Man: THIS IS THE HOUSE, MAN. STAY FOUR ONE BY ONE IN THE HEAD.
LORD ME, IT'S VERY CREEPY.
COME IN, IT WASN'T BAD.
THERE ARE STUFF STILLS THERE?
YES. LOOK IT WHEN IT HAPPENED,
THEY ARE ONLY MEATING AND LEFT. THEY DON'T EVEN TAKE
EVERY FURNITURE. MY T WHAT IS ONLY LEFT THERE.
WAIT. SO THERE IS STILL BEDS IN THERE?
OH, YEAH, THERE ARE STILL BEDS IN THERE.
MAYBE WE MUST CHECK IT. </ P>
YEAH, WE HAVE TO TRY SEE. AYOLAH. </ P>
GOOD. AYOLAH. </ P>
I'M REPRESENT SOME TRUE TRUE STUFF ABOUT IT. </ P>
I don't know DUDE IS JUST CRAZY. </ P>
HE WAS IT ONLY TOO EASY TO KILL EM
IT WAS ONLY TOO EASY TO STOP.
NOT THEY FOUND IN THEIR COMMANDS OR THAT CHEAP? </ P>
YES. THEM ALL, LIKE, ALLOWED. </ P>
SO LIKE, LAYING FACE DOWN
IT'S DISGUSTING.
HEY! HEY!
YOU ARE READY NOT YET? AYOLAH.
RELAXING.
DUDE, I'M YOUR THOUGHTS DONE BY NOW. AYOLAH.
YEAH, I'M ALMOST GOT IT, okay?
HOW YOU KNOW HOW TO DO IT, ANYWAYS? </ P>
MY MOTHER'S REALTOR. </ P>
SO HE & S; S-- IT'S ONE OF THESE CODES, okay?
THERE IS, LIKE, FIVE UNIVERSAL CODES AND...
YES!
MY NAME DONNY REDDIT.
THIS MAYBE IS THE LAST TIME I WAS FILMING ANYTHING.
IF YOU FIND THIS,
MAKE SURE YOU SAY MY MOTHER I LOVE IT.
ACTUALLY NOT. TELL ME THAT I HATE IT.
HE BITCH. AYOLAH.
HOW IS THIS CREEPY?
DONNY, HOW MANY PEOPLE
DO YOU SAY WAS REQUIRED HERE? </ P>
I don't know LIKE, FOUR OR SOMETHING. </ P>
SOME GUY WENT CRAZY AND ONLY, LIKE, KILLING A FAMILY LIKE ITS FAMILY. </ P>
HOW DOES IT DO IT? </ P>
HE THEY ARE THEY WHEN THEY LITTLE BED IN THE PLACE SLEEP. </ P>
LIKE, ONE ONE. </ P>
WHAT? WHAT? WHAT IS IT FUCK? </ P>
DO YOU SEE IT ? DO YOU SEE -
YOU ARE THEY MAYBE ONLY WALK.
THERE WAS NOTHING ACTUALLY THERE WAS.
OH, GET! OUT! <
GO FUCK YOURSELF, GOOD ?
WHAT ARE YOU - HOW MUCH You already drank, hah
ARE YOU DRUNK YET? DO YOU FULLY -
I KNOW. IN ADVANCE, OOH, YEAH, SCARY.
I WILL EXPLAIN IT. </ p >
WE HAVE BEEN IN THE REST FROM THE HOUSE.
DO NOT SEE ANYTHING.
GOOD, THERE WAS NOTHING.
YES. I SEE SOMETHING.
LET US PARTNERS START.
YES GOD. THIS IS VERY CREEPY.
I LIKE LIGHT IN BETTER. </ P>
I WANT IF SOMEONE IS DEAD HERE. </ P>
[MOANING]
OH, LOOKS THAT
I ALMOST FINISHED. YES.
ONLY GIVES ME SEC.
YOU'RE ALREADY FINISHED? I WAS DONE.
YES? THAT... YOU DON'T HAVE -
AND I HAVE TO END. </ P>
I DON'T BELIEVE IT. [LAUGHS]
YES GOD. JESUS WHAT?
WHAT IS WRONG?
[SCREAMING]
[STATIC]
p>
[MOANING]
[SCREAMS]
[SCREAMING, STATIC]
TYLER, OFF THE LAWN. YES PAK.
HAVE A LITTLE RESPECT.
HAI. HAI.
WHAT IS NEWS?
TONY BENSON. PLEASED TO MEET YOU. </ P>
VERY GOOD TO MEET YOU. CAMILLA WELDON. </ P>
THIS IS MY VIRGINIA WIFI. </ P>
AND THIS IS MY YOUNG, MELANIE.
HI, MELANIE.
AND WE HAVE SERGEANT TYLER HERE.
ONLY NOT MANY HIM.
HE THINKED HER NEXT STEVEN SPIELBERG.
HE FILMS EVERYTHING.
OH, DON'T WE ALL. < br /> YES.
AND ME LORI DAUGHTER
LORI, OFF THE PHONE, PLEASE NOW.
GET FUCK OUT OF MY FACE.
GOOD. LET US TAKE A LOOK AROUND.
BESAR. JUST SO YOU GUYS KNOW,
WE HAVE SOME OF THE OTHER PLACES AVAILABLE TO SHOW YOU
IF YOU WILL INTEREST IN THEM. </ P>
OH, I THINK I'M GOING TO VERY INTERESTED. </ P>
I DON'T THINK THAT & apos; LL BE NECESSARY. </ P>
I HAVE A GOOD FEELING ABOUT THIS ONE
AFTER YOU.
OK, THEN - STOP.
HOW TO THIS WAY
GOOD. LET & apos; S GO, TROOPS.
GO. AYOLAH.
SO YOU CAN SEE
ACTUALLY IT NEEDS A LITTLE BIT OF PAINT JOB.
IT IS FULLY IN YOU DISCRIPTION, OBVIOUSLY.
IT'S PERFECT.
BIG. THEN LET & apos; S TAKE
LITTLE AGAIN FROM VIEW AT PLACE
Virginia: TYLER
EXCELLENT EXPANDING FLOOR PLAN. </ P>
HONEY, HERE YOUR GOURMET KITCHEN
Lori: THIS HOUSE BALLS SUCKS.
[whispering] ARE YOU OUT YOUR MIND TALKES LIKE THAT?
I don't know - DOUGLAS
DO YOU UNDERSTAND ME? DOUGLAS
RETURN FROM MY STAY.
IT IS SOMETHING I GONNA FIX.
TRUE. IT'S PERFECT.
SEE THIS COUNTER.
Virginia: < br /> That's good YES.
Douglas: THAT - I LOVED IT.
FEELS LIKE A HOUSE TO ME.
IT FEELS LIKE A HOUSE.
THERE ARE ROOMS FOR GARDEN.
WE CAN HAVE GARDEN.
FOOTBALL BASE IS ESPECIALLY.
GOOD. LITTLE GARDEN .
GOOD, THERE CAN BE A FOOTBALL FIELDS THERE, BUT HERE -
BLUE DOWN COMES WITH HOME, I'M WEIGHING
WHAT IS THE UNDER THE BIRD COMING WITH THE HOUSE? </ P>
YES. IT COMES WITH THE HOUSE. </ P>
HOW DO THEY FEEL ABOUT HOME? </ P>
TYLER, FORWARD MARCH. AYOLAH. </ P>
Tyler: YES, SIR. </ P>
YES. SO FOLLOW ME HOW TO HOW THIS
GOOD, WHAT ABOUT THIS ROOM IS TRUE HERE?
WHAT ARE OTHER SLEEP ROOMS?
IT'S IT A BED ROOM.
OH. WHAT?
LET 'S WAIT HERE, BUDDY.
[BUZZING] DAD, what is that?
HAH.
YES.
NO WE CANNOT HANDLE.
Lori: this REALLY ROOM MY. </ P>
GOOD. SO THANK YOU GUYS SO MUCH COME. </ P>
I'LL HAVE HANG GUYS OUT AND READ A LITTLE BIT
HOW ARE YOUR FEELINGS ABOUT HOME,
AND I'M GOING RIGHT OUTSIDE
IF YOU GUYS THERE ARE QUESTIONS.
Okay, good THANK YOU. GOOD . THANK YOU.
SOMETHING SOMETHING ABOUT HIM.
BE NICE, PLEASE.
WELL, WHAT ARE YOU THINKING? I LOVE IT, DADDY.
THANK YOU. DO YOU HEAR IT?
GOOD, HE DOES NOT REALLY KNOWS
WHAT HAPPENED HERE, WHAT IS HE? </ P>
[whispering] LOOK... THEY DON'T NEED TO KNOW </ p >
WHAT HAPPENED HERE, OK?
WE DON'T WANT IT WAS THE WORSE SEEM WAS LOOKING.
THIS IS WHAT WE CAN AFFORD RIGHT NOW, okay? </ P>
I UNDERSTAND IT. </ P>
MAKSUDKU, IT HAS A BED ROOM. </ P>
I KNOW, I KNOW, I KNOW .
GOOD. IF IT-- FOR MONEY,
IT IS EXACTLY-- IT & apos; S ALL WE CAN GET.
WE CANNOT MOVE ANYMORE.
GOOD. THIS IS.
GOOD. GOOD.
WHAT YOU'RE GOOD ONLY WITH THAT
I'M ALL TRUE WITH IT. YOU ARE SURE?
I AM SURE. I LOVE YOU.
I LOVE YOU ALSO.
WE ARE HOME!
YAY!
[GASPS] YES GOD!
TAKE THE FAMILY INSIDE.
CALL 911. GO INSIDE, GO INSIDE. </ P>
CALL 911. JUST DO IT. </ P>
GO, DO IT. Let's go let's go. / p>
[TICK]
HAI MOM.
HEY ARE DEFINITELY.
I'M NOT TRUE IN MOOD FOR THE CAMERA TODAY, okay?
YOU MUST HELP SOMEONE
AND DO NOT PLAY WITH THE CAMERA
ENOUGH WITH THE CAMERA.
