PAXTON: I believe everything can happen like intensity
that they resonate over time,
makes, like, echo.
The story of "Titanic" is very personal for everyone who hears it, is almost like a biblical story.
This giant ship,
everyone is in the middle of the ocean,
this iceberg, warning.
What does it feel like
to be there on that ill-fated night?
I know Jim will return to "Titanic."
He has talked about it.
He wants to take it another expedition
since he made the film.
He has invited me in passing.
But I don't think it's really serious about considering
I'm really leaving.
- Hello! - Hello!
- Do you speak English? - [Speaking Russian]
Large. I'm looking for my room. My cabin
[Speaking Russian]
Oh.
Oh, thank you. Thank you, thank you.
But then, when he really said,
"No, I really want you to come and experience it for yourself and just take everything in"...
I have to go.
[Glen Phillips' "Departure" plays]
# Leave my past #
# Leave my house #
# I will find the path #
# For the unknown #
"Keldysh" is the biggest scientific research vessel
In the world.
And all onboard activities are focused on "Mirs"
and what they have to achieve on the sea floor.
They take their jobs very seriously
Everything is checked and rechecked,
like a space mission.
# But like the beach found sea #
# Like night find day #
# I will find the answer for this question #
# Move away #
Oh!
ABERNATHY: My name is Lewis Abernathy.
I am an underwater explorer.
I got everything.
I have tried to thumb up to "Titanic"
for maybe 10 years now.
What do you get?
We have bots, slimy booths, and Deck "" deck "B" deck "C".
Big spots, like this big around.
JOHNSTON: My name is Lori Johnston.
My position is as a microbiologist,
see rusticles
The idea that he spins down, spits things
PELLEGRINO: My name is Charles Pellegrino.
I am one of the historians and biologists on expeditions We tend to think about it in the 21st century.
LYNCH: I'm Don Lynch, and I study "Titanic"
based on the testimony and account of the passenger and crew.
The people who were there and watched it.
MARSCHALL: My name is Ken Marschall.
I have been studying "Titanic" for more than three decades now.
I checked it. Straus Suite
For years and studying,
I've become a kind of a visual historian
about the ship and its structure and appearance.
PAXTON: It's an amazing expedition
in all cases latest technology
and the techniques we use, in terms of camera systems.
R.O.V.S is amazing.
On the cutting edge of technology.
Try to stay on where I entered
I will explore this cabin.
There is no script. We don't know what we will see We don't know what we will face The important thing about deep sea photography
is lighting.
Just come and be clear all of this business is here.
- You see what I mean? - Yeah.
So we have a ship brother expedition called "EAS".
"EAS" has this giant lamp chandelier called Medusa.
The theory is to lower the chandelier above the wreck
and do this overlighting, almost like moonlight
There is no manual for all of this
Nothing has ever been combined This is a lot of elements
becomes one dive operation before at this depth.
We push the limit of technology,
which is a little scary
considering the fate of the ship we came to explore.
This is where everything happens.
It could be another part from the sea,
But there is something special about knowing
this is the place and the wreck is down there.
Why is this shipwreck? Why not "Lusitania"?
Why isn't "Moro Fortress"? Why not "Atlantic"?
LYNCH: They are all good.
They are all good, but why is this one?
Look at the item that came with this
You have the biggest ship on the inaugural voyage,
the president of the company onboard who owns it,
onboard builder
And it touched the iceberg, and sank so slowly
that you have got all these hours so that the drama can be played.
You don't get it with other wrecks
This is really a Greek tragedy real.
He was so cheated. She is so beautiful.
So much energy enters builds this creation
You know, the symbol is human engineering
and architecture, maritime architecture at that time
And to have it taken, stolen,
only four days from England.
And that's part, I guess, from the strange attraction to that.
The fact that you will never be able to hopefully that happens
before or after.
The ship remains on the sea floor
as an eternal warning.
And we can visit the warning.
We can testify to events
And if we will do it interior exploration,
we have to do it now, because it's five years from now,
Maybe nothing.
Five years ago, the technology was missing.
We have to do it be there
PAXTON: "Monday, August 20, 2001.
Tomorrow morning we will go down 21/2 miles
to a dark, cold and dark world
and see 'Titanic' for ourselves
When he lay broken on the sea floor
How do you prepare it? for such an experience? "
CAMERON: Good. Diving one.
This will be JB And Bill in" Mir-2, "
and me and Vince in" Mir-1. "
The pilot will be Genya Chernaiev, "Mir-2,"
Anatoly Sagalevitch, "Mir-1."
PAXTON: Good. Here's your checklist
Request your last will and will in order,
make sure your insurance is paid for,
write down the last note for your family
[Speaking Russian]
Wow, that's fast.
This tells you about oxygen here right?
Yes.
So it's at 21. That's good.
Now, if it goes below 19, then that...
How many are you ?
This is 19. This is good too.
This is good. Yes.
But what is below?
Does the battery sound okay? Does that sound like that?
- Is that normal? - Yes, that's normal.
Now, if it's already a real emergency and everything fails,
I heard something about,
You can break away, drop the main battery?
Only...
Yes, we have many possibilities.
I hope we never drop the battery, because the price is very expensive.
How much?
This is $ 250,000, I guess.
I mean, will you take a check?
2,000 meters?
Yes. 2,000.
That's pretty deep.
[babbling]
Something wrong?
No problem?
Yes.
That's useful
And it's fixed.
I adjust it for them later.
Oh well. Well. Well. Yes.
"Mir-1," "Mir-1," This is "Mir-2."
What is your depth More.
"Mir-2," "Mir-2," This is "Mir-1."
Depth is 3,353 meters.
See you at the bottom. Jim comes out
I see below This is the bottom.
Oh yeah.
do you see it?
Yes. Almost.
