Some people say
that they are willing to kill to make Hollywood movies.
Only difference...
I just did it.
Wait in the car. I'm not long.
You're Douglas Brown.
I'm a producer. This is just...
My friend wrote this script.
I'm a producer, he's a director...
Led by you will be perfect.
Great. Come on, let's have lunch. Oh, are you serious?
Of course not. I don't want to hear a movie offer from anyone.
You don't understand, Mr. Brown,
This script is based on the actual story.
This is real.
Yes. I do not care.
We can juice the mangoes? / No.
There is Douglas Brown in the VIP room.
I told him, "Whatever the drink, I will get it."
He ordered, "Mango juice."
Listen, why don't tell someone?
OK. Tell someone fast. / I'll tell him.
Hey, how are you?
I don't like this man. Tell someone else.
Ugh, you know?
Going for a walk, backward,
Take the best bottle of champagne we have,
and take it to the table.
Fuck.
Happy Birthday, Jack./ Thank you.
Why does he keep calling Panama?
Panama a beautiful country.
The people are amazing, very friendly.
Beautiful beaches. / With banks that can keep secrets.
It has something to do with one of the divorces.
We love you. We love you, D.B.
You know, I don't know why your mother turned away, Jack.
I've never judged you guys. / Why is he here?
I... he never came on anyone's birthday.
Mom... He wants something.
You're right, I want something.
Who cares about birthdays?
I came here to make sure your son
make the character in the next movie, change.
This will make me famous again.
A little old to be famous.
Listen, Jack, I'm not playing grandfather, okay?
I... I'm her father
and also, we need change location to Panama.
It's exotic and...
there are some things we can do with banking, finance...
Well, you know, I mean that... ... you know what I mean.
Yes, I know what is meant but... the country is different now.
Noriega there is no more.
Let's talk in the office tomorrow.
So, we are shooting in Panama... Panama.
You can't even say Panama.
I don't know.
Jack.
Oh, Rick. Hey, happy birthday!
Thank you very much.
You know I have a bottle of champagne,
from house.
Well, provided from the house. Thank you very much.
Mr. Brown.
Nice to meet you. Your big fan.
Thank you.
May I add the mangosteen juice?
Please don't. I... I think I'm just, uh, better, uh...
Do what? / Set your breath.
I just need to wash my face.
You shouldn't be here.
Oh, I'm sorry. I am sick. i need...
Oh my God. You're... you're Douglas Brown.
I need to use a WC.
Now you stay there.
You get the big surprise that comes to you.
What's up.
Please help me.
Jesus Christ.
Take him out! Take him out! Take him out! Keep moving.
Hey, Jack,
I was just told that Douglas Brown
not feeling well.
But don't worry, kids, they bring it into the car,
The driver took him home, he was fine.
But, stay here, enjoy yourself.
Thank you, Rick.
Hmm./ Hmm.
That's Dougie Brown.
Extraordinary.
Can I... you... you get set up one of the immigrants.
Vic! Come on, it's midnight...
I hear your music and door open.
You can still knock.
You know, right. You're right, I'm sorry.
I... I'm excited.
I just want to tell you something very important, that's all.
Yes, what?
What is that?
Can we talk alone, without immigrants?
You know I didn't hear you, I just heard my music.
How are you doing, honey? / I'm fine.
Good. That's enough for you.
Honey, may I and Vic talk for a while here?
I don't want to. / Please.
Yes, to another room, keep going, huh.
That's right now. Come on.
Enter the room, keep going.
What is that? / Are you ready?
I found someone to finance our film.
Who? - Well, that... that doesn't matter.
That's complicated. Uh, I just need to know
how much do we need. / No, no, wait.
Who do you have to tell me?
Douglas Brown.
What? Douglas Brown?
Yes, I put it in the elevator.
Wait. Well.
You give "Night of the Fire"? / He likes it.
Really?
The first time anyone in this industry
Saying like my work.
What... yes.
He says only help in certain situations.
Ok?
So, we are prohibited from speaking about him or her,
or we lose everything.
Um, really? Okay, um...
Well, you know, it's very controversial.
He is like, uh, an angel investor.
There is only one...
Are you sure...
You can do everything, with $ 200 thousand.