OFF, PLEASE. </ P>
YES BU. </ P>
MAKE SURE YOURSELF, kid. </ P>
YES PAK. </ P>
HEY WHAT ARE YOU DOING ?
HIS NAME IS JOHN.
OH.
JOHN MATTHEWS.
YOU KNOW HE DOES NOT REALLY THERE, TRUE?
THERE IS NO ONE.
BUT I WAS HIM.
HE LOOK.
DOGGIES!
IF YOU MOVE HERE?
Lori: YEAH IT & S; NEW THE HOME.
Tyler: WE HAVE TO KEEP MOVING
BECAUSE SHE KEEPS GETTING THE PROBLEM.
DO YOU KNOW IT OFF?
WHAT IS IT TRUE? What are you doing
NO. He just BECOME TWERP.
OH. GOOD , I'M GREG.
LORI. NICE TO MEET YOU.
LORI. CHRISTIAN
WHERE DO YOU GUYS FROM?
[BUZZING] KAROLINA NORTH. </ P>
GOOD. GOOD, WE LIVE ONLY HOME COUPLE DOWN
IF YOU GUYS NEVER WANT TO HANG OUT OR ANYTHING.
SURE. I don't know ANYONE AROUND HERE SO...
YES.
FUNNY DOGGIES.
THEY ARE NOT BITE. DON'T SUCCEED.
YES.
NICE DOGGIES. </ P>
GOOD. GOOD , I WE KNOW SEE YOU GUYS AROUND. </ P>
COOL. YES. </ P>
BYE, GUYS. </ P>
BYE-BYE, DOGGIES. </ P>
YES. BUT YOU KNOW, LIKE I HAVE, DOWN. </ P>
I MEAN, IT WAS REALLY KICKING ASS.
YOU HAVE, LIKE, MAYBE 16 INCH, LIKE, ARRIVES AROUND.
YES.
Tyler: HEY, are you GUYS KNOW WHAT IS THIS HOUSE?
WHAT?
DO YOU KNOW WHAT IS THIS HOUSE?
IT'S YOUR HOME
It's RUMAH AMITYVILLE.
HOUSE AMITYVILLE? WHAT IS IT?
YOU DON'T KNOW WHAT AMITYVILLE HOUSE IS?
YOU KNOW WHAT AMITYVILLE HOUSE IS?
OH, YEAH, YEAH, YEAH. AMITYVILLE HOUSE.
WHERE IT IS THEY MAKE THEIR COOKIES.
CAKE.
Tyler: NO, IT & S; S SUPPLOSED MUST CONNECT
HOPE? VERY?
BET GET HERE.
YES. & apos; ALL EVERYONE KNOWS
WHO STOPED HOME, BLACK DIE FIRST PEOPLE.
SO YOU ARE BETTER OUT OF HERE. </ P>
HIT THE ROAD, PAL. </ P>
NO, FOR REAL, MAN? AMITYVILLE, FOR REAL? </ P >
WHAT?
GENTLEMEN, I WANT THIS MADE BY 1400.
MOVE IT. COME ON, MOVE.
UGH.
Tyler: SO why are you? TATTOO?
SIT. TATTOO?
YOU ARE LITTLE TOO YOUNG FOR THAT, KID .
YES. SO I THINK THIS IS THE LAST OF IT.
WE MAY MUST GO AHEAD AND GET HERE.
I AM READY FOR TO GET HERE.
THOSE ARE WALKING. WHAT ARE THEY DOING?
Tyler: AHA AHA. DO YOU SEE IT? </ P>
I TOLD YOU IT WAS STOPING. </ P>
VERY? JUST WALK AWAY? </ P>
AYOLAH. </ P>
EXAMINATION OF A BAD. </ P>
WHY ARE THEY DOWN, LIKE, FOUR BOXES ON TIME
THAT IS VERY WEIGHT? [ SCOFFS]
WHAT? </ P>
ARE YOU GOING TO MOVE? </ P>
UH, NO. I MAKE DOCUMENTERS. </ P>
WHY ARE YOU STRONG GRUMPY?
I'M WORKING. NOW MOVE!
SORRY.
THAT GUY IS A JERK.
[MENCICIT]
WHOA. MY SUSTER DOOR IS OPEN ONLY
LET & apos; S GO INVESTIGATE.
[STATIC]
Tyler: AHH. </ P>
[STATIC]
THAT GOES IN THE STUDY. </ P>
I STARTED LOOKING AT WHAT YOU MEAN ABOUT THIS HOUSE, KID. </ P >
CAUSE ONCE.
[BUZZING]
[CRASHING]
DAD!
HAI MOTHER.
YES GOD.
TYLER, I'M REALLY NOT AT NOW MOOD NOW.
BUT MOTHER-- BUT, MOTHER, WHAT?
IT'S FOR MY DOCUMENT.
HONEY, IT! S JUST NOT A REALLY GOOD TIME.
BUT, MOTHER, PLEASE?
[STATIC]
ACCORDING TO MU THIS HOUSE STOPED?
NO. NO, I DON'T THINK THIS HOUSE STOPED.
I JUST THINK I NOT WANT TO LIVE HERE. </ P>
I TOLD YOU
I WANT TO KEEP SEARCHING IN ANOTHER PLACE,
AND YOU ARE INSISTED ,
AND I JUST DO NOT FEEL LIKE THIS PLACE
IS A GOOD FIT FOR US, FOR OUR FAMILY
BUT TWO PEOPLE DIE. </ P>
I KNOW THAT. That WHAT I HOPE TO SAY. </ P>
GOD. [SIGHS]
IT WAS WHY I WAS WATCHED IF IT WAS RELATED.
TAKE IT ONLY YOUR CAMERA AND GO.
SORRY ME. OK AJA.
[CRICKETS CHIRPING]
Tyler: IT'S STILL 5:00.
[FOOTSTEPS]
Virginia: DOUG DOUG.
Doug: what
WHAT? CAN WE TALK ABOUT WHAT HAPPENED TODAY?
HONEY, CALM DOWN, okay? </ p >
I'M QUIET.
THIS IS ABOUT AS A CALM AS I CAN GET RIGHT NOW.
MY PASSION.
KEKASIH, < br /> WHAT'S HAPPENING?
WHAT'S HAPPENING? A man dies -
I TRY TO STAY CALM FOR YOU, </ p >
I TRY TO STAY CALM FOR THESE CHILDREN,
BUT THERE'S A MAN - A man died here today.
HONEY , ACCIDENT - IN THIS HOUSE, IN OUR HOME. </ P>
HONEY, ACCIDENTS HAPPENED, okay? </ P>
YOU MAY BE USED TO SEE ACCIDENTS .
I WAS NOT USED TO SEE ACCIDENT, okay?
You already went LOOKING FOR CHILDREN.
THEY CAN LISTEN TO YOU. [BUZZING]
I'M GOING TO CONTINUE CHILDREN?
A man dies IN THIS HOUSE .
THE REALTOR IS DEAD
WHAT CAN I DO TO SAY LORI AND MEL?
LISTEN, YOU CHOOSE THIS GETS TO YOUR HEAD. </ P>
ACCIDENTS. </ P>
REALTOR HAVE AN ANURISIS IN FRONT. </ P>
WHAT ARE YOU TALKING ABOUT?
I DO NOT MEET ANYTHING GETS MY HEAD.
PEOPLE FALL DOWN. THE MAN FELL DOWN
CHILDREN ASK - < br /> QUIET. JESUS
[SIGHS]
CHILDREN ASKING QUESTIONS.
I'M WHAT I WAS CAN TURN OFF THEMS
WHEN THEY ASK ME ABOUT QUESTIONS
TENTANG APA YANG TERJADI UNTUK MANUSIA?
HONEY, ACCIDENTS HAPPEN.
WHAT IS ALL THAT YOU CAN SAY DO ACCIDENTS HAPPEN?
BECAUSE IT IS. I DON'T LIKE HERE!
I DON'T FEEL COMFORTABLE HERE!
YOU NEED... I'M NOT LIKE THAT'S HERE!
I TOLD YOU NOT I'M WANT TO LIVE HERE! </ P>
I TOLD YOU WE HAVE TO STAY LOOKING,
AND YOU DON'T HAVE, IT MUST HERE.
IT MUST BE HERE,
AND YOU KNOW WHY IT MUST HERE.
YOU KNOW WE HAVE TO LIVE HERE
WHY?
THIS IS WHAT WE CAN DO.
THIS IS WHAT WE MEAN CAN BE REGULATED RIGHT NOW.
I DO NOT LIKE IT.
SWEETHEART, COME HERE.
IT WAS NOT TRUE.
NO PROBLEM. Not from TripAdvisor LLC.
THIS. IT'S ONLY COINCIDENCE.
THESE THINGS HAPPENED, okay? </ p >
IT'S LIKE IT! THIS HOUSE!
SHH! QUIET. THIS IS THIS HOUSE!
YOU THINK THAT HOME DONE GUY FALL DOWN? </ P>
I don't know I don't know
YOU THINK YOU MADE LORI ACT FUNNY AND CRY IN THE ROOM?
IT'S LIKE EVERYDAY EVERYTHING, okay?
DO YOU THINK HOUSE MAKE ACT TYLER A LITTLE FUNNY?
I'M SORRY, BUT MAN WAS WALKING IN MY HOME
NOT HAPPENING EVERY DAY
THERE IS PROBABLY 100 PEOPLE DEAD IN THIS HOUSE. </ P >
YES GOD. WHAT WHAT ARE YOU TALKING?
IT'S A 150 YEAR HOUSE. YOU SAY THAT SEE.
WHY YOU DON'T GO IN ROOM ROOMS NOW
AND SAY THAT IT IS!
IT'S HE Really NORMAL!
MEL LOVES IT HERE.
HAVE DEAD PEOPLE IN YOUR HOUSE!
MY PASSION. IT & apos; S CRAP.
