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Two forwards with one round.
two, two, two, < br /> and a turn and down.
Two...
two...
and...
One two three four,
five, six, seven, eight.
Fifteen minutes to the third ballet of the night:
Jerome Robbins Glass Cut.
Dancers for the stage, please.
Calls on stage
- sorry - One two three.
It was really fun. No, that's really...
You know, you're hugging out and about.
- sorry - But what do you know?
You made a mistake it looks really good
I think we will save it. I like it that.
- Good. - Get out and around.
I like it first,
but now I miss it a bit... after the turn .. .
Okay, so the first, I will do, and the second, no.
Yes. That's good.
Do you know what that is? That's because here...
I'm a little in the middle of from my feet
- Oh well. - I no...
- do you mean this? - Yeah, that's why
Do you want to go... We can do the old way.
I have to only work on it so I...
because I, like, really...
What if... yeah.
What if you think about it moving, like...
Yeah, keep going?
- Yeah. - Like here...
Start... I don't know, yeah. That's too much.
Yes.
Or not even... I think you it's over...
Maybe you're thinking of it being, like, full turn
and that's right should be more like...
I think I'm just trying...
If I just keep going from there...
- Yeah, it's okay - it's okay what
- Yeah. - Like, step, step.
Yes, because what I'm trying to do is here, and then I have to. ..
I think it's cool. I don't think I've seen that,
- which one is good. - Yeah.
- good - I'm a bit late
Make sure to stir it up & apos;,
After we make this turn, the fourth...
- Justin - Yeah.
- Can we give him five? - Oh yeah. Sorry.
Oh, it's okay -What.
- Just one hour. - Yeah.
- No problem. Thank you. - So like a boy- man, Justin.
- If we stay like this... - Yeah, yes
This is what you say to boys.
It's like... This is the theme step.
I understand, because it's broken...
It should always be, like, sometimes Amar,
he will be a little tired... You know, after pas de deux,
when he finishes here...
Oh yes.
And he brisées there,
Sometimes he is really, like,
loose in his arms, so watch over him.
Good. I'll keep watching Amar.
I will, most definitely
Okay, I will drink water.
Cameron, bravo!
I just heard it say, " One two three four five six. </ P>
One two three four five, six, seven, eight. "</ P>
Oh, he did it? Oh well.
I only count slowly.
Good. I will count slowly.
So you just count as eight </ p >
- Yeah. - eight slow Good.
I want you to turn around.
Maybe if you keep him at his feet .
So if you come back
and you come,
sous-sous, and then turn around somehow.
- Good. - I don't know
Sorry. </ P>
He held me by his side. </ P>
- Di samping? - Yeah.
- From this side or that side? - that side
Forget. Go...
... until... dip .
Bring the leg through to extend it out
For you. So you will come back. You are fifth
Bring your right foot past & apos ;, and then step out.
That's it.
Good.
One two three, < br /> four five six.
Ah!
Close. That's good.
It's almost like you need one step again, huh?
- Yeah. - You need one more step,
do you think?
I think that too, /> I have to have a distance. </ P>
- Yeah. - If I'm too close to you
When I kick my leg, I'm not... I'm not will never be flat.
Like, I almost have to give him him...
Yes.
I have to go a little further.
Or maybe I can retreat.
Or something. Yes.
- You can always adjust. - Yeah. I will back off. </ p >
- It's OK. - If I'm too...
- Yes, if I'm too close... - Let's try it
I'd rather be a little further.
That's good, though, until... I mean...
The time is great. This is very musical.
- Cool. Can we try it from... - I mean, do you want to try it?
- Yes, from the repeater? - Yeah.
Yes, come on...
Cameron.
Cam, we can do this with you, huh , I think
Okay, Mike. That's good.
Eric, we can do ground row.
Do you give a place their color?
but I don't say anything for the part ahead, but...
Good, because Thor is here outside.
Good. That will be good.
Do you want something other than 51 and 55?
Not now.
I think both of them have to go to gently a little more.
That's it.
Yes.
If you like music and not dance,
you will have lots of light signals.