OK.
We shoot digitally, we use freelancers.
I can do it with $ 200 thousand.
I take the money from our angel
and if we can keep this secret...
Dude, we have our own film.
Whoa! I mean...
Yes, this is happening. We just...
we have to be quiet about that.
Well, I mean, you know me. I'm as calm as a church mouse.
Can you be calmer than that?
What?
Can you be calmer than that?
Yes, I'm as calm as a church mouse, um,
You know, on foot.
Yes, that's what I'm talking about!
He really said like it?
Yes.
Wow.
Night of the Fire.
Yes, alright,
Vic Venitos presents Night of the Fire...
On the title of the film.
OK.
Good. How bad can that be?
Oxana! Guess who will be in the movie?
Who will be in the film?
you.
Me? / Yes. I just played you.
But...
... I don't know how to play.
I only know how to dance. / Dear, that doesn't matter.
Vic just gave us money for movies.
What? / He?
He can't do anything right.
Check your sundial, baby.
I'm a producer now.
Now you're direct. And you...
You're an actress dancer. / Mm.
I will let you both have moments.
I have to go. Hey! May I... can I take this?
Remember, Max...
Don't tell anyone.
Anyone. Da svidaniya, Vic.
Now we dance?
Hello, shooter.
Christ... What happened last night?
Hmm? / I don't know.
Oh, someone left this last night.
I need time for myself.
No!
Good news, amigo.
Panama documents have just come.
What's wrong?
Pay $ 200 thousand or enter the internet.
How bad?
Very
Can I see it?
No. / So bad.
This is worse.
Damn.
A nice tree.
It shouldn't be very bad. We will fix it.
Trust me when I tell you 30 years in Hollywood...
I have seen everything.
I'm very messed up.
I don't know how this happened. But I'm ruined, Jack.
You need to be calm. Just show the DVD.
That's very... embarrassing. / Everything is fine.
We can arrange. But first...
I have to ask you to...
show what's on the DVD.
I know I know.
Ooh.
Get caught wet.
I've never seen that thing in my life.
Well, that's... entertaining.
I'm done, Jack.
I... I don't think it can happen
... on someone on the general stairs.
I'm looking for a solution! If this becomes viral on the internet,
I'm ruined. / How do fans remember you?
40 film works cannot survive this.
Should we pay $ 200 thousand? Look at
There is an email at the bottom.
"notimeforcrom @ internet
cafe17.org "./ No no! God, no! No!
Don't play with someone like that.
Do you think such people just disappear? no.
In the past,
Once the phone to the studio and they fix everything.
They know how to take care of the star.
I have people.
His name is Frank Manascalpo.
Busy.
Okay, let's play.
Now? / I'm not waiting for popcorn.
Universe Club.
With a time code...
directly from the monitoring rack. Hmm
Oh, Jesus!
Oh! All right, I'm understand. Turn off. Off... turn off.
I'm done.
I know the club. I can handle it.
I just find out who took recordings from a security hard disk.
So, no problem, then?
Mr. Brown, believe me, this is an amateur.
Consideration, what is on the record,
what they ask for is only nuts.
On the open market, it applies 10 times.
We are in very good hands.
You won't believe what he handles.
I mean, he has handled the worst.
Gentlemen, my career and all my work
is at the end. / Douglas...
I want you to calm down.
Hello.
Yes, he said you would call.
My financial advisor?
Yes, the mailing address is in Panama City.
Good. Nice to talk to you again. Thank you.
That's my ex-wife's lawyer.
It seems we have a prolonged problem, marital problems...
only he can...
Forget it. I need to drink.
No, Doug, let that, God, this will also pass.
Easy to do it. Huh? / Frank.
I want you to guarantee me
You can make it disappear, immediately.
Mr. Brown.
This will be charged.
But I guarantee.
What I need from you is the DVD and the package.
No no No. DVD remains here.
You have to give him something. He is very good.
I don't care.
This stays with me.
I want you to relax...
and don't need to worry. For now,
remain at home.
Bea!
I got a new case.
Okay, say.
Extortion.
A handwritten note. One or two people are in a hurry.
And a DVD from the monitoring rack
at the Universe Club.
Universe Club? We have already dealt with them.
