 --> 00:59:57,317
So we all started calling him...
1567
00:59:57,319 --> 00:59:58,318
"Mr. Cash" without his knowledge. P>
1568
00:59:58,320 --> 01:00:00,887
Johnny wanted to play with...
1569
01:00:00,889 --> 01:00:03,790
the band, then he chose us. Which...
1570
01:00:03,792 --> 01:00:06,526
It's really out of my reach. P>
1571
01:00:06,528 --> 01:00:07,527
It's not like...
1572
01:00:07,529 --> 01:00:08,895
& apos; The Heartbreakers "plays ..
1573
01:00:08,897 --> 01:00:10,730
As usual. Because, every...
1574
01:00:10,732 --> 01:00:12,465
Songs, everyone must choose
1575
01:00:12,467 --> 01:00:13,734
Different instruments.
1576
01:00:14,236 --> 01:00:19,639
♪ Gonna break my rusty cage
1577
01:00:19,641 --> 01:00:21,641
♪ And run
1578
01:00:21,643 --> 01:00:23,576
One of my best nights is...
1579
01:00:23,578 --> 01:00:25,445
when Carl Perkins visited. P>
1580
01:00:29,147 --> 01:00:33,121
I was originally a messenger. And I
never forgot to sit in...
1581
01:00:33,122 --> 01:00:35,022
The front desk at Sound City, and...
1582
01:00:35,023 --> 01:00:36,856
Tom Petty and Carl Perkins and...
1583
01:00:36,858 --> 01:00:38,725
John Fogerty walked in. And that...
1584
01:00:38,727 --> 01:00:40,493
It's like...
1585
01:00:40,495 --> 01:00:42,965
1586
01:00:45,367 --> 01:00:48,535
♪ Come on, go with me, babe
1587
01:00:49,037 --> 01:00:51,371
♪ Come on, go with me, girl
1588
01:00:51,373 --> 01:00:52,739
Tom Petty has never lost...
1589
01:00:52,741 --> 01:00:54,407
Enchantment. And he walked in...
1590
01:00:54,409 --> 01:00:55,842
To the control room calmly. And...
1591
01:00:55,844 --> 01:00:57,577
He just... Puts his hand...
1592
01:00:57,579 --> 01:00:58,911
Under the table and says...
1593
01:00:58,913 --> 01:01:00,513
"Dia adalah Carl Perkins".
1594
01:01:00,515 --> 01:01:01,648
"Do you believe this?".
1595
01:01:01,650 --> 01:01:03,049
Sound City's greatness comes...
1596
01:01:03,051 --> 01:01:04,784
Back to us.
1597
01:01:10,292 --> 01:01:12,792
Another room in a different studio. p >
1598
01:01:12,794 --> 01:01:15,561
Everything starts to take turns.
1599
01:01:15,563 --> 01:01:18,064
Because more people
start using Pro Tools.
1600
01:01:18,066 --> 01:01:19,799
Everyone just starts entering...
1601
01:01:19,801 --> 01:01:21,000
Music shift. P>
1602
01:01:21,002 --> 01:01:22,468
Everything changes to digital. P>
1603
01:01:22,470 --> 01:01:23,936
Digital tools. P>
1604
01:01:23,938 --> 01:01:25,738
Digital recording machines. P>
1605
01:01:25,740 --> 01:01:27,507
They don't make improvements.
1606
01:01:27,509 --> 01:01:28,074
Since 1974.
1607
01:01:28,076 --> 01:01:29,809
They're sure they won't...
1608
01:01:29,811 --> 01:01:31,377
Spend 20,000 dollars, only for...
1609
01:01:31,379 --> 01:01:32,445
Pro Tools equipment.
1610
01:01:32,447 --> 01:01:33,713
When you come to work on...
1611
01:01:33,715 --> 01:01:35,014
Sound City. What do you know...
1612
01:01:35,016 --> 01:01:35,815
What you will get. P>
1613
01:01:35,817 --> 01:01:39,154
Ribbon cassette recording studio. P>
1614
01:01:41,556 --> 01:01:43,356
At the same time, it becomes...
1615
01:01:43,358 --> 01:01:44,957
One culture that remains us...
1616
01:01:44,959 --> 01:01:45,925
Maintain it.
1617
01:01:45,927 --> 01:01:47,360
Starting from pursuing everything.
1618
01:01:47,362 --> 01:01:48,628
Starting from the technician, to...
1619
01:01:48,630 --> 01:01:49,529
for studio managers.
1620
01:01:49,531 --> 01:01:50,630
They only maintain it.
1621
01:01:50,632 --> 01:01:51,931
Digital is bad.
1622
01:01:51,933 --> 01:01:53,900
Bring them in the room...
1623
01:01:53,902 --> 01:01:55,835
And connect it all and...
1624
01:01:55,837 --> 01:01:57,270
Let the tape spin.
1625
01:01:57,772 --> 01:01:59,939
♪ Well, I & apos; ve got a secret I
1626
01:01:59,941 --> 01:02:02,408
cannot say ♪
1627
01:02:02,410 --> 01:02:04,877
♪ Blame all the movement to give
1628
01:02:04,879 --> 01:02:06,079
it away ♪
1629
01:02:06,081 --> 01:02:08,915
That's what "Queens" needs.
We only stay on analog. P>
1630
01:02:08,917 --> 01:02:09,782
That's necessary to be direct.
1631
01:02:09,784 --> 01:02:10,783
It needs to be you...
1632
01:02:10,785 --> 01:02:11,818
You must be proud of what you have...
1633
01:02:11,820 --> 01:02:13,386
You do it.
1634
01:02:13,388 --> 01:02:17,163
Itu hanyalah yang kau butuhkan
jika kau benar-benar seorang musisi.
1635
01:02:17,664 --> 01:02:23,064
♪ Whatever you do
1636
01:02:23,365 --> 01:02:25,798
♪ Don & apos; t tell anyone
1637
01:02:25,800 --> 01:02:27,600
Sound City is a place where
1638
01:02:27,602 --> 01:02:29,369
Musicians actually make recordings.
1639
01:02:29,371 --> 01:02:31,571
That's not easy.
1640
01:02:31,573 --> 01:02:34,407
However, all things are good...
1641
01:02:34,409 --> 01:02:35,775
Requires effort.
1642
01:02:40,014 --> 01:02:44,384
Making a sign on the tape.
1643
01:02:44,386 --> 01:02:45,852
This section will be me...
1644
01:02:45,854 --> 01:02:46,586
cut.
1645
01:02:46,588 --> 01:02:48,154
When you have to record...
1646
01:02:48,156 --> 01:02:49,956
On the ribbon, it's very difficult to... p >
1647
01:02:49,958 --> 01:02:51,391
Manipulate the sound.
1648
01:02:52,927 --> 01:02:54,827
Then do the same thing.
1649
01:02:54,829 --> 01:02:56,662
You must be really focused.
1650
01:02:56,664 --> 01:02:58,598
First, how is the sound recorded...
1651
01:02:58,600 --> 01:03:00,500
Then second, the appearance...
1652
01:03:00,502 --> 01:03:02,869
Must be extraordinary.
1653
01:03:02,871 --> 01:03:04,271
1654
01:03:04,773 --> 01:03:06,072
Part of creating...
1655
01:03:06,074 --> 01:03:07,707
Business recording back to the way...
1656
01:03:07,709 --> 01:03:08,875
long where there is...
1657
01:03:08,877 --> 01:03:10,143
Something you can and...
1658
01:03:10,145 --> 01:03:11,911
other people can't do it.
1659
01:03:11,913 --> 01:03:14,113
Pro Tools has made people...
1660
01:03:14,115 --> 01:03:16,549
Anyone... Ordinary person...
1661
01:03:16,551 --> 01:03:18,451
To make several sequences from. .
1662
01:03:18,453 --> 01:03:19,519
The end result, now.
1663
01:03:19,521 --> 01:03:21,554
To do the same thing with...
1664
01:03:21,556 --> 01:03:23,423
"Pro Tools", okay...
1665
01:03:23,425 --> 01:03:25,892
It's finished... That's very easy. P>
1666
01:03:25,894 --> 01:03:27,126
When "Pro Tools" appears. P>
1667
01:03:27,128 --> 01:03:28,594
It worries me when I realize...
1668
01:03:28,596 --> 01:03:29,896
If you can take music to be...
1669
01:03:29,898 --> 01:03:31,030
line and make the sound be
1670
01:03:31,032 --> 01:03:32,132
Perfect.
1671
01:03:32,634 --> 01:03:33,966
The good thing about...
1672
01:03:33,968 --> 01:03:35,435
Digital technology is, if... p >
1673
01:03:35,437 --> 01:03:36,869
Someone made a mistake, for example
1674
01:03:36,871 --> 01:03:38,471
The bass player did the wrong tone.
1675
01:03:38,473 --> 01:03:39,939
Conscious or not, you probably will
1676
01:03:39,941 --> 01:03:41,641
Justifying it is easier than
1677
01:03:41,643 --> 01:03:42,542
What is usually done first.
1678
01:03:42,544 --> 01:03:44,210
The bad thing is...
1679
01:03:44,212 --> 01:03:46,446
It makes it easy for people who...
1680
01:03:46,448 --> 01:03:48,214
has no interest in the band or...
1681
01:03:48,216 --> 01:03:50,082
The music industry to be p >
1682
01:03:50,084 --> 01:03:51,284
Stars.
1683
01:03:51,786 --> 01:03:53,152
I heard some young people inside...
1684
01:03:53,154 --> 01:03:54,720
The band said, "You don't have to...
1685
01:03:54,722 --> 01:03:56,222
Training again. p >
1686
01:03:56,224 --> 01:04:00,227
You just need to cut it in the machine ".
That means...
1687
01:04:00,228 --> 01:04:01,628
Computer," Then it will sound...
1688
01:04:01,629 --> 01:04:03,162
Perfect ".
1689
01:04:10,138 --> 01:04:12,104
People like Andrés Segovia,
1690
01:04:12,106 --> 01:04:14,173
Who plays guitar with...
1691
01:04:14,175 --> 01:04:15,174
Beautiful. P>
1692
01:04:15,176 --> 01:04:17,176
He doesn't use machines for...
1693
01:04:17,178 --> 01:04:19,045
Doing that .
1694
01:04:27,647 --> 01:04:29,627
I'm not a fan of "Pro Tools".
1695
01:04:29,628 --> 01:04:34,228
But Trent and Atticus, they
use that as a tool, and...
1696
01:04:34,229 --> 01:04:35,695
Right- true creative tool.
1697
01:04:39,133 --> 01:04:43,437
I've never been afraid if
said, "That's cheating".
1698
01:04:43,438 --> 01:04:44,838
I've never used
"samplers" to make...
1699
01:04:44,839 --> 01:04:46,638
Sounds like the original.
1700
01:04:46,640 --> 01:04:48,206
That's really extraordinary.