Yes. Yes, yes. </ P>
So... because there are so many changes
in the dynamics and tempo of and all that,
so we just want to make sure
that we support what you do
and not, sort of, that overburden
with too many other metaphors, I think.
Yes, and I think because there are already many
structurally with the choreography,
I think it's okay for that to type, like,
stand alone < br /> in certain cases.
It's hard for me to imagine in my head,
because sometimes I would, like,
talk about <br a kind of lighting aspect,
and in my head, it's far more far from what I thought.
And then we get... you know , we get there,
and that, like, ten percent of what I think will...
in a good way, you know what i mean?
Like, I'm like, "Oh, it's actually very good,
andifs, Hke, it increases everything,
and it's not like , things are clear, "so...
How far are we pushing those moments
narratives into a story with light?
- I understand what you mean. - And that's one thing...
And we don't have to answer it right now.
That's just the thing for us to think and talk about.
Yes.
Where... Actually, where are we with pas de trois?
Good. It's OK.
I want to put you guys, but I'm not sure where.
Yes.
- I like it lower than... - We have noticed
Just because I feel like I don't have, like,
Like a long neck, so the more things appear,
I feel like that...
- Short, like, making you... - Yeah.
- Good. - Then how do you feel about, like,
where is everything cut here to you?
- no problem - Whatever. Yes.
Like, old < br /> cut swimsuit
is something we are talking about
- Oh. - Romper
I like rompers. I wear it all the time.
Daily.
Um...
What other things do do we think about it for <? p>
As long as my feet don't look short
No no No.
We will give you a high waist or something.
- Yes. - We will make you look so long.
Um...
And then as far...
How do you feel about...
I don't know if this is important; I'm not a dancer, but...
dancing with something it's rather loose ?
- Belt. - Belt.
So it will move.
We can always try it, and if not... .
I don't have anything against it
- Good. - You know, if... Maybe a boy
will say something by partnering
- Right - But for me, I...
- You're fine. - I'm fine with that
- Good. - Yeah.
Good.
- Justin, aku hanya punya satu pertanyaan. - Yeah.
You know, when we return bourrée for girls,
we bourréeing come back...
they don't know /> if they have to finish here...
Because, you see, some finish here,
As the first step you give,
and some are running parallel,
so we should just...
Oh. No, they have to solve it.
Daughter, isn't it? Good?
Because some people have aligned already
because you see boys Come go there without finishing.
Just finish it.
Don't let boys make you nervous
- total - Good .
As far as pointe shoes go,
do you want them, like, naked pancakes,
or you want to save, like, city ballet...
- it's up to you - Freed pink?
- What do you want? - We don't...
We can talk to the girls and see what they want too.
They can... I mean, they will do anything...
I mean, whatever we want. I mean, there's some kind of ballet
where they have to change the color of the shoes,
so this isn't a problem
Large. </ P>
And we really, at first, wanted texture in knitting,
but we realized that the dancers
might not want to use it, like , hot cashmere
Kasmir!
I mean, we're used to to use really hot,
costumes that are uncomfortable,
and this is nothing compared to some...
Like, we use Firebird monster costumes
- I love them. - Yeah.
Yes, and they're great,
But they're not fun to use.
- But we still use it, so... - Fine.
So if You really are like that, then stick with it. </ P>
Five six. Two, two, three, four five six. </ P>
Three, two, three, four five six. </ P>
Four, two, three, four five six. </ P>
Five, two, three, < br /> four five six.
Six, two, three, four five six.
One, two, three, one...
Look? There are one-two-three.
Well, the one-two-three still,
but if you want it, it could be that.
I think the one... . who is silent one-two-three,
we will do this
The sixth of that he counts is our six six.
- Let's do our six six. - It's four, five, six. </ P>
- One, two, three, I think. - Two or three Yes. </ P>
- Fine. - Good. Cool. </ P>
So we'll count six and go at one-two-three silence and go.
Good. The last six
Good. Good.
And can you each > just support his back?
If we both do it Maybe, like, the fourth one.
