1
00:00:00,834  -->  00:00:04,037
♪(DRAMATIC MUSIC)

2
00:00:30,597  -->  00:00:33,166
(TV REPORTER OS) Another man
has been reported missing,

3
00:00:33,200  -->  00:00:35,302
this time on the
Upper West Side.

4
00:00:35,335  -->  00:00:39,273
30 year old Cameron Brody went
missing Wednesday morning...

5
00:01:09,736  -->  00:01:11,538
(TV REPORTER OS) His
disappearance is the latest in a

6
00:01:11,571  -->  00:01:15,542
string of unexplained missing
persons in the area...

7
00:01:15,575  -->  00:01:19,579
♪(DRAMATIC MUSIC)

8
00:02:16,436  -->  00:02:17,904
Careful.

9
00:02:17,938  -->  00:02:20,941
Ether's a bitch.

10
00:02:25,979  -->  00:02:29,950
♪(UPBEAT ELECTRONIC MUSIC)

11
00:02:38,925  -->  00:02:40,994
♪ HE'S PERFECT AND
HE'S BEAUTIFUL,

12
00:02:41,028  -->  00:02:44,965
♪ A WINK, AND HE'S
COMING MY WAY.

13
00:02:44,998  -->  00:02:46,800
♪ HE BUYS A DRINK FOR ME,

14
00:02:46,833  -->  00:02:51,371
♪ HE COULD BE HUNDREDS OF
MILES AWAY.

15
00:02:51,671  -->  00:02:54,374
♪ THE NIGHT'S STILL YOUNG...

16
00:02:54,408  -->  00:02:57,377
♪ IT'S NEVER THAT EASY TO STAY.

17
00:02:57,411  -->  00:03:01,815
♪ COME PLAY TONIGHT-
THE LIGHTS ARE UP,

18
00:03:02,349  -->  00:03:03,984
♪ THE DRUM BEATS FADING.

19
00:03:04,017  -->  00:03:06,620
♪ STAY THE NIGHT-

20
00:03:07,354  -->  00:03:11,258
♪ THE BAR WILL CLOSE,
BUT I'LL BE OPEN.

21
00:03:11,291  -->  00:03:14,694
♪ AND IT'S HARD TO FIND PERFECT
SO LATE IN THE NIGHT.

22
00:03:14,728  -->  00:03:18,698
♪ AND TWO PEOPLE BOTH THINKING
'THIS COULD BE RIGHT.'

23
00:03:20,567  -->  00:03:24,638
♪ STAY ANOTHER NIGHT...

24
00:03:27,841  -->  00:03:29,976
♪ EACH MOMENT HAS A BEAT

25
00:03:30,010  -->  00:03:34,014
♪ EACH RHYTHM REVEALS
SOMETHING NEW.

26
00:03:34,581  -->  00:03:36,550
♪ A SHIFTED HARMONY;

27
00:03:36,583  -->  00:03:40,520
♪ THERE'S ONE WHERE THERE USED
TO BE TWO.

28
00:03:40,554  -->  00:03:42,956
♪ A HEART BEAT SKIPPED--

29
00:03:42,989  -->  00:03:46,860
♪ A FEELING YOU THOUGHT
YOU OUTGREW.

30
00:03:46,893  -->  00:03:49,596
♪ COME PLAY TONIGHT-

31
00:03:49,629  -->  00:03:52,999
♪ THE LIGHTS ARE UP, THE DRUM
BEATS FADING.

32
00:03:53,033  -->  00:03:56,002
♪ STAY THE NIGHT-

33
00:03:56,036  -->  00:03:59,973
♪ THE BAR JUST CLOSED BUT, I'M
STILL OPEN.

34
00:04:00,407  -->  00:04:03,577
♪ THE MUSIC IS LOUD AND THE
DRINKS ARE TOO STRONG.

35
00:04:03,610  -->  00:04:07,581
♪ THE FACES ALL BLUR AND THE
NIGHT LASTS TOO LONG.

36
00:04:09,416  -->  00:04:13,353
♪ STAY ANOTHER NIGHT...

37
00:04:17,858  -->  00:04:21,061
(PHONE RINGING)

38
00:04:21,094  -->  00:04:23,063
What an asshole!

39
00:04:23,096  -->  00:04:24,564
This is not a good idea.

40
00:04:24,598  -->  00:04:25,465
Why would you say that?!

41
00:04:25,499  -->  00:04:27,634
We should go.

42
00:04:27,667  -->  00:04:31,671
...but you're not talking about
me or even listening anymore.

43
00:04:32,405  -->  00:04:35,876
I-- I'm sorry, it's just guys
on here are so rude.

44
00:04:35,909  -->  00:04:38,111
They write things they would
never dare say to me in person.