Because of this thing can make a recording...
1701
01:04:48,209 --> 01:04:49,675
Sounds like a ribbon, but you can...
1702
01:04:49,677 --> 01:04:51,476
Do this with
millions of other ways.
1703
01:04:51,546 --> 01:04:55,150
This is just inspiring tool.
1704
01:04:55,651 --> 01:04:57,951
♪ I believe I can see the
1705
01:04:57,952 --> 01:04:59,620
future ♪
1706
01:05:00,522 --> 01:05:01,888
I like to record in analog form.
1707
01:05:01,890 --> 01:05:03,222
At the level highest and listen...
1708
01:05:03,224 --> 01:05:04,123
The result.
1709
01:05:04,125 --> 01:05:05,925
But that's not what happened...
1710
01:05:05,927 --> 01:05:06,859
On the road.
1711
01:05:06,861 --> 01:05:08,561
That's not the place where our audience...
1712
01:05:08,563 --> 01:05:08,961
Being.
1713
01:05:08,963 --> 01:05:10,530
You want their lives like
1714
01:05:10,532 --> 01:05:12,031
Your way of life.
1715
01:05:12,033 --> 01:05:12,932
1716
01:05:12,934 --> 01:05:14,700
I think it creates lots of
1717
01:05:14,702 --> 01:05:16,235
Current independent music
1718
01:05:16,237 --> 01:05:17,003
So it's possible.
1719
01:05:17,005 --> 01:05:18,671
This is one reason why...
1720
01:05:18,673 --> 01:05:20,573
We were able to make a recording for...
1721
01:05:20,575 --> 01:05:21,807
A few thousand dollars.
1722
01:05:21,809 --> 01:05:23,709
I think one by one from a large factory
1723
01:05:23,711 --> 01:05:25,211
The tape maker is bankrupt.
1724
01:05:25,213 --> 01:05:27,146
That's what forces everyone...
1725
01:05:27,148 --> 01:05:29,148
to switch to the digital world
1726
01:05:29,150 --> 01:05:30,750
And the world of "Pro Tools"
1727
01:05:31,252 --> 01:05:32,652
Days when entering the studio
1728
01:05:32,654 --> 01:05:33,953
And writing songs
1729
01:05:33,955 --> 01:05:35,187
Then recording the song
1730
01:05:35,189 --> 01:05:36,689
And mixing the recording, that thing...
1731
01:05:36,691 --> 01:05:37,823
It's gone now.
1732
01:05:37,825 --> 01:05:39,859
They must have a budget of 200,000
1733
01:05:39,861 --> 01:05:41,961
300,000, 400,000 dollars, for...
1734
01:05:41,963 --> 01:05:42,828
An album. p >
1735
01:05:42,830 --> 01:05:44,764
Now money is not used
1736
01:05:44,766 --> 01:05:46,132
Like that again.
1737
01:05:46,134 --> 01:05:47,800
With a small budget...
1738
01:05:47,802 --> 01:05:49,135
We are late paying bills 5 days
1739
01:05:49,137 --> 01:05:49,802
10 days.
1740
01:05:49,804 --> 01:05:51,037
At the end, always...
1741
01:05:51,039 --> 01:05:52,271
"Can you work this afternoon?"
1742
01:05:52,273 --> 01:05:53,806
Or whatever...
1743
01:05:53,808 --> 01:05:55,274
So...
1744
01:05:57,679 --> 01:05:59,345
In the end, it becomes a little
1745
01:05:59,347 --> 01:06:00,613
Difficult to accept. P>
1746
01:06:00,615 --> 01:06:02,348
We started selling
1747
01:06:02,350 --> 01:06:04,216
Equipment in studio "B". Because...
1748
01:06:04,218 --> 01:06:05,985
Studio is getting harder paying off
1749
01:06:05,987 --> 01:06:07,019
Bill. P>
1750
01:06:07,021 --> 01:06:09,956
♪ Lover, there will be
1751
01:06:09,958 --> 01:06:12,725
another one ♪
1752
01:06:12,727 --> 01:06:15,962
♪ Who & apos; ll hover over you
1753
01:06:15,964 --> 01:06:18,631
beneath the sun ♪
1754
01:06:18,633 --> 01:06:20,066
The most special studio
1755
01:06:20,068 --> 01:06:21,867
Must feel bankrupt. And...
1756
01:06:21,869 --> 01:06:23,302
Many of you heard on the radio
1757
01:06:23,304 --> 01:06:24,870
Made from people's laptops. P>
1758
01:06:24,872 --> 01:06:26,072
1759
01:06:26,374 --> 01:06:28,641
I think "Pro Tools" is right really...
1760
01:06:28,643 --> 01:06:30,743
For many people it is
1761
01:06:30,745 --> 01:06:32,378
Death bells.
1762
01:06:32,880 --> 01:06:34,847
It will always be in
1763
01:06:34,849 --> 01:06:37,216
posisinya. Selalu.
1764
01:06:37,218 --> 01:06:38,951
But it can't be saved
from
1765
01:06:38,953 --> 01:06:40,621
"Pro Tools".
1766
01:06:41,923 --> 01:06:43,289
The internet is good
1767
01:06:43,291 --> 01:06:44,890
For something. But for
Another thing...
1768
01:06:44,892 --> 01:06:46,225
There is no bookstore. P>
1769
01:06:46,227 --> 01:06:47,727
There is no music shop. And...
1770
01:06:47,729 --> 01:06:49,729
No Sound City. P>
1771
01:06:49,731 --> 01:06:51,764
♪ And show you the way to
1772
01:06:51,766 --> 01:06:53,633
go ♪
1773
01:06:53,635 --> 01:06:58,105
♪ It & sos; s over
1774
01:06:59,707 --> 01:07:07,447
♪ It's
1775
01:07:08,349 --> 01:07:09,982
1776
01:07:09,984 --> 01:07:11,017
I heard about that Sound City
1777
01:07:11,019 --> 01:07:12,418
Will be closed.
1778
01:07:12,420 --> 01:07:13,119
Someone said, "You have to < br /> contact...
1779
01:07:13,121 --> 01:07:15,321
Shivaun ".
1780
01:07:15,323 --> 01:07:16,856
Then I spoke to Shivaun. And he...
1781
01:07:16,858 --> 01:07:18,958
Crying. P>
1782
01:07:18,960 --> 01:07:21,127
That's... It's very hard. P>
1783
01:07:21,129 --> 01:07:23,262
Sound City is like my house. P>
1784
01:07:23,264 --> 01:07:25,297
And basically after
year after year...
1785
01:07:25,299 --> 01:07:27,133
After 19 years, is terminated.
1786
01:07:27,135 --> 01:07:29,335
Health. Nothing. P>
1787
01:07:30,337 --> 01:07:31,837
Shivaun is like... Like...
1788
01:07:31,839 --> 01:07:33,673
Mother's figure for me. P>
1789
01:07:33,675 --> 01:07:34,674
I left my mother. P>
1790
01:07:34,676 --> 01:07:36,075
My mother is in Tennessee. And me...
1791
01:07:36,077 --> 01:07:37,443
Move here. And that Shivaun...
1792
01:07:37,445 --> 01:07:38,244
Very good. P>
1793
01:07:38,246 --> 01:07:40,212
I love him very much. P>
1794
01:07:40,214 --> 01:07:43,883
♪ Shadow on the things you
1795
01:07:43,885 --> 01:07:44,917
know ♪
1796
01:07:44,919 --> 01:07:47,286
1797
01:07:47,288 --> 01:07:48,421
♪ Feathers fall around you
1798
01:07:48,423 --> 01:07:51,457
That's very heavy.
1799
01:07:51,459 --> 01:07:54,694
I'm still trying to move forward.
1800
01:07:54,696 --> 01:07:57,129
But that... it's very difficult.
1801
01:07:57,131 --> 01:08:02,103
♪ It & s; s over
1802
01:08:03,805 --> 01:08:09,309
♪ It & apos; s over
1803
01:08:09,811 --> 01:08:13,946
♪ Ooh, ooh
1804
01:08:25,684 --> 01:08:30,265
Back back , at that time
I was just a teenager who entered...
1805
01:08:30,266 --> 01:08:33,366
Sound City. And the mixer is...
1806
01:08:33,367 --> 01:08:36,936
The reason I'm here right now. P>
1807
01:08:36,938 --> 01:08:38,639
Aku akan melakukan apapun untuk itu.
1808
01:08:39,841 --> 01:08:42,908
This big room and the Neve Mixer.
1809
01:08:42,910 --> 01:08:45,978
Tools that make it all...
1810
01:08:45,980 --> 01:08:47,614
Rock bands & apos; n & apos; roll becomes big.
1811
01:08:48,916 --> 01:08:50,249
We unload all this data
1812
01:08:50,251 --> 01:08:52,017
And I never dreamed
1813
01:08:52,019 --> 01:08:53,385
In millions of years it will find
1814
01:08:53,387 --> 01:08:54,120
This.
1815
01:08:54,122 --> 01:08:56,188
This is the original order for...
1816
01:08:56,190 --> 01:08:57,490
Neve mixer.
1817
01:08:57,492 --> 01:08:58,924
Oh, God.
1818
01:08:58,926 --> 01:09:01,594
Really?
1819
01:09:02,096 --> 01:09:04,464
Wow! P>
1820
01:09:04,966 --> 01:09:06,332
Whose signature is that? What...
1821
01:09:06,334 --> 01:09:07,466
His signature Rupert Neve? P>
1822
01:09:07,468 --> 01:09:08,200
Who is he? P>
1823
01:09:08,202 --> 01:09:09,835
I'll give it to you
1824
01:09:09,837 --> 01:09:10,469
If you leave it. P> p>
1825
01:09:10,471 --> 01:09:12,037
Tom, thank you very much.
1826
01:09:12,039 --> 01:09:13,005
Thank you again.
1827
01:09:13,007 --> 01:09:15,007
This is a historical document.
1828
01:09:15,009 --> 01:09:15,941
That's right.
1829
01:09:15,943 --> 01:09:17,409
Thank you very much, friend. P>
1830
01:09:17,411 --> 01:09:18,244
Thank you. P>
1831
01:09:18,246 --> 01:09:19,512
Tom, this is very good. P>
1832
01:09:19,514 --> 01:09:21,113
Wow!
1833
01:09:21,115 --> 01:09:23,215
The Neve tool, we sell it to...
1834
01:09:23,217 --> 01:09:25,184
Dave. And that's how it is...
1835
01:09:25,186 --> 01:09:26,652
All this starts. P>
1836
01:09:30,654 --> 01:09:33,627
Alright. Let's do it. P>
1837
01:09:35,329 --> 01:09:40,036
For me, it's like... It's a life.
The breath section of music...
1838
01:09:40,037 --> 01:09:42,637
What we've made. P>
1839
01:09:43,838 --> 01:09:45,838
This is just an instrument from...