We can just try it. And go!
- Oh my God. - I know. I'm heavy
No, it's only because he will finally sideways
- and we try to do it... - Oh, do you want me to go to you?
- Yes, you need... - Go to Sterling.
- It's OK. I don't know - Good. </ p >
You can come a little more to me.
- I'm afraid now - Don't be flat.
- Can you share the difference? - Split the difference. Fine. </ P>
- perfect - Get you. </ P>
- That's great. - Wow, woman! </ P>
Let's try it.
Okay, let's do it... I think we should
run the finale step, because it's new.
p>
What do we think about
Let's finish it. Let's listen once.
One two three four five six. One two three four.
One two three four, five six. One two.
Stop.
Yes! Yes!
Sterling... He did it. He got it.
Sorry. </ P>
Need... This is not, like, quite crisp. </ P>
- Crispier? - Crispier, okay? Things that same.
One two three four, five, six, seven.
One two three four, five, six, seven, eight.
One two three four five...
Good. Three and...
That's it! Good. </ p >
Good! Good!
That's very, very, very good. That's very good.
That's what I'm looking for.
>
That's what I'm looking for.
It's like this balance is not active
It's not only a matter of pulling the part, isn't it?
No.
Yes. I know what you mean.
Because of this all just falls forward. </ P>
And we want to sit, like...
- Like that. - More like that
p>
That's better.
So if you remove the belt and delete some length here,
is that, like, put the curve the deeper?
That will. Yes.
I mean, basically we know what we need to do to make it do that. </ p >
- Mm-hmm. - Good.
We can't really do it now, But this is a pretty easy change.
I believe it suits it will resolve itself. </ P>
Are we worried about this fabric? Get super pilly?
Good...
I mean, I like it has texture.
p>
Right.
Um...
Maybe Yes.
But that's what we also have clothing department for
Wow. That's amazing.
Stop!
We need to do that again.
Only only, we forget things, and I think... new Joe.
And, Apple, you're still late.
- Sorry, Albert. - No problem. </ P>
Make the first elevator more efficient, okay
The first, like, when is he fair in sixth or fifth or whatever,
good?
Like, really contained, okay?
- Yeah. - It's not just lifting it.
Yes, don't just drop it, okay?
Lift him up, and put it in a new place.
Good. Again.
That's better.
Good.
That lump can be a little more dramatic
It starts to lose its intensity.
It seems they know it is coming now, you know
Mm-hmm. Mm-hmm. </ P>
- Joe has to do tree-frog fingers... - Fine. </ P>
Before the boys dance begins. </ P>
Ster, in the pirouette, This is a pancake.
Yeah, Sterling and Amar, there's always something strange...
- Like, when I pancake. - after you do it here
Saya tidak tahu apa itu.
It takes a while to get it out of it, for some reason.
Because you on one... on both legs?
It should not so. It's very simple.
Well, pointe shoes are different.
So wait, is it because I give him too much power?
- Is that the problem? - Maybe. I think maybe a little less.
- Because I did this - Yeah.
Maybe so. </ P>
Why don't you and come down after? </ P>
Anything... Whatever you want. </ P>
What do you mean? </ P>
Do you want... you want to go down first? </ P>
Is that better? </ P>
Let's do normal. That's good.
- Yeah. - That's good
- Sometimes if I'm too much... - Yes, it can...
I mean, I don't need much.
I know, you remember , You told me to do that, but...
I think I only need a few to go.
- Because I can do the rest < br /> - Cool. Right.
Just because I was in a very sad moment.
- I will, I will... yup - Fine.
And, Joe, when you go to the floor to...
Can I see it?
I do that
More spread.
Okay, you need to work on the flexibility of your finger.
No, it's okay.
>
Wait, do you want them, like, dome?
No, not their domes.
It should be like...
- Good. - Oh. I see.
Maybe like that, yeah.
So they stretch out a little more.
- Good. - Yeah. That's good.
- Good. - Sterli... Sterl.
Oh, he needs to do more with his hind legs
Ster, we want to have you once again on grandeze .