Look at that.
Looks like the dark side of the moon.
PAXTON: Not only the idea
and go down from the sea
There are thousands of tons of pressure on you But where do we go, where do we go
We will see more debris when we leave. There is a piece there.
Yes, we got it.
Do you want to see "Titanic" on sonar?
You will love this
- It's like him, baby. - Oh man.
Good. 50 meters straight ahead.
Bill, that's the bow.
Oh, look at that
God. There it is.
What is his vision.
What is the view
So Medusa turns it on.
Look at that.
Oh man.
Oh, now you understand the size of this thing.
my Lord!
This is "Titanic."
This is a fairytale liner which is located in the tomb on the base of the North Atlantic.
You approach it with extraordinary respect.
Bill, it's an anchor anchor.
God.
The port side is in good condition.
It's amazing. Look at that.
Look at that!
This is dug all the way to the anchor Oh, it's amazing floating on it.
Gosh, you can reach out and touch it.
We are near the anchor crane. It is there.
Look at that
Seeing. Here.
Good. Oh, yes.
Good. Well. You are clear
I know we will approach, but not as close as this
PAXTON: Experience being in one of the submersibles
almost like an astral projection
How you float around it,
it's really an ethereal, sort of a ghost experience
here. This is Hatch Number One.
Oh yeah. Look.
You can see directly under the cargo hatch Boys, it just falls into only black wells Oh, there's a crow's nest door there.
They climb inside the pole
to get out to the crow's nest
That's where the Fleet stands.
There When he sees the iceberg.
[Bell dinging]
HUMAN: Iceberg right in front!
PAXTON: You see... it looks like is like an electric crane port.
What is that?
Yes, it's a gate.
- Yes, this is the gate. Yes. - closed gate
The clerk locks it
to maintain steerage passengers down decks
Of course, I'm definitely going to just climb on that.
God. That's how Right where the bridge is.
And there's the telemotor.
Helmet Helmet ship.
PAXTON: Try to imagine
what does it feel like to be on the bridge that night
First Officer William Murdoch is on duty.
Quarterly Hichens at the helm.
The split-second decision Murdoch must do it.
[Bell dinging]
HUMAN: Iceberg right in front!
PAXTON: He can go left or he can be right.
[Men shout unclear] Immediately!
Murdoch suddenly stares at an iceberg drop the barrel immediately Murdoch knows how much onboard passengers,
how few lifeboats there are,
a very dangerous danger ship in.
Gosh.
That is history there. We touch legend.
[Lisa Torban's "Darkness, Darkness" plays]
# Darkness, darkness #
# Be my pillow #
# Hold my hand #
# And let me sleep #
Wow. Just like a cliff only falls in a cliff.
# I n coolness #
# From your shadow #
# In quiet #
# From you #
We will go up.
Did they start?
Now, let's explain "Titanic" before we turn off the lights.
"Titanic" is good for us today.
[Speaking Russian]
Goodbye, "Titanic."
[The sound is not clear on the radio]
Oh! Oh!
[groans]
Hello again.
Hello, Sergei.
What
Welcome to "Keldysh."
Enough ride.
If an arc is dug, You just don't get that depth.
And see the wall running all the way down
and fall into nothing,
even with "Mir-2's" lights
It's really like, "Holy Cow. This is very big. "
PAXTON: What exciting work?
We are exploring "Titanic" with new technology
and this is amazing new camera
Have you ever been sub?
Only at Disneyland.
This is different.
[Speaking Russian]
Good luck.
See you later.
This dive, everyone is very valuable
I want to make sure
we package as much information as possible, visually and historically,
as I can get into this eyeball
Ha! Ha! Ha!
PAXTON: You know, you have historians, scientists.
That is great friendship.
I scream like a girl all the time.
Crying like a child?
Crying like a baby
R.O.V.S is very charming.
At first they were called Bot 1 and Bot 2.
But finally they were given the name Jake and Elwood.
MIKE: My name is Mike Cameron.
I am R.O.V. Creator.
The vehicle is no different little creature
This has a brain. There is an onboard computer.
This has eyes on some cameras in front.
CAMERON: Give a little ahead.
You're in, Father-O. You entered
MIKE: There is this character about that which lives.
PAXTON: The true revolutionary The part is a fiber optic spool.
It's like a spider Spinning silk itself.
Come here, explore this room,
exit back
If this bot works like we hope they will,
we can pass it the whole ship
Bots finally go to "Titanic."
Three years in the making.
PAXTON: "Mir-1," only Jake came out of the hooch More.
CAMERON: Here it comes. He came out
PAXTON: I think we intend to watch the screen.
Very fast, I forgot where I am
R. O.V. Just now unconsciously becomes our eyes This is what it's all about. Run around 12,000 feet.
CAMERON: Jeff stands up.
We will launch Bot 1, A. K. A. Elwood.
Sight enabler.
Com link Camera power
Alright. I think we are ready to fly.
Elwood comes out.
Pretty cool
Looks good, Elwood.
Tell them that we will meet at the center of the grand staircase.
LEDDA: We will meet at the center of the grand staircase.
PAXTON: Understood.
MARSCHALL: Magnificent staircase on "Titanic"
In my opinion, at most Beautiful features of the ship.
And the dome,
Wrought iron domes above your head, is just beautiful This is truly a blessing that this staircase Is broken and floating out,
because it makes it easy to access to the inside of the ship.
What is Elwood's 20?
CAMERON: Right above you
Get ready to start our offspring More.
Good. We see it.
That's them
Good. We see you Good.
Continue slowly.
PAXTON: Continue slowly.
It's very much like flying a helicopter.
PAXTON: We know the beauty of the big staircase has been lost.
But no one knows what we will find deep inside the ship.
MARSCHALL: Continue to one.