45
00:04:38,145  -->  00:04:38,812
Well, ummm.

46
00:04:38,845  -->  00:04:40,780
Maybe your pictures are ugly.

47
00:04:40,814  -->  00:04:42,816
Mmhmm...

48
00:04:45,485  -->  00:04:48,121
What must it be like to be
everyone's type?

49
00:04:48,155  -->  00:04:49,589
What's the problem?

50
00:04:49,623  -->  00:04:52,492
They're all stupid.

51
00:04:52,526  -->  00:04:56,496
Or they think I'm stupid.

52
00:04:56,863  -->  00:05:00,834
How can I help you, Thane?

53
00:05:01,468  -->  00:05:05,472
Chat with these guys for me.

54
00:05:06,873  -->  00:05:09,075
You want me to pretend
to be you?

55
00:05:09,109  -->  00:05:11,945
A smarter me.

56
00:05:11,978  -->  00:05:15,482
Not totally different,
just...smarter.

57
00:05:15,515  -->  00:05:17,150
You're clever.

58
00:05:17,184  -->  00:05:19,853
I want guys who want
clever guys.

59
00:05:19,886  -->  00:05:23,690
And I kinda want a guy
with glasses.

60
00:05:23,723  -->  00:05:25,158
You are a gorgeous blond man,

61
00:05:25,192  -->  00:05:27,060
you could have anyone you want.

62
00:05:27,093  -->  00:05:29,462
There a million hot guys
in New York.

63
00:05:29,496  -->  00:05:30,697
What happens when you show up

64
00:05:30,730  -->  00:05:34,701
and they realize that you're
People Magazine not The Times?

65
00:05:34,734  -->  00:05:36,736
I'll worry about a second date.

66
00:05:36,770  -->  00:05:39,472
Just get me a first with the
guys who don't want to
chat with me.

67
00:05:39,506  -->  00:05:42,842
♪ SOMEONE HOTTER, SOMEONE BETTER
SOMTHING JUST OUT OF REACH.

68
00:05:42,876  -->  00:05:46,079
♪ ONE EYE ON THE GUY, ONE EYE
ON THE DOOR.

69
00:05:46,112  -->  00:05:47,747
♪ WE'RE JADED, WE'RE JUDGEY

70
00:05:47,781  -->  00:05:48,882
♪ WE'VE BEEN THERE,
WE'VE DONE THAT

71
00:05:48,915  -->  00:05:53,620
♪ AND NO ONE YOU SEE IS JUST
WHAT YOU CAME HERE FOR.

72
00:05:56,723  -->  00:05:57,757
Like this guy.

73
00:05:57,791  -->  00:06:00,126
He's...

74
00:06:00,160  -->  00:06:02,062
He's perfect.

75
00:06:02,095  -->  00:06:05,699
We texted a little and now he's
totally ignoring me.

76
00:06:05,732  -->  00:06:08,435
You just need to find your way
into the game.

77
00:06:08,468  -->  00:06:11,871
Conversational gambits have
higher stakes on this thing.

78
00:06:11,905  -->  00:06:15,041
They can't hear how clever you
are in a noisy bar.

79
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Nor do they care.

80
00:06:16,543  -->  00:06:19,012
On this it's
more about the words.

81
00:06:19,045  -->  00:06:20,046
Okay...?

82
00:06:41,534  -->  00:06:43,003
This is so much more fun
watching you do it

83
00:06:43,036  -->  00:06:45,839
than trying to think of the
words to say myself.

84
00:06:56,249  -->  00:06:59,953
Ask him if he wants
to come out.

85
00:06:59,986  -->  00:07:02,989
We should take it slow,
maybe he's shy.

86
00:07:05,759  -->  00:07:07,761
Or not.

87
00:07:23,843  -->  00:07:26,680
You should go.

88
00:07:26,713  -->  00:07:29,582
You're the one who talked your
way into his pants.

89
00:07:29,616  -->  00:07:33,586
Yeah and um, when I show up?

90
00:07:33,887  -->  00:07:37,257
It will get awkward, ugly--

91
00:07:37,290  -->  00:07:38,625
Never ends well.

92
00:07:38,658  -->  00:07:39,993
You go.

93
00:07:40,026  -->  00:07:42,929
Have a good time.

94
00:07:42,962  -->  00:07:46,933
Don't talk too much.

95
00:07:47,667  -->  00:07:49,235
Fine.

96
00:07:49,269  -->  00:07:53,273
Get out of here!

97
00:07:54,140  -->  00:07:56,943
♪ PLAY TONIGHT-

98
00:07:56,976  -->  00:08:00,580
♪ THE LIGHTS ARE UP, THE DRUM
BEATS FADING.