Good.
At grand jeté, things throw.
I feel like you a little late, only, like...
- I feel like you're behind him. - Yeah.
- Good. - Yeah.
I feel he has passed you, and you can't get anything...
Good.
- That's better. - Oh , hey
- It's better - Yeah.
- I only need to travel with you. - He must...
If you think of his existence almost a little behind you
- so you can really, like... - Can I try again?
- yes! - That's great. </ P>
- That's it. - Good
Iris 619 half, please.
670.
no Oops 651 at the age of 50.
Return to N1 after it's clear.
No, you're fine. Give me 370. Right.
And 12 cue updates. Just gesture
And stand up, bridge,
to take the pair to the right...
or go down left with ten cues.
You will be half-minus.
And then stand up, the stage is right, to switch our dancers here...
or to turn on our walker lights.
If, incidentally, sorry, before you start,
that I don't have their mark...
- Hold on please, Katie. < br /> - Yes.
If I don't have their mark a little Right, can it be adjusted?
Like, I'm worried that will end a little...
- Oh, of course - Fine.
- Yeah. - It's not difficult to fix it.
- Easy fix - All right. </ P>
Cool. All right. </ P>
Bridge, stand by to take a partner
with ten, half minus,
signs and stand up, Penny, to switch pedestrian lights, please
All right, applause so, applause, applause
Light ten gestures, go away.
So add some early applause.
Bridge, slowly pick up the pair.
So 16, go away.
And they are now moving.
And the whole stage gets > a little brighter
and fuller at that time.
Light signals 14, leave.
Another thing I was wondering...
I don't know if this will interfere,
but because < br /> it's very high-waisted...
Can, in the pattern...
Is this only half a circle? They are the side of the stitch. </ p >
Okay, so this... These are the three parts
That's one, two, and three?
- Yes. - Good .
Can the side be, like, shaped a little
to give less fullness...
- Above? - Above?
And more flares? Right. Of course.
Yes, because of that, we will lose...
As he spins, it won't go so far
From his body here, but will be here
- Yeah. - Good. </ P>
Yes, so it will only be a little
more tilted and slightly shaped. </ P>
Right, not only a straight line from... right
Fine.
- And he will... - Does it feel comfortable?
- It feels good - good
He will have...
I mean, this is true feel safe
A small suitcase that fits?
- Baik. - Yeah.
What happens by rolling down?
Yes, by going straight here, ahead, roll down
Oh. Sorry
And can you bring it further?
Off, backward, die.
For this développé, go down.
And then when you switch, for that when de chat,
can you straighten your left leg so on
up, switch, and then you hold pass? & apos;?
Good.
But bend your left leg then switch.
Bring your arm in. and then around like that.
Let me see.
No. Here, take them down,
through, and then around like that.
No. Here, take them down...
- Oh. - Up, melalui, dan sekitar.
No. Here, take a gun into it.
Now open your elbow and go up.
Good.
- I will get it . - Close.
Here. Elbow is open. There.
That's it. Try it again.
Show... what you need to isolate your elbows
exit and around
No.
From here...
Turn your shoulders faster.
Let's try again.
Five, six, seven, eight. Go, one
Mm-hmm.
No, it's not really bad.
They will fight this .
I want this to come in, like, my spring wardrobe.
Yes.
That's so funny. I'll use that
I feel... I do a little...
This is expected. Yes.
Do people still change?
No, here it is.
Good. Can we get out of the stage?
Girl, you have nobody needs worrying.
Yes, if it comes out, it's funny
Dirt.
I like it.
Andy, if you can signal...
Wait until the lights really change...
- Andy is okay -... before you give a music signal
Uh... Again.
I think it's too dark.
Mm-hmm.
Can we make notes to give know Mark?
I, like, can't even see Amar.
I know. Absolutely. I just pay attention to that.
Oh my God. I can't see anything.
- And you still... - Type.
- Type. < br /> - Yes.
Good...
- the throw is good - No problem.
It's just... .
We just crossed over. We need only...
- I think what we will do... - If this is good okay with you...