1840
01:09:45,840 --> 01:09:47,506
other instruments used
1841
01:09:47,508 --> 01:09:48,107
1842
01:09:48,109 --> 01:09:50,943
This is the sound from the recording
1843
01:09:50,945 --> 01:09:53,113
What we made at Sound City .
1844
01:09:54,415 --> 01:09:56,315
This object is part of
1845
01:09:56,317 --> 01:09:58,117
History of rock & apos; n & apos; roll.
1846
01:09:58,119 --> 01:09:59,251
I think this mixer will...
1847
01:09:59,253 --> 01:10:00,319
Bring it back...
1848
01:10:00,321 --> 01:10:01,487
Rock Glory & apos; n & apos; Roll hall. P>
1849
01:10:01,489 --> 01:10:03,222
I think none of
can get
1850
01:10:03,224 --> 01:10:04,690
the mixer board. P>
1851
01:10:22,692 --> 01:10:27,248
I think they know. If I
not just wrap it
1852
01:10:27,249 --> 01:10:29,049
Dan menyimpannya didalam gudang.
1853
01:10:29,050 --> 01:10:33,621
I will use it ..
Very often.
1854
01:10:34,122 --> 01:10:35,422
Trying to get it out...
1855
01:10:35,423 --> 01:10:36,222
Through the window.
1856
01:10:37,191 --> 01:10:39,225
I will spend a lot of time
1857
01:10:39,227 --> 01:10:41,193
p>
1858
01:10:41,195 --> 01:10:42,161
Here. Play with...
1859
01:10:44,065 --> 01:10:45,564
This object. P>
1860
01:10:45,566 --> 01:10:46,398
Will this still be...
1861
01:10:46,400 --> 01:10:48,133
Here, Dave? P>
1862
01:10:48,135 --> 01:10:48,634
Yes, that too can already
1863
01:10:48,636 --> 01:10:50,302
Used.
1864
01:10:50,304 --> 01:10:52,104
So, the first thing you really want...
1865
01:10:52,106 --> 01:10:53,674
I do is invite people
1866
01:10:55,076 --> 01:10:57,610
Back to make new recording.
1867
01:10:57,612 --> 01:11:00,045
Give this old board life
1868
01:11:02,984 --> 01:11:04,884
New with new music.
1869
01:11:04,886 --> 01:11:05,618
Talking about stories about Sound City
1870
01:11:05,620 --> 01:11:06,986
Is one thing...
1871
01:11:06,988 --> 01:11:08,153
Connect and actually enter it
1872
01:11:08,155 --> 01:11:10,422
Through a mixer. Then put it...
1873
01:11:10,424 --> 01:11:12,659
2-inch roll ribbon? P>
1874
01:11:13,461 --> 01:11:18,101
♪ They don't talk much about
it ♪
1875
01:11:18,102 --> 01:11:20,602
♪ It goes back so many years
1876
01:11:22,103 --> 01:11:25,037
♪ All the times we almost did & apos; t p >
1877
01:11:25,039 --> 01:11:26,806
make it ♪
1878
01:11:27,308 --> 01:11:29,112
♪ We stayed clear
1879
01:11:29,613 --> 01:11:33,613
♪ We walked through the
darkness ♪
1880
01:11:33,614 --> 01:11:36,081
♪ And made a pact not to dance
1881
01:11:36,083 --> 01:11:38,083
with the devil ♪
1882
01:11:38,085 --> 01:11:40,586
♪ Even when the devil seemed to
1883
01:11:40,588 --> 01:11:42,454
have a heart ♪
1884
01:11:42,456 --> 01:11:46,092
♪ He said we & apos; d never be sorry
1885
01:11:46,594 --> 01:11:50,195
♪ For what we 've done
1886
01:11:50,197 --> 01:11:53,198
♪ And we are never allowed the devil
1887
01:11:53,200 --> 01:11:57,504
to come to the party ♪
1888
01:11:58,506 --> 01:12:00,272
I messed it up. P>
1889
01:12:00,274 --> 01:12:01,407
That's good. P>
1890
01:12:01,409 --> 01:12:02,675
Want to try again? P>
1891
01:12:02,677 --> 01:12:03,309
Sure. P>
1892
01:12:03,311 --> 01:12:04,376
You want to repeat again
1893
01:12:04,378 --> 01:12:05,644
from verse one and verse two
1894
01:12:05,646 --> 01:12:06,679
After that is the first chorus?
1895
01:12:06,681 --> 01:12:07,313
Yes.
1896
01:12:07,315 --> 01:12:09,214
What we expect from...
1897
01:12:09,216 --> 01:12:12,051
This album is to capture
1898
01:12:12,053 --> 01:12:14,320
A little bit of vibration...
1899
01:12:14,322 --> 01:12:16,055
Obtained when recording
1900
01:12:16,057 --> 01:12:17,623
Classics created when at Sound City. P>
1901
01:12:17,625 --> 01:12:19,291
We tried to enter it
1902
01:12:19,293 --> 01:12:20,359
In this album. P>
1903
01:12:20,361 --> 01:12:23,128
♪.... Sorry
1904
01:12:23,130 --> 01:12:25,698
♪ For what we & ve done
1905
01:12:25,700 --> 01:12:29,134
♪ And we are never allowed the devil
1906
01:12:29,136 --> 01:12:34,541
to come to the party ♪
1907
01:12:36,243 --> 01:12:39,212
♪ You can & apos; fix this
1908
01:12:39,714 --> 01:12:42,183
♪ You lost a friend
1909
01:12:44,685 --> 01:12:47,153
Hearts breaking ♪
1910
01:12:48,255 --> 01:12:50,890
♪ Right and left
1911
01:12:51,392 --> 01:12:52,424
Amazing...
1912
01:12:52,426 --> 01:12:54,059
That woman can sing.
1913
01:12:54,061 --> 01:12:56,128
There is input from another one?
1914
01:12:56,130 --> 01:12:57,129
Just continue.
1915
01:12:57,131 --> 01:12:59,365
I don't... Just do it
What do you want...
1916
01:12:59,367 --> 01:13:01,033
I'm the type of person who is radical. You...
1917
01:13:01,035 --> 01:13:02,602
Tau?
1918
01:13:03,504 --> 01:13:06,438
♪ Never dance with the devil
1919
01:13:06,440 --> 01:13:10,109
♪ Keep running, yeah
1920
01:13:10,111 --> 01:13:11,643
There must be a reason why people...
1921
01:13:11,645 --> 01:13:13,245
This gets achievements like
1922
01:13:13,247 --> 01:13:14,648
What have they received.
1923
01:13:16,550 --> 01:13:19,351
You can hear it...
You can see it...
1924
01:13:19,353 --> 01:13:21,353
♪ Don & apos; ever dance with the p >
1925
01:13:21,355 --> 01:13:23,692
devil ♪
1926
01:13:26,794 --> 01:13:33,934
♪ He will burn you dow-ow-n
1927
01:13:35,336 --> 01:13:37,703
♪ You can & apos; t fix this
1928
01:13:44,378 --> 01:13:47,212
That's amazing. Sounds great. P>
1929
01:13:47,214 --> 01:13:48,547
And I do my snake dance. P>
1930
01:13:48,549 --> 01:13:49,148
1931
01:13:51,385 --> 01:13:53,052
I just feel happy. P>
1932
01:13:53,054 --> 01:13:54,486
Being in your studio with...
1933
01:13:54,488 --> 01:13:56,121
this mixer and know if it's a mixer
1934
01:13:56,123 --> 01:13:57,589
The first to record
1935
01:13:57,591 --> 01:13:59,091
"Buckingham Nicks".
1936
01:13:59,593 --> 01:14:02,795
"15458 Cabrito Road, Van Nuys ,
1937
01:14:02,797 --> 01:14:03,762
California ".
1938
01:14:03,764 --> 01:14:05,531
This is the letter
I wrote for...
1939
01:14:05,533 --> 01:14:08,767
Mother, Father and brother
1940
01:14:08,769 --> 01:14:10,803
While making an album
1941
01:14:10,805 --> 01:14:12,404
"Buckingham Nicks".
1942
01:14:12,406 --> 01:14:14,673
Dear Mother, Father and Chris
1943
01:14:14,675 --> 01:14:16,642
Here I am once again
1944
01:14:16,644 --> 01:14:18,710
in the recording studio
1945
01:14:18,712 --> 01:14:20,145
The famous
1946
01:14:20,147 --> 01:14:22,114
Sound City, Inc.
1947
01:14:22,116 --> 01:14:23,082
1948
01:14:23,084 --> 01:14:24,683
1949
01:14:24,685 --> 01:14:26,485
I'm very tired
1950
01:14:26,487 --> 01:14:28,287
Always sit and listen
1951
01:14:28,289 --> 01:14:28,787
12 hours of music per day
1952
01:14:28,789 --> 01:14:30,389
Alright...
1953
01:14:30,391 --> 01:14:30,756
I know it will pay off
1954
01:14:30,758 --> 01:14:32,491
In the end
1955
01:14:32,493 --> 01:14:34,126
This will all be valuable later.
1956
01:14:34,128 --> 01:14:35,594
I hope if my little family
1957
01:14:35,596 --> 01:14:36,829
It's fine and... p >
1958
01:14:36,831 --> 01:14:39,131
Not working too hard
1959
01:14:39,133 --> 01:14:41,266
In the end, I just want to...
1960
01:14:41,268 --> 01:14:43,268
Say if I miss
1961
01:14:43,270 --> 01:14:45,204
You all and
hope you want
1962
01:14:45,206 --> 01:14:46,738
Lindsey might
make history
1963
01:14:46,740 --> 01:14:48,474
As one player
1964
01:14:48,476 --> 01:14:49,174
Guitar
1965
01:14:49,176 --> 01:14:51,276
This is really amazing
1966
01:14:51,278 --> 01:14:53,479
Alright... nobody
I want to say so far
1967
01:14:53,481 --> 01:14:55,114
Lots of love for
all of you. And...
1968
01:14:55,116 --> 01:14:56,615
Keep thinking good
about this
1969
01:14:56,617 --> 01:14:57,216
1970
01:14:57,218 --> 01:14:58,619
I love you. Stevie ". P>
1971
01:15:00,821 --> 01:15:03,626
I think it's really a
statement for some people. P>
1972
01:15:03,627 --> 01:15:07,127
Who loves Sound City. And...
1973
01:15:07,128 --> 01:15:09,128
Loving tools Neve. P>
1974
01:15:09,130 --> 01:15:10,863
And want to be a part of history. P>
1975
01:15:11,365 --> 01:15:14,669
I say to everyone.
"Guess who I contacted last night? P>
1976
01:15:14,670 --> 01:15:17,370
Rick fucking Springfield ".
1977
01:15:30,640 --> 01:15:33,652
I have always been a person who believes
from the power of a song.