You are crossing the deck "B" floor right now.
You are looking for to deck "C" right now.
- Don't enter the "C" deck. - Waiting for instructions
Deck "C". Deck "D". There is a "D" deck.
Alright. He is in the position to enter the deck "D".
Stand there, Jeff.
Your first step will go to the "D" deck.
Accepted.
Are you getting ready to go there?
Do I want to be stern or what?
Yes. Well.
Good. Tell him to move slowly forward.
Move forward slowly
Move forward more slowly.
Tell him to move real, real, real, very easy.
Real moves, real, real, very easy.
Very easy.
Move very easily.
Believe that we are heading towards the right.
We saw in the lamp.
It seems like that four or five tubers above it.
We must come to the right.
Let's go right, Jeff.
And we will go to for taking the boiler.
Understood.
So far, the vehicle has handled like a champion The show is beautiful. How many tether do we have?
Just shy of 200 feet out.
Good.
[Sagalevitch speaks Russian]
CAMERON: Forward to the door frame.
We are inside "Titanic."
- Tell him to slow down. - I still can't forget it
CAMERON: Slow down - slowly.
PAXTON: Understood.
I still don't believe that we are actually here I keep waiting for someone shouting, "Cut,"
and I will return to my trailer I don't think I can get out of this and go back to my trailer My trailer
I need to contact my agent.
CAMERON: It's starting It's a little thin right here.
Looks like Carlsbad Caverns there.
Is he pinned?
Is there no way forward? from there?
Go left.
Make a turn.
It's too close to the bottom. Tell them to come.
You are too close to the bottom.
PAXTON: Understood.
Oh!
Wow, this is very stressful.
There is something there. See what it is
Windows, windows.
Window of the dining room
- We go to the window. - We go to the window.
Look at that.
- amazing - That's amazing.
Take it here very slowly.
Namely lead glass windows.
Try to turn on the lamp on them.
- Amazing, huh? - Yes.
Turn off the highlight.
Turn off your spotlight.
Make a good picture from the window.
Create a good picture from the window in front of you.
PAXTON: Look at that Look at that.
Oh Boy!
Beautiful. Still intact.
Very intact.
Looks like glass,
all cups are lead, Everything is there
It's not broken.
MARSCHALL: first class dining room is beautiful
Among the passengers that Eating here is John Jacob Astor
and his wife, Madeline, who are on a honeymoon.
He will be a widow before the end of the cruise.
We're not in Kansas anymore.
I think you have friends Oh. There is Sam.
Sam stopped by to say hello.
He gave us a tour.
"Follow me," he said.
CAMERON: It's like a fantasy here, right?
MARSCHALL: his expertise delicate beauty.
This human hand is created this window,
the human eye appears in this window
And then you realize
that you are 12,500 feet under the sea
Oh, look at the wood.
That's all wood, Genya. That's all wood carving.
But these things were created by humans,
in this dark ravine, where they should not.
They shouldn't be here.
CAMERON: It's amazing.
Who will think it will still be there
That dream came true for me.
LYNCH: What's important about the living room
is that here Elizabeth Lines
hear the conversation
between Captain Smith and Bruce Ismay,
owner of "Titanic."
And he heard Ismay tell Smith
to have "Titanic" arrive in New York a day early.
I think we will beat him "Olympic" Time
and arrived in New York Tuesday night.
PAXTON: We hold at the entrance of first class,
right hand side.
Isn't that beautiful? Gosh.
It seems that just has been made more beautiful according to time.
LYNCH: "Titanic's" main first class entrance
is on the "D" deck.
And he has two-door big alley
on both ports and right side.
Through the eyes of R. O.V.,
we can see wrought iron the gate inside the door,
which historians don't know until this expedition
We don't know what's inside, and now we know
CAMERON: that's how they ride the ship They enter through that door, and then the door in this.
MARSCHALL: And at this front entrance,
there is a large sideboard against the back wall
where many first class china are stored
ABERNATH Y: The cupboard is a bit rotten.
But you can see teacups and small plates stacked perfectly there.
I wish I had the plate, do you know?
Give on eBay.
CAMERON: There is an elevator.
There is...
There is a shaft.
Look at that.
I thought they called them "elevator," but you know what?
The ship is owned by by an American company.
Hmm.
Like you can just call now
MARSCHALL: Whenever you are Looking at elevator louvers,
Try to remember to turn and look ahead and look.
Maybe there is still a panel right in the middle of the ship,
and there will be a letter brass that says
Deck "deck", "B" Deck "C", or deck "D".
When you exit from the elevator
Most likely the panel is down But you never know.
That would be a classic shot
to have the text still stick.
Ken likes this item.
I feel like I'm making a movie for one person Ken Marschall.
And there he is. Bingo, baby
- Tell him "bingo." - LEDDA: Bingo
MARSCHALL: "A" just has fallen from its own weight.
The brass letter is heavier than "D," "E," "C," "K."
Good. I see where we are. We just peek inside "D" 35.
PAXTON: We are methodically exploring the interior.
We have to because the wreck Can be very confusing.
That's scary.
"D" 33 is the cabin
from Henry Sleeper Harper and his wife.
Sitting in the body from the cupboard
is Henry Harper's bowler hat.
Only the idea that we know who it is.
CAMERON: Hey, look. There is a kind of glass.
Maybe a mirror. Let's see if it's a mirror.
This. We will go see ourselves.
PAXTON: "A" 11 is occupied by by Edith Russell
Before entering the lifeboat,
He returned to his cabin to lock 19 of his suitcases
because he doesn't believe the steward onboard
LYNCH: Jim saw for Molly Brown's cabin.
We have a good idea where the stateroom is.
And he is looking for for the front facing window.
R. O.V. Narrow enough to shift through it.
And I saw a jagged glass at the bottom of the window sill.