I DON'T FEEL TRUE HERE. </ P>
WHAT DO YOU SUGGEST WE DO? </ P>
I WANT TO GO SOMEPLACE ELSE. </ P>
I WANT TO KEEP LOOKING.
PLEASE.
SEARCH. SITTED.
I DON'T LIKE THIS PLACE.
I KNOW LOVE.
[SIGHS]
CAN YOU GIVE IT SOME MORE DAYS?
I PROMISE, EVERYTHING IS GOOD.
I PROMISE. WELL? </ P>
MY SACRIFICE. </ P>
I WILL GIVE IT SOME MORE DAYS. </ P>
PLEASE. </ P >
BUT AFTER THAT -
GOOD. DO YOU DO IT FOR ME?
YES. ONLY TRUST ME.
[DOOR CREAKS]
YOU WALK LITTLE PERVERT. </ P>
GET FUCK OUT OF MY ROOM. </ P>
[LAUGHS]
I'M REALLY SORRY ABOUT WHAT Your friend
IT IS NOTHING. </ P>
MOM, HE STANDS IN BACK THE DOORS
I KNOW LOVE. I WILL SPEAK TO IT. </ P>
WALKING YOU AND I'M GOING-- HE WILL NOT -
I KNOW. LISTENING, I WILL TALK TO YOUR DAD. </ P>
WE'RE GOING TO ENSURE IT NOT AGAIN, okay? </ P>
HONEY, I KNOW TODAY HAS BEEN BEAUTIFUL DAYS- TRUE TRUE. </ P>
IT'S VERY VERY UPSETTING DAYS. MY SORRY. </ P>
I WANT TO GO TO HOME. </ P>
OH, HONEY, KAMI ADALAH RUMAH.
YES. DEAR AYOLAH.
WE ALL SHOULD TRY US BEST TO MAKE IT WORK HERE.
I'M SORRY, BUT WE ARE REALLY ALL SHOULD HAVE 100%, okay?
MOM, SOMEONE DID HERE TODAY.
I KNOW, BABY.
SORRY ME. I SORRY IT YOU HAVE TO SEE THAT. </ P>
Melanie: WE HAVE SOME WATERMELON. </ P>
WE HAVE EGGS, SO WE CAN MAKE A HARD BOILED EGG,
AND WE ALSO HAVE SOME WHITE BUTTERS. </ P>
WE HAVE EMPLOYEES,
AND WE ALSO HAVE SOME AVOCADO
[STATIC]... TO MAKE DIP
FOR YOU TO DIP SOME CHIPS IN.
SO WE'RE ALREADY - AND IF YOU WANT TO SOMETHING SOMETHING,
WE ALSO HAVE SOME SPRITS.
WE HAVE PUNCH FRUITS WASTE.
WE ALSO HAVE CHERRY-STRAWBERRY FLAVOR.
WE HAVE DR. LADA AND WE HAVE -
SOME BAKING OF POWDERS
IF YOU WANT TO TAKE YOU SOME COOKIES OR SOMETHING. </ P>
WE JUST SURVIVED OUR FIRST DAY IN AMITYVILLE'S HOUSE. </ P>
SPACE. </ P>
WHEN OUR REALT OR SHOWS US HOUSE DAY,
HE DIES FROM AN ANURURISM. </ P>
AND THEN, LIKE, TODAY THE MOVER,
HE SUCCESSFUL DIRTY TRUE TRUE, </ p >
AROUND THE STAIRS AND IT LANDED ON HIS HEAD.
IT WAS JUST KILLING IT. IT WAS WEIRD.
[BERERING] </ p >
MY CLOSET DOOR IS ONLY OPEN.
[BUZZING]
NO IN THERE.
AAH! [panting]
Virginia: what
Doug: YOU ARE NOT, LIKE, EXCEPT...
THE DOOR IS CLOSED OR SOMETHING?
NO. < br /> WHEN I GO SLEEP, DOOR CLOSED.
IT IS NEEDED.
YOU KNOW IT WAS OPEN THIS MORNING.
OPEN WIDTH. I WILL BE AT 4:00 AM
VERY? IT'S WEIRD. I don't know
Isn't it? </ P>
NOT, HONEY. Not me
[SIGH] WELL, YOU KNOW WHAT IT IS.
WHAT? LORI SNUCK OUT .
NO.
LORI SNUCK OUT. NO, HONEY. NO.
WIDE DOOR OPEN.
THAT A SMALL SPEED
FORGET TO CLOSE A DOOR WHEN COMING BACK IN.
WE JUST HAVE TO HERE.
WHO WILL HE GO ?
HE DOESN'T KNOW ANYONE.
PERMISSION.
THAT KID IS WITH A DOG.
THAT THE BOY COMES WITH A DOG.
THE BOY WITH THE DOGS?
YES GOD. < br /> GET ONE DAY.
HE MEETS ONE KID, AND HE LOVES THE WINDOW.
THAT BETTER IS NOT TRUE. MY SORRY.
IT'S TRUE. WHAT IS IT?
GOOD... I DON'T BELIEVE THAT.
Melanie: GOOD MORN. BREAKFAST MORNING. </ P>
IT CAN BE A TYLER. </ P>
GOOD MORNING, MELANIE. YOU KNOW HOW HE LOVED -
HAPPY MORNING , FATHER.
TYLER? I AM VERY DOUBT. I AM T. IT CAN START HIM.
Tyler: DOOR CLOSET I OPEN THE LAST NIGHT.
GOOD MORNING, TYLER.
Doug: HE'S SNUCK OUT THE DOOR. HE SNUCK OUT.
APA YANG INGIN KAMU LAKUKAN?
WHY ARE YOU DOING IT'S BOWL?
IT'S FOR MY FRIENDS.
WELL, YOUR FRIENDS DO NOT NEED THAT MUCH.
IT WAS GOOD. ONLY GET CHEESE.
GOOD. WHAT YOU WANT TO DO ABOUT THIS?
I don't know, BUT YOU THINK -
HE REALLY APPLIES. </ P>
Tyler: MY CLOSET DOOR OPEN THE LAST NIGHT. </ P>
YOU CAN HAVE MILK IN IT. </ P>
LISTEN NOW. </ P>
YOU, DURING HERE NOW. NOW. </ P>
DO YOU WANT SOME BREAKFAST SERES ?
HERE NOW.
Tyler: HE GETS IN THE PROBLEM AGAIN.
WHAT? What are you doing
ARE YOU TALKING ABOUT?
SEND OPEN DOORS.
YOU LOVE OUT AND YOU LEFT OPEN DOORS.
DAD, WHAT ARE YOU SPEAKING ABOUT ABOUT? I DON'T LEAVE.
DO NOT TELL ME. DON'T TELL ME.
THIS IS A FIFTH TIME WE HAVE MOVED
ABOUT YOUR ACCOUNT
THIS IS NOTHING! FIVE TIMES -
WHY ARE YOU ALWAYS THINK IT IS ME?
GO PACK YOUR BAG, LITTLE STYLE.
KEMASI YOUR GOODS.
MILITARY SCHOOL .
DOUGLAS, STOP. SAY GOODBYE TO YOUR HAIR.
IT'S MUCH LITTLE.
GOD IS GOOD, WITH HAIR .
TYLER
ARE YOU LIKE JUICE?
DO YOU LEAVE THE DOOR BACK OPEN EVEN NIGHT?
NO, BUT MY CLOSET DOORS OPEN THE LAST NIGHT. </ P>
ANDA TIDAK MENINGGALKAN PINTU KEMBALI TERBUKA.
NO. DON'T TELL ME.
TYLER, THIS IS SERIOUS. Do you go?
DO YOU PLAY AROUND?
MEL, DO YOU LEAVE BACK THE OPEN NIGHT DOOR?
NO.
I AM SURE. YOU ARE SURE?
DON'T TELL ME. </ P>
WHY AM I COMING DOWN HERE AND PLAYING WITH THE DOOR? </ P>
HONEY, HE DOES NOT LEAVE OPEN DOOR </ p >
Not from TripAdvisor LLC.
CLEAN ONLY.
SWEETHEART, DON & apos; T-- JUICE.
DRINK YOUR JUICE
GOOD.
YOU KNOW WHAT?
WE NEED DAY DEAD.
THIS HAS BEEN FULLY DAYS.
YOU KNOW WHAT? MOVIE DAY.
YAY!
MOVIE DAY. YES! WHAT ARE YOU THINKING?
YOU WANT TO TO SEE A FILM.
YOU ALL SEE FILM. </ P>
GET LUNCH, GET SOME ICE CREAM. </ P>
PLEASE, MOMMY? </ P>
GOOD. EVERYONE GO UPSTAIRS AND CHANGE. </ P>
WE WILL GO TO CINEMA. </ P>
Cinema! YES! </ P>
MOVIE DAY.
YAY. COME ON, JOHN.
YES. FINALLY.
Doug: SERGEANT? Tyler: yes
FRONT AND CENTER, BUDDY.
YES, SIR.YOU & apos; RE STAYING WITH ME, PAL.
YES PAK.
AYOLAH.
WHAT ARE YOU LOOKING FOR? HAH?
PUNK.
OK, GUYS. MEDIUM GO. </ P>
GOOD. HE LOOK...
IBU ... Tyler: OOH, APA YANG DIA LAKUKAN SEKARANG?
[WHISPERS] I'M SORRY, okay?
HEY LOOK, I'M SORRY, ALL RIGHT?
IT'S A NEW EMOTION HOUSE. </ p >
Tyler: WHAT IS APOLOGICAL?
I KNOW YOU WAS NOT SNEAK OUT, okay?
[BUZZING]
I'M SORRY I'M MOVE ON YOU, GOOD? </ P>
AYOLAH SAYANG. LORI, COME ON. </ P>
AYOLAH SAYANG. </ P>
LET'S GO. < br /> SEE YOU BACK, HONEY
Tyler: HAVE FUN, GUYS. UNTIL AGAIN AGAIN. HAPPY TO PLEASE.