1978
01:15:33,654 --> 01:15:35,220
For me, the highest
I've ever felt
1979
01:15:35,222 --> 01:15:36,522
Is when writing
1980
01:15:36,524 --> 01:15:37,856
A song that I think is related
1981
01:15:37,858 --> 01:15:39,258
Against something.
1982
01:15:39,260 --> 01:15:39,825
I have an idea.
1983
01:15:39,827 --> 01:15:41,293
I don't know whether
this will work.
1984
01:15:41,295 --> 01:15:42,394
But do you want to try
1985
01:15:42,396 --> 01:15:42,861
Something?
1986
01:15:42,863 --> 01:15:45,364
So, if we play the riff section again
1987
01:15:45,366 --> 01:15:46,231
Like this...
1988
01:15:57,669 --> 01:16:00,080
That's very good. We try
again from the beginning and...
1989
01:16:00,081 --> 01:16:01,781
See how it works. P>
1990
01:16:26,685 --> 01:16:28,175
I think it's an amazing part. P>
1991
01:16:28,176 --> 01:16:29,576
That's really "Rick Springfield "
1992
01:16:29,577 --> 01:16:30,509
Who wrote everything. P>
1993
01:16:30,511 --> 01:16:31,310
That was amazing. P>
1994
01:16:31,312 --> 01:16:31,843
I like that. P>
1995
01:16:31,845 --> 01:16:32,945
It was like heavy rock. P> p>
1996
01:16:32,947 --> 01:16:33,745
I like that.
1997
01:16:33,747 --> 01:16:35,480
I just want to be in
1998
01:16:35,482 --> 01:16:36,248
studio.
1999
01:16:36,250 --> 01:16:37,482
I like the process.
2000
01:16:37,484 --> 01:16:38,951
I like do it directly
2001
01:16:38,953 --> 01:16:40,252
and be in the studio.
2002
01:16:40,254 --> 01:16:41,954
I'm just trying to
think what...
2003
01:16:41,956 --> 01:16:43,789
It will be good, if we
2004
01:16:43,791 --> 01:16:45,591
Return to that section.
2005
01:16:45,593 --> 01:16:47,226
And play...
2006
01:16:47,228 --> 01:16:48,694
Arrangement with repetition
2007
01:16:48,696 --> 01:16:50,429
Packaging again and again
2008
01:16:50,431 --> 01:16:51,730
Until a little change
2009
01:16:51,732 --> 01:16:52,464
Happens.
2010
01:16:52,466 --> 01:16:53,765
What are you doing?
2011
01:16:53,767 --> 01:16:55,500
You just did
Things very good.
2012
01:16:55,502 --> 01:16:56,969
"D", "A".
2013
01:16:56,971 --> 01:16:59,571
A little bit of accidental happiness, or
2014
01:16:59,573 --> 01:17:00,639
Whatever. And it's like...
2015
01:17:00,641 --> 01:17:01,840
Everything, "Oh, what is
2016
01:17:01,842 --> 01:17:02,808
Just happened?" P>
2017
01:17:02,810 --> 01:17:04,276
That's part of the arrangement
2018
01:17:04,278 --> 01:17:04,810
When this.
2019
01:17:04,812 --> 01:17:05,877
That's very good. And...
2020
01:17:05,879 --> 01:17:06,912
You're over there. You...
2021
01:17:06,914 --> 01:17:08,347
Just do...
2022
01:17:08,349 --> 01:17:09,648
That's the perfect pair of
2023
01:17:09,650 --> 01:17:10,249
Basics. P>
2024
01:17:10,251 --> 01:17:11,316
That's how it is. P >
2025
01:17:16,490 --> 01:17:17,923
But the good thing about
2026
01:17:17,925 --> 01:17:19,758
Learning when you record.
2027
01:17:19,760 --> 01:17:21,560
When you do
accidentally
2028
01:17:21,562 --> 01:17:22,995
Get something
that's good if you...
2029
01:17:22,997 --> 01:17:24,730
Don't have any ideas for
2030
01:17:24,732 --> 01:17:25,364
Do something. P>
2031
01:17:25,366 --> 01:17:26,865
And the feeling to find...
2032
01:17:26,867 --> 01:17:29,669
Is a big part of that. P>
2033
01:17:30,771 --> 01:17:32,504
Everyone gets it one time
2034
01:17:32,506 --> 01:17:34,406
And that's is the first time
2035
01:17:34,408 --> 01:17:36,341
You ever played it.
And it got
2036
01:17:36,343 --> 01:17:37,909
With really new on
2037
01:17:37,911 --> 01:17:38,510
Initially.
2038
01:17:38,512 --> 01:17:40,545
That's like the first time for you. P>
2039
01:17:40,547 --> 01:17:41,980
And it will please you all along
2040
01:17:41,982 --> 01:17:42,581
Time. P>
2041
01:17:42,583 --> 01:17:44,850
What if we try to do
2042
01:17:44,852 --> 01:17:47,352
Rick's part as a pre -chorus?
2043
01:17:47,354 --> 01:17:48,553
Yes! Ha! P>
2044
01:17:48,555 --> 01:17:49,454
That's very good! P>
2045
01:17:50,291 --> 01:17:51,757
Because then it returns to
2046
01:17:51,759 --> 01:17:52,391
chorus. P>
2047
01:17:52,393 --> 01:17:53,925
That's very good! P>
2048
01:17:53,927 --> 01:17:55,294
It's better now, Pat.
2049
01:17:55,296 --> 01:17:55,761
I know.
2050
01:17:58,666 --> 01:18:01,400
2051
01:18:20,602 --> 01:18:23,658
♪ I can say that I like her
manner ♪
2052
01:18:24,159 --> 01:18:26,359
♪ I can & say, I like her
2053
01:18:26,360 --> 01:18:26,858
face ♪
2054
01:18:26,860 --> 01:18:28,727
♪ I carved up on a silver
2055
01:18:28,729 --> 01:18:29,561
platter ♪
2056
01:18:29,563 --> 01:18:30,629
♪ Serve warm
2057
01:18:30,631 --> 01:18:32,397
♪ She & apos; sa real head case
2058
01:18:32,399 --> 01:18:33,632
♪ I won & t; t wait for an
2059
01:18:33,634 --> 01:18:35,033
invitation ♪
2060
01:18:35,035 --> 01:18:36,101
♪ I can & apos; t stand for the
2061
01:18:36,103 --> 01:18:37,536
sacrifice ♪
2062
01:18:37,538 --> 01:18:39,438
♪ I won the
2063
01:18:39,440 --> 01:18:40,072
soldier
2064
01:18:40,074 --> 01:18:42,574
soldier ♪
2065
01:18:42,776 --> 01:18:44,609
♪ I won the try event
2066
01:18:44,611 --> 01:18:46,378
We came, Practice the song...
2067
01:18:46,380 --> 01:18:48,013
Play it several times.
2068
01:18:48,015 --> 01:18:49,381
Various time series. And...
2069
01:18:49,383 --> 01:18:50,782
We do it directly. P>
2070
01:18:50,784 --> 01:18:52,651
What is the special try? P>
2071
01:18:52,653 --> 01:18:54,654
♪ Just like the man that
2072
01:18:55,856 --> 01:18:58,523
♪ Just like
2073
01:18:58,525 --> 01:19:00,959
♪ Just like the man that never
2074
01:19:00,961 --> 01:19:03,562
was ♪
2075
01:19:03,564 --> 01:19:05,964
♪ Just like the man that never
2076
01:19:05,966 --> 01:19:06,965
was ♪
2077
01:19:06,967 --> 01:19:09,436
All those parts... When playing...
Writing lyrics...
2078
01:19:09,437 --> 01:19:11,437
That is something
will you remember when
2079
01:19:11,438 --> 01:19:12,738
Wake up in the morning
and make you...
2080
01:19:12,740 --> 01:19:13,905
Refuse to sleep...
2081
01:19:13,907 --> 01:19:15,407
Tonight, because you
want to stay
2082
01:19:15,409 --> 01:19:16,007
Do it. P>
2083
01:19:16,009 --> 01:19:17,609
That's music for me. P>
2084
01:19:17,611 --> 01:19:20,682
♪ I am the man that never was
2085
01:19:24,620 --> 01:19:26,120
Perfect. Thank you. P>
2086
01:19:26,121 --> 01:19:27,871
There is a dark side
inside you. P>
2087
01:19:27,906 --> 01:19:29,621
Oh, yes, a lot of darkness
2088
01:19:29,623 --> 01:19:30,155
To me. P>
2089
01:19:30,157 --> 01:19:32,457
Darkness and it's really cool. P>
2090
01:19:32,459 --> 01:19:33,458
I spent a lot of time in
2091
01:19:33,460 --> 01:19:34,793
In front of the mixer board. P>
2092
01:19:34,795 --> 01:19:36,428
Terima kasih, Dave.
2093
01:19:36,930 --> 01:19:39,097
That's an amazing opportunity.
2094
01:19:39,099 --> 01:19:40,532
Alright.
2095
01:19:40,534 --> 01:19:42,401
Anyone who has been to...
2096
01:19:42,403 --> 01:19:44,803
Sound City knows exactly why I...
2097
01:19:44,805 --> 01:19:46,138
Make this album.
2098
01:19:46,140 --> 01:19:47,105
They understand.
2099
01:19:47,107 --> 01:19:47,973
I have an idea
2100
01:19:47,975 --> 01:19:49,174
Why don't we start with...
2101
01:19:49,176 --> 01:19:50,709
Lee Ving's style usually.
2102
01:19:50,711 --> 01:19:52,477
1, 2, 3, 4! 1, 2, 3, 4! P>
2103
01:19:52,479 --> 01:19:54,179
Oh, I agree! P>
2104
01:19:54,181 --> 01:19:55,714
1, 2, 3, 4! 1, 2, 3, 4! P>
2105
01:20:03,084 --> 01:20:05,124
♪ Your wife is calling
♪ Tell her I & apos; m not here
2106
01:20:05,125 --> 01:20:05,925
♪ Your wife is calling
2107
01:20:05,926 --> 01:20:06,992
♪ Just having one beer
2108
01:20:06,994 --> 01:20:07,859
♪ Your wife is calling
2109
01:20:07,861 --> 01:20:09,663
♪ Da uber frau ♪
2110
01:20:09,664 --> 01:20:11,564
♪ Your wife is calling
♪ Be home in half an hour
2111
01:20:11,565 --> 01:20:12,131
♪ Your wife is calling
2112
01:20:12,133 --> 01:20:13,265
♪ You say something, dear?