It can break tether, suicide
Ken says we can do this LEDDA: This is gambling.
Don't do it Don't do it
You will put you right on the glass.
CAMERON: There he is. He is there.
That's what I'm talking about.
LYNCH: Alright, after you enter, is not as bad as the idea.
It's not a brass bed. It is a wooden bed.
This is rather creepy.
I don't know Said Molly Brown He is on a brass bed.
I don't see brass beds.
PAXTON: Molly Brown is a character.
She and her husband have made their luck mining in the west.
And he was very desperate to be accepted by the high society.
The tragedy of "Titanic" made him a legend.
Uh, Genya?
Yes?
Um, I need to urinate.
I don't think I can hold it back longer.
- No problem. - Well.
PAXTON: For me, personally,
I always like that : nervous, you know, pisser.
[laughs] I need a little privacy.
But when you have to go and you're 21/2 miles down,
You have to go
No problem?
Um, I will turn around.
- Can you turn around? - Well.
Thank you. Thank you.
Let's see here.
Point your lights directly to the "A" deck.
my Lord. Look at that.
Look at that, Tolya.
The brass bed sits right there
Maybe Molly Brown doesn't stay on a brass bed
But which one?
ABERNATH Y: They have been built bigger ships since "Titanic,"
But I don't know they will definitely do it never built one as luxury.
And even now,
after 90 years laying on the sea floor,
Its beauty is revealed.
Good. We are in
Good. Tell them we are on the balcony
LEDDA: Jake on the balcony.
MARSCHALL: We made it into one of the millionaire suite
on the "B" deck.
Private balcony
They call them "private pedestrian area".
This is the most luxurious expensive lodging on the boat
And in April 1912,
You will pay more than $ 3,000 to order your parts These are definitely some of the things that are faced.
Yes, that's some from Tudor facing.
We are in that room.
LEDDA: Jake is in that room.
This is Bruce Ismay's suite.
This is the person who left the ship
with 1, 500 people still onboard.
Ooh, that's beauty.
We are in the sitting room, looking at the fireplace
Isn't that amazing? That The ribbon design is still there.
These little touches elegance
You can almost feel the hand from the person who made it
LYNCH: J. Bruce Ismay
is the managing director of the White Star Line,
and he vetoed the idea had 48 lifeboats.
He feels less will be fine,
that as long as they meet law, they're fine
CHERNAIEV: This is Smith's bathtub.
ABERNATH Y: Oh, Captain Smith.
Wow.
Captain "Titanic"
usual bathing there.
His tiny pink ass sat there in the bathtub.
PAXTON: Captain Smith is called "The millionaire captain"
because he is so popular with first class passengers.
30 years at sea. Perfect note
This cruise will occur Peak performance.
He will take it the biggest and most beautiful ship
crossing the ocean above it cruise girl and then retire.
PELLEGRINO: I am archeology,
we bring these ghosts from imagination with us
And I'm kind of imagining
Thomas Andrews is out there on the deck.
MARSCHALL: Thomas Andrews is managing director
and president Shipbuilders Harland and Wolff.
He designed and built the "Titanic" from the ground up.
He knows the ship is better than anyone
He put davits on the ship designed to take the lifeboat from here and lift it out
and then enter into and take the second lifeboat
in the second position and exit.
Own hands,
in his notebook, He has a number of lifeboats
which should have gone on the ship he designed for him.
He was rejected and forced to comply with is only to a minimum
from the Trading Board needs.
MARSCHALL: Andrews cares about ships and crew and onboard to make the last repair
and make sure everything works smoothly PELLEGRINO: If only there was a way to let him see
sending submersibles This amazing robot
into the creation.
MIKE: Move slightly to the right to avoid the arm This is it. Well.
We're good We're out.
That's coming out, guys.
- OK. Ease forward. - Well.
MARSCHALL: We roam all three front cargo hatches and make it some crew and third class room
it's unprecedented previously photographed
CAMERON: What is the "D" deck?
HUMAN: I think so.
Yes. I think you are right.
Alright. There he is. There are other hatches.
So just relax there. Ease in it.
Good. This is our ladder.
This should get there immediately.
LYNCH: So we enter the third class.
We are in a common room in the bow below the well deck.
There aren't many details in this room,
because it's never a well-decorated room.
Bar at one end There is still a small tap there.
There is a table base is still in place
The table and base rises from the floor
It's neat to see them.
That's a very large table.
The place where they all eat.
They must have been sitting here and playing cards.
MARSCHALL: Here is a party held
by many third class passengers on Sunday nights
And it really moves to be able to see this room
where many of them spent the last few hours _ happily.
MIKE: There's something new Renault, beautiful cars,
which is tied under in the cargo.
And we have enough historical projections
what will look like now.
CAMERON: Go from deck "F" to deck "G".
A solid hatch cover, as advertised.
But it's open.
And that will happen barely recognized as a car.
Only a few items will appear recognized as vehicles.
We are on the "G" deck. We passed the hatch cover.
We are now on the orlop deck.
Right. You are.
Tilt up, and you will see the car.
[Snorts]
Tilt up, and we'll see a few.
I see there is light there.
Yes.
Maybe it's the car.
This.
- I think it's the car. - Here.
This is the car.
No.
No!
It's not that easy.
- This. - [chuckles]
I don't think it's the car.
I think we see a car.
- A shiny piece... - God.
I think...
It looks like a wheel.
Jim, it's fender.
I don't care what your planet is on, it's tires and fenders.
This is the main light.
We see a car, son. [Laughter]
All right, The best thing to do
now we are here is just looking everywhere.
There is a car.
That's a car.
No, that is... That is the luggage there.
That's a tire.
Some are beautiful structures that look attractive,
man-made items,
but nothing is clear can be identified as a car.
