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Every night I will come out to see music in New York City. </ p >
And I will return to the stage, night after night, at the show or at the club,
and I will continue to do it see the same person < br /> again and again.
Like a frightening ghost.
And I will say to myself:
"Who is that person?"
>
[♪ heavy metal music]
There aren't many people out there - I like, you know?
Uh, including family, and uh, he is one of those I love.
An-and uh, so with that comes chaos.
♪♪
that if it's not for Michael, I won't— I won't be in my place.
He is a magnet for many artistic people, um , things are buoyant.
Only in New York can a Puerto Rican child
grow up in hasidic, gay environment...
and achieve what accomplished Michael.
They call it land opportunity.
New York is a city of opportunity.
>
Here we are Borough Park in Brooklyn and, um this is my old address.
5412 New Utrect Avenue.
I live in here from when I'm about
12 years old around maybe 18 or 19 years old.
Me and my mother and sister me.
And this is an train apartment.
you go to, eh, foyer,
kitchen, dining room,
my sister's room, my mother's room
and then my room,
inside in front of the building,
facing the train B, which train is elevated.
Which one , train passes every two minutes,
and believes or not I sleep through all of that.
Like, that voice you will hear,
I sleep every day
[shouting on the train] for about six years!
Six years !!
[MICHAEL] I grew up in a household where
you don't talk about anything,
you don't know your business person.
p>
And then, you know, as a 53-year-old adult,
I sometimes ask well, why do they say that?
What exactly - what -
Does house dirt happen that I don't remember? </ P>
This heavy droppings sometimes drops. </ P>
I have a younger sister, she is 4 years younger, My sister is Cheryl. </ P>
I mean, soon, you know he can ride the train and get out of the house
he will go or he will so we have this little train apartment
and he will do it locked in his room .
The room is the very last part of the train apartment.
He will be locked in his room
The music will sound,
and he just got it,
- he will spend hours in the room.
Hours. Just listen to music
Funny memory that I have middle school
Because now, you know, as an adult gay man.
And I keep going back to this because
is a lot funny thing happens, [school bell rings]
Um, I have a math class,
and there is a teacher that he is like
this burly man and um,
I always thought, "Oh my God, he is very handsome."
But I like that this is a little petite
15 years.
And he is the teacher, math teacher.
And I remember that there are some children in that math class
it's always making fun of me because I'm a bit sissy.
And this teacher gets this wind.
And one day, he took these two children's chairs
and turned them over on their side.
And they fall out of their seats.
And he is like,
"You're not talking about people like that. "
And of course, me and I are 15 years old crazy thoughts.
I will be like, " Oh, he loves me. "
But you know, as I thought -
but like, wow, that my teacher protects me.
You know retrospectively now,
I think he might be some like, skin bear
who came out the weekend and just saw
This, you know, little thing
that he doesn't want anyone to make love.
[fast-paced metal ♪]
[MICHAEL] So I'm here, 16 years old,
and I'm out all the time.
I don't know why my mother let me out every night
But I will take the B train. to the city.
And if I go to Max
I will replace the train somewhere along the way
and get double R or N to 14th Street at Union Square.
And heading up to Max & apos; s Kansas City
which I believe on the 18th and Park.
That's outside normal why they let me there, I don't know.
Because I am underage.
I am 16 and I see like I was old 12... half a year. </ P>
That's crazy, I mean people like
Johnny Thunders,
Cherry Vanilla,
[CHERRY VANILLA] Lee Radzwill, and Truman Capote,
and, prostitutes, female prostitutes,
male prostitutes, a fortune teller girl,
young rock stars.
Everyone will be like that Throw this
atmosphere together.
[MICHAEL] There are lots of
and come artists who play roles Max.
Now keep in mind again that day
if you play Max you don't play CBGB,
and vice versa.
There's this thing that you are Max's band or you are a CB band. </ P>
I don't know how to Suicide get away because of that they do a lot of nights in CB
and I know they have played several times at Max
the cause was originally where I met Alan Vega
after he practically chased the whole room
because he was wild and crazy and banged mic on his head
and open his lips.
And I'll sit there love to worship, love Suicide music.
I'm a wild kid who knows that there's always something going on in New York City. </ P>
And if I find it in the Village Voice and I like it,
I went to see it.
[MICHAEL] Every night this week we came out.
If we weren't at Lismar Lounge we are on Avenue B somewhere.
and if it's really late at night
you are at Save The Robots,
You are Crisco Disco,
You are in The World
and East Village is
a little more than funky.