Melanie: BYE, DADDY. BYE. BYE. </ P>
BYE-BYE, DADDY. UNTIL THE FRIENDS. </ P>
Tyler: BYE, GUYS. </ P>
Doug: HAVE FUN. </ P>
GOOD. </ P>
UNTIL AGAIN AGAIN. GOOD. . </ P>
ENJOY lunch
BYE.
WHAT ARE YOU DOING, DAD?
SHH. WHAT?
SORRY.
[FEEDBACK]
GET READY, BUDDY. Let's go.
OH WAITS. KEY.
WHERE WILL WE GO?
ONLY GO ON RIDE.
PUT THE CAMERA DOWN .
WHAT ARE WE DOING, DAD?
YES YOU KNOW LAH,
This OLD HOUSE DOES NOT HAVE SECURITY SYSTEM,
SO WE GO TO PUT ONE IN.
SOP.
OPERATIONAL STANDARDS POSITION.
AYOLAH. YOU CAN DO BETTER THAN IT, SON. </ P>
UH, OPERATING STANDARDS PROCEDURE? </ P>
INCREDIBLE. </ P>
THIS IS BORING. WHY DO WE DO THIS? </ P>
JUST CLOSE YOUR YAP
AND COME HERE AND HELP ME. </ P>
YES PAK. </ P>
PIECE OF CRAP LADDER.
GOOD. YOU HAVE TOOLS?
YES. PERFECT.
WHAT? TYLER
I NEED MYSELF.
THERE WAS NOTHING IN THERE?
NO. GO TO KITCHEN
AND GET ME A SCREWDRIVER. </ P>
THIS IS SOCKET WRENCH SET. </ P>
YES PAK. </ P>
[BUZZING]
NOW! < br /> MULTIPLE TIME.
GOOD GOOD JESUS.
WHERE IS, DAD?
IT'S IN THE DRAWER WITH THE CHOPPING BLOCK .
[CLANKING] WASTE.
WHAT IS THAT?
NO, DAD.
IT'S SOMETHING .
DOES NOT MEAN.
[BUZZING]
[STATIC]
[GARBLED VOICE]
WHERE THIS PHONE COMES FROM? </ P>
TYLER! </ P>
WHAT ARE YOU DOING?
ONLY BOTH, DAD.
FATHER! FATHER! I FIND THIS PHONE IN KITCHEN !
I FOUND THIS PHONE, DAD.
I GIVE ME BACK.
JUST BOTH HERE.
THIS HE. </ P>
SCREWDRIVER. HERE. </ P>
THANK YOU. </ P>
SEE, I FOUND THIS PHONE, DAD, </ p >
AND THERE ARE FILMS IN IT.
THERE ARE SOME CHILDREN IN OUR HOUSE.
WHAT ARE YOU TALKING ABOUT?
SEE. VIEW PHONE.
THERE ARE FILMS IN IT.
[BUZZING]
SEE PHONE. JESUS CHRIST
IT'S DEAD
THEN I WILL BE THE COST.
TYLER, TYLER, STOP.
YES PAK. </ p >
PUT THE PHONE DOWN, PUT THE CAMERA DOWN,
AND GET HERE AND HELP YOU.
YES PAK.
NOW HAVE A LADDER, DO YOU?
[BUZZING]
[GARBLED VOICE]
WHAT IS IT? </ P>
GOOD TOOLS. </ P>
HOW ARE YOU KNOCK THOSE OVER? </ P>
I AM NOT. </ P>
TYLER
I DIDN & apos; T - CAMERA. </ P>
PICK & apos; EM UP. PICK> EM UP. </ P>
MAYBE THE CAMERA IS. </ P>
TYLER, TURN ON THE CAMERA. </ P>
YES PAK. BOARD.
TURN OFF, PICK UP THE TOOLS,
GET HERE AND -
THERE IS SOMETHING ON THIS PHONE.
I DON'T KNOW WHAT.
BUT I WILL FIND OUT WHAT'S ON THE PHONE.
Doug: HEY, LADIES.
WHAT'S NEWS? YOU ARE LOOKING FOR GOOD. </ P>
BAGAIMANA FILMNYA?
I HAVE EVERYONE NOT BELIEVE ME ABOUT MY CLOSET
AND TODAY TODAY TOOL BOX FELL
AND MY BLAMED IT ALL ON ME. </ P>
I JUST HAVE THAT. </ P>
SO I'M GOING TO USE THIS CAMCORDER
TO COMPLETE EVERYTHING THAT HAPPENED IN MY ROOM. </ P>
SO I'M GOING TO TO GO SET IT UP. </ P>
I JUST HATE IT WHEN PEOPLE DO NOT BELIEVE ME. </ P>
[BUZZING]
[GARBLED VOICE]
I CANNOT WAIT FOR THIS IPOD TO GET ACCEPTED
TO SHOW EVERYONE MOVIE.
YES? [KNOCK ON DOOR]
Virginia: HEY, HONEY.
IT'S TIME FOR DINNING
GOOD. BUT, MOM, CAN YOU WATCH THIS VIDEO, PLEASE? </ P>
WHAT VIDEO? </ P>
THERE ARE VIDEOS ON THIS IPOD
[SIGHS] HERE.
WHAT DO I WATCH?
THERE ARE SOME OF THE CHILDREN SNUCK TO OUR HOME,
I DON'T KNOW WHEN, AND THEY -
OH, IT'S OUR HOME.
THEY ARE LOOKING FOR FOR GHOSTS.
OH, HONEY, THEY ARE NOT LOOKING FOR GHOSTS. </ P>
IT WAS THEY. </ P>
NO, SWEETIE. THEY NOT LOOKING FOR GHOSTS.
THEY JUST PLAY AROUND ITS WITH THEIR CAMERA.
NO, THEY DON'T.
WHO WE KNOW THAT PLAYING AROUND THE CAMERA THEY? </ P>
[GASPS] THEY ARE NOT LOOKING FOR GHOSTS. </ P>
AYOLAH. TIME IS FOR DINNING
BUT - < br /> NO, HONEY. DINNER READY, OK?
YES BU. AYOLAH.
SO TODAY SAAT KITA BERJALAN, ATAS PINTU KEMBALI BUKA TERBUKA.
THINK ME LORI SNUCK OUT,
BUT THEN HE STARTED STOPED WITH IT
AND HE PUT THIS ALARM SYSTEM IN PT
BECAUSE HE THOUGHT OLD HOUSE
DO NOT HAVE AN ALARM SYSTEM, SO HE PUT THAT IN.
I THINK IT WAS BECAUSE /> LORI, BUT HE DOESN'T. </ P>
I don't know
AND THEN TONIGHT FOR EVENING EAT, TAKES THROUGH FIT
BECAUSE MOM WILL NOT GIVE FRIEND FRIENDS & apos;.
SO IT WAS AWKWARD.
[FOOTSTEPS]
[HELPING]
[DOOR CREAKING]
[ALARM RINGING]
Tyler: WHOA! IT IS 3:15. THIS IS WHEN IT STARTED. </ P>
[DOGS BARKING]
TYLER! GET UPSTAIRS! NOW! </ P>
Tyler: okay
GOOD. GO !
WHOA. WHAT'S ANYTHING?
SOMEONE MUST SEE FOR BREAK IN,
AND I MAKE ALARM SCARED HIM OFF.
IT WAS ONLY SO WEIRD. IT ALL HAPPENED AT 3:15
LIKE ORIGINAL HOUSEHOLD AMITYVILLE.
IT'S JUST SO WEIRD .
WHAT IS... WHAT IS IT?
WHOA.
WHAT ARE THEY DOING?
[BUZZING]
WHY ARE THEY LOOKING AT ALL STOVES AND STUFF?
WHOA, NEVER LOOKS THAT BEFORE.
WONDER WHERE IT COMES FROM.
WHAT'S WHAT... WHAT - WHAT - WHAT HAPE -
WHAT? NO NO.
WHAT? NO.
WHAT-- What was done?
COME ON, WORK. WORK.
Reddit : WE HAVE BEEN IN HOME HOUSE
DAN TIDAK MELIHAT ITU.
YES GOD. WHAT IS KITCHEN?
Tyler: yes, IT WAS KITCHEN.
YES, IT WAS KITCHEN. IT'S KITCHEN. </ P>
Tyler: yes IT IS. </ P>
DOES IT HAVE A BIR? Is that beer? IT'S BAD.
Tyler: I DON'T KNOW. JUST KEEP WATCHING.
Reddit: I'M NOT EXACTLY MAKE SURE -
WHO IS THIS KID? < br /> DO YOU KNOW THIS KID?
LORI, DO YOU KNOW HIM?
You don't know him? NO, I DON'T KNOW HIM.
I'M POSITIVE. YOU ARE SURE?
ALL RIGHT, ALL RIGHT HE DOESN'T KNOW HIM.
YEAH, IT'S OUR HOUSE. </ p >
THERE IS A HOUR. THERE IS A HOUR.
YOU ARE VIDEOTAPED THIS ON YOUR PHONE?
WHEN DOES IT HAPPEN?
Tyler: yes, but JUST KEEP WATCHING. </ P>
YEAH, SAAT INI?
TYLER, WHERE DO YOU GET THIS VIDEO?
I FIND IT. JUST KEEP WATCHING.
YES. YOU FIND IT?
OH! OH! YES GOD.
YOU KNOW WHAT? THIS IS RIDICULOUS.
TYLER TYLER
SOMETHING HAPPENED THEM. JUST KEEP WATCHING. </ P>
SOMETHING HAPPENED - YEAH, SOMETHING HAPPENED. </ P>
JUST KEEP WATCHING.
SOMETHING HAPPENED ON THEM.
THERE WAS NOTHING HAPPENED. THEY JUST SURROUNDED IT.
YEAH, THEY ARE ONLY PLAYING AROUND TIME OF TIME. </ P>
TYLER HOW MUCH OLD DO YOU HAVE THIS? </ P>
HOW LONG - JUST KEEP- - THIS OUR KITCHEN
INFANT. YOU DO NOT BELIEVE ME.