99
00:08:00,613  -->  00:08:03,550
♪ STAY THE NIGHT-

100
00:08:03,583  -->  00:08:07,587
♪ THE BAR IS CLOSED, BUT, I'M
STILL OPEN.

101
00:08:07,787  -->  00:08:11,124
♪ WE ALL HAVE AN IMPULSE, WE ALL
HAVE A HEART.

102
00:08:11,157  -->  00:08:15,061
♪ WE ALL CAME HERE HOPING THAT
SOMETHING WOULD START.

103
00:08:16,863  -->  00:08:20,834
♪ STAY ANOTHER NIGHT.

104
00:08:31,111  -->  00:08:33,012
♪ (VO) YOUR EYES LOOKED OVER ME;

105
00:08:33,046  -->  00:08:37,016
♪ (VO I WAS EASILY LOST
IN THE CROWD.

106
00:08:37,350  -->  00:08:39,686
♪ (VO) GUESS NO ONE CAUGHT
YOUR EYE,

107
00:08:39,719  -->  00:08:43,656
♪ (VO) NOW THE BAR IS LESS DARK
AND LESS LOUD.

108
00:08:44,224  -->  00:08:46,826
♪ (VO) YOUR STANDARDS FADE

109
00:08:46,860  -->  00:08:50,797
♪ (VO) TOO DESPERATE AND A
LITTLE LESS PROUD.

110
00:08:54,868  -->  00:08:58,838
♪

111
00:10:00,133  -->  00:10:01,868
♪ THIS WALK FEELS LIKE FOREVER,

112
00:10:01,901  -->  00:10:03,203
♪ THIS WALK FEELS LIKE A CRAWL.

113
00:10:03,236  -->  00:10:04,904
♪ THE PARK KEEPS
ALL OUR SECRETS;

114
00:10:04,938  -->  00:10:06,439
♪ THE CITY FEELS SO SMALL.

115
00:10:06,473  -->  00:10:10,076
♪ SO I HIDE IN IT'S SHADOW,
WHISPER IN THE DARK,

116
00:10:10,109  -->  00:10:14,080
♪ FIND A SHORT ENCOUNTER
LOOKING FOR A SPARK.

117
00:10:14,714  -->  00:10:17,417
♪ BUT, THE WORLD OUTSIDE
IS COLD,

118
00:10:17,450  -->  00:10:20,854
♪ AND I'M NOT LOOKING
TO EXPLAIN.

119
00:10:20,887  -->  00:10:24,858
♪ IT WOULD BE EASIER TO SIMPLY
TURN AWAY.

120
00:10:25,792  -->  00:10:29,229
♪ BUT I DO IT ANYWAY.

121
00:10:29,262  -->  00:10:32,098
♪ I DO IT ANYWAY.

122
00:10:32,131  -->  00:10:36,202
♪ BUT I DO IT ANYWAY.

123
00:10:40,273  -->  00:10:43,276
♪ LIFE IS FULL OF SINNING, I'M
NOT THE ONLY ONE,

124
00:10:43,309  -->  00:10:45,011
♪ SO I'LL IGNORE THE JUDGEMENTS.

125
00:10:45,044  -->  00:10:46,713
♪ I WON'T MISS OUT ON FUN.

126
00:10:46,746  -->  00:10:50,250
♪ I'LL GO WHERE I'M EXPECTED,
WEAR A BAD DISGUISE,

127
00:10:50,283  -->  00:10:51,885
♪ I'LL SEE AN OLD ACQUAINTANCE,

128
00:10:51,918  -->  00:10:54,787
♪ AND QUICKLY TURN MY EYES.

129
00:10:54,821  -->  00:10:57,891
♪ WE IGNORE THE CALL FROM HOME;

130
00:10:57,924  -->  00:11:00,927
♪ WE WON'T HEAR THE WORDS
THEY'D SAY.

131
00:11:00,960  -->  00:11:04,931
♪ WE WON'T THINK ABOUT THE
PEOPLE WE BETRAY.

132
00:11:05,532  -->  00:11:09,235
♪ AND WE DO IT ANYWAY.

133
00:11:09,269  -->  00:11:12,272
♪ WE DO IT ANYWAY.

134
00:11:12,305  -->  00:11:16,309
♪ AND WE DO IT ANYWAY...

135
00:11:20,513  -->  00:11:24,484
♪ OH OH OH...

136
00:11:33,860  -->  00:11:35,929
♪ I'M NOT THAT BRAVE,

137
00:11:35,962  -->  00:11:39,966
♪ THERE ISN'T ANY HELL TO RAISE.

138
00:11:40,233  -->  00:11:42,869
♪ BUT I STAND IN SOMEONE
ELSE'S FOOTSTEPS

139
00:11:42,902  -->  00:11:46,839
♪ WHO WAS NO MORE BRAVE THAN ME.