One of the first times we are here
we stay up late at some hotels in Midtown,
I think it's like Taft Hotel or whatever like that and there...
Well one of them the first person we saw is the drummer's man
from the film Taxi driver.
And, um, you know we went down to St. Mark
and they used to be let carts on side of the road, you know,
and they don't have pooper scooper laws, so
people walk around speak for themselves,
a group of people who are very frugal.
That is so cool, you know, we is- we think it's great.
[MICHAEL] I'm not afraid at that time.
and The Bowery is so dirty and rather scary for young people from Brooklyn.
But I feel there is a a scene happening,
and I want to be part of that scene.
It's full of creativity.
Patti Astor is open Gallery of Fun.
He maybe the first person shown
Keith Haring
and, uh, Jean Michel Basquiat
All these great people.
So it was, uh... electricity.
The East Village in the 80s.
It was truly fantastic a thrilling place.
These great shops, shops, cafes, bars.
All sorts of coincidences will happen.
You will meet like that very different people with different gangs.
Uh, this is always an incredible sensation for me.
Because it was raised in London that you didn't get the same type
crazy mix of fun, interesting people.
At Service in English. </ P>
New York violates all the rules and you will find yourself sitting next to
a writer, filmmaker, a, other band members,
and there will be no hatred or enmity or jealousy occurs.
Absolutely fantastic.
>
For me it's a good time
because it's everything I want New York to be
before I get there.
You want it step out and go,
"Oh my God, there's Andy Warhol walking across the street. "</ P>
It's still everything in my mind is still happening.
It hasn't gone away.
That's amazing, a scene that lives.
Basically giants kindergartens are being run by kindergarten children.
Unless they are all medicines and... </ p >
And, uh, when the tattoo means something and all the stuff.
You know you have to understand not just the music.
It used to be mode.
That is, those people came to the city and that, you know,
vintage and that new and it's rubbish and vaudeville and that
"Oh my God, finally I got out of Queens. "
You know, not for anything. I like Queens, I am a bridge and tunnel.
But finally I left.
And I mean like I don't have to dress like, you know,
I can't dress like that and go back to Queens.
Every the next time I do it, or when I first do it,
I throw a stone at me.
So you have to go back and be at the beginning of something </ p >
and you don't know what that is enough.
You know we go downtown and go to CB
and you can see Annie Golden and The Shirts,
and you can see The Ramones,
and you can see Blondie,
From rock and roll Our perspective comes out every night.
You can be in The Garden at 8:00
but you know you have to for the first time on
Cat Club if it's Wednesday at 10:30.
And then, "Oh shit, we have to go to CB & apos; s. "</ P>
because someone played well at 1:00 a.m.
and once you were on the roll, which was amazing,
You come out all night.
I'm out all night.
And, you know, that is the beauty of New York at that time.
Every night we are somewhere.
Michael Alago is someone who can only get out of New York in, in the 80s.
You know if you look at the type, the spirit.
The, you know, that, he is the nature of bacchanal,
um, you know, his kindness , his openness,
he, he, the intensity
That was New York before New York became healthy.
The world was certain < br /> different before AIDS.
You know, uh, this sounds a little tacky but likes
it's free love almost,
but it sounds very 60s, love free.
You could say it's in New York City before AIDS,
Gay scenes are very, very excited.
But like in any big city, whether it's New York or
San Francisco,
People are out there, uh, having sex all the time .
I mean just, you know, here in New York
at one point I lived on 763 Washington Street,
in the early 80s and Washington Street alone
was filled with underground S & M clubs, gay S & M clubs.
I mean < br /> Mineshaft, ay-yay-yay,
There is Anvil.
Then after you start walk on the shameful path
fr-from late at night,
on West Street,
you will go to Nest the Eagles or Spike.
and, you know, it's run away that you do
and remember, men, gay men, < > go all the time.
There is no internet,
There is nothing on your cellphone where you see,
oh That person ten feet away from me, do you know?
You react to someone based on like almost just like animal appeal.
[MICHAEL] I remember coming home late at night
from one of the gay bars,
and the phone will ring.
And of course I will be a little drunk
and I will take it phone and be like, "Hey!"
And that person will say, "Look."
And inevitably the person is masturbating in the window.
And you will search and you checked it and left,
"Oh you're really a sexy man."
"Yo, is that buzzer number? "
-" Two. " -" Okay, I will go up soon. "
You go up, you have a whack, you do your business
and then you just come back down and you keep going.
But it's like an object,
in all like a gay area .
That if the phone rings,
you know that the closest person.