2113
01:20:13,267 --> 01:20:14,333
♪ Your wife is calling
2114
01:20:14,335 --> 01:20:15,434
♪ Just having more beer
2115
01:20:15,436 --> 01:20:16,502
♪ Your wife is calling
2116
01:20:16,504 --> 01:20:17,536
♪ You 've not to fear
2117
01:20:17,538 --> 01:20:18,604
♪ Your wife is calling
2118
01:20:18,606 --> 01:20:19,672
♪ Lift your voice, sing for
2119
01:20:19,674 --> 01:20:21,073
beer ♪
2120
01:20:24,511 --> 01:20:27,647
In the studio, you tried to
improve your own appearance
2121
01:20:27,648 --> 01:20:29,148
From the energy you...
2122
01:20:29,149 --> 01:20:30,816
Get it from your friends.
2123
01:20:30,818 --> 01:20:33,652
♪ Your wife is calling
2124
01:20:33,654 --> 01:20:34,686
You can't get that if...
2125
01:20:34,688 --> 01:20:36,188
stand up there alone.
2126
01:20:36,490 --> 01:20:39,627
♪ Your wife is calling
♪ Your wife is calling
2127
01:20:39,628 --> 01:20:41,628
♪ Your wife is calling
2128
01:20:42,629 --> 01:20:46,231
♪ Your wife is calling
♪ Your wife is calling
2129
01:20:50,237 --> 01:20:52,471
2130
01:20:52,473 --> 01:20:54,706
It's a conversation. And that...
2131
01:20:54,708 --> 01:20:56,808
Music ties that I think
2132
01:20:56,810 --> 01:20:59,077
Dicari oleh semua orang.
2133
01:21:15,615 --> 01:21:20,133
I think the final limitation at this time
is they think, "I can...
2134
01:21:20,134 --> 01:21:21,634
Do this yourself".
2135
01:21:21,835 --> 01:21:23,902
Yes, you can do this yourself.
2136
01:21:23,904 --> 01:21:25,670
But you will be happier
2137
01:21:25,672 --> 01:21:27,572
As a human by doing it
2138
01:21:27,574 --> 01:21:29,574
Against other people. And I...
2139
01:21:29,576 --> 01:21:30,743
Can guarantee that to you. P>
2140
01:21:44,645 --> 01:21:46,697
How do you explain "feelings"
2141
01:21:46,698 --> 01:21:51,098
Feelings are part of
of yourself. P >
2142
01:21:53,199 --> 01:21:55,567
Where did you come from...
2143
01:21:55,569 --> 01:21:57,670
Where are you from.
2144
01:21:59,072 --> 01:22:00,972
That's like...
2145
01:22:00,974 --> 01:22:02,007
your heart rate.
2146
01:22:02,009 --> 01:22:03,610
Everyone has a little
difference in heart rate. P>
2147
01:22:04,111 --> 01:22:05,811
Everyone feels a little
2148
01:22:05,812 --> 01:22:07,848
Different feelings. P>
2149
01:22:09,550 --> 01:22:11,316
"Feelings" don't mean you p >
2150
01:22:11,318 --> 01:22:11,950
on time.
2151
01:22:11,952 --> 01:22:13,685
Because something is possible...
2152
01:22:13,687 --> 01:22:15,153
Have a hard time
2153
01:22:15,155 --> 01:22:15,820
in feeling.
2154
01:22:15,822 --> 01:22:17,255
That might be a feature of...
2155
01:22:17,257 --> 01:22:20,125
sound and it will be extraordinary.
2156
01:22:20,127 --> 01:22:24,664
That's an attachment. Something
that usually happens between people. P>
2157
01:22:25,666 --> 01:22:28,102
Feelings aren't something you can
learn from books. P>
2158
01:22:28,103 --> 01:22:30,703
The feeling is something
you're looking for
2159
01:22:30,704 --> 01:22:31,870
As a musician.
2160
01:22:31,872 --> 01:22:33,705
For example when you take a breath.
2161
01:22:33,707 --> 01:22:35,206
Your body breathes air.
2162
01:22:35,208 --> 01:22:37,042
When you boil,
that a little calming.
2163
01:22:37,044 --> 01:22:39,144
And sometimes music becomes
2164
01:22:39,146 --> 01:22:41,046
It's that smooth...
2165
01:22:41,048 --> 01:22:43,181
But the feeling of being a human.
2166
01:23:02,619 --> 01:23:06,838
Two musicians won't be the same . Even if
they play the same song. P>
2167
01:23:06,840 --> 01:23:09,007
Two musicians won't do
in the same way. P>
2168
01:23:09,009 --> 01:23:10,542
2169
01:23:11,044 --> 01:23:12,644
That's very hard to understand life
2170
01:23:12,646 --> 01:23:13,945
And that's why, when...
2171
01:23:13,947 --> 01:23:15,113
You meet someone who can
2172
01:23:15,115 --> 01:23:16,615
Understand each other at the same time
2173
01:23:16,617 --> 01:23:18,016
You definitely want to maintain.
2174
01:23:18,018 --> 01:23:20,288
That relationship.
2175
01:23:22,990 --> 01:23:24,723
When someone has
strong squeeze
2176
01:23:24,725 --> 01:23:26,224
Whether he is a drummer or someone...
2177
01:23:26,226 --> 01:23:28,093
Guitar player. It's like making you
2178
01:23:28,095 --> 01:23:29,794
Falling in love with his personality. P>
2179
01:23:29,796 --> 01:23:30,795
2180
01:23:30,797 --> 01:23:31,863
You realize how beautiful
2181
01:23:31,865 --> 01:23:33,599
That person is. P>
2182
01:23:52,185 --> 01:23:56,188
There are many people who have been
mature now that won't happen
2183
01:23:56,189 --> 01:23:57,089
In the studio situation and never will be
2184
01:23:57,090 --> 01:23:58,923
Touching the compressor...
2185
01:23:58,925 --> 01:24:00,759
Maybe to be emulated as
2186
01:24:00,761 --> 01:24:02,060
Their description in addition
2187
01:24:02,062 --> 01:24:03,194
Dilaptop.
2188
01:24:03,196 --> 01:24:04,429
They will lose...
2189
01:24:04,431 --> 01:24:05,230
Something.
2190
01:24:05,232 --> 01:24:06,231
2191
01:24:22,608 --> 01:24:26,690
Trent menggunakan teknokogi sebagai
sebuah instrumen. Bukan untuk penopang.
2192
01:24:27,091 --> 01:24:29,691
He doesn't need it.
2193
01:24:32,292 --> 01:24:33,825
He's a very great person...
2194
01:24:33,827 --> 01:24:35,026
I've met on...
2195
01:24:35,028 --> 01:24:36,728
All my life.
2196
01:24:37,230 --> 01:24:39,364
He is the person who can...
2197
01:24:39,366 --> 01:24:41,966
Inspire the end of the conversation
About...
2198
01:24:41,968 --> 01:24:42,901
This digital world.
2199
01:24:43,937 --> 01:24:45,870
Hey, friends... it won't be possible
2200
01:24:45,872 --> 01:24:47,238
Working with this smoke machine.
2201
01:24:47,240 --> 01:24:49,007
It won't...
2202
01:24:49,009 --> 01:24:50,341
It might happen.
2203
01:24:50,343 --> 01:24:51,376
I'm carrying a machine smoke...
2204
01:24:51,378 --> 01:24:52,010
Come here.
2205
01:24:56,116 --> 01:24:57,882
My grandmother forced me to study
2206
01:24:57,884 --> 01:24:58,316
piano.
2207
01:24:58,318 --> 01:25:00,018
I remember when
was 5 years old . I...
2208
01:25:00,020 --> 01:25:01,419
Start learning the piano...
2209
01:25:01,421 --> 01:25:02,153
Classic. P>
2210
01:25:02,155 --> 01:25:03,888
I like it. And I feel...
2211
01:25:03,890 --> 01:25:04,723
Good at that. P>
2212
01:25:04,725 --> 01:25:06,357
I know, in my life
I have to...
2213
01:25:06,359 --> 01:25:07,492
Making music. P >
2214
01:25:07,494 --> 01:25:08,827
Feel if I need to...
2215
01:25:08,829 --> 01:25:10,361
Distinguishing here. Bass part...
2216
01:25:10,363 --> 01:25:11,896
The cool thing.
2217
01:25:23,667 --> 01:25:28,681
The sound that I made isn't right.
It's not suitable for use.
2218
01:25:30,183 --> 01:25:32,117
I can do better than that.
2219
01:25:34,054 --> 01:25:35,487
Do you want to listen to something
2220
01:25:35,489 --> 01:25:37,055
You want to try the bass part? P>
2221
01:25:37,057 --> 01:25:38,456
You're not the same as
I usually do. P>
2222
01:26:03,661 --> 01:26:07,621
I practiced for a long time and diligent. And
learn and learn to play...
2223
01:26:07,622 --> 01:26:10,222
An instrument to prove yourself
2224
01:26:10,223 --> 01:26:12,190
As the foundation on which I can...
2225
01:26:12,192 --> 01:26:14,325
Underlying anything I think is needed
2226
01:26:14,327 --> 01:26:16,628
In piano play.
2227
01:26:17,230 --> 01:26:18,830
I want, at some point...
2228
01:26:18,832 --> 01:26:20,265
The tempo is slightly increased, then...
2229
01:26:20,267 --> 01:26:21,668
Back to the original
2230
01:26:23,170 --> 01:26:25,203
That can be like
contemplation, then...
2231
01:26:25,205 --> 01:26:27,305
Being really simple
and emptiness... And a little...
2232
01:26:27,307 --> 01:26:29,440
Like lifting the curtain...
2233
01:26:29,442 --> 01:26:31,976
And that can be expanded again.
2234
01:26:32,813 --> 01:26:34,212
Alright... may I say...
2235
01:26:34,214 --> 01:26:35,847
That's very good...
2236
01:26:35,849 --> 01:26:37,816
That's... that part... Sounds...
2237
01:26:37,818 --> 01:26:39,083
Very beautiful. P>
2238
01:26:39,085 --> 01:26:41,252
I really like the sound of...
2239
01:26:41,254 --> 01:26:42,921
These three objects together. P>
2240
01:26:42,923 --> 01:26:44,222
I think that sounds really good. P>
2241
01:26:44,224 --> 01:26:45,356
Alright, then we try it...
2242
01:26:45,358 --> 01:26:46,090
It's still like that. P>
2243
01:26:52,365 --> 01:26:54,132
Everything we do is this. is...
2244
01:26:54,134 --> 01:26:54,599
Something new.
2245
01:26:54,601 --> 01:26:56,234
That only makes it more beautiful.
2246
01:26:56,236 --> 01:26:56,935
You know?
2247
01:26:56,937 --> 01:26:58,503
It's like growing up to.
2248
01:26:58,505 --> 01:27:00,438
Arriving at this point, then maybe...
2249
01:27:00,440 --> 01:27:01,439
Being a surprise!
2250
01:27:04,044 --> 01:27:05,276
When I make music today
2251
01:27:05,278 --> 01:27:06,544
It's rare for me sit down and think
2252
01:27:06,546 --> 01:27:08,079
"Oh, this must be left for...