SOMETHING DID HAPPENING ON THEM.
HONEY, WE KNOW SOMETHING HAS HAPPENED,
BUT NOTHING YOUR BUSINESS
OK, THIS IS ENOUGH ENOUGH
TYLER, WE HAVE TO JOB TO DO TODAY.
WE ARE CHECKING FOR SECURITY VIOLATIONS.
LET & S; WALK THE PERIMETER.
I REALLY WANT THIS TO DO.
I DON'T WANT YOU TO HAVE IT'S AGAIN, okay? TYLER
COME ON, BUDDY.
YES PAK.
TYLER! </ P>
YES BU. YES PAK. </ P>
WHAT ARE WE DOING THIS FOR, DAD? </ P>
SOMEONE BROKE TO HOME US LAST NIGHT, TYLER. </ P>
HOW DO YOU KNOW IT WAS SOMEONE AND NOT SOMETHING? </ P>
HMM. IT & apos; S GOT A GRATE. NOT WORSE.
LIKE GHOST. WHAT IF IT WAS GHOST?
TYLER, CUT IT OUT, KEEP YOU?
HOW TO COME ALL OTHERS TO GET DO WHAT THEY WANT?
[MUTTERING]
CAN I PLEASE GO DO SOMETHING ELSE? PLEASE? </ P>
TYLER, WE WORK TODAY, ALL RIGHT? </ P>
So I NEED YOU TO WORK, okay? </ P>
DAD, DAD, LOOK AT ALL FLIES ON THE WINDOW.
TYLER, QUIT SURROUNDINGS.
BUT, DAD -
WHY WE DON'T JUST BUY WOOD?
DO YOU WANT CHOP WOODTILL DECEMBER STARTING TODAY?
NO, BUT WE CAN JUST BUY WOOD. I DON'T THINK SO.
JOHN MATTHEWS, DO YOU THINK THAT YOU LIKE
SMALL SMALL TIPS THAT I PUT IN HIS EARS?
MEL, HONEY. WHAT, DADDY?
WHO IS TELLING YOU ABOUT JOHN MATTHEWS?
NO.
Do you know you NO.
HE HAS SPEAK FOR JOHN MATTHEWS
FOR THE PAST A FEW DAYS,
AND I DON'T HAVE TELL ANYTHING. </ P>
THE LITTLE FRIENDS .
DO YOU SAY IT ABOUT JOHN MATTHEWS?
NO. That LITTLE FRIENDS.
DON'T SAY TO I'M. I AM NOT LYING. </ P>
NO HE IS ALWAYS SAY YOU TRUTH? </ P>
WHO GIVES YOU, HONEY? </ P>
What LORI SAYS YOU? NO. </ P>
DOES MOMMY TELL YOU? </ P>
JOHN MATTHEWS TELLS ME. </ P>
NO, HONEY. NO JOHN MATTHEWS. </ P>
SIAPA YANG MEMBERITAHUMU TENTANG JOHN MATTHEWS?
THERE IS NO ONE GIVING ME ABOUT HIM, DADDY.
HE SITTING RIGHT HERE.
HE WAS MY GOOD AND HE GIVED ME </ p >
THAT HE WAS USED TO LIVE IN THIS HOUSE
AND HE'S NINE.
WHAT'S AGAIN DOES HE SAY YOU?
I CANNOT SAY YOU. THIS IS A SECRET.
HONEY, WE ARE ONLY CONNECTING
BECAUSE DADDY SAW MEL SPEAKS TO FRIENDS IMAGINER </ p >
Whose name is JOHN MATTHEWS.
WE ARE ONLY WONDERING
IF YOU MAY ACCIDENT SOMETHING SOMETHING?
Doug: You know, JOHN MATTHEWS IS A GUY,
A SMALL BOY USED TO LIVE IN THIS HOUSE.
DAD, LIKE I SAY ANY ABOUT THAT
I DON'T EVEN KNOW THAT.
GOOD, YOU MAY BE THERE ONLY CHATTING WITH, LIKE, MOTHER
OR CHATTING WITH THAT KID
YOU FIND OTHER DAYS WITH DOGS.
NO. I DON'T EVEN SPEAK THAT KID.
MONEY, YOU DO NOT HAVE TO GET RESPONSIBILITY.
WE DON'T FUN YOU. </ P>
YOU LOVE ME. </ P>
YOU ARE ALWAYS I'M SOMETHING. </ P>
WILL YOU LISTEN TO ME? I DO NOT ACHIEVE YOU , HONEY. </ P>
WE JUST ASK IF YOU MAY YOU'RE SOMETHING
FOR ONE OF YOUR FRIENDS, MAYBE THAT GUY WITH A DOG. </ P>
NO. I DON'T SAY ANYTHING.
WE TRY FOR OUT PICTURE
HOW TO SEE OUT ABOUT THIS STUFF.
HE'S BACK -
YEAH, IT WAS A GOOD QUESTION, DAD, BUT IT WAS NOT ME.
GOOD. GOOD, YOU CAN CALM DOWN, ALL RIGHT? </ p >
PLEASE DON'T GET VERY DECLARED.
I AM NOT.
You are EXPENSIVE, EASY.
I AM NOT, DAD.
QUIET AJA.
I JUST ASKED SIMPLE QUESTIONS
ARE YOU SAYING SOMETHING FOR TYLER?
NO. I didn't SPEAK WITH TYLER. </ P>
HE LOVED THE CRAP OUT OF ME. </ P>
I KNOW. I KNOW. He APPRECIATES EVERYONE. </ P>
He will go crazy WE WORK ABOUT THAT. </ P>
HE MAY JUST LOVE YOU - TYLER! < br> TYLER!
TYLER, YOU GOTTO BE KIDDING ME. MOTHER! -TYLER!
[FOOTSTEPS] </ p >
Tyler: HEY, MOTHER.
HEY SAY.
I'M HERE TO SPEAK TO YOU ABOUT THAT CAMERA
DO YOU THINK YOU CAN GET IT OUT OF MY FACE?
YES.
THANK YOU.
HONEY, LOOK, I KNOW THAT YOU'RE BORED.
I KNOW THAT THERE ARE JUST NOT SEEM <
TO BE A LOT OF STUFF TO BE DONE AROUND HERE,
BUT KAMERA MAKE THINGS AGAIN
YOU ARE ALWAYS IN ALL STATEMENTS. </ P>
YOU REALLY NEED TO LAY OFF LORI, okay? </ P>
HE IS A YOUNG WOMAN. </ P>
HE NEEDS PRIVACY. </ P>
[GARBLED VOICE]
Okay, mother I WILL TRY. </ P>
DO YOU PROMISE? I PROMISE. < br /> I PROMISED.
Virginia: DOUGLAS!
YES. WILL BE RIGHT THERE.
TODAY IS PLEASED.
FIRST, MY DAD HAD US CHECK FOR SECURITY VIOLATIONS
BECAUSE OF THE LAST WEEK.
AND THEN MEL, HE'S ONLY WALKING FROM USE.
HE HAS A COMPLETE CONVERSATION
WITH THE LITTLE FRIENDS JOHN MATTHEW,
AND I, I THINK FINALLY WILL CAUSE ME.
HE'S SPEAKING WITH SOMEONE.
AND THEN LORI, HE HAD ME I SOON TODAY
JUST CAUSES I SPEAK TO HER .
WHO CARES? EVERYONE GETS SPIED ON
EVERY TIME BY THOSE OR SUSTER.
AND I HAVE TO BE NEEDED BECAUSE IT IS.
THERE WASN'T KNOW WHAT IT WAS LIKE BECOME A KID,
EXCEPT CHILDREN, THAT. </ p >
IT'S JUST NOTHING.
CAUSE ONCE.
DOUG?
HONEY?
DOUG.
WHAT ?
Are you going to bed?
ARE CHILDREN FOLLOWED?
YEAH, CHILDREN NEEDED ON.
I'M JUST READING FOR A LITTLE BIT, OK?
GOOD.
I'M GOING RIGHT.
IT WAS NOT GOOD TO READ IN THE LIGHT. </ P>
[DOOR CREAKING, SHUTTING]
GOTCHA! </ P>
WHAT ARE YOU DOING MY HOUSE? </ P>
[SHOUTING]
WHAT ARE YOU DOING FUCKING?
Do you know this? Do you know this?
WHAT HAPPENING? </ P>
LORI! LORI! GO GET INSIDE
I'M VERY SICK. </ P>
I NEED IT.
YOU STAY AWAY FROM MY CHILDREN, BOY.
YOU HEAR ME?
I'M GOING TO BLOW YOU TO HAVE RIGHT NOW.
MY PASSION.
STAY AWAY FROM MY FAMILY.
GET HELL OUT OF HERE NOW.
MOVE IT. MOVE!
SEE YOU LATER, LOSER. </ p >
[SCREAMS]
Tyler: DAD?
[DETACH]
[BUZZING]
DAD. DAD, WHAT HAPPENED? </ P>
ENTER IN. WE CALL A PPP. </ P>
WHAT? </ P>
MY DAD RIGHT < br /> AND I AM VERY
LORI IS ONE GETTING OUT.
IT'S NIGHT WEIRD.
GREG COMES AT, LORI & apos; S < br /> GOT TO SNEAK OUT...
AND MY DREAM ALMOST KILL IT WITH GUN.
THAT TYPE OF FUNNY.
[BUZZING]
HE GETS READY TO GET KICKED OUT AND LEAVE,
AND HE GETS YANKED OUT.
He leaves the ground AND EVERYTHING. </ p >
IT'S TRUE.
That's SCARIER FROM EVERYTHING.
IT'S ONLY, IT'S JUST...
[BUZZING] <
SON, ANYWHERE YOU ARE?
HE IS HERE.
HEY, GUNNY.
HEY HOW IS KABARMU?