Do they see you from the window? </ p >
That's crazy.
But what do you know?
These are things that are happening.
I remember those phones ringing all over New York.
I always answer them and they will always be like, "Hi."
And I would like, "Fuck you!"
You know I will like... [stutter]
so I don't know that
> that's what actually is -
If the conversation starts running I don't know where it happened.
That's good to know.
[MICHAEL] I and my friend Jody Rubello
are young people who are current active photographers
and fans.
And we decided we want to make & apos; zine for the Dead Children
and we want to like running their fan club.
What do we know running a fan club?
and you cut the letters and you, then you paste them
and that says Dead Boys Fan Club
in all these strange letters. </ p >
But that is talent from punk rock.
[MICHAEL] At that time they were the most interesting bands I have ever seen. </ p >
What a man ahead Stiv Bators is.
He's like that bastard son of Iggy Pop.
These people from /> Youngstown, Ohio
come to New York
and kick the fucking ass on CBGB> s. </ P>
You know they will do it come out and open with Sonic Reducer.
and at one point you know Stiv like the type shake it there
and he will come out with this nice white blazer
and it will tear the blazer
and they will, and he has like vinyl.
And cut off vinyl bologna pieces.
And you will think what is this?
What's going on here?
And at some point he likes crazy and goes into music
and going to rip bologna,
blow his nose in bologna
and take bologna and swallow it.
And you know that becomes punk rock which is very fun.
It's like God what happened Stiv Bators do?
This is Stiv.
Maybe it spits out bologna.
Like almost like he masturbates this throat.
We will sit on the lips from the stage at the concert and look at this,
and we will only enter, you know, a rock and roll paradise.
Because of us too, we know the bands, you know?
And when you know those bands, you know, you feel special.
But as I said I was a fan of Brooklyn who likes music.
[Cheetah Chrome] Well, I mean they are normal kids from like Brooklyn, Queens. </ P>
It's not like, you know people with, you know, razor blade. </ P>
It's not like the scene in London where everyone is all dressed up.
It's like normal kids.
They really like it and I mean just energy spill us from them.
That's amazing. I mean they, they love us and we know and we love them
I started working at a pharmacy when I graduated um, high school.
One year Visual Arts School
and that is Astor Place.
Buildings behind us, this big building, uh, </ p >
back that day it was called, uh, District 65.
It was the municipality of unions.
And in the summer of 1980 , uh, my dad made me my first job there
in shipping and accepted the department
One day I was having lunch,
>
and I'm on 11th Street between 3 and 4 Avenue,
and there is a building there it's forever
and at that time It's called Casa Galicia.
It's a Spanish dance hall.
But the sign says it's there is the dance club will open there
So I just decided I will enter this club,
I want to see what it looks like.
We all know that
> 80s as The Ritz. </ P>
This is amazing. </ P>
Here we are Webster Hall. </ P>
The returnee that day < called The Ritz.
Um, I got my first job in the music business here.
That was, uh, the summer of 1980 .
When Mike was at The Ritz,
I mean he was, like that a hard time to believe,
especially for bands who will come, British bands.
I mean like, it's phenomenal to think that we see
Duran Duran, Adam and Ant,
at The Ritz when they play their first American tour.
You must give credit to Jerry Brandt
to recognize energy and, and enthusiasm from Michael.
That's why what you need in this business.
This little boy's day go inside,
and I, I think, I assume I say, "Can I help?"
Because that's how I am.
I like yes I want a job.
And there is something about him that is interesting.
And...
he says I'm Michael Alago and blah, blah blah. </ P>
And he said, "Do you have a resume?" </ P>
I like a resume? </ P>
I went to the School of Visual Arts and I worked at the pharmacy at Astor Place. </ P>
And I kept looking at it,
and he has this sparkling in his eyes,
and curiosity abounds.
So I give him a job.
Fast forward a little ,
You know, now in 1980 and, you know, all of that energy and stuff
from the moment I a teenager just said
I want to be in the music business.
Well finally it happened, uh, I got my first job at The Ritz.
In a very short time he became my assistant.
And then he did everything
from the contract to listen > all my phone calls
Take a contract, give me a contract...
And I think what he likes about me as a young person </ p >
is my joy.
And I know about everything from
the Great American Song Book
to heavy metals.
Because of my love for music it varies.
And he hires me as his assistant
[Jerry Brandt] I always ask him about the band
because he is young and I am in my 40s.
And I, his ears are closer to the ground.
So he finally becomes ordering at The Ritz.