For the second, if it's okay with you,
for HERE, I won't use this arm.
Is that okay, that he doesn't take this arm?
- Yeah, it's okay - Because I think what happened is
I started really twisted.
Oh, and that's why you fell.
Baiklah, mari kita coba besok. Dan aku akan melihatnya.
- see if you like it - And tell us what you think
Harriet and Marc?
So you want to see her body more?
I also feel like, when I see him from afar,
I think, also because of his body
and how he looks, like,
Everything feels very high, like...
I don't know, maybe around the neck or something.
It just feels like...
A little too, like, until...
- Too, like, here. - get here
- Yeah. - Yeah.
Because I have less here, maybe
- Do we open the neckline? - Maybe it just opens the touch.
according to you we can enter in...
- We can also do that - Yeah.
For his arm so he doesn't look that way...
- did you fold it? - Yeah, you fold it in.
And then we Open this up more?
- And maybe take a little. - I think it will be fun.
Because then you can see it neck and a little chest.
Your neck and arms
Yes, because we can do this too.
We can get this a little more...
Yes.
Yes, it already looks better to me
Good.
I not as part of the world of dance like you.
Yes. I like, "Wow, his legs."
- Like, you know - Too short? </ P>
Yeah, tapi Marc juga mengatakan, seperti, "Oh, mereka sudah kurang pakai."
No, that's... Meaning, like...
It's better to see more feet only from a dance point of view.
Right .
Like, the line will be much better.
- Good. - And plus, they all have big feet.
- I think that... It will be fine. - Good. Okay good.
- Yeah so... - Good. All right. </ P>
I think... Yes, I think I am very happy with them. </ P>
- Should I let go and see... - No no No.
Let's finish all this first, and then we will find out the top.
So let's make you zip.
But I think maybe I stepped wrong. </ P>
How is that possible? </ P>
Karena ada banyak hal terjadi.
Is Marc Happel here?
Good. Why not stay?
Oh, there's a hook.
Okay, you're ready I'll associate you Take a deep breath.
- Yeah. - Fine.
Good. Then this goes down .
This happens here.
Let's be addicted.
I'll hook it before I snap.
Good. > Then...
There is a link. </ P>
- There is a link here. - But...
I will link it right now. Are you ready?
- Yeah. - You entered
- Yeah. Me? - We nailed it
This looks right?
And Joe goes wrong.
Good.
The solo tiler at the end of the first move.
I feel like the background and the costume is identical.
So I want to play a little more with it
The hard part is, if you separate them,
It feels like the end from the descending movement,
because it's getting darker,
you know, by making a richer return...
So I've been busy with it's a little ,
and we'll do some more on Tuesdays and Wednesdays.
But the second movement, you are happier with it ?
- I'm very happy with that - Good.
- Yeah, yeah - good
Here. </ p >
Can it go down a bit tempo-wise, or not?
I can confirm it that... that...
remains very , very steady.
Yes.
Yes, that will be fine.
Tell me what number
I'll just say it.
My only concern, and that will happen has nothing to do with you,
is that it looks a lot. </ p >
There are many, like, things happen
So, like, even when the whole group is doing one thing,
... it doesn't become like, like, like that
- if there is, like, one color. - No problem. Yes.
- Fine. - As long as you're fine with that
No, I think the palette works really well. </ P>
Good. </ P >
And that... I like many variations.
- Good. - Especially, like...
The last part I do So uniform.
- very - And I don't want...
I don't want to do the same thing repeatedly, so it's good.
- Good. Yay! - Yeah. Thank you.
This is really bad here,
- and, like, sick to point. - Good.
I don't know No, like here. </ P>
- More inside. - Good. </ P>
It feels like This is united with bones. </ P >
Good. You will flex up
Good. Hold it, and relax.
And just starting today?
I mean...
I have started bothering you a little?
I haven't... I've been a lot... I don't know
I might already ignore it, maybe.
I felt yesterday, maybe, maybe not so much today,
but I feel like today there was, or yesterday,
anyone has decided this between what happened here,
- which is very cool - Yeah.