THIS IS GOOD. </ P>
I'M SORRY YOURERE THROUGH ALL THESE. </ P>
NOT ANYTHING. </ P>
I WENT AROUND PERIMETER HOME
AND I CANNOT FIND ANYTHING. </ P>
I WENT THROUGH BUSHES, BASED ON TABLES, EVERYTHING. </ P>
THROUGH TREES. NO. </ P>
SO WHAT'S AGAIN DO YOU SEE HERE? </ P>
GOOD, THIS IS KID BROKE TO HOUSE TONIGHT.
IT WAS KID, IT WASN'T IT?
IT WAS KID. I DON'T KNOW HIS NAME.
GREG. Is he - GREG?
I THINK IT'S GREG.
I'M ALONE, YOU KNOW, WE'RE NEW HERE.
HE SHOWS THIS GREG GUY.
HE LETS OFF THE ALARM.
HE LEFT THE DOOR BACK OPEN TO HIM.
HE DO IT NIGHT BEFORE, TOO.
GOOD. </ P>
I COME AT 4:00 AM IN MORNING. </ P>
I HAVE TO DO MY WORK
AND DOORS IS WIDE OPEN
I don't know IF HE COMES IN. </ P>
I DON'T KNOW WHAT HAPPENED. </ P>
BUT TONIGHT I STAYED UP. I'M GOING HIM. </ P>
GOOD. LET ME TELL YOU SOMETHING ABOUT THIS KID. </ P>
LET ME TELL YOU SOMETHING ABOUT THIS KID, okay?
THIS KID ISSUE. HE IS?
YES. He did this. MANY TIMES
WITH GIRLS AROUND NEIGHBORS. </ P>
He entered
IT FIGURES. </ P>
AND HE PLAYS AROUND ITS WITH GIRLS
AND HE CAUSES AROUND BUNCH OF TROUBLE.
WELL, MY DAUGHTER "S... FAMOUS FAMILY. </ P>
WE HAVE MOVED FIVE TIMES IN 18 MONTH FUTURE -
YOU MOVED FIVE TIMES? </ P>
WE HAVE MOVED FIVE TIMES .
GOOD.
LIKE THIS IS MUCH BETTER IT'S FOR US NOW.
MAKSUDKU, WE STAY HERE.
BUT, I MEAN, IT'S ALREADY STARTING UP, SO...
BUT I PRODUCE IT. HE DOESN'T BACK.
I MEAN, IF KNOW KNOW WHAT'S THE BEST FOR HIM,
HE DOESN'T BACK.
MANY PEOPLE SPEAK THIS KIDAND HE WILL STILL BACK .
SO JUST BE WARY OF THAT,
BUT I DON'T THINK YOU HAVE ANYTHING TO WORK.
SO WHAT I'M DOING - SINCE EVENING,
I WILL RETURN TOMORROW MORNING AND LOOK AROUND IN DAYLIGHT
TO SEE IF THERE IS WHAT CAN I FIND
ONLY TO CHECK THE DOUBLE FOR YOU
TO ENSURE THAT you're fine with that.
IT'S BIG.
OK? ALL RIGHT, BUDDY. </ P>
I'M GONNA TAKE OFF. </ P>
I'M GOING HERE ABOUT 9:00 IN THE MORNING TOMORROW
PERFECT. GOOD . I WILL GIVE YOU A CALL BEFORE YOU -
CONTACT BEFORE I.
I WAS IN THE TRIP HERE. GOOD ?
I APPRECIATE IT, MAN. NO PROBLEM.
HAVE A GOOD ONE. APPRECIATE IT.
GOOD. THANK YOU FOR COMING.
NO PROBLEMS, GUNNY.
I WAS SURROUNDING YOUR SURROUNDING PERIMETER OF YOUR HOUSE,
AND I FOUND SUBSTANTIAL NUMBER OF BLOODS.
Doug: what
BLOOD BACK THERE.
YES.
WHAT'S FUCKING?
SO I'M GOING TO REFER THIS IS FOR DETECTIVE. </ p >
GOOD, WHAT - THAT - THERE'S A STRUGGLE?
I CANNOT GO TO MORE DETAILS OF THAT.
BUT YOU DO NOT SEE STRUGGLE?
I CANNOT REALLY GO TO MORE DETAILS
BECAUSE IT WAS NOT IT MY DEPARTMENT.
I HAVE TO REFER IT FOR DETECTIVE.
Virginia: SO YOU CANNOT SAY WHERE BLOOD FROM?
I HAVE NO IDE.
HE'S THE PROBLEM. WHAT IS TRUE?
THERE IS A SHIRT.
WAS IT TORN UP? I MEAN - </ p >
I CANNOT REALLY GO TO MORE
BECAUSE I DON'T KNOW.
I MEAN, THERE ARE CLEARLY ATTACKS
I DON'T WANT TO GET YOU ARE RILED UP GUYS OR UPSET
BECAUSE - LET & apos; S JUST HAVE A DETECTIVE COMES IN,
AND HE WILL DO IT INVESTIGATION, okay? </ P>
Virginia: okay
SWIMMING POOL? </ P>
CAN I SPEAK FOR YOU GUYS OUTSIDE?
YES. YES.
TYLER, GOD TYLER
TURN THE CAMERA.
STOP OFF. I WANT TO LISTEN TOO.
SO I HAVE TO HAVE DETECTIVE
CONTACT YOU GUYS THIS IS AFTERNOON, okay?
I'M GOING TO BE ABOUT THIS
I WILL FOLLOW EVERYTHING FOR YOU,
GIVE YOU UPDATES, </ p >
BUT HE WILL HANDLE INVESTIGATION FROM HERE.
DNA AND THAT TYPES OF THINGS.
Doug: great FORENSICS, okay? </ p >
OH, ALSO I'M GOING TO BE -
IT'S ONLY POOL POOL?
ONLY POOL. Melanie: THANK YOU, JOHN.
NO TRACKS OR ANYTHING.
WHAT IS IT?
I DON'T HAVE AN IDE.
NOT ANYTHING .
SO, JOHN, LET GIVE HIM BATH AFTER THIS
COME ON, HELP ME GET THIS Not from TripAdvisor LLC.
I PLEASE GIVE ME TAPE?
Tyler: I'M GOING TO RETURN?
Doug: GET TAPE. SORRY ABOUT IT.
Officer: NO PROBLEM. Virginia: LISTEN, I JUST WANT TO KNOW
WE APPRECIATE WHAT YOU'RE DOING.
I MEAN, I KNOW THIS -
Melanie: NOW GET HAIR AWAY FROM THE EARTH. </ P>
WE ARE REALLY FRAZZLED. Officer: I UNDERSTAND. </ P>
THAT'S WHY I DON'T WANT TO TO GO TO MORE DETAILS. </ P>
& apos; CAUSE I DON'T KNOW WHAT
OR I DON'T KNOW WHAT IT CAN. </ P>
So I just want to, YOU KNOW -
LET & S; S ONLY WAITING AND LOOKING. </ P>
TYLER, I'M ALREADY TURN GODDAMN CAMERA OFF, ALL RIGHT? </ P>
Turn OFF! NOW! </ P>
MATI! MATI!
Tyler: I HAVE ONE MORE QUESTIONS, ENOUGH.
Virginia: thank you very much. NO PROBLEMS. I'M ON TOUCH.
AS MY OWN, IF YOU NEED ANYTHING, CALL.
GOOD. THANK YOU, ASSIGNMENT.
NO PROBLEM.
OH.
JOHN, I THINK IT'S TIME
FOR HIM SHOULD HAVE He showered now, not you
WITH WHO ARE YOU SPEAKING, LOVE? </ P>
JOHN
[SIGHS] HONEY, ARE YOU ALWAYS TALK TO JOHN? </ P>
LESS MORE. She's my friend, DADDY
NOW, YOU KNOW IT'S OKAY TO TO HAVE IMAGINARY FRIENDS,
BUT YOU DON'T NEED TO SPEAK THEM -
NOT HIM MY FRIENDS IMAGINARY. </ P>
SEPANJANG WAKTU. BAIK?
HE IS SITTING RIGHT THERE.
WHAT IS NEWS?
I WELL.
I JUST MEET HIM IN SWING
ARE YOU? ARE YOU GLADING?
YES.
I LOVE YOU. THANK YOU.
HAI. HOW IS KABARMU? </ P>
GOOD. CONTINUE AND TAKE SEAT. </ P>
SEE, I WANT I'M MORE MORE
TO TELL YOU FOLKS ON THIS TIME, BUT I DO NOT.
ALL FORENSICS TELL ME NOW ALSO
IT'S A HUMAN BLOOD, BUT WE DON'T HAVE THE BODY. </ P>
WE DO NOT HAVE A GO. </ P>
SO I CAN SAY IS
THEY WILL BE TEST THE RESULTS,
TAKE THEM WITH LAB. MAYBE ONE, TWO DAYS,
WE WILL HAVE MORE THAN ANSWERS TO YOU FOLLOWING.
GOOD.
AND BEFORE I'VE HAD HERE,
I JUST WANT TO ASK YOU BOTH QUESTIONS.
AND IT WILL BE A OUT OF THE RECORD,
BUT HAVE ANYTHING NOT IMPLIED HAPPENED HERE? </ P>
GOOD, FELT OUR SON LIKE THAT'S -
NO.
NO, WHOA, WHOA. WHAT ARE YOU SAYING?
I MEAN, OUR CHILDREN, HE > RUNS AROUND THE CAMERA
AND FILM STUFF, AND YOU KNOW,
HE SAYS HE SEES OUR THINGS,
BUT THERE'S REALLY THERE WAS NOTHING HAPPENED
Besides that, I MEAN, YOUR STUFF KNOWS ABOUT.
RIGHT. BUT IN ADDITION THAT, HAS WAS ANYTHING -
BAIK, ADA - UNEXPLAIN MAMPU TERJADI?
I MEAN, THIS IS SOME PRETTY CRAZY STUFF OUT THERE WAS.
WHAT WAS-- YES. ALARM HAS COME.