Yes, we have to get it all the way forward
- Are you on? - Yes.
Oh dear.
That's amazing Oh, man, this is so cool!
There should be two doors side by side.
The first door should take you into the chaos of the fire department.
Do you want to go there?
Yes.
That's definitely chaos of firefighters
Oh, look at that Table by table
You can see the bow tapering.
Exactly.
Shape of ship.
You can imagine exactly what this place is like.
LYNCH: Firemen are separated from the rest of the crew,
maybe because they have the dirtiest job
So their residence is at the end of the bow.
They have two steps,
who took them to the very bottom of the ship
and to the boiler room.
PAXTON: Imagine spiral down
to the furnace from this hungry leviathan
to join hundreds of men shoveling coal
into the gaping legs from the boiler
That's kind of scary.
And when you finish your shift a few hours later,
You go back upstairs Your little world is under the deck
in the bow of the ship, where you eat, you sleep,
then you do it again.
Even here, we can feel it Thomas Thomas's hand.
At the top one from the spiral staircase,
we found a drinking fountain.
I'm sure that too This little goodness
definitely already is highly valued
Here we have a plan which describes quite well
what happened that night
"Titanic" is divided into 16 watertight compartments
separated by 15 watertight.
That's the white line here.
And the ship was designed to be as unsinkable because they could.
The worst thing they can imagine is a collision
at the intersection of two compartments,
which will flood two adjacent compartments.
Ships will only sink so far and are still safe He is also designed to float with three of the first five flood compartments.
Or the first four in a row can still be flooded if they are in some traumatic ...
That's the worst case scenario.
Run to rock or something like that, only full-on.
He will retreat, and the ship can still fly.
With all these combinations security factor,
he is considered almost immersible
What they did not imagine what happened that night
"Titanic" hit an iceberg,
a glancing blow along the right side,
scratched and broken plates or split stitches,
moves towards this cargo compartment,
into this cargo compartment, and this baggage and cargo,
into Boiler Room Number 6
and two feet into the coal bunker
Space Boiler Number 5.
And when the ship sank,
only at the point where it's about being ready to stabilize,
This reaches the top of this watertight subdivision,
and starts flowing stairs, on deck
and down to the next compartment
That's just a mathematical certainty It's impossible, no matter how you slice it,
that ship will succeed.
So, where exactly did it split?
Now, it breaks in two back here
Right in the third funnel and after that.
There is a natural weak point here on the hull of the ship
right above reciprocating engine room.
There is a large air shaft here for light and air
for ventilation reciprocating engine room.
PAXTON: My Lord.
What you have to have sounds like, looks like.
What does it feel like
How deadly to this big ship
Imagine a vortex to be created that kind of plays.
That's what made me.
Seeing the tip of the stern a piece, and see how...
Can't you see it from fish swimming together?
Then...
[imitating crashing]
And you know what the fish will do?
"Wow," you know?
Exactly.
Our best shots may be from reciprocating machines
on the right side right?
That's the courage.
Side board.
CHERNAIEV: Sometimes I see it Come here and come
Yes. That is good.
- good - Like that.
And I lost, sometimes, good Shots when Victor lives here.
Right.
But the problem is Victor can't face us.
He can't, if not, the lamp will press the camera
Okay, continue panning, because I will come this way
Oh man.
This gives you a scale, Look at that little bot
next to the giant sphinx from a machine.
PAXTON: When you see the stern the part where it rips into two,
and there are two reciprocating machines
stands four high levels,
they really look like this twin Sphinx who guard forbidden tombs
JOHNSTON: If historians look at "Titanic,"
they think of a lost life When I see ship as a scientist,
I saw the life which is still on "Titanic."
"Titanic" is very alive.
Rusticles are bacteria... microscopic organisms, insects...
it's actually eating steel
and the inside of the ship.
I looked at the rail and thought, "Oh, look at the bacteria.
They broke the 'Titanic' down and brought it back to nature. "
But then you immediately go back and think,
"Who touched the fence the most?"
PELLEGRINO: Helen Candee is one of my favorite passengers
He has written one of the first sellers of the first century.
Basically, the theme is medium
how can a woman get along in a successful life
without a man
And that's how he traveled first class on "Titanic."
And at the last sunrise
that "Titanic" will never see,
he slipped out to the arc point
only to welcome the sunrise.
And he wrote about it
and how he feels his strength and the beauty of this ship
and it is stronger than nature itself,
maybe even stronger than God himself.
And then, suddenly, he feels very dark,
Mmm. This is good. What's on Borscht
That's good borscht.
- Borscht in Russian - What's on Borscht?
Borscht.
[Speaking Russian]
Cabbage, potatoes, broth.
Everyone eats borscht.
[Singing in Russian]
ABERNATH Y: Anatoly has a song he wrote
about the blue sky that you see
When you return to the surface and hatch open.
And I think it's very apropos, that's why
that you don't think You will miss, but you do it.
It's very difficult to wander through "Keldysh"
and don't think of "Titanic" and draw some parallel.
Do you know what will happen? if the engineers
don't stay at their station
when "Titanic" has gone dark, say, an hour before?
That will be the absolute and pandemonium I became very close to men in the engineering section.
Calmer here. Hello my friends!
Not much is said.
But there are still many a bond that continues.
Tell me.
If we go full speed, okay,
and suddenly, The bridge said, "Iceberg!"
Or "The captain of a fishing boat gets drunk in our way!"
And they ring, What are you doing?
[Speaking Russian]
[Alarm rings]
Ah.
Full speed.
[Speaking Russian]
The engine stopped?
[Singing in Russian]
What
Yay!
[Song ends]
Ah.
Anatoly! Dal Dal
JOHNSTON: On our last dive to "Titanic,"
we found some interesting organisms.