2253
01:27:08,081 --> 01:27:08,613
floating first..."
2254
01:27:08,615 --> 01:27:10,114
I don't think things...
2255
01:27:10,116 --> 01:27:11,684
Like that.
2256
01:27:12,986 --> 01:27:15,153
But consciously, I know...
2257
01:27:15,155 --> 01:27:16,622
That should be so.
2258
01:27:17,224 --> 01:27:19,023
And when you're pretty
agree with that
2259
01:27:19,025 --> 01:27:20,491
It's time for...
2260
01:27:20,493 --> 01:27:22,327
Change the final part
and give...
2261
01:27:22,329 --> 01:27:23,595
A little fast tempo.
2262
01:27:23,597 --> 01:27:24,629
You know what I mean?
2263
01:27:32,472 --> 01:27:34,639
I like to have the foundation
in a song...
2264
01:27:34,641 --> 01:27:36,441
And it's really...
2265
01:27:36,443 --> 01:27:38,209
Not a feature of punk rock.
2266
01:27:47,180 --> 01:27:50,191
But understanding an instrument
and thinking about it, then...
2267
01:27:50,192 --> 01:27:52,892
Learning new abilities. That...
2268
01:27:52,893 --> 01:27:54,025
It's very valuable to me. P>
2269
01:28:02,636 --> 01:28:03,601
2270
01:28:03,603 --> 01:28:04,636
That's very good. P>
2271
01:28:04,638 --> 01:28:06,471
It also sounds really good to me. P>
2272
01:28:06,473 --> 01:28:07,038
2273
01:28:07,040 --> 01:28:08,539
I now get
new things as a process
2274
01:28:08,541 --> 01:28:09,974
For faster and...
2275
01:28:09,976 --> 01:28:11,242
Program with more
2276
01:28:11,244 --> 01:28:12,644
Good again.
2277
01:28:13,413 --> 01:28:14,913
There are always tools to make
music even better
2278
01:28:14,915 --> 01:28:16,347
Which will appear in...
2279
01:28:16,349 --> 01:28:17,181
Digital world.
2280
01:28:17,183 --> 01:28:18,549
Let's start at the beginning...
2281
01:28:18,551 --> 01:28:19,619
Until the end.
2282
01:28:36,690 --> 01:28:38,672
The tools are very good.
Now the equipment is better...
2283
01:28:38,673 --> 01:28:41,473
Compared to five years ago.
2284
01:28:41,474 --> 01:28:43,641
Even from 30 years ago.
2285
01:28:47,213 --> 01:28:48,546
Now everyone is empowered...
2286
01:28:48,548 --> 01:28:49,714
By these tools
To create
2287
01:28:49,716 --> 01:28:51,316
Something. Then is it going to be...
2288
01:28:51,318 --> 01:28:52,417
Something more great? P>
2289
01:28:52,419 --> 01:28:54,186
Not necessarily. P>
2290
01:28:54,688 --> 01:28:56,487
You still have to deepen
ability...
2291
01:28:56,489 --> 01:28:57,722
In using it...
2292
01:29:01,494 --> 01:29:02,961
It's awesome...
2293
01:29:02,963 --> 01:29:05,030
It's just that, you know...
2294
01:29:05,532 --> 01:29:07,465
You really have to
try something new...
2295
01:29:07,467 --> 01:29:08,566
To talk about.
2296
01:29:11,738 --> 01:29:14,572
It all starts with one idea...
2297
01:29:14,574 --> 01:29:16,207
If I want to tell the story
2298
01:29:16,209 --> 01:29:17,442
About the mixer.
2299
01:29:17,444 --> 01:29:19,344
The conversation will be...
2300
01:29:19,346 --> 01:29:21,179
Something bigger.
2301
01:29:21,181 --> 01:29:25,249
Like, in this technological era...
2302
01:29:25,251 --> 01:29:26,551
Where can you simulate or...
2303
01:29:26,553 --> 01:29:29,520
Deceive anything. How do we...
2304
01:29:29,522 --> 01:29:31,690
Maintain human elements? P>
2305
01:29:32,292 --> 01:29:35,660
How do we maintain music
to sound...
2306
01:29:35,662 --> 01:29:38,997
Like people. That feeling...
2307
01:29:38,999 --> 01:29:41,332
What I got when I was young. P>
2308
01:29:41,334 --> 01:29:42,633
"Oh, I can do that too." P>
2309
01:29:42,635 --> 01:29:44,002
"Let's do it".
2310
01:29:44,004 --> 01:29:46,270
The basis of my music formation is
2311
01:29:46,272 --> 01:29:47,205
"The Beatles"
2312
01:29:47,207 --> 01:29:49,640
Everything I know about playing...
2313
01:29:49,642 --> 01:29:51,776
guitar and song structure...
2314
01:29:51,778 --> 01:29:54,345
Composition... All of that...
2315
01:29:54,347 --> 01:29:56,414
Starting from "The Beatles".
2316
01:29:56,416 --> 01:29:57,749
I like the chandelier
2317
01:29:57,751 --> 01:29:59,117
Good choice.
2318
01:29:59,119 --> 01:30:00,718
So we don't know what...
2319
01:30:00,720 --> 01:30:01,686
Will be done.
2320
01:30:02,722 --> 01:30:04,288
So we can try...
2321
01:30:04,290 --> 01:30:05,056
Whatever.
2322
01:30:05,058 --> 01:30:07,025
Enough... Yes, well...
2323
01:30:25,163 --> 01:30:29,447
I think he knows what you feel
when you play with him. I don't know. P>
2324
01:30:29,549 --> 01:30:31,049
I can't explain it. P>
2325
01:30:31,051 --> 01:30:32,417
I feel very, very nervous. P>
2326
01:30:32,419 --> 01:30:33,785
Then I started feeling...
2327
01:30:33,787 --> 01:30:35,153
" Oh, this... alright ". P>
2328
01:30:36,623 --> 01:30:37,555
Yeah! P>
2329
01:30:37,557 --> 01:30:39,357
Yeah. P>
2330
01:30:39,359 --> 01:30:41,128
♪ Mama
2331
01:30:43,830 --> 01:30:46,364
♪ Won & apos; t you set me free ?
2332
01:30:51,166 --> 01:30:52,843
♪ Mama
2333
01:30:55,644 --> 01:30:58,544
♪ Let me be
2334
01:31:06,145 --> 01:31:08,454
When in the middle of the session.
I look towards...
2335
01:31:08,455 --> 01:31:10,255
Krist when we were playing. P>
2336
01:31:10,256 --> 01:31:11,722
And we enjoyed it. P>
2337
01:31:11,724 --> 01:31:13,857
And you know... Kris moves...
2338
01:31:13,859 --> 01:31:15,659
As usual
it does. And "Pat"...
2339
01:31:15,661 --> 01:31:16,727
Start following it...
2340
01:31:17,430 --> 01:31:18,662
And I also play...
2341
01:31:18,664 --> 01:31:19,697
Then I thought, "Oh, my God!
2342
01:31:19,699 --> 01:31:20,832
This is like NIRVANA!"
2343
01:31:20,834 --> 01:31:21,799
Then, "wait a minute... "
2344
01:31:21,801 --> 01:31:23,234
Paul McCartney is here?"
2345
01:31:33,606 --> 01:31:36,816
This is the best way to make songs.
When you enter people
2346
01:31:36,817 --> 01:31:38,817
Inside the room together
And you don't...
2347
01:31:38,818 --> 01:31:40,284
Know what will happen.
2348
01:31:40,286 --> 01:31:41,886
You just press the "record" button. And continue...
2349
01:31:41,888 --> 01:31:43,688
Crossing Your fingers, hope...
2350
01:31:43,690 --> 01:31:45,123
Something great happened.
2351
01:31:50,663 --> 01:31:53,431
♪ Mama!
2352
01:31:53,433 --> 01:31:57,338
The limits of this, forced you
to make a decision
2353
01:31:57,339 --> 01:32:00,339
Based on what's more important.
2354
01:32:00,340 --> 01:32:02,206
To translate a song.
2355
01:32:02,208 --> 01:32:04,047
If we start with...
2356
01:32:04,048 --> 01:32:09,648
♪ Gah, bro, what is that
♪ Gah, bro
2357
01:32:09,649 --> 01:32:11,749
One of the things... What I thought...
2358
01:32:11,751 --> 01:32:13,818
That would be music with...
2359
01:32:13,820 --> 01:32:15,753
A little limitation.
2360
01:32:15,755 --> 01:32:16,787
Then you want to start from...
2361
01:32:16,789 --> 01:32:18,156
Should we start
2362
01:32:18,158 --> 01:32:19,190
From...
2363
01:32:21,194 --> 01:32:22,560
And that's where " 24-track "
2364
01:32:22,562 --> 01:32:23,594
mentality comes. P>
2365
01:32:23,596 --> 01:32:26,531
You agreed to do it...
2366
01:32:26,533 --> 01:32:28,199
With" Pro Tools ". You can always...
2367
01:32:28,201 --> 01:32:29,567
Return to the beginning or you can
2368
01:32:29,569 --> 01:32:31,269
Change it or add it
2369
01:32:31,271 --> 01:32:33,337
To try and make it good. P>
2370
01:32:33,339 --> 01:32:33,871
p >
2371
01:32:33,873 --> 01:32:35,606
Because you don't feel compelled to...
2372
01:32:35,608 --> 01:32:37,208
Take a decision...
2373
01:32:37,210 --> 01:32:38,276
Creative.
2374
01:32:38,278 --> 01:32:39,210
Maybe next to...
2375
01:32:39,212 --> 01:32:40,211
♪ "A"
2376
01:32:42,649 --> 01:32:43,814
♪ We don & apos; know what it's gonna
2377
01:32:43,816 --> 01:32:44,749
come on top of this ♪
2378
01:32:44,751 --> 01:32:45,917
♪ But something is p >
2379
01:32:47,787 --> 01:32:48,920
♪ That, we & apos; ll find out later
2380
01:32:48,922 --> 01:32:50,454
♪ And then go to the riff
2381
01:32:50,456 --> 01:32:51,589
♪ Breakdown
2382
01:32:52,358 --> 01:32:53,691
Like the intro
2383
01:32:53,693 --> 01:32:55,459
I think you should start with...
2384
01:32:55,461 --> 01:32:56,727
"A" one more time.
2385
01:32:56,729 --> 01:32:58,229
It really increases.
2386
01:32:58,231 --> 01:32:59,397
Yeah.
2387
01:32:59,399 --> 01:33:00,731
After staying on "D"
2388
01:33:00,733 --> 01:33:01,933
It's too long, it must have
2389
01:33:01,935 --> 01:33:03,334
Good impact when it starts high
2390
01:33:03,336 --> 01:33:04,468
And that's too fast.
2391
01:33:04,470 --> 01:33:05,703
That's only four repetitions.
2392
01:33:05,705 --> 01:33:06,771
Is this mic fixed...