This person, Michael Alago,
booked so many legendary events in New York City.
Ritz is very important with Michael because was like, again
He was the person fought for like, "The band will play." do you know?
Once again, the man is like, he brought it all this great music.
He's the person who ordered the event.
He's the one who is interesting those big bands, do you know?
Yes, could it be someone else?
Maybe not. But that's it.
That's very interesting.
I, I'm very <
And you can go to The Ritz
and see everything Tina Turner to The Specials.
we are part of this things new music all over the world is happening.
It comes from England, it comes from New York, </ p >
it's from Australia.
It's fun and is from Germany.
That's a fantastic period in New York.
It's like a little a revival of the type Period 1975-76.
That was a little,
when that happens it eases a little
and then that sort of thing brings it back
rocking temporarily.
>
That's as far as I know, the first club that has a major
dances to the rhythm of the music called rock and roll, with videos. </ p >
I think it's wonderful beautiful you hear rock and roll,
you, there is something to see and dance floor.
And I think that, very few people unite it together.
♪ ♪
Be Romantic Flowers will come out
so Michael is their book at The Ritz.
I don't think he knows, no one in the crowd knows
that the band it will do this
I warn him.
I say if you mess up with this screen you have to pay.
You know, there is energy
in that room something is down.
Something's happening and you
in the right place at the right time
if you want experience it.
And finally the music starts,
and it's only Romantic song flowers
only where they pound the drum and
the band behind the scenes
and they don't exit
and the crowd starts getting nervous
and the screen is down and white is clearly enemy.
[Danny Fields ] It's a big white enemy
because it's away people,
, celebrated Johnny Rotten who you came to see.
Fuck PiL.
I want to see Johnny Rotten in action.
And kids start throwing bottles and it's bad.
They won't appear in front of the screen.
We never, uh, < br /> is intended to play live shows.
It was never intended. That is, video performance.
[Antone DeSantis] They are on stage some people
and they drag down the screen.
The band goes.
This is very messy.
I don't know who gets hurt.
Security is involved,
You know how security can be involved with that kind of from events like this.
I don't know where the band went at that time
but I'm sure everything just wants to kill Johnny.
Say, uh, you know, with modern comparisons I have a Bieber moment.
Everything is very, very much Film B when, when I look back.
But at the same time I look back at it right really warm.
That, that's funny.
I mean the prospect of facing that riot
just seems honest funny to me
And me, and I think that makes the audience laugh too.
And it becomes ridiculous, do you know?
This is PiL, it's not my Pistol item it happens here. </ P>
We think more in the world and, and
be, we win,
on the noble combination intellectualism and alcoholism.
Hey! The drink is with me.
That's how you stop the riot.
[Cherry Vanilla] I won't call him a fraud > like Jerry Brandt.
But he came out to make it in the music business
and you know that.
Really cute, and sweet, and friendly, and as enthusiastic as he is,
she's also beautiful very aggressive.
At some point, uh, I am ready to leave The Ritz
and, uh, Jerry Brandt called Bob Crasnow.
And, uh, at Elektra Records and the next thing you know,
I got my first job as an A & R executive.
[MICHAEL] A & R. Artists and Repertoires.
Becoming an A & R executive is a dream job for a music fan like me.
You do everything with artists.
From helping them decide what songs to record,
to recruit producers, go to the studio,
and even work album art cover .
I have a large expense account.
So it's a constant party and drinks are always there with me.
But so far , the best part of A & R
find, sign, and develop new talent.
You get paid to do what you like .
And you have this expense account.
and I believe that in the beginning for both of us
there is this not guilty.
That you are not enough realize,
that you are not that child on the way
it will just come out to see the band all the time.
This is too funny.
This is too good.
Here we are. Uh, at 1546 62nd Street.
Houses from L & Apos; Amour's.
really surprised my mind,
because I have never been to this environment in a few years.
You know back that day, for young bands Come and play at L & Am; Amour's,
uh, like...
peak for them.
They go like heaven.
It's like, you know oh, the equivalent of playing, you know
like Madison Square Garden.
But you know what, this is a place where we are all young people,
the teenagers come to see our favorite bands </ p >
in that place basically a small place,
and you are right in front.
You have to see and hear everything something.
And the show is amazing,
You know, like CBGB in New York City,
uh, this is < br /> right place.
This is the right place.
Before we find out about Metallica, Slayer, Creator, Diamond King,
p>
all those people.
We listen to black Sabbath, Iron Maiden.
Judas - that rock and roll staples
and that's what happened we love.
This important little cassette came on my desk.