I can get into their system.
Okay, there's a problem.
One of the hard disks has been taken.
Okay, I'll go there.
OK, get me an analysis notes from the police station
and your expertise with an email address.
Oh no.
Oh yeah. And you know why I'm here.
We don't know exactly what happened to Mr. Brown.
We find drunk,
We remove it from the club, put it in the car.
Then what? you come here and find someone...
have you taken your hard drive?
Well, we don't know at first , we think maybe
Mr. Brown came here and took it. He didn't take it.
But now you have a problem with me.
You need a new system. / You're selling this system.
This, uh, 25,000 for consultation...
and 25,000 for the system.
I also want the name and address
of each of your employees. You have mice.
And I'm the cat.
I can list all employees.
So far in work. What do you get?
See this. Anyone who writes this note,
from pressure paper...
... typewriter.
"Night of the Fire by Max O Leary."
And he even wrote the address.
This is not our person...
but he knows our people.
Let me see if I go talk to Mr. O & apos; Leary,
maybe he wants to sacrifice his friend.
Have fun.
Are you Max O Leary?
Yes.
It shouldn't open your door like that.
It's a problem. Can I help you?
I know your name and address from your script title.
I just want to talk to you about something that happened last night.
I think maybe you might know something about that.
You might have a friend who works at the Universe Club.
Now wait, we can...
Wait a minute, does this have anything to do with...
You know, Douglas Brown?
So you know about that.
Yes, I know all about that.
Your friend, what's the name again?
It's interesting that you don't know the name but you still focus on it.
However, he met Mr. Brown at the club but...
this is my film.
OK? Max O Leary.
I'm the one who asked for $ 200 thousand.
Really?
Yes, really. And also, you know, we have settings
with Mr. Brown, don't even talk about all this.
So I don't really know what you're doing is breaking through here.
How is this all from your business?
Ooh. / Did you see this weapon? Are you?
Do you see the weapon? / Yes, I'm not blind!
This is a chop weapon.
Non-traceable firearms.
Among three other pistols.
I can shoot and blow up your brain all over the typewriter
and put a gun in your hand.
Suicide L.A. other
from someone's script writer who can't come.
Are there other options? / Yes, there are other options.
You work with me with all your heart and soul.
Good? And you helped me clean up the mess you started
with Mr. Brown.
We have guests?
My wife.
Call him here.
Call him here!
Call him!
baby!
Can you come and, uh...
talk to us for a while?
Everything is fine.
Only the wild type I think will be with you.
A real case.
Or maybe her breasts.
Come here.
I have to go there first. / Don't move.
Don't move.
Stop him!
What was that? did you call Vic?
Yes, they keep saying the customer has requested
do not accept incoming calls. Who asks?
Maybe Vic.
Frank Manascalpo.
Legal service. / Let me see that.
Is that legal? Is it true?
Good.
We will go to the police.
Max...
I don't have a KTP. - I know. I know.
I won't let anything happen to you.
Ok?
Maybe.
Max, he left. - What? What?
How did he do it?
I'm sure he just left.
Good.
Dress. We will go to the police.
Who is this?
That's Frank.
I have a project for you, Edie.
I think you never want to talk to me again.
Everything changes.
What are they?
Oh, come here. I came to you?
Frankie, Is this a setting?
That's not a set-up, Edie.
Good.
Turn off your camera and I will be there soon.
Good.
I need it done tonight.
Any computer, DVD that is burned, whatever.
You take it.
I searched for a stolen hard drive.
After... full of shows.
Frankie, they do something to you.
I'm not careful.
Well, you have to be more careful.
I'm not Santa Claus, Edie.
That's inflation, Frank.
You get the rest when the job is finished.
Don't contact me again...
until I contact you.
Halo./ Is this Frank Manascalpo?
Yes.
This is Detective Chad Aborn, Department of West Hollywood Police.
I already... Wait, wait. Who are you working for?
Police of West Hollywood, sir.
West Hollywood.
You were at the station, did Briggsy still be there?
No, Lieutenant Briggs already retired last year.
We have Captain Jackson./ Well, you know who I am, & apos, right?
I know who you are.
In what ways call?
Sir,
I have reports from two people.
They claim to fight with you this afternoon.