2393
01:33:06,773 --> 01:33:07,972
This room?
2394
01:33:07,974 --> 01:33:09,307
So this is a live recording? P>
2395
01:33:09,309 --> 01:33:11,242
That's right. P>
2396
01:33:11,744 --> 01:33:13,578
Do it. Make it simpler. P>
2397
01:33:13,580 --> 01:33:14,478
Do it fast. P>
2398
01:33:14,480 --> 01:33:15,580
Don't think too much. P>
2399
01:33:15,582 --> 01:33:17,348
Leave it... Leave it out...
2400
01:33:17,350 --> 01:33:18,516
Then do it...
2401
01:33:41,666 --> 01:33:44,156
♪ Dear mama
2402
01:33:46,757 --> 01:33:48,657
♪ Set me free
2403
01:33:53,158 --> 01:33:55,158
♪ Oh, mama
2404
01:33:58,458 --> 01:34:00,629
♪ Let me be p >
2405
01:34:05,031 --> 01:34:07,634
♪ Oh, mama
2406
01:34:10,436 --> 01:34:12,607
♪ Watch me run
2407
01:34:16,709 --> 01:34:18,779
♪ Mama
2408
01:34:21,581 --> 01:34:24,616
♪ I want to have some fun
2409
01:34:25,418 --> 01:34:27,652
♪ Whoo ooh-ooh-ooh ooh ooh
2410
01:34:32,696 --> 01:34:35,196
♪ Whoo ooh-ooh-ooh ooh ooh
2411
01:34:51,697 --> 01:34:52,925
♪ Well, mama
2412
01:34:56,626 --> 01:34:58,626
♪ Don & apos; t let me down
2413
01:35:03,627 --> 01:35:05,227
♪ Mama
2414
01:35:07,627 --> 01:35:10,162
♪ Want to go to town
2415
01:35:11,564 --> 01:35:12,631
♪ Yeah
2416
01:35:28,683 --> 01:35:29,748
Magic.
2417
01:35:29,783 --> 01:35:31,583
You don't even know what...
2418
01:35:31,584 --> 01:35:33,017
You want to do . But this is...
2419
01:35:33,019 --> 01:35:33,684
genius. P>
2420
01:35:33,686 --> 01:35:34,452
That's right. P>
2421
01:35:34,454 --> 01:35:35,853
That's my autobiography. P>
2422
01:35:35,855 --> 01:35:37,355
"I don't know what that was. .
2423
01:35:37,357 --> 01:35:37,888
I did ".
2424
01:35:37,890 --> 01:35:39,023
I was thinking," Story...
2425
01:35:39,025 --> 01:35:40,057
Krist Novoselic ".
2426
01:35:40,059 --> 01:35:41,392
" What am I thinking ? "
2427
01:35:41,394 --> 01:35:42,426
" I'm not thinking ".
2428
01:35:42,428 --> 01:35:43,361
Something was raised.
2429
01:35:43,363 --> 01:35:43,794
Yes.
2430
01:35:43,796 --> 01:35:45,029
It would be great if this...
2431
01:35:45,031 --> 01:35:45,896
Added a little...
2432
01:35:45,898 --> 01:35:46,632
Yeah.
2433
01:35:48,534 --> 01:35:49,166
2434
01:35:49,168 --> 01:35:50,901
Maybe when it starts
after the tempo...
2435
01:35:50,903 --> 01:35:51,502
Increase. P>
2436
01:35:54,640 --> 01:35:55,940
♪ Ah
2437
01:35:55,942 --> 01:35:58,542
You let the tempo rise. P>
2438
01:35:58,544 --> 01:36:00,578
Then then with...
2439
01:36:00,580 --> 01:36:01,712
chord .. vocal chord.
2440
01:36:01,714 --> 01:36:02,146
Yes.
2441
01:36:02,148 --> 01:36:03,013
♪ Ah
2442
01:36:03,015 --> 01:36:04,081
Whatever it is...
2443
01:36:04,083 --> 01:36:04,849
♪ Ah
2444
01:36:04,851 --> 01:36:06,884
Who sings it? Do you want to? P>
2445
01:36:06,886 --> 01:36:08,486
Me and you. P>
2446
01:36:08,488 --> 01:36:09,553
Krist? P>
2447
01:36:09,555 --> 01:36:10,388
No
2448
01:36:10,390 --> 01:36:12,490
No? I just tried it. P>
2449
01:36:12,492 --> 01:36:13,758
How long do you want to be
2450
01:36:13,760 --> 01:36:14,392
Here? P>
2451
01:36:14,394 --> 01:36:15,526
Do you want to linger? P>
2452
01:36:15,528 --> 01:36:16,494
Just make sure.
2453
01:36:16,496 --> 01:36:18,529
So let's try, then...
2454
01:36:18,531 --> 01:36:20,464
You tell us what's wrong
2455
01:36:20,466 --> 01:36:20,998
with it.
2456
01:36:21,000 --> 01:36:22,032
Yeah, let's tell you...
2457
01:36:22,034 --> 01:36:23,534
Paul McCartney must be done.
2458
01:36:28,474 --> 01:36:33,612
♪ Ahhhh
2459
01:36:34,514 --> 01:36:37,349
♪ Ahhhh
2460
01:36:39,786 --> 01:36:41,452
Sounds really good.
2461
01:36:41,454 --> 01:36:42,820
Should we do it in...
2462
01:36:42,822 --> 01:36:43,621
Other parts too? < /p>
2463
01:36:43,623 --> 01:36:45,122
Baiklah .
2464
01:36:45,124 --> 01:36:47,091
Why isn't it always easy
2465
01:36:47,093 --> 01:36:48,258
Like this?
2466
01:36:48,660 --> 01:36:50,896
Right.
2467
01:36:51,798 --> 01:36:53,564
♪ Yeah-eah
2468
01:36:53,566 --> 01:36:55,635
♪ Whoo-ooh-ooh
2469
01:36:58,037 --> 01:37:00,638
♪ Ahhh
2470
01:37:00,640 --> 01:37:01,972
♪ If you want to take a ride,
2471
01:37:01,974 --> 01:37:03,908
you got to cut me some slack ♪
2472
01:37:03,910 --> 01:37:04,975
♪ Don 't get me wrong
2473
01:37:04,977 --> 01:37:06,611
♪ I might not come back
2474
01:37:07,713 --> 01:37:09,747
Got a chance to play...
2475
01:37:09,749 --> 01:37:11,916
Music with the person who became
2476
01:37:11,918 --> 01:37:14,118
The reason I became a musician...
2477
01:37:14,120 --> 01:37:16,554
And a recording with a history mixer.
2478
01:37:16,556 --> 01:37:18,556
That's the reason why I'm
2479
01:37:18,558 --> 01:37:20,658
here now. Overall
it was a moment...
2480
01:37:20,660 --> 01:37:21,592
Yang berharga untukku.
2481
01:37:29,663 --> 01:37:33,173
I think this is very important.
And this is a lesson...
2482
01:37:33,174 --> 01:37:35,574
I can't get it during adolescence.
2483
01:37:35,575 --> 01:37:37,174
Whatever the band is... p >
2484
01:37:37,176 --> 01:37:39,009
What you like... what band are looking for...
2485
01:37:39,011 --> 01:37:40,811
What do you like and what band
2486
01:37:40,813 --> 01:37:41,745
What makes you excited.
2487
01:37:41,747 --> 01:37:43,180
Then you start
2488
01:37:43,182 --> 01:37:45,082
p>
2489
01:37:45,084 --> 01:37:46,984
Entering the human aspect of it.
2490
01:37:46,986 --> 01:37:48,853
Because if you backward...
2491
01:37:48,855 --> 01:37:51,055
in the usual technological era
2492
01:37:51,057 --> 01:37:52,990
What you find. And accidentally
2493
01:37:52,992 --> 01:37:58,229
Being the best recording you have. P>
2494
01:38:07,633 --> 01:38:10,110
That's where the library's features
Music is. Thank God, it's still there. P>
2495
01:38:10,111 --> 01:38:13,211
♪ Ahhh
2496
01:38:13,212 --> 01:38:14,778
♪ If you want to take a ride,
you got to cut me some slack ♪
2497
01:38:14,780 --> 01:38:16,684
♪ Don \ 't get me wrong
2498
01:38:20,786 --> 01:38:23,624
♪ I might not come back
2499
01:38:26,626 --> 01:38:28,158
♪ Whoo ooh-ooh-ooh ooh ooh
2500
01:38:28,160 --> 01:38:31,063
Be honest with yourself and
make music that you like.
2501
01:38:31,064 --> 01:38:32,764
Do and play.
2502
01:38:32,765 --> 01:38:34,298
Make people like your music.
2503
01:38:34,300 --> 01:38:36,100
Share it yourself.
2504
01:38:36,102 --> 01:38:37,735
Don't think it happened with...
2505
01:38:37,737 --> 01:38:38,769
Other ways.
2506
01:38:38,771 --> 01:38:40,672
♪ Let me be
2507
01:38:41,874 --> 01:38:43,607
Try, Play...
2508
01:38:43,609 --> 01:38:44,775
Recordings... Then listen. P>
2509
01:38:44,777 --> 01:38:48,245
Wait until you listen to it. I didn't
patiently bring to my car to hear it. P>
2510
01:38:48,247 --> 01:38:49,847
I will play it for my friend. P>
2511
01:38:49,849 --> 01:38:50,814
I will make a copy of it. P>
2512
01:38:50,816 --> 01:38:52,082
I will make you happy as long
2513
01:38:52,084 --> 01:38:53,617
10 hours. And I
will listen to it. P>
2514
01:38:53,619 --> 01:38:54,051
2515
01:38:54,053 --> 01:38:56,287
♪ Mama, bro, watch me
2516
01:38:56,289 --> 01:38:58,155
go ♪
2517
01:38:58,157 --> 01:39:01,191
♪ Mama, watch me rock
2518
01:39:01,193 --> 01:39:03,627
♪ Want to have some fun
2519
01:39:03,629 --> 01:39:06,630
♪ Just wanna have some fun
2520
01:39:06,632 --> 01:39:09,066
♪ Yeah, set me free
2521
01:39:09,068 --> 01:39:09,967
♪ Set me free
2522
01:39:09,969 --> 01:39:12,236
♪ Yeah, yeah, yeah
2523
01:39:12,238 --> 01:39:18,309
♪ Ohhhhhh, yeah
2524
01:39:18,311 --> 01:39:20,077
♪ Whoo
2525
01:41:09,139 --> 01:41:12,089
What's your first band name?
- "The Icy Blues"
2526
01:41:12,091 --> 01:41:13,891
It's called, "Bloodfest"
2527
01:41:13,893 --> 01:41:15,359
Yeah! A good name. P>
2528
01:41:15,361 --> 01:41:17,728
My first band was called, "Fury". P>
2529
01:41:17,730 --> 01:41:19,697
And we're the cover band "Kiss". P>
2530
01:41:19,699 --> 01:41:20,130
2531
01:41:20,132 --> 01:41:21,765
Your favorite album ?