I have a different memory Michael's call, again calling me,
and say look we will go to L & Amos in Brooklyn
and we go to go see this band Metallica
That was a Metallica demo that kids like raving about. </ P>
But, you know, as I said, keep in mind it's a young scene. </ P>
It's underground and it's all word of mouth.
I mean at that point in time with the music scene happened, the heavy metal scene,
is very interesting.
Because it is a bond, galvanizing it like that for that, for that generation,
for the age group us.
[KURT] That is our music and that is happening.
And that happens and people dig it up
and there's energy and excitement.
So here's Michael.
August 1984. </ P>
Um, uptown a little,
in Roseland. </ P>
Metallica, Raven, and Anthrax,
um, that in um, like I said, in early August.
You know the first one our great show playing at, um, in New York
clear Roseland an important place at that time, uh...
And, uh, we were there.
We playing, we were squashed.
Anthrax opened, we were in the middle, and Raven approached.
They, they blew Raven outside stage.
And Anthrax is open to them.
It's like, uh, yes. In Roseland.
And then Burton is still alive.
Those who come to Jesus when in music when you are like,
you are like this holy cow Damn it is very strong.
The, you know, electricity in the air in Roseland is very high. </ P>
It's sold out. </ P>
None of these bands <br
As I said before, cassette.
Cassette.
Uh, it's being traded.
Homemade adventurers become unconscious seeing my band.
Children in the audience know
they will experience something that will happen
tore their heads.
And that's right.
And that was the beginning- for me early
my true love for Metallica.
[Kirk Hammett] I will never forget he was like literally, like being caught,
to the room screaming at the top of his voice. </ p >
You're great, I love you.
He hugs us, kisses us, you know.
And we go Michael, yeah Michael.
Yes, Michael.
And, you know, that was before, it was really the beginning of— from that relationship
Really, that night, like the launch pad.
You know I'm very happy that Alago appeared to see us alive.
My point is, that is... That,...
You know me, if you are a musician,
you can to be amazing in the studio,
you can do it all these amazing things.
But until I see someone alive...
Michael is 21 years old.
And they made him an A & R.
And he took them Metallica
one of the biggest names all the time. </ P>
Plus another group. </ P>
But Metallica. </ P>
I can feel that something very is happening here.
Uh, because they brought punk and metal together.
And, uh,
Great people and Michael hit him with them
and, uh, I remember hanging out with them.
They were right really, is really down to earth.
One of them specifically, Cliff, who, you know,
is pretty sad, you know, < br /> isn't here anymore,
is rather good like a hippie.
I remember talking to him about music on L; Amour
and he told me how much he was
Simon & Garfunkel and thing singer songwriter and I like,
wow, how amazing is this fricking ?
It's like, these people are right really like music,
and they not only like it, you know, thrash metal and punk.
They become many different music.
[Lars Ulrich] You know, there is a parallel because, you know, Michael Alago
is an outsider in the main type of environment.
and we always consider ourselves to be outsiders,
in a sort of potentially, you know, the main environment
and in some ways you can argue,
maybe it's not clear at that time,
but you can argue that we are perfect for each other, you know?
Yes, we were there MegaForce Records.
Eh, with Johnny Zazula and his wife,
and...
they pretty much took us to our place at that time.
Not them couldn't take us further,
um, but this is chance.
And I'm sure they know this will come at some point,
um,
and that you know,
You, you help the baby grow up.
And at some point will walk alone and you wave goodbye.
Broadly speaking, is really like, is that possible? </ P>
and we don't know,
what is it possible to be on the big label
without feeling like you sell out?
Is it possible related to the big label
and feel that you still have it
the freedom to be who you want to be,
you know and the like play with your rules alone.
[James Hetfield] Alago takes us to a new world
Elektra Records, main labels and,
and that is a game.
That's wow, okay we got this tour now and,
, you know, plus that day was very big.
[Kirk Hammett] He has a vision for us that
I don't think we certainly aware.
Yes, when we send < br /> Mastermind
is big enough things for, for everyone.
Michael is very excited.
I think what applies sort of, that thought, is that,
you know, we have do something it will, will
really just put us on the map and that, that,
it will happen speak for us for years to come.
Small gay men from New York City
signs, at that time, <br maybe the most innovative,
uh, breakthrough band in Metallica.
And then obviously White Zombies later in his career and what who doesn't.
For me it only shows once again,
no matter who you are,
in your personal life and whatever you do with it,
It makes no difference if you are a music fan.
[John Lydon] I mean who will think, an