And they come to you? Yes, sir.
Are they demanding? / No.
Request my help to complete the dispute between them and you,
about the actor, Douglas Brown.
Jesus Christ! I don't understand this.
I have the same reaction, initially.
But they are sure this dispute is related
with controversial films.
I don't know what that means. They will not explain it.
I'm not a movie person.
I don't know about movies.
Why did you call me?
Sir, let me explain.
They have your wallet.
Now you go to the station and grab your wallet and meet with man and this young woman,
"Discuss this film project."
Or do you prefer me to put it in the post?
Put it in the post. I have to go.
Are you listening to me? / Yes.
Have you called Vic?
Dear, I've called, texted, sent an email, he doesn't understand...
he didn't answer. / Well, maybe you should go there.
This isn't about Vic, it's about my script.
Frank knows my name. He knows from the script.
Now, Vic takes the script. He give it to his friend a movie star.
Script Problems, okay?
Look, said here...
his friend is our movie star... his father is a New York firefighter
who died while on duty.
You don't think that there is to do with all this, & apos; right?
What?
I mean...
Maybe The Night of the Fire has influenced him on a personal level.
That's crazy.
I really think my script animates this person.
No. I think your script has inspired you.
Hey, can you change the for a moment, baby.
I can't hear you. The music is too loud.
This is a pretty serious situation, you know.
Not too sure why you dance.
You know, back home, the police will find Manascalpo immediately and...
Yes, we are not in Russia.
Not Russian. Ukraine.
Is that better? / Not really.
I don't know, I feel like...
I have to talk to this person directly, you know.
I'll call the agent.
Hmm? Hmm?
One day.
I can feel...
What's wrong? What is going on?
Hey, are you okay?
I think that's ma.
Come on.
I know I know. We have had a scary day.
A great day, you know, a scary night.
You know, things about nightmares that you have to remember are not real.
They are not real. It's just a dream.
I know
My light comes out.
Fuse box.
Do you pay the bill?
No, none of them function.
Our power runs out. Our cellphone is gone.
We have been robbed. In our sleep?
Shh.
Anyone here, I'm just just calling the police!
That's how you came out? / That's right. Weapons come out!
With a t-shirt or something.
This is an element of surprise.
OK.
Wait. wait a minute, wait a minute, he...
Mama, what is that... Did you hear that?
I can swear he is... Hey!
Who are you?
Why did you enter our house?
Do you work for Douglas Brown?
Actor?
Yes, the actor.
No.
Look, I can... Wait...
I...
works for this person.
He wants me to come and collect all your computers.
I'm looking for a hard drive. Now, if it's Frank Manascalpo,
You told him I didn't have a hard disk.
I type. I'm old school.
Right.
You look like a very good person.
I don't expect that.
I can't. Yes, no.
Who is that?
How do I know?
No, I can't help you. No?
He entered our house, he put out our electricity,
he checked all of our items , he stole our cellphone,
I mean, you should see this girl, she's like...
like a kind of spy or operation, I mean...
Uh, looks like you need help.
Telephone 911,
they will send officers to make a report.
Good? And please,
don't call this number with no more.
I'm not interested in calling 911.
I need to talk to Douglas Brown.
I'm working on this project, okay? And...
I know We discussed this before.
Can I finish?
This piece...
it's very controversial, and I think... I think it's...
very affected Douglas Brown,
and that is why he hired Frank Manascalpo and,
You know, anyone who tries and turns it off.
Do you accuse actor Douglas Brown by stealing your cellphone?
I mean I'm...
I mean, I don't... you don't... yes and no, I don't know,
it's more complicated, this part,
You know, it's about real life, okay?
It's about how everything is really, and I'm sure
that's why Douglas Brown is very affected by this.
I will sleep now.
Telephone 911,
get an officer to make a report about robbery.
no... detective...
detective, I need for you to arrange meetings
with me and Douglas Brown.
I'm a police detective.
I don't set up meetings for scripts.
dear... what are you doing? The lamp lights up again.
Well, our lights are back on, so, you know, good news.
Good. Turn off and sleep, okay? Good night.
Have my message? / Yes
Sure, Frank.
What's wrong, Edie?
There is no hard disk. Without a computer.