ALARM HAS COME. </ P>
ALARM OFF TWO TIMES. </ P>
ANY SIGNS OF BREAK-IN OR ANYTHING LIKE THAT? </ P>
FORCED ENTRY?
NO. OPEN DOORS AND WE HAVE THEM.
OPEN DOORS AFTER YOU LOVE THEIR SECOND.
FOR THE LAST EVENING, THE NIGHT BEFORE, I GOT UP. </ P>
AS FAR AS I KNOW,
WE SEND DOORS WHEN WE GO TO SLEEP,
BUT I GOT UP AND DOORS WIDE OPEN.
THESE DOORS HERE.
ALARM WENT OFF, YOU KNOW ,
SO NIGHT AND PREVIOUS NIGHT.
ON TIME TOGETHER.
YOU DO NOT LIKE AROUND HERE, WHAT ARE YOU?
NO NO.
NO? BUT YOU ARE FAMILY WITH HISTORY OF THIS HOUSE?
I MEAN, GENERAL.
AS FAR AS A FILM, THE BOOK, EVERYTHING IS LIKE IT? </ P>
YES. COURSE. </ P>
THEN YOU KNOW WHAT HAPPENED HERE IN SEVEN, TRUE? </ P>
BECAUSE IT REALLY HAPPENED. </ P>
THIS IS KID NAMED RONNIE DEFEOOFFED MAN, PANYA,
TWO SMALL BROTHERS , AND SISTERN.
[VIBRATION]
GOOD. THEY KILL SIX PEOPLE.
[GASP]
NOW, AFTER, THE BOOK, THE MOVIE CAME OUT.
All of you FAMILIAR WITH IT.
BUT EVERYONE THOUGHT IN SOME CASES
THAT RONNIE WS RESPONSIBLE FOR MURDERS...
[BUZZING]
... THAT HE WAS NOT ONE TO BE IT.
IT WAS SUSTERNYA AND SOME OTHER ACCOMPLICES.
THEY DON'T KNOW WHO > THIRD DOOR,
BUT IT'S TURNING THAT RONNIE DEFEO,
ACCORDING TO THIS LETTER,
IS NOT RESPONSIBLE FOR KILLING THE FAMILY .
IT'S SUSTERNYA WHO IS RESPONSIBLE
NOW, THIS TRAINING LETTER OUT, WHAT, LIKE, 1998, 1999,
ABOUT 12, 11 AGO YEARS.
[BUZZING]
AND SINCE THAT TIME,
THERE ARE EIGHT EIGHT DIFFERENT FAMILIES
p>
Who lives in this house
AND BEFORE IT WAS THERE MAYBE FOUR OR FIVE,
AND WE SPEAK ABOUT 75 YEARS </ p >
THERE'S EIGHT EIGHT DIFFERENT FAMILIES WHO LIVE HERE.
GOOD. So, okay
THERE ARE EIGHT DIFFERENT FAMILIES. SO -
BUT THERE'S NO HAPPENING TO THEM.
[VIBRATION STOPS] THERE'S NO HAPPENING ON THEM, BUT... .
[BUZZING]
I DON'T THINK ONE FAMILY HAS STAYED HERE
MORE THAN ONE, TWO MONTHS, MAYBE TOPS. </ P>
ARE THEY GIVING REASONS WHY ARE THEY MOVED? </ P>
NO, JUST UP AND LEFT. </ P>
THEY MOST EVEN LEFT THEY DEPOSIT AT HOME. </ P>
HAH. </ P>
YOU HAVE PLACE CHEAP PRETTY, NO? </ P>
YES. YES.
YOU DO NOT GIVE MORE MORE THOUGHT ABOUT THAT,
WHY IS IT POSSIBLE VERY REASONABLE?
GOOD, WE WANT TO THINK ABOUT - HONEY.
ALL RIGHT, LOOK,
I'M SORRY I EVEN SAID ANYTHING SEE -
YES, TRUE. NOT ANYTHING. </ P>
THE BEST THING I CAN SAY NOW
IS THAT WE WILL FIND OUT WHAT WE CAN HAVE WITH FORENSICS
AND CAN RETURN TO YOU AS AS POSSIBLE, ALL RIGHT? </ P>
WE APPRECIATE THAT
THANK YOU. GOOD.
THANK YOU. THANK YOU, DETECTIVE.
IF YOU NEED ANYTHING, I WILL HERE. </ P>
ONLY...
YOU TWO KNOW HISTORY THIS HOUSE, TRUE? </ P>
YES. </ P>
WHETHER I ASKED HONEST QUESTIONS? </ P>
WHY ARE YOU MOVING HERE? </ P>
Tyler: MEREKA MEMBUTUHKAN UNTUK MENURUNKAN JAM.
SO WHAT IS DID DETECTIVE SAY, DAD?
WE NEED, LIKE, 15 CAMERA AND Sensor Disorders, INFRARED.
DOES SOMEONE MADE ?
THEY FIND ANYTHING?
THERE IS, LIKE, 100 PEOPLE HERE.
GUNS. GOD, I HAVE TO HAVE A TIME. </ P>
WHO ARE YOU CALLING, DAD? </ P>
YES. HEY, CUT, THIS IS A GUNNY.
I HATE IT WHEN PARENTS I IGNORE ME.
YEAH, SAVE THE SMALL TALK FOR LATER, BUD.
I KNOW IT'S ALL,
BUT I HAVE A SITUATION I NEED YOU TO COME. </ P>
TODAY'S TYPE OF MESSAGE. </ P>
I NEVER SEE A LOT COPS IN MY LIFE. </ P>
THEY'RE JUST ALL TELLED
DAN ADA BUNA GUYS DENGAN SUITCASES.
I am too much DONE THEY SAY
IT'S JUST, LIKE, BLOOD PUDDLE.
I don't know WHAT'S BUT....
ANYONE?
HEI, SIR, ARE YOU HERE TO ASSIST US?
MY HUMAN, CUT.
OH, LOOK AT YOU, MAN.
GONI.
FIVE YEARS.
OH, IT & apos; S BEEN A WHILE.
DAMN, IT WAS GOOD TO SEE YOU, MAN.
A GREAT HOUSE.
OH THANK YOU. DUDE, I TOLD YOU
YOU'RE GOOD ONLY?
MAN, I HAVE TO SAY YOU, I'M BETTER.
VERY?
YES. I MEAN, I HAVE TO SITUATION HERE.
I'M GLAD YOU HERE.
DO YOU LISTEN TO GEORGE?
YEAH, YEAH.
MAN, I'M GOING TO BE DONE WHAT TO DO THERE.
YEAH, I THOUGHT YOU THERE WILL BE FUNERAL.
I'M JUST BEEN FOLLOWING WITH -
I MUST - I MUST A thing that happens, MAN. </ P>
HEY, HEY, HEY. </ P>
LOOK, I WILL NOT NOT HEAR FROM THE BOSS
UNTIL THINGS TRUE BAD. </ P>
YEAH, THEY ARE BAD. </ P>
I'M GIVING SHIT SHIT WILL BE ON. </ P>
WHAT'S HAPPENING? </ P>
I WAS PLEASED TO SEE YOU. </ P>
SO LET ME SHOW NOW, OK ?
SEE, I'M NOT THIS -
I MEAN, I PULLED MY GUN AT THE LAST KID NIGHT.
MY GIRL CHILDREN - A GANG KID? </ P>
NO, NOT GANG KID. He is a LOCAL KID. </ P>
I'M ALONE ONLY-- HE LOST IT.
HE LOVES HIS THOUGHTS.
RIGHT HERE.
HE LOVES HIS THOUGHTS.
HE'S ATTACHING EVERYONE TIME AND STUFF, I MEAN, BUT...
WHO SAYS YOU - YOU MEAN THIS KID BROKE IN? </ P>
YES. I THINK HE'S IN NIGHT BEFORE GOOD. </ P>
HE COMES AT THIS DOOR BACK HERE. </ P>
WITH IT OR - I don't know
I SEE A WEEK WEEK .
I MEAN, I'M DOING IT BEJEEZUS FROM THIS KID.
I PULLED MY GUN.
FUCKING SCARED HIS ASS OUT THE FRONT DOOR. </ P>
[LAUGHS] YES, I CAN SEE YOU. </ P>
OH, that's GUNNY I KNOW. </ P>
Tyler: WHOA. WHAT IS STUFF? </ P>
Lori: I'M NOT TROUBLE MAKER. </ P>
THIS IS NOT FAIR. </ P>
Doug: YA, ITU FAIR.
AND IT WAS NOT YOUR PLACE TO TELL WHAT IT WAS FAIR.
I DECIDE WHAT'S NOTHING OR NOTHING, OKAY?
WHAT ARE YOU UNDERSTAND ME? </ P>
DAD, I'M SORRY. </ P>
I KNOW YOU'RE SORRY. </ P>
I'VE ALREADY BEFORE THIS. </ P>
I GET THIS OVER AND AGAIN AND AGAIN. </ P>
I JUST DO NOT KNOW WHAT IT IS TO DO, ALL RIGHT? </ P>
YOU HAVE DOED THIS FOR DURING TWO YEARS NOW. </ P>
YOU JUST GET ALL - Tyler: CRAP
Doug: OFF TRACK. IT WAS NEVER CHANGED. </ P>
Lori: DAD, I'M SORRY. </ P>
MY PASSION. </ P>
[BUZZING]
Doug: THAT'S ALL THERE'S. </ P>
JALANKU. LET US IN. LET ME ENTER.
THIS WILL HAPPEN GOOD GOOD YOU LIKE IT OR NOT.
YOU CAN MAKE IT EASY OR YOU CAN MAKE IT HARD.
YOU ARE.
Lori: okay, okay
GONI?
YEAH, COME ON.
Lori: GO AHEAD.
THANK YOU.
LORI.
DAD GOOD. .
I MAY THINK HERE.
Tyler: THE WIRE AGAIN?