140
00:11:46,873  -->  00:11:49,542
♪ AND I WALK THE TRAIL

141
00:11:49,576  -->  00:11:53,746
♪ THEY NEVER MEANT TO BLAZE.

142
00:11:54,213  -->  00:11:57,450
♪ BUT THEY DID IT ANYWAY.

143
00:11:57,483  -->  00:12:00,386
♪ THEY DID IT ANYWAY.

144
00:12:00,420  -->  00:12:04,390
♪ BUT THEY DID IT ANYWAY...

145
00:12:07,160  -->  00:12:10,997
♪ BUT THEY DID IT ANYWAY.

146
00:12:11,030  -->  00:12:13,900
♪ THEY DID IT ANYWAY.

147
00:12:13,933  -->  00:12:17,870
♪ BUT THEY DID IT ANYWAY...

148
00:12:18,871  -->  00:12:20,039
♪ I'LL TRY TO BE MORE RISKY,

149
00:12:20,073  -->  00:12:22,408
♪ I'LL TRY TO BE MORE GRAND.

150
00:12:22,442  -->  00:12:24,344
♪ I'LL STOP MYSELF FROM SHAKING.

151
00:12:24,377  -->  00:12:26,412
♪ I'LL TRY TO HOLD YOUR HAND.

152
00:12:26,446  -->  00:12:28,815
♪ BUT I'M STILL OVER-CAREFUL

153
00:12:28,848  -->  00:12:31,217
♪ MY COVER WON'T BE BLOWN.

154
00:12:31,250  -->  00:12:33,853
♪ SO WE'LL GO IN TOGETHER,

155
00:12:33,886  -->  00:12:37,857
♪ BUT I'LL WALK OUT ALONE.

156
00:12:43,029  -->  00:12:45,064
♪

157
00:12:45,098  -->  00:12:49,102
(DOOR OPENS AND CLOSES)

158
00:13:20,433  -->  00:13:22,435
Asshole.

159
00:13:24,904  -->  00:13:26,873
All these men are cruising for

160
00:13:26,906  -->  00:13:28,908
other gay men in this
neighborhood?

161
00:13:30,376  -->  00:13:32,111
I live in a bathhouse.

162
00:13:32,145  -->  00:13:36,149
But it's on an iPhone
so it's sleek.

163
00:13:37,316  -->  00:13:40,420
Why are there so many pictures
of headless torsos?

164
00:13:40,453  -->  00:13:41,487
The app is considered sleazy

165
00:13:41,521  -->  00:13:44,290
so people like to pretend
they're not using it.

166
00:13:44,323  -->  00:13:46,292
This is better than meeting
someone in say

167
00:13:46,325  -->  00:13:48,227
a bar or coffee shop?

168
00:13:48,261  -->  00:13:49,996
Duh, way better.

169
00:13:50,029  -->  00:13:52,632
We used to have to ditch our
straight friends to find our

170
00:13:52,665  -->  00:13:56,636
own kind and now, we're always
at a gay bar.

171
00:13:56,669  -->  00:13:59,338
I mean, I have an app I use to
shop for shoes.

172
00:13:59,372  -->  00:14:01,641
-Exactly.
-Same difference.

173
00:14:01,674  -->  00:14:03,376
Oooh!

174
00:14:03,409  -->  00:14:05,278
I know this guy from the gym.

175
00:14:05,311  -->  00:14:07,046
He has great calves.

176
00:14:07,080  -->  00:14:08,681
And he likes strawberry
protein shakes.

177
00:14:08,715  -->  00:14:10,316
He lives across the street.

178
00:14:10,349  -->  00:14:11,984
I followed him home on Monday.

179
00:14:12,018  -->  00:14:14,654
Wait, what?

180
00:14:14,687  -->  00:14:17,256
What?

181
00:14:17,290  -->  00:14:19,425
Get him for me.

182
00:14:19,459  -->  00:14:20,927
What is happening?

183
00:14:20,960  -->  00:14:23,396
Vincent, is much better at
chatting than I am.

184
00:14:23,429  -->  00:14:25,364
He can get anyone.

185
00:14:25,398  -->  00:14:27,467
That's because they're looking
at your picture.

186
00:14:27,500  -->  00:14:28,601
That's ridiculous.

187
00:14:28,634  -->  00:14:32,371
Women have always been attracted
to poets who aren't--

188
00:14:32,405  -->  00:14:33,239
I mean...

189
00:14:33,272  -->  00:14:35,408
classiclly...

190
00:14:35,441  -->  00:14:38,111
I can say whatever I want to
this guy

191
00:14:38,144  -->  00:14:40,146
and Thane's gonna get laid
tonight!