You know, you did new ballet, third, right?
You are this type of kid... You know... I mean, that's cool.
- right - Yeah. </ P>
But the orchestra is just... You know,
they aren't immediately crazy about pieces,
and, you know, this isn't... Someone decides this
between the excitement of what actually happened...
And what is that. ..
The reason I ask about Rabbit is because if that...
If you can go down and say, you know,
"Thank you very much for Rabbit yesterday,"
and this is the third...
- Anda tahu apa yang saya katakan? - Yeah.
No, I almost said something yesterday to them,
but I don't want to, like, Beyond my limits too.
I think if You go and if you can...
Will you... You will sit out there
Yes. </ P>
I think if you go in and only tell Marquerite to wait 30 seconds
and you go to Andy and you say,
"Is it permissible /> if I address the orchestra? "
Yes. Good. I can do that.
I mean, I just feel like you have to make a connection.
- Yeah, that's very good - Then they can rally to...
- Yeah. - They will feel like, "Yes, it's important
bahwa kita bermain dengan baik, dan itu masalah besar. "
- Fine. - You know? I mean... alright.
Yes, I appreciate that. Yes. No, that good. Yes.
I'll do that Thank you.
May I just say
Can I speak to the orchestra for a while?
Is that okay?
- Yeah. - No?
Yes. Good.
Guys, hi.
I'm choreographed I don't know if I'm...
If I get to know you all, but I'm Justin Peck
I just want to say it's my whole process
of the choreography really, really, really
based on music, and everything I do
is about, like, like, showing the details
and, like, its complexity and orchestral texture.
It's really important
to play with, like, lots of energy and passion,
especially in this section.
I will be right really appreciate that,
and I am very happy to have you </ p >
It sounded great last night.
The string section in the Year of the Rabbit...
I was very happy with that. Great tempos and everything .
So, I'm really looking forward to this premiere and everything.
So it's merde.
I'm just really weird When my hair is low for bread.
I know. But it's not low, low.
- No, you know... - Yeah. Yes. </ P>
Aku masih akan memberimu garis leher sebanyak yang aku bisa.
I know. I know you know how I feel.
And like.
Dancers, please enter if you haven't.
- Hey Merde. - How are you doing? Merde for you
Thirty minutes until ballet the first night:
Justin Peck & apos; s Paz de la Jolla.
Thirty minutes.
- So, yes. - It's great, Justin.
You know, we saw your Rabbit Two days ago
- Oh yeah? - Two nights ago, again.
- I like it. Again. - Thank you
I prefer that than the first time.
No, I really like it.
Actually, it only becomes more good and better.
How does it feel when you walk on the stairs to the theater,
and there... Robbins, you and Balanchine?
Oh my God. I, like, panic about that, huh
Olga, she's in your class American Ballet School?
Yes. Well, I mean... yes.
Not in class me, but I do with him...
- But we work together... - In Scenes de Ballet.
- About Chris's stuff Wheeldon. - Chris Wheeldon
- Oh yeah. I saw. - Yeah. </ P>
You got a good review. </ P>
You are at the same level like Alexei,
Alexei Ratmansky and Chris Wheeldon.
Yes, That's quite a statement , so...
No, that's great. What you do is great.
Amar? - yes?
Anda ingin mencoba sesuatu?
- I said we went for it - Fine.
- yes? - Yes?
- I will only grab the hip. < br /> - elevator and everything?
- Yeah. - Good.
I'll just grab the hip and do it.
- Good. - Cool?
- Cool. - All right, baby Give me a kiss.
- You look handsome. - Have fun.
You too. Merde.
- Merde. - Merde, guys
Guys, that's great. Really great. </ P>
- All right. - That's good. </ P>
- Thank you - Yeah.
This looks really good.
Very good.
Fifteen minutes until the third ballet that night:
Alexei Ratmansky> ap Concerto DSCH.
Dancing to the stage.
Ladies and gentlemen, in this evening's show
of the Concerto DSCH, remember
to turn off your cellphone.
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