- Inside, huh? - Yes, on board.
It almost has wings.
Looking at the flying wings?
MARSCHALL: The weirdest creature It looks down there
is something we call batwing.
And to my knowledge, No one has identified it yet.
Some creatures there
which I don't think is known to science.
JOHNSTON: "Giant,"
because there is There is so much interest in it,
has really allowed us to do a lot of research You can really see
bacterial gelatin type clouds as they float
and finger like structure
it depends from the ceiling.
MARSCHALL: intertwined with this wood,
we will see this lavender worm.
Shimmery, strange things, is sometimes almost transparent.
And they really like the mahogany panel.
CAMERON: Let's go to him.
MARSCHALL: Not even fish looks like the same rattails
found outside.
For me, they seem to live exclusively on the ship He headed for the shaft elevator
LYNCH: Hey, he knows where he goes
MARSCHALL: Wow. I do not believe.
I don't think I will see the boiler on this dive.
I don't know
we approach the bow from this corner
We are very close to this item.
CAMERON: "Mir-2," You understand a steam pipe above you
Be careful.
- Is it safe to close this? - What are you worried about?
If something happens to us, you artwork will be worth millions.
Oh good. That will make me very good.
I see shiny things straight forward.
Oh, this is a whistle, Genya. Whistle from the funnel.
God. Right below me CAMERON: Ooh, look at this What is that, Genya?
Yes.
As the cover hatches. This cover hatches, I guess.
Yes.
I don't think we've seen the cover hatch I saw it early.
Yes. So that's Hatch One.
It explodes When the ship touches the bottom.
This just exploded here in front of the ship
MARSCHALL: My God.
- What? What? - This is a glass jug.
- Oh, look at that - amazing
Can you believe it lasts?
It's first class cabin...
- water decanter - Yeah.
I'm pretty calm down.
As a matter of fact, we see, in my writing,
There are these women's shoes.
It is perfectly preserved.
And it's mixed.
You know, I just like, "God."
That is the mark of someone's grave.
That's the only grave sign they have
You see now that we will come to davit
Yes. Davit number one
LYNCH: This is Lifeboat One,
where Sir Cosmo and Lady Duff Gordon escaped
with only 10 other people
in a lifeboat that can be owned is held by two dozen more.
Laws of the sea are women and children first
when you go to evacuate a ship.
HUMAN: For now,
I will need only women and children.
LYNCH: On the port side of the ship , Officer Lightoller
taking it means only women and children,
and then as some crew it is possible to navigate it.
Please! Daddy!
Don't worry CAMERON: Working on the other side side, this is Murdoch,
ride a boat in water as fast as he can,
encouraging men, women, children, first class, third grade.
He doesn't care.
- Can I get on board? - I hope you will
Yes ma'am. I go
Further!
Almost 2/3 of all people are survivors
Murdoch thanks him for that.
LYNCH: Move to deck "A" running with R. O.V.,
it really looks familiar.
Long and sweeping decks. Half of it is open.
The front end is closed with a large glass window.
CAMERON: This is true where they are walking, you know
John Jacob Astor put it down Madeline Astor entered the lifeboat
right through one from the window there.
LYNCH: Because she's pregnant,
He asks Second officer Lightoller...
Can I accompany my wife
No sir. Only women and children.
Come on.
This is, honey. Take this.
So he told him He will meet him in New York.
No sir. Get out of the way.
I've thought about it my family is here a lot,
and we will do this dive.
There is an risk element involved
This is a calculated risk.
But I think the idea arrived suddenly on the deck
and say, "I love you," you know,
and try to hold it.
"Now, go to the lifeboat.
I'm going to take soon. "
That's just torture.
Trying to make your family think it's okay
You only keep brave faces Exactly.
Also, that's the question personal character
that you keep returning to.
For me, since then I am still a teenager,
the whole idea is a question,
how can I remember?
Do I have characters? to rewind
and showing that kind of nobility, shows such courage?
And when we're romantic picture of "Titanic,"
and this is like a romantic time and everything,
You want to place yourself
with men standing there with dignity.
But you really can't assume
what is your character later at that time
unless you have gone through such a thing
Right.
SAGALEVITCH: You see the door, the entrance to first class?
Yes. That is the entrance.
This is where the band plays. This open area is here.
Orchestra must have gathered,
and they started playing ragtime
["Alexander's Ragtime Band" playing]
LYNCH: You think of this band In terms of how heroic they are.
They play, know that everyone else
enter the lifeboat except for them
But how to calm her the band's music
for people who are onboard.
Good.
This is here should be the Marconi Room.
MARSCHALL: Everyone knows important role
that Marconi Wireless was played that night.
Senior Wireless Operator Marconi Jack Phillips
and Junior Operator Harold Bride works together
until the last moment.
You must try S. O. S. This is a new signal.
Yes, maybe that is our last chance to use it
During the last moment from sinking,
ship power becomes unstable.
Harold Bride is in the Silent Room,
try to compensate for losing this power.
To our surprise is the handle,
the settings still appear on these two field regulators.
They are in the final setting that this person was manipulated.
Hey, that's better!
They have human touch to them.
HUMAN: Drag!
Working together!
PAXTON: Many boats have been launched in full.
Return to the ship!
- Boat 6! Back. - We need to go back!
No!
This is our life now. Now, line!
Suck will pull us down if we don't keep going
ABERNATH Y: "Titanic" is a stage where God says,
"You have 21/2 hours Do the rest of your life.
What will you get
Will you be a hero Will you be a coward?"
Time for one more hand.
- Poker. Five interesting cards. - [Broken glass]
[creaking]
Will you fight to survive?
degraded to third class
and wait patiently until someone opens the gate
and allow you to be free?
- Help us! - What would you do?