2532
01:41:21,767 --> 01:41:23,200
My favorite Kiss record?
2533
01:41:23,202 --> 01:41:23,901
Yes
2534
01:41:23,903 --> 01:41:25,169
Oh, I've never been able to
2535
01:41:25,171 --> 01:41:25,803
Choose.
2536
01:41:25,805 --> 01:41:27,471
What is your first band?
2537
01:41:27,473 --> 01:41:29,440
My first band is "Autocracy".
2538
01:41:29,442 --> 01:41:30,007
Huh?
2539
01:41:30,009 --> 01:41:31,742
The band is called "The Senders".
2540
01:41:31,744 --> 01:41:32,476
"The Pixies"
2541
01:41:32,478 --> 01:41:34,144
Your first Pixies band? P>
2542
01:41:34,146 --> 01:41:34,745
2543
01:41:34,747 --> 01:41:35,279
Benar sekali.
2544
01:41:35,281 --> 01:41:36,280
None before?
2545
01:41:36,282 --> 01:41:37,147
None.
2546
01:41:37,149 --> 01:41:38,115
Really?
2547
01:41:38,117 --> 01:41:38,982
Yes.
2548
01:41:38,984 --> 01:41:39,817
Wow!
2549
01:41:39,819 --> 01:41:41,285
I've played everytime...
2550
01:41:41,287 --> 01:41:42,753
Flow type. blues band.
2551
01:41:42,755 --> 01:41:44,221
Punk-rock bands, standard
2552
01:41:44,223 --> 01:41:45,723
rock & apos; n & apos; roll bands, top40
2553
01:41:45,725 --> 01:41:47,091
bands, jazz-rock fusion bands.
2554
01:41:47,093 --> 01:41:48,759
In New York, I have a band called
2555
01:41:48,761 --> 01:41:49,426
"Daybreak".
2556
01:41:49,428 --> 01:41:50,494
Have you ever had a band?
2557
01:41:50,496 --> 01:41:51,295
Ever had one.
2558
01:41:51,297 --> 01:41:52,329
What's the name?
2559
01:41:52,331 --> 01:41:54,164
"The Pricks".
2560
01:43:03,605 --> 01:43:06,205
It also makes sense to me
2561
01:43:06,305 --> 01:43:07,471
Okay, so it's called...
2562
01:43:07,473 --> 01:43:08,906
Our right is there...
2563
01:43:08,908 --> 01:43:12,810
Budweiser brewery. Which...
2564
01:43:12,812 --> 01:43:15,312
When it's night...
2565
01:43:15,314 --> 01:43:16,947
Putting out a smell like
someone who's...
2566
01:43:16,949 --> 01:43:17,948
Burping in front of your face. P>
2567
01:43:19,318 --> 01:43:20,517
The cool thing from...
2568
01:43:20,519 --> 01:43:21,919
The "brewery" factory is... Every band...
2569
01:43:21,921 --> 01:43:23,120
Who came here for
2570
01:43:23,122 --> 01:43:23,921
Doing a tour...
2571
01:43:23,923 --> 01:43:25,088
They will go there...
2572
01:43:25,090 --> 01:43:26,323
And come back with a box
2573
01:43:26,325 --> 01:43:27,591
Beer Budweiser. Then they relax. P>
2574
01:43:27,593 --> 01:43:28,859
And have fun all along...
2575
01:43:28,861 --> 01:43:29,326
Night. P>
2576
01:43:29,328 --> 01:43:30,527
But it smells... I will never...
2577
01:43:30,529 --> 01:43:32,062
Forgot the smell when the door
2578
01:43:32,064 --> 01:43:33,397
Front Sound City is opened...
2579
01:43:33,399 --> 01:43:35,232
When the day is windy. P>
2580
01:43:35,234 --> 01:43:36,466
The smell is filling...
2581
01:43:36,468 --> 01:43:37,601
All parts of the building. P>
2582
01:43:37,603 --> 01:43:40,404
It's like, "What is that smell?" P>
2583
01:43:40,406 --> 01:43:42,372
Beer smells like dirt. P>
2584
01:43:42,374 --> 01:43:44,141
You know... Apparently Budweiser
2585
01:43:44,143 --> 01:43:45,475
It smells like shit.
2586
01:43:45,477 --> 01:43:46,476
The funny thing I've ever...
2587
01:43:46,478 --> 01:43:47,878
Remember. when "Gladys Knight" and ..
2588
01:43:47,880 --> 01:43:49,012
"The Pips" are there. Then they...
2589
01:43:49,014 --> 01:43:50,013
Walk out and they say...
2590
01:43:50,015 --> 01:43:51,281
"Whoo-whee! Itu kau?"
2591
01:43:51,283 --> 01:43:52,449
They are like...
2592
01:43:52,451 --> 01:43:53,917
Mocking one another about it.
2593
01:43:53,919 --> 01:43:55,118
But the smell is really extraordinary.
2594
01:43:55,120 --> 01:43:56,654
It's amazing.
2595
01:43:57,456 --> 01:43:58,522
See? Feel this...
2596
01:43:58,524 --> 01:44:00,023
2597
01:44:00,025 --> 01:44:03,193
This is it... You got it. P>
2598
01:44:03,195 --> 01:44:04,094
It will be a beautiful night. P>
2599
01:44:10,936 --> 01:44:13,070
♪ Heard a song on the radio
2600
01:44:13,072 --> 01:44:14,438
just after school ♪
2601
01:44:14,440 --> 01:44:16,139
♪ Back from the '80s,
2602
01:44:16,141 --> 01:44:17,574
before Reagan was cool ♪
2603
01:44:17,576 --> 01:44:19,409
♪ The band wore leather, and the
2604
01:44:19,411 --> 01:44:22,114
boys were lookin & apos; so pretty ♪
2605
01:44:24,116 --> 01:44:25,649
♪ They rocked all the clubs
2606
01:44:25,651 --> 01:44:27,251
down on Sunset ♪
2607
01:44:27,253 --> 01:44:28,619
♪ Doin & apos; all those things
2608
01:44:28,621 --> 01:44:30,254
that we try to forget ♪
2609
01:44:30,256 --> 01:44:31,855
♪ When they screamed out there,
2610
01:44:31,857 --> 01:44:35,459
the guitars sounded so pretty ♪
2611
01:44:35,461 --> 01:44:37,661
♪ If it sounds as good in your
2612
01:44:37,663 --> 01:44:39,596
room as it does in your car ♪
2613
01:44:39,598 --> 01:44:41,298
♪ You & apos; re on your way
2614
01:44:41,300 --> 01:44:43,166
to be a rock & apos; n & apos; roll star ♪
2615
01:44:43,168 --> 01:44:44,301
♪ It 'sa good thing to say,
2616
01:44:44,303 --> 01:44:46,503
"Hey, boys, you' re gonna go
2617
01:44:46,505 --> 01:44:48,839
far ♪
2618
01:44:49,341 --> 01:44:51,041
< I want to play a song, everyone sing along ♪
2619
01:44:51,043 --> 01:44:52,943
♪ Standin & apos; on the stage
2620
01:44:52,945 --> 01:44:54,278
with the lights turned on ♪
2621
01:44:54,280 --> 01:44:55,946
♪ Wearin & apos; those trends
2622
01:44:55,948 --> 01:44:57,447
with all my friends ♪
2623
01:44:57,449 --> 01:44:59,182
♪ Rockin & apos; all night
2624
01:44:59,184 --> 01:45:00,517
like it & apos; ll never end ♪
2625
01:45:00,519 --> 01:45:02,152
♪ With all our dreams
2626
01:45:02,154 --> 01:45:04,087
hangin 'on one little ditty ♪
2627
01:45:04,089 --> 01:45:07,658
♪ Yeah, we got it on 2-inch tape
2628
01:45:08,160 --> 01:45:11,094
down at Sound City ♪
2629
01:45:11,096 --> 01:45:13,635
♪ I want to play a song,
2630
01:45:18,037 --> 01:45:20,037
everyone sing along ♪
2631
01:45:20,039 --> 01:45:21,538
everyone sing along ♪
2632
01:45:21,540 --> 01:45:23,140
♪ Standin & apos; on the stage
2633
01:45:23,142 --> 01:45:25,042
with the lights turned on ♪
2634
01:45:25,044 --> 01:45:26,376
♪ Wearin & apos; those trends
2635
01:45:26,378 --> 01:45:28,211
with all my friends ♪
2636
01:45:28,213 --> 01:45:29,379
♪ Rockin & apos; all night
2637
01:45:29,381 --> 01:45:31,181
like it 'll never end ♪
2638
01:45:31,183 --> 01:45:32,582
♪ I want to play a song,
2639
01:45:32,584 --> 01:45:34,451
everyone sing along ♪
2640
01:45:34,453 --> 01:45:35,986
♪ Standin & apos ; on the stage
2641
01:45:35,988 --> 01:45:37,621
with the lights turned on ♪
2642
01:45:37,623 --> 01:45:39,222
♪ Wearin & apos; those trends
2643
01:45:39,224 --> 01:45:40,657
with all my friends ♪
2644
01:45:40,659 --> 01:45:42,159
♪ Rockin & apos; all night
2645
01:45:42,161 --> 01:45:44,094
like it never end ♪
2646
01:45:44,096 --> 01:45:46,330
♪ All epic songs
2647
01:45:46,332 --> 01:45:49,600
with a phrase so witty ♪
2648
01:45:50,302 --> 01:45:52,169
♪ There & apos always room for two to
2649
01:45:52,171 --> 01:45:55,140
a car that offers no pity
2650
01:45:57,042 --> 01:45:58,575
♪ All our dreams
2651
01:45:58,577 --> 01:46:01,679
hangin & apos; on one little ditty ♪
2652
01:46:02,681 --> 01:46:05,482
♪ Yeah, we got it on 2-inch tape
2653
01:46:05,484 --> 01:46:07,084
down at Sound City ♪
2654
01:46:07,086 --> 01:46:09,119
♪ Oh, yeah
2655
01:46:09,121 --> 01:46:12,022
♪ Got it on 2- inch tape
2656
01:46:12,024 --> 01:46:13,590
down at Sound City ♪
2657
01:46:13,592 --> 01:46:16,093
♪ Whoo-hoo-hoo
2658
01:46:16,095 --> 01:46:18,328
♪ Got it on 2-inch tape
2659
01:46:18,330 --> 01:46:20,630
down at Sound City ♪
2660
01:46:20,632 --> 01:46:22,432
♪ Yeah, yeah
2661
01:46:22,434 --> 01:46:24,701
♪ We got it on 2-inch tape
2662
01:46:24,703 --> 01:46:27,270
down at Sound City ♪