Only a few innocent people.
You don't suit me, Frank.
Huh? Douglas Brown.
What is on the hard drive?
That is nothing but routine extortion.
Amateurville.
Nobody has to mess this up, Edie, okay?
We can do it 50-50. Attention.
Where is the hard disk, Frank?
These children have friends who work at the Universe Club.
Maybe he understands.
Frankie, have I ever told you...
that I want to be an astronaut?
Jack Girardi's office?
Frank... Manascalpo...
Wait a minute. Mr. Girardi, a Frank Manascalpo on line...
Frank Manascalpo?
Frank? you don't usually call.
Tell me the good news.
This isn't Frank.
Then who do I speak to?
Okay, um, you don't know me,
but I'm a writer... well, I'm a writer, director.
Listen, Mr. Brown met with my friends at Universe Club,
but this is my film. Well?
This is my film and I'm the person who asks for $ 200 thousand.
Yes. Understand.
Well, um... I'm sure we can solve something.
So, you're no stranger to movies.
Ah, yes.
Well, if it's okay with you,
I want to meet directly and only...
clean everything. Well? Because...
You know, I... I think we both know that
things that have been a little out from hands here with,
You know, Mr. Manascalpo swings weapons, and
I... I'm a good person, you know?
Not in the office.
You met me at El Matador.
I will be there during the day. Come on alone.
And thank you very much.
I just met his agent.
Good.
Oh lock the door. Well? No there are more open doors.
Mm-hmm./ There are no more open doors.
Good.
Max. / Yes?
Be careful.
Stop! There.
Whoa.
Hey, beautiful woman. Don't move.
Have you watched a movie?
Because that's not how you hold a gun.
Down on the ground.
Get down on the ground!
Look, you don't hold weapons like this,
and leave it where someone can take it from you.
You hold it like this.
Because, God forbid, if there are who take your gun from you...
What will they do to you?
Mr. Girardi?
Call me Jack, tell I'm your name and sit down.
I'm Max O Leary.
Nice to meet you. / Hmm.
Gosh, I've been tracking you for a long time.
You see.
Do I look like bad people to you?
correct? / no no no. You...
fellow who makes sense. - Yes, that's right.
No need to send Frank, is there?
Well, that's just the way we do things. Look now,
How do we solve this ? / Good. OK.
Well, I'm here because is clear to me
that my project has started pressing a few buttons around the city.
Your project. / Oh yeah.
And fix me If I'm wrong...
I think it's starting to affect Mr. Brown
at a very personal level. Am I right?
Yes. Whatever affects Doug Brown influences me,
And that's why I'm here. / I understand that, and I respect that.
By the way, you know how difficult it is
artists like me, try to save money for my film?
How difficult it is to get someone like you on the phone,
let alone sit real? I mean...
shameless.
It's embarrassing for me?
Yes, man, shame on you. Come on./ Tell me your name.
Max O Leary. Okay, what do you know? Damn this.
I know my script is controversial, I designed it like that.
Good? So, you told Dougie Brown to cancel the dog,
or damn deal is not active. The agreement is not active.
Well, what... And I don't change a word.
Good...
So you made a Douglas Brown movie.
We are still in pre-pro. But yes, I wrote the script.
You mean the letter.
What are you talking about?
I talked about Douglas Brown as my angel investment
in my film, Night of the Fire.
You don't have videos with who has a tranny?
What? / You don't have videos
with anyone and tranny, & apos; right?
No.
Then why am I here?
Wait... alright.
Wait, wait, wait... can you...
let's return this briefly here. Hold it down
Mr. Guess... Jack... can you tell me...
No no. No, no, no. ... why are you...
Damn, Jack!
Wrong...
Oxana?
Baby?
Oh no, not you anymore.
Uh, forgive me, uh, disturb you again, detective,
but I've entered again, and... now my wife is missing.
The Russian girl.
Yes, Ukraine, eh, yes, it's called Oxana O & apos; Leary.
Look, I'm not a relationship counselor, but,
uh, I saw _ tension between you two yesterday.
Are you sure he doesn't leave you just like that?
No, no, no, no, no. That's more than that, um...
There is a gun involved, uh, and that's what was taken.
Do you have a firearm?