[BUZZING]
Tyler: WHOA. </ P>
Cut: WHAT ARE YOU FILMING ME FOR, KID? </ P>
Tyler: CRAP
HOW DO YOU GET THAT CUT ON YOUR FACE? </ P>
ARE YOU SOME TYPES OF PARANORMAL INVESTIGATORS? </ P>
I ASKED DIFFERENT QUESTIONS. </ P>
WHAT MY NEWSPAPER AND MY FRIENDS? </ P>
YES. I HAD KNOW POP YOU'RE OLD TIME. </ P>
SO WHAT IS THE CAMERA FOR?
GOOD, YOU HAVE PEOPLE BREAKING IN.
HOW DO YOU KNOW IT WAS SOMEONE AND NOT SOMETHING? </ p >
YOU KNOW, LIKE GHOST?
ARE YOU GOING TO HELP US CATCH THE GHOST OR NOT?
GHOST, HUH?
YES. </ P>
[BUZZING]
SOME TYPES OF GHOST IN OUR HOUSE. </ P>
[LAUGHS]
Doug: TYLER
YES. </ P>
LEAVE HIM ALONE. </ P>
YES PAK. </ P>
FUCK. </ P>
You're good okay, man
YES.
GET YOU FOR ME.
YES PAK.
DONE.
SO I REPLACED ONE IN THE LIVING ROOM.
RIGHT?
A NICE, TIGHT SMALL CAMERA.
RIGHT BACK ?
YES. THAT IS TAKEN
AND THEN I can THE ONE OUT FRONT
UP AND DOWN. GOOD ?
Virginia: DOUGLAS?
I HIGHLY APPRECIATE IT. I WILL BE RIGHT THERE. </ P>
THANK YOU. GOOD. GOOD WORK. </ P>
ENJOYMENT, MAN.
ALL RIGHT, MAN. PLEASED WITH YOU.
I HAVE TO THINK THIS ONE. OUT BEFORE I LEAVE.
GOOD. GOOD. </ P >
COME ON, UPSTAIRS. </ P>
Doug: CUT, NO! </ P>
[ALARM RINGING]
Virginia: DOUG ?
[ENTERS PASSWORD]
[ALARM STOPS]
[PROBLEM] TYLER, STAY HERE.
TYLER, STAY HERE. </ P>
STOP. WHAT ARE YOU DOING? </ P>
TYLER, STAY HERE. </ P>
TYLER, KNOCK IT OFF .
STOP ASSOCIATED AROUND. GET UP HERE.
Tyler: mother?
[DOUG CRYING]
DAD?
PLEASE. I AM DOING THE BEST CAN BE.
I TRY AS HARD AS I CAN. [CRYING]
I LOVE YOU.
I CANNOT FIGHT LIKE THIS.
I DO EVERYTHING CAN I DO.
I don't know WHAT CAN I DO.
I DO EVERYTHING CAN I DO.
HELP HELP.
PLEASE HELP ME.
MY PASSION.
WHOA. IT WAS ALMOST NO AND MOM STILL SLEEP.
HE NEVER SLEEPS THIS LATE.
MOTHER? MOTHER?
WOW.
I WANT IF LORI & apos; S THE SAME WAY.
WHO CARES?
DAD?
WHAT -
[BUZZING]
Melanie: IT WAS ONE TO BE A LINE.
Virginia: YEAH, IT WAS AWESOME. </ P>
YES. </ P>
Tyler: DAD, HE SPEAKS JOHN MATTHEWS AGAIN. </ P>
HALO. I am CATSCRATCH
I JUST TELL YOU THAT YOU WHISKERS GIVEN. </ P>
HONEY, WHO ARE YOU SPEAKING TO? </ P>
JOHN MATTHEWS.
WHERE IS IT?
DISANA.
[BUZZING]
Melanie: WHAT'S ON ARE YOU DOING? </ P>
YOU STAY AWAY FROM YOU. </ P>
STAY AWAY FROM ME YOU! </ P>
WHERE DID HE GO, HONEY? </ P >
He is outside, DADDY.
STAY AT MY HOUSE.
WHERE IS HE, BABY?
TELL ME WHERE HE IS.
He's outside.
DON'T YOU EVER SPEAK FOR YOU AGAIN.
NEVER TALK TO HIM AGAIN, okay?
OK, DADDY.
PROMISE ME.
I HAVE EVERYTHING UNDER CONTROLS
I HAVE ENEMY ENEMIES.
I BRING THE PLAN, AND YOU CAN ALL RELAX. </ P>
DAD, HOW CAN YOU EVEN - LORI. LORI. </ P>
EVERYTHING-- Melanie: MOMMY , I HAPPENED. </ P>
YES GOD. </ P>
DO NOT SUCCEED. DON'T SUCCEED. </ P>
IT'S ONLY A BREAKER. </ P>
I'M GO CHECK. </ P>
SERGEANT ON MY SIX. </ P>
Tyler: YES, SIR. </ P>
Virginia: HONEY... IT'S OK. NO PROBLEM .
DO NOT NOTICE.
IT'S ONLY LIGHTS.
Melanie: HOW ARE YOU KNOW IT'S ONLY LIGHTS.
AKU TAHU.
IT'S ONLY LIGHTS.
SEE?
OKAY, GUYS, LISTENING.
THERE IS A NEW PLAN NOW, OK? </ p >
WE LEAVE THIS HOUSE.
GOOD? WILL TO PACK WHAT WE CAN.
WE WILL GO WITH < br /> AUNT LYNN AND UNCLE EDDIE.
GOOD. THEY GO HOME IN STRONG DAY,
AND WE WILL GO.
I WANT TO RETURN YOUR SUITCASE BLUE
STILL IT WITH AS YOU CAN.
I WANT TO HELP -
COURSE ONLY DADDY "S GOING. YES. </ P>
CAN JOHN COME, TOO? </ P>
Tyler: what is STUFF? </ P>
HE MUST BE SOME LOSSES. </ P>
DAD, WHAT IS THIS STUFF? </ P>
WHAT HAPPENED? </ P>
LIHAT DI STUFF INI. APA ITU?
I THINK IT WAS MY GOOD IT WAS REALLY LOST IT.
I DON'T KNOW WHAT IT WAS.
SEE?
[BUZZING]
[GARBLED VOICE]
Tyler: he will go crazy
HONEY, WHAT ARE YOU DOING?
THIS DOESN'T MAKE EVERY SENSE. </ P>
IN TWO DAYS WE CAN GO FOR AUNT LINDA> S. </ P>
MOM, WHAT IS HE DOING? </ P>
DAD! YOU'VE BEEN SUCH A lover,
AND I HATE YOU I HATE MU.
ENOUGH.
WHAT YOU HEAR ME? I HATE IMMEDIATELY, SO MUCH. </ P>
GO TO CAMERA. IT'S RIDICULOUS. </ P>
IT DOES NOT HELP, LORI. </ P>
[BUZZING]
THAT WELL TURKEY, WHAT IS IT, JOHN?
WITH YOUR FRIENDS JOHN MATTHEW AGAIN?
UH HUH.
CAN YOU ASK HIM SOMETHING FOR ME?
SURE.
Ask him what he wants and IF HE WANT WE GO.
GOOD. WHAT DO YOU WANT, JOHN?
GOOD. IA TELLS THAT
HE WANTS, MOMMY, AND DADDY TO LEAVE.
WHAT ABOUT YOU, MEL?
WHAT ARE YOU WANTING AGAIN, JOHN?
GOOD. He WANT ME TO STAY HERE FOREVER.
OH, and CAT SCRATCH, TOO.
UH HUH. ANYWHERE? </ P>
IT'S A LONG TIME. </ P>
I KNOW. </ P>
WHY AM I NOT ME? </ P>
GOOD.
[STATIC]
[BREATHING HARD]
NOW LISTEN.
WE ARE BENSON.
WE DO NOT RECOMMEND From this bullshit
ARE YOU UNDERSTANDING ME?
WE ARE IN THE WAR.
ARE YOU UNDERSTANDING THIS IS A WAR?
I HAVE BEEN IN AFGHANISTAN.
32 PEOPLE AFTER ONE TIME MEAT.
32 PEOPLE AND I FOLLOW EM LIKE FROGS.
I like & apos; EM LIKE THIS
ARE YOU UNDERSTANDING WHAT DO I SAY?
WE ARE IN THE WAR!
SAY "SIR, YES, SIR!"
[GARBLED VOICE]
PREPARE FOR ASSIGNMENTS! YES PAK!
[GARBLED VOICE]
KILLER AND COLLECTORATOR.
GATES OF NELL.
WE ARE IN GATES OF HELL!
DOWN! DOWN!
EVERY DAY.
[BUZZING]
OK, EVERYONE RISE UP.
EVERYONE UPSTAIRS, EVERYONE UPSTAIRS, ALL UPS UPS.
AYOLAH SAYANG. DEAR AYOLAH.
NO PROBLEMS. AYOLAH. EVERYONE UPSTAIRS.
MY DAD HAD NERVOUS BREAKDOWN. </ P>
WE REALLY SEE GHOSTS IN THE HOUSE,
AND I THINK I'M MORE AFRAID FROM MY DAD FROM GHOST.
MY MOTHER SAYS WE WILL TO BE LINDA IN TWO DAYS
OR WHEN HE CAN RETURN FROM HOLIDAYS
I JUST STOP I CAN MAKE IT GOING LATER. </ P>
[SIGHS]
[STATIC]
[TICK]
[POUND, POUND, POUND]
[STATIC]
[GASPS]
AAH! </ P>
[HOWLING]
[CRUNCHING ]
[SETTINGS]
[GASPS]
[RAPID TAPPING]
[STATIC]
[ GASPS]
[STATIC]
[DETACH]
[VOICE WHISPERS]
YES GOD.
OH.
[ANNOUNCING]
[BUZZING]
Tyler: mother?
MOTHER? </ p >
MOTHER?
[GASPS]
[HYPERVENTILATES]
[ROARS]
[MOUNTAIN]
[GASPS]
[GROANS]
[COUGHS]
[GASPS]
[JOHN AND MEL CONVERSING]