- Please! - How will you act?
I think it's lucky that most of us
will never be tested.
HUMAN: Are there more women or children?
Who else, man? Others
Immediately! Fast, man, fast!
Get ready to lose! Ready on the left?
MARSCHALL: Bruce Ismay.
He is the person who is responsible
But he did survive, when someone else died Right and left together!
PAXTON: I don't know which person will feel worse that night
Bruce Ismay, to veto more lifeboats,
or Thomas Andrews,
because it doesn't fight the decision is more difficult
PELLEGRINO: There is absolute pandemonium,
only chaos like that The last boat goes down.
Come back, I say!
[Gunshots, screaming]
Back! Connect weapons! Shape of a chain!
Women and children only, please!
That's precarious.
There is one lifeboat where they don't let adults enter
This forces women to decide will they be separated from their children.
They tried to take the child only There are so many people and several lifeboats.
Some women say, "I don't go without my children. They don't go without me. "
They are crowded with the lifeboat,
But the water is so calm, it works It has more than 70 people, But the water is quite calm.
It must have been finished to gunwales
It's far above the water.
You can put your hand on and follow in the water.
PAXTON: In the end,
Murdoch tries to get a folded "A" from the roof while the ship sinks out from under it.
Back! Back!
Get away! Back!
Crank this down there, man!
They play davits
to drag that can be folded from the side.
But at that time, it was too late.
[Sudden water]
Davit number one still has in a rotating position,
an unspoken monument
for Murdoch ’s dedication and heroism.
LYNCH: After the lifeboat has left,
we have some evidence third class passengers
will only return to their cabin.
They have no hope of survival, and they take it gracefully.
[rattling, crackling]
[screaming in the distance]
For me, it must be very difficult For those who survived,
know they can maybe back
and save some people in the water
As soon as the ship falls.
To enter there will kill yourself
and no less.
We have 1, 500 people in the water
all screaming for help, fighting for their lives
You could easily have 50, 100
try to climb onboard at once.
They sit in a lifeboat, safe
To not rowing back or have it is not in your mind,
I can't believe it from someone
How safe are you in the lifeboat
in the middle of the North Atlantic?
"Titanic" is that object
You always try measuring yourself against
"What would I do if I will be on deck?"
Heroism and character
will always be the domain of individuals, not their groups.
That's what will never change.
LYNCH: On one of the dives later,
Jim decides to go back to first class room on deck "D"
and has the flash "Mir-2"
through leaded glasses windows from outside
- Get ready? - Yes.
This is the light.
MARSCHALL: Good.
Perfect.
MARSCHALL: Not since April 14, 1912,
human eyes see light
pouring through this gorgeous window
LYNCH: Many washstands have fallen,
but here is one it's still upright
And someone took it drinking water,
set the glass down, and exit the room,
and 90 years later, the glass is and the teapot is still there.
CAMERON: I am in the middle of this, You see this perfect object.
It really ties you to people.
That
PELLEGRINO: You still see a lot of things
where the last person left them.
The lights are still installed.
The medicine bottle is still in place
That's what people touch that brings a picture of life in your mind.
So we see it here, like this
I need more strength.
Come on, honey. Reacts, reacts, reacts.
- We have a problem. - What?
We have Low battery warning here.
Wow, something is very wrong here
Uh oh. Will we lose this item?
Oh, Jesus.
- Do we have an accident? - we are dead We are dead
We are dead and floating.
Drop it. Drop it. Buoyancy now.
- Easy, easy, easy. - The battery starts to die.
Oh, we will not live.
PAXTON: You go to for the ceiling
You're sitting on the ceiling, Jim.
We die in the water. We have a dead battery.
We are watching over you We will sit and see you.
PAXTON: Everything is melting.
Batteries, they are melting and melting.
That's very strange.
It feels like, "Houston we have a problem."
They fly beautifully to the point
that we have absolute total damage to the main system.
CAMERON: I've been arguing with myself
Will I do it? even tried rescue,
because it's better to lose one than two.
It's almost a straight shot,
unless there are some from the column on the road
I think there is a way to return it Yes, it's not too far from the stairs Heavy with a piece of from Velcro above
I want to fly under it and attach the weight down,
Then go up, follow with it and do it.
That's the only way to do it.
Let me know if I go too fast PAXTON: We have to save Elwood,
Not only because these bots are expensive,
but because, in a strange way,
he will be part of the crew.
Oh, where, oh, where is my little bot now?
Hello, Elwood
MAN: We tried to attach the weight to R. O.V.
To make it down from the ceiling
If I can go ahead.
Something fell. I don't know
See, we thrust against it,
so it might not go down immediately.
Alright, so let me set it for separation maneuvers.
It's there.
We have it.
I have to go out this doesn't matter what
If not, we don't go home.
I go out.
Oh!
Link error
We lost...
This will come past us in a minute.
We might also get it on tape.
Here it comes.
Say goodbye.
LYNCH: Maybe two hours without radio contact from Jim.
Everything we hear on radio is...
Say goodbye to Jake.
"Say goodbye to Jake"?
What happened?
Press our own tether.
Broken cable
ABERNATH Y: I can't imagine it What it feels like in sub Jim.
He passes various emotions.
He lost one robot. Then he lost the second robot.
Well, we have our ceiling scenario,
and we got our kite scenario.
Two ways that we think we can do really lose these things.
LYNCH: And after a quick exchange,
we see tether coming past our sub.
Genya grabs the joystick controls the sub manipulator.
And he grabs the tether and starts plugging the tether up
around the arm from the manipulator
This is scary. Look at what he does?
If he breaks it before he wraps it...
God. I can't see this.
You scared me now, Genya.
To overcome this tether, takes 30, 35 minutes
from the same movement repeatedly,
Skip this.