I hope you don't do something stupid.
No, no, uh, no. That's Frank Manascalpo,
but he threatened to kill me with that, right
so we have to take it.
Why didn't you tell me yesterday?
Good...
I guess I will feel partially responsible.
You know, I wrote this script.
This is based on real events...
it's weird, without my knowledge , it's very similar
life of Douglas Brown's father, who...
a firefighter in the Bronx, and I don't know...
I try to be sensitive to Mr. Brown,
I don't want to get anyone...
in... in trouble...
No one will buy this.
Oh, one thing and maybe this can help,
uh, I have a meeting today with, um,
Jack Girardi, Mr. Brown,
and... he... he believes that all this
has to do with what he calls, um...
a... video with tranny?
What is ringing the bell with you?
Have you taken medicine today?
No, I mean, I'm...
Have you ever been diagnosed with a psychiatric illness?
No.
I want you to go home... stay there.
I will call.
If anything you say doesn't come out...
I charge you by filing fake police reports...
... and I will return you for a psychiatric evaluation.
Do you understand?
Yes.
What I understand
Will you not help in this situation.
At home! Where can I find you.
Sorry, did you work for Frank?
I... just for a while.
I'm a police officer. What's in the box? / File. I... I have to go.
Excuse me. - Okay, listen... listen, I'm...
not police. I...
My wife is missing.
I need to talk to him. Is he there?
Yes. He is.
Thank you. - But he is dead.
Are you Max O Leary?
Yes...
We have to go. Whoa, whoa.
We have to call the police.
There are detectives who need to know about this / Not a good idea.
Your script title with your address,
is on his desk. There is blood there.
Listen to me.
There are people dead there.
You don't want to enter there and touch anything.
Security cameras have been disabled.
If we go now, we are never here.
Take your car and follow me.
Take the alley... not the main road.
Max, road.
Someone on the list is blackmailing Douglas Brown.
They steal hard drives from Universe Club with videos on them.
Recognize any names?
Yes, Vic Venitos. Who is he?
My producer.
Find the producer you and get the story together.
I will leave L.A. tonight.
Good luck.
What happened?
Some masked women come to my house...
he holds a gun...
he asked me...
hard disk and DVD,
and then he dragged me to the balcony and pushed me down.
Did you blackmail Douglas Brown?
Don't tell anyone... Oh man...
I... why did you do that?
Because no one gives money to make our film.
We have a real problem. / Yes, and it's my fault?
You don't know the situation you put in. / Yes?
What about the new page, GoPhone you have my e-mail in it,
Douglas Brown sent me an e-mail to me, trying to make a deal.
Where is your cellphone?
In my closet, take it.
He sent me an email again.
Yes, I saw that.
Thank you for all your work as a producer,
but I think I have to be the person who completes all this.
I'm just trying to help, man.
Yes. That's the problem.
Better.
Mr. Brown?
Are there people at home?
Hello!
Okay, I'm calling the police.
No, you don't. Come on. Let's get out.
Get to the wall.
Above the wall!
That's all. Come on.
Spread your feet. Okay.
Spread them more width, please. / Good...
Hands up! / Good!
Spread your feet. you're armed, huh?
Have another ratchet?
Oh, that's right, I got the beside your bed.
Where is my wife?
We are in the basement.
So... where are we?
I'll give you whatever you want.
As long as you let everyone go.
Yes, yes... Please.
You already said that.
You also tried writing me a personal check for two million dollars from a bank in Panama.
Where is your money?
I told you.
I move all my money out of the country, I'm experiencing a divorce.
You expect me to believe that a man of your height
do all the banking from Panama.
I have the document above to prove it.
But... what if we do this.
We open a joint bank account. you and me, we... in Panama... No!
That's not a habit... for this type of transaction.
You should be ashamed of yourself.
But you are blackmailing me! In the basement my land, at gunpoint!
I tried, yes. But what do you know?
Douglas...
You will only help a girl live her dream for life.
I don't know what that means, but...
I will take the money...
and I will give me one of special private flights into space.
I will go to the damn moon!
I see...
Look, I... what do you know?
Kill me. Place the gun in my head and pull the trigger.
Come on.
My life has no meaning.