192
00:14:50,022  -->  00:14:51,090
That's so creepy!

193
00:14:51,124  -->  00:14:52,525
Quit messing around.

194
00:14:52,558  -->  00:14:55,128
I haven't let you down
for weeks.

195
00:14:55,161  -->  00:14:56,129
Trust me.

196
00:14:56,162  -->  00:14:59,665
This would never work for
straight people.

197
00:14:59,699  -->  00:15:02,969
A woman can't just go to some
random guy's apartment or

198
00:15:03,002  -->  00:15:03,703
have someone over at hers.

199
00:15:03,736  -->  00:15:08,007
Don't you feel unsafe?

200
00:15:08,040  -->  00:15:10,576
Everyone on here is within 500
feet of this apartment.

201
00:15:10,610  -->  00:15:13,646
And nobody that lives in this
neighborhood could be evil.

202
00:15:13,679  -->  00:15:14,847
Guys,

203
00:15:14,881  -->  00:15:17,517
if someone left a little slip of
paper on a table that said

204
00:15:17,550  -->  00:15:20,253
"I'm 78 feet away, I'm looking
at you right now,

205
00:15:20,286  -->  00:15:22,188
and I want to fuck you"

206
00:15:22,221  -->  00:15:25,358
that's creepy but on an iPhone
it's okay?

207
00:15:25,391  -->  00:15:28,261
Violence between gay men is
extremely rare.

208
00:15:28,294  -->  00:15:31,597
Much less frequent than our
straight counterparts.

209
00:15:31,631  -->  00:15:35,535
We kill each other
in otherways.

210
00:15:35,568  -->  00:15:37,770
♪

211
00:15:37,804  -->  00:15:40,106
You should come see the inside
of my apartment.

212
00:15:40,139  -->  00:15:43,543
We can really get a good
workout in.

213
00:15:43,576  -->  00:15:45,778
You're going to his apartment
right now?

214
00:15:45,812  -->  00:15:48,714
That is so dangerous!

215
00:15:48,748  -->  00:15:50,516
He's just going
across the street.

216
00:15:50,550  -->  00:15:52,084
What could happen?

217
00:15:52,118  -->  00:15:55,121
Unbelievable.

218
00:15:55,154  -->  00:15:59,125
♪ THEY SAY A DOWNFALL STARTS
WITH A SINGLE BITE.

219
00:16:00,159  -->  00:16:04,130
♪ THEY SAY IT'S SIMPLE
DISCERNING WRONG FROM RIGHT.

220
00:16:05,598  -->  00:16:09,602
♪ THEY'RE NOT PROTECTING,
THEY'RE CLOSING OPEN DOORS.

221
00:16:11,170  -->  00:16:15,174
♪ WHAT WORKED IN THEIR WORLD
NEVER WORKED IN YOURS.

222
00:16:16,776  -->  00:16:19,045
I've got to admit, it's
convenient.

223
00:16:19,078  -->  00:16:20,546
I think I'm gonna go.

224
00:16:20,580  -->  00:16:22,315
Yeah...

225
00:16:22,348  -->  00:16:24,817
♪ I'LL LET IT TAKE CONTROL.

226
00:16:24,851  -->  00:16:27,420
♪ LET IT TAKE ME IN.

227
00:16:27,453  -->  00:16:31,457
♪ I'LL LET IT BE THE END OF ME.

228
00:16:32,859  -->  00:16:37,029
♪ SHADOWS ON THE WALL NEVER TO
BE SEEN.

229
00:16:38,531  -->  00:16:42,468
♪ LET THEM BE THE END OF ME.

230
00:16:42,835  -->  00:16:47,039
♪ THEY SAY TOMORROW IS WORTH
MORE THAN TODAY;

231
00:16:48,241  -->  00:16:52,211
♪ AN IMAGE TARNISHED NEVER
FADES AWAY.

232
00:16:53,479  -->  00:16:57,483
♪ BUT RULES ARE BROKEN, AND
NOTHING GOES AS PLANNED.

233
00:16:58,818  -->  00:17:02,822
♪ BOUNDARIES SHAKEN ARE ALWAYS
MUCH MORE GRAND.

234
00:17:05,191  -->  00:17:07,793
♪ I'LL LET IT TAKE CONTROL.

235
00:17:07,827  -->  00:17:10,263
♪ LET IT TAKE ME IN.

236
00:17:10,296  -->  00:17:14,267
♪ I'LL LET IT BE THE END OF ME.

237
00:17:15,534  -->  00:17:19,538
♪ I'LL LET IT TAKE CONTROL, LET
IT TAKE ME IN.