35 minutes that we have been in this.
- Hey! - Let's see.
I think it's on the ground.
You got it. All stops All stop
and slap on the robot
with the manipulator arm and pull the robot that way.
- You got it - Still got it.
When Genya pulls it up,
Velcro rips the robot, and for this second it's short,
All robots are free and start floating again.
There are no tether holding it.
Free. Take. Take it any way you can.
Genya, the most amazing operator from any machine
I've seen it in my life, reached for this manipulator
He pulls it back in and hugs him tightly with "Mir."
I'm going gray here.
I think he understands in that garage
He has the device. I saw the device. Yes!
What
- Garage closed - [laughing]
He lives one more day!
God!
I believe Genya deserves a salary increase.
That's amazing. That's really amazing.
R. O.V. The department almost runs out of work.
Is that amazing?
That's the most amazing thing I've ever seen
I think I'm a year old.
And we sit there, and we just watch him
just fly out of the grand staircase
and keep going
Genya hurts everything A child winding a kite string.
Good work, man Good work.
So we got a half-finished rescue.
We put weights, and then we have a problem.
We see it heavily depends on it
I don't know if it goes down or not
I think metal hooks will work If you get fishing bait
that you can stab onto the screen
and pull out with the screen.
CAMERON: I told you we will catch him.
LEDDA: Just remember, When you are connected,
peel to your right Come on, honey.
- we enter - we enter
- Di? - we enter
Now I will sit for a while.
A short break.
Very good. Very good Very good
We are halfway.
There is nothing in front of him.
Push him a little, and I think we're broken loose.
- Hook is pulled out - Put him in the cage.
Hooks pulled out.
And I think We dropped it from his weight.
Yes, the weight is certain However, let go.
Alright.
The question is, are we trying again?
Something is right from me.
Oh, there he is. Get rid of it.
Now we go up.
Alright. Time to go to kill.
Good. Not the center.
We can bend our hook in...
Oh, that looks good.
Push him a little, then everything returns full, yeah right.
Hooks still exist
Negative.
That looks good.
Let's go for the drive and see if he comes with us.
Oh, I yawned in a strange way, so that definitely means I have it,
so I will only continue playing with him
I will play hands.
I think the door is down there. Tell him we are here.
"Mir-1," we see the door. We are at the station.
There is light.
Tell them that we see them.
"Mir-2," "Mir-2," we see your lights
Maintain position.
- Alright. - There is a solution.
Hanging.
I hung up. We stopped And we are stuck.
Look at it It's like hitting a wall.
We are hung solid. Right solid
None.
I think we lost it.
I don't know what to do.
I'm sure nothing has changed, but we will try again.
Good. I'll be back, take a little rope
And then fill in.
Now we arrive at the same place, and...
Hey.
- Will. - LEDDA: you go
Going to the light, Jake. Go to the light.
Oh, come on, honey Come on.
LEDDA: "Mir-2," "Mir-2," tilt your light down.
Tilt your lights down.
LYNCH: Copy it Tilting it.
I continue to feel the shock.
I think I still have it.
Oh, that's why They came this way.
Tell them to take a visual at us and see if we have Elwood.
- Look at that. - Do you see Elwood?
God. He understands!
LYNCH: This looks great. Beautiful.
Do you see Elwood? Do you see Elwood?
Yes, we do.
We got it.
# Only the two of us #
# We can make it if we try #
# Only the two of us #
We take it off, Daddy-O.
Yes.
What
Good work.
Everyone does a good job.
MARSCHALL: Elwood is safe and healthy.
And the time is 6:16 a.m., 11 September 2001.
See you later.
Is this happening? The worst terrorist attack in history, Jim.
CAMERON: We are all wrapped up in what we do and think it's important.
And this terrible event happened
and slamming us into this perspective
God.
LYNCH: The following morning attacks on September 11,
I kept thinking about trivial matters The expedition suddenly became.
That's no big deal again.
We now understand what it feels like to be a witness to tragedy.
A sense of shock and numbness
and that distrust the unthinkable has happened.
That did happen.
Sometimes, lives in your head
But hey, I've fallen before.
We all have. We wake up.
We continue.
I think That's what makes us great.
PAXTON: Everyone decides to continue the expedition.
I think after we do it gets an initial surprise,
"Titanic" does look important again
Not so much for himself, but as a symbol
what can happen when the warning is ignored
and how I think we all hope to face death
when it comes.
PELLEGRINO: Archie Frost is in the engine room that night.
It's only in your twenties
and has worked with Thomas Andrews
when the ship is being built
After a while, Andrews has come down and told them,
"The ship doesn't have a lot of time to live, and if you stay here, You will die. "
Archie Frost said,
"We will stay here all this time like we need to be here "
That's the everyday hero.
People who manage the machine,
keeps the generator running,
and continue the power to telegraph away,
which keeps the crowd calm.
You find an ordinary hero it stands beside you
PAXTON: When you see the stern
where 1, 500 people have died,
I don't really know how to explain it MARSCHALL: You can't help but emotional.
No doubt People brought down
at the stern
But they are gone.
Every trace is their human existence has been dissolved into the sea.
CAMERON: Okay, "Mir-2."
Get position to place plaque.
LYNCH: Jim, enter position to put plaque
PAXTON: "1,500 people lost here are still talking,
reminds us always the unthinkable can happen But for alertness, humility, and love. "
Goodbye.
We have been at sea for a long time.
I'm thinking about it is at home again
On the last day, when we left,
on the stern of the ship is a white rainbow
That's almost like the halo effect on the wreck of the "Titanic."
And it feels smooth for that
I think you left "Titanic," but never left you
It's always there.
And many times, When I close my eyes,
I suddenly returned there, floating on the wreck,
and I feel like I am Crave ghost.