I have been divorced three times, have never had a child,
generate millions of dollars and I still suffer a lot.
Shoot me! you will help me.
Oh yes?
Good.
I understand.
you.
You, I want to talk with.
Good. He said he wanted to die. Mm-mm.
I tend to believe it.
Mm./ But you...
Ah! Let me stop you there, praise God.
Look, the moon thing, so you don't use your medicine anymore I understand, I have dealt with this with him.
So we are good there.
We have everything we need here,
so let's close this... Oh yeah. This will work.
This will really succeed... It will definitely work.
D.B.?/ Come on.
Hold on, buddy. I understand.
That will leave marks, but it will hurt you.
Jack? / I got D.B. this, I understand, don't worry about that.
Huh?
Where is the money? / Oh, damn it. What? Oh!
Where is the money?
I don't know where the money is...
I moved it to Panama! Brown?
You don't know me... No. I do not know you.
I don't know who the person is.
Get me out of here, you bastard.
My name is Max O Leary. I am a writer, director.
I'm very sorry, sir, this is all my fault.
My friend, Vic, he's in the hospital now, and I'm writing a script,
and I think he tried blackmailing you with videos
I haven't seen, um,
but... but, it's all to finance... our low budget features.
Wait. You can't make movies with $ 200 thousand, what...
That's not the point. / I know what the point is.
Listen, that's...
that's a good story, kid, but we all will die here.
Release me.
Bottom line...
the script I wrote, this is a true story, okay?
It's about someone, you know, the firefighter officer who died on duty.
And I know that this film will affect you very much, sir. Because...
I know about Kevin Brown.
Who?
Firefighter Kevin Brown. Your father.
No, boy, no. My father is named Rabbi Benjamin Kubelsky.
Damn I know?
Uh, I understand.
But listen, this... it's okay.
I did make a film firefighter, you're right.
Mm I'm not too interested in that.
Oh, but you can help us out of this mess.
How do I do that?
When he returns, say something to distract him.
What do I say?
Make something, Damn, you're the writer.
I only need to go to the closet in the hallway.
I have props there, I save from the movie I did.
I save the ax.
Where is the money?
Aw God... I moved it to Panama,
I moved it to Panama. / Panama? I kind of trust you.
We try again.
We have a situation... we have...
I'm sure... he doesn't know anything.
Look, I'm sorry. I lie. I... I have money and I... that's...
it's not 2 million, but it's...
I have $ 100 thousand in cash.
Upstairs in the bedroom, in the safe. Now let's do this.
What is the code?
That's an eye scanner, I have to go,
I have to direct my eyes into it, and that's what opens it.
Just release me and I will take you there.
Come on, do this. Please.
One hundred thousand dollars.
Don't move.
Mama! / Oh, he can't hear you.
No. That's you.
What?
That's what you say when you fall from our roof.
"Mama? What's that..." No, I'm not.
Yes, you did it.
You do it. I mean, we both hear you,
You fell from our roof, you were knocked out,
then you shout for your mother.
My mother is dead.
I don't think so.
I think your mother... left you.
That is what makes you upset.
Maybe you have a problem.
Huh? / Damn... what are you saying?
liar!
Douglas?
Wow. Douglas. That's really something else.
I try to get free... Hurry up, baby.
I have an Irish girl in one of my films.
Go away.
So I'm lying. Come on, please. / Let me take this.
Baiklak.
I'm done.
I try to work together.
I have removed my mask.
What do you mean?
This object is very heavy.
Ax of Douglas Brown.
Don't move! Do not move.
Put the ax.
Drop the ax.
Hi, Max. / Drop the ax.
Put the ax.
Have you ever shot a gun before?
It's OK, Max. It is okay.
Yes. / Good shot, kid.
Yes.
Mr. Brown!
Mr. Brown? / I'm downstairs!
Jack. Yes Just put it below... under the table.
Mr. Brown!
Hey.
Damn. What happened?
Well, you see, uh...
this child... he, uh...
Do you know what? This young man...
is working on an idea...
Movies... films. /... for a film.
Yes. Yes?
And what happened?
he...
Nak...
Why don't you tell the story?
Come on. Tell him what actually happened.
Come on.
Tell him.
Good.
This is what happened.