238
00:17:20,806  -->  00:17:24,777
♪ I'LL LET IT BE THE END OF ME

239
00:17:26,379  -->  00:17:30,249
♪ SHADOWS ON THE WALL, NEVER TO
BE SEEN.

240
00:17:31,717  -->  00:17:35,688
♪ LET THEM BE THE END OF ME.

241
00:17:43,229  -->  00:17:47,166
♪ IGNORING EVERY WARNING SIGN-

242
00:17:47,199  -->  00:17:50,736
♪ YOU'RE WAITING FOR THE STARS
TO ALIGN!

243
00:17:50,770  -->  00:17:54,607
♪ THE CHOICE TO MAKE IS MINE!

244
00:18:18,664  -->  00:18:22,668
Whatever...

245
00:18:31,777  -->  00:18:35,781
♪ I'LL LET IT TAKE CONTROL LET
IT TAKE ME IN.

246
00:18:36,949  -->  00:18:40,920
♪ I'LL LET IT BE THE END OF ME.

247
00:18:42,421  -->  00:18:46,425
♪ SHADOWS ON THE WALL NEVER TO
BE SEEN

248
00:18:47,693  -->  00:18:51,564
♪ LET THEM BE THE END OF ME

249
00:18:51,597  -->  00:18:55,601
(PHONE HITS THE PAVEMENT)

250
00:18:56,535  -->  00:19:00,506
(HEAVY BREATHING)

251
00:19:10,016  -->  00:19:14,186
♪

252
00:19:19,759  -->  00:19:23,729
I gotta be up pretty
early tomorrow.

253
00:19:23,996  -->  00:19:24,764
Mmmm.

254
00:19:24,797  -->  00:19:26,832
I have a photo shoot.

255
00:19:26,866  -->  00:19:30,836
I should get some rest too.

256
00:19:45,284  -->  00:19:47,286
I should get your number.

257
00:19:51,023  -->  00:19:52,224
Why?

258
00:20:01,033  -->  00:20:04,437
♪ (V.O.) I TRY TO CATCH
MY BREATH.

259
00:20:04,470  -->  00:20:08,474
♪ THESE ARE WORDS THAT SHOULDN'T
BE SO HARD TO SAY.

260
00:20:11,610  -->  00:20:15,448
♪ AND IT'S EASIER NOT TO CARE.

261
00:20:18,084  -->  00:20:20,319
♪ I DON'T HAVE THE WORDS

262
00:20:20,352  -->  00:20:23,022
♪ TO GET THE THINGS I NEED.

263
00:20:23,055  -->  00:20:26,926
♪ I HAVE ALL THE LOOKS,

264
00:20:27,793  -->  00:20:29,962
♪ BUT I DON'T HAVE THE SPEED.

265
00:20:29,995  -->  00:20:33,999
♪ NO ONE'S REALLY DIFFERENT.

266
00:20:34,934  -->  00:20:37,036
♪ EVERYONE'S A FOOL.

267
00:20:37,069  -->  00:20:41,273
♪ ALL MY CARDS ARE LAID OUT-

268
00:20:41,774  -->  00:20:45,411
♪ I'M REALLY NOT THAT COOL.

269
00:20:45,444  -->  00:20:48,747
♪ I TRY TO CATCH MY BREATH.

270
00:20:48,781  -->  00:20:52,718
♪ THESE ARE WORDS THAT SHOULDN'T
BE SO HARD TO SAY.

271
00:20:55,721  -->  00:20:59,725
♪ AND IT'S EASIER NOT TO CARE.

272
00:21:00,359  -->  00:21:03,362
♪ BRAVERY IS VALUED-

273
00:21:03,395  -->  00:21:05,564
♪ IT'S STORY'S ALWAYS TOLD.

274
00:21:05,598  -->  00:21:09,602
♪ LIVE WITH NO REGRET-

275
00:21:10,035  -->  00:21:12,605
♪ FORTUNE FAVORS THE BOLD.

276
00:21:12,638  -->  00:21:16,642
♪ BUT, EMOTIONS SLIP,

277
00:21:17,042  -->  00:21:20,846
♪ AND YOU LOSE THE THINGS THAT
YOU CAN'T HOLD.

278
00:21:20,880  -->  00:21:24,383
♪ I TRY TO CATCH MY BREATH.

279
00:21:24,416  -->  00:21:28,387
♪ THESE ARE WORDS THAT SHOULDN'T
BE SO HARD TO SAY.

280
00:21:31,457  -->  00:21:35,094
♪ AND IT'S EASIER NOT TO CARE.

281
00:21:35,127  -->  00:21:38,497
♪ IT'S BETTER NEVER KNOWING-

282
00:21:38,531  -->  00:21:42,501
♪ NEVER SAYING THINGS THAT CAN'T
BE TAKEN BACK.

283
00:21:45,504  -->  00:21:48,741
♪ WHEN IT'S EASIER NOT TO CARE.

284
00:21:48,774  -->  00:21:51,043
I need to get out of here.

285
00:21:51,076  -->  00:21:53,479
You want me to find someone for
you now?

286
00:21:53,512  -->  00:21:55,848
You've got a room full of boys
who are worshipping you.

287
00:21:55,881  -->  00:21:57,116
Yeah.

288
00:21:57,149  -->  00:21:58,751
Don't shit where you eat.

289
00:21:58,784  -->  00:22:00,553
I meant like, WE...

290
00:22:00,586  -->  00:22:03,856
We need to get out of here.

291
00:22:03,889  -->  00:22:05,991
Give me your phone.

292
00:22:06,025  -->  00:22:09,962
I found someone earlier I sure
you're gonna wanna blow.

293
00:22:11,830  -->  00:22:14,733
It's not just about
getting laid.

294
00:22:14,767  -->  00:22:16,769
I'm looking for something real.

295
00:22:16,802  -->  00:22:19,772
Well, he's not looking
for a boyfriend.

296
00:22:19,805  -->  00:22:23,709
Maybe he doesn't know what he's
looking for.

297
00:22:29,515  -->  00:22:31,550
Don't use the French.

298
00:22:31,584  -->  00:22:35,588
If you're gonna do it, do it.

299
00:22:50,169  -->  00:22:53,572
♪ THE WAY THE CHASE CAN
MAKE YOU FEEL;

300
00:22:53,606  -->  00:22:56,942
♪ THE HIGH, THE SPINNING.

301
00:22:56,976  -->  00:23:00,980
♪ NO WAY OF KNOWING
WHAT IS REAL.

302
00:23:03,716  -->  00:23:07,720
♪ REAL...

303
00:23:09,021  -->  00:23:12,558
♪ THERE'S NOTHING TO HOLD ONTO,

304
00:23:12,591  -->  00:23:16,562
♪ AND EVERYBODY'S LOOKING
FOR A PRIZE.

305
00:23:19,265  -->  00:23:23,469
♪ AND, IT'S EASIER NOT TO CARE.

306
00:23:29,541  -->  00:23:31,010
(TV REPORTER OS) Another man
has been reported missing,

307
00:23:31,043  -->  00:23:33,245
this time on the
Upper West Side.

308
00:23:33,279  -->  00:23:35,247
30 year old Cameron Brody

309
00:23:35,281  -->  00:23:37,216
disappeared early
Wednesday morning...

310
00:23:37,249  -->  00:23:41,453
♪(MELANCHOLY PIANO MUSIC)

311
00:24:13,218  -->  00:24:16,221
(TV REPORTER IN BACKGROUND)

312
00:25:09,241  -->  00:25:11,643
Shhhh.

313
00:25:11,677  -->  00:25:13,278
Careful.

314
00:25:13,312  -->  00:25:17,149
Ether's a bitch.

315
00:25:17,182  -->  00:25:21,120
♪ OF ALL THE MILLION PLACES,

316
00:25:22,154  -->  00:25:26,125
♪ WE BOTH ENDED HERE.

317
00:25:26,892  -->  00:25:30,863
♪ AND I CAN FEEL YOU FIGHTING,

318
00:25:31,764  -->  00:25:35,734
♪ AND I CAN FEEL YOUR FEAR.

319
00:25:36,402  -->  00:25:40,572
♪ AND I HOLD ON TO YOUR SENSES,

320
00:25:41,273  -->  00:25:45,277
♪ AND TRY TO MAKE THEM MINE.

321
00:25:46,278  -->  00:25:50,249
♪ THE DULLNESS NOW HAS SHAKEN

322
00:25:51,350  -->  00:25:55,320
♪ AS WE INTERTWINE.

323
00:25:57,156  -->  00:26:01,160
♪ AND WHAT WAS A ROOM ONCE IS
NOW ONLY BLACK,

324
00:26:02,294  -->  00:26:06,231
♪ AND I CAN'T EXPAND THE VIEW.

325
00:26:06,932  -->  00:26:10,936
♪ WE CAME HERE TOGETHER, AND
YOU GOT ME THROUGH.

326
00:26:11,937  -->  00:26:15,841
♪ NOW THERE'S COLOR WHERE THERE
USED TO BE YOU.

327
00:26:16,141  -->  00:26:20,145
♪ YOU AND I AREN'T DIFFERENT;

328
00:26:20,412  -->  00:26:24,383
♪ WE'RE TRYING TO CONNECT.

329
00:26:25,918  -->  00:26:29,888
♪ NOT WHAT PEOPLE YEARN FOR;

330
00:26:30,823  -->  00:26:34,660
♪ NOT WHAT THEY EXPECT.

331
00:26:35,227  -->  00:26:39,198
♪ AND I FINALLY FEEL MY
HEART BEAT

332
00:26:40,466  -->  00:26:44,303
♪ AS YOURS SLOWLY DIES.

333
00:26:45,204  -->  00:26:49,041
♪ I FEEL WHAT MUST BE LIVING;

334
00:26:50,008  -->  00:26:53,979
♪ I FEEL WHAT'S IN YOUR EYES.

335
00:26:56,014  -->  00:26:59,985
♪ AND, WHAT WAS A ROOM ONCE IS
NOW ONLY BLACK,

336
00:27:01,086  -->  00:27:05,057
♪ AND I CAN'T EXPAND THE VIEW.

337
00:27:06,058  -->  00:27:09,895
♪ WE CAME HERE TOGETHER AND YOU
GOT ME THROUGH.

338
00:27:10,329  -->  00:27:14,299
♪ NOW THERE'S COLOR WHERE THERE
USED TO BE YOU.

339
00:27:14,933  -->  00:27:18,804
♪ CONSCIOUSNESS HAS FADED.

340
00:27:19,304  -->  00:27:23,275
♪ MY SECRET WILL STAY KEPT.

341
00:27:24,343  -->  00:27:28,280
♪ WHAT SLOWLY SLIPS AWAY
FROM YOU

342
00:27:28,881  -->  00:27:32,851
♪ THE VIOLATION YOU ACCEPT.

343
00:27:34,086  -->  00:27:38,056
♪ EACH THRUST GETS LESS CAREFUL

344
00:27:38,957  -->  00:27:42,928
♪ MY GRIP GETS LESS TIGHT.

345
00:27:43,962  -->  00:27:47,933
♪ I JUST HAVE TO FINISH.

346
00:27:49,001  -->  00:27:52,971
♪ I STILL HAVE TO FIGHT.

347
00:27:54,840  -->  00:27:58,810
♪ AND WHAT WAS A ROOM ONCE IS
NOW ONLY BLACK,

348
00:27:59,945  -->  00:28:03,949
♪ AND I CAN'T EXPAND THE VIEW.

349
00:28:04,550  -->  00:28:08,720
♪ WE CAME HERE TOGETHER, AND
YOU GOT ME THROUGH.

350
00:28:09,054  -->  00:28:13,025
♪ NOW THERE'S COLOR WHERE THERE
USED TO BE YOU.

351
00:28:13,292  -->  00:28:17,262
♪ THE MOMENT FINALLY ENDED.

352
00:28:18,096  -->  00:28:22,100
♪ THE COLOR'S COMING BACK.

353
00:28:23,168  -->  00:28:27,105
♪ LESS GRACEFUL THAN I'D
HOPED FOR;

354
00:28:28,106  -->  00:28:32,077
♪ BUT SOMEWHERE THERE'S A CRACK.

355
00:28:34,212  -->  00:28:38,216
♪ SO I'LL WIPE AWAY THE PLACE
WE USED TO BE.

356
00:28:39,017  -->  00:28:42,988
♪ ERASE ANY SIGN WE WERE THERE.

357
00:28:43,855  -->  00:28:47,826
♪ WE CAME HERE TOGETHER, AND
YOU SET ME FREE.

358
00:28:48,860  -->  00:28:52,831
♪ THE PLACE WHERE'S THERE'S NOW
ONLY ME.

359
00:28:53,599  -->  00:28:57,803
(DISTORTED SOUNDS)

360
00:29:00,038  -->  00:29:04,009
♪ (PIANO MUSIC)

361
00:29:27,466  -->  00:29:31,470
It's cold in here.

362
00:29:36,008  -->  00:29:37,609
Your guy must not have been
that great if I can still turn

363
00:29:37,643  -->  00:29:41,813
your head after a cheeseburger
and fries.

364
00:29:43,582  -->  00:29:46,251
We just didn't, uh,

365
00:29:46,284  -->  00:29:50,222
connect the way I hoped.

366
00:29:51,123  -->  00:29:53,125
Connect?

367
00:30:03,669  -->  00:30:06,238
I guess I hope when
that happens

368
00:30:06,271  -->  00:30:09,274
it will make you want to connect
with me.

369
00:30:11,943  -->  00:30:15,480
Oh,

370
00:30:15,514  -->  00:30:17,516
Pretty boy...

371
00:30:31,329  -->  00:30:34,332
Honestly, Thane,

372
00:30:36,535  -->  00:30:39,538
I'm glad we can't.

373
00:30:46,344  -->  00:30:49,347
♪ (PIANO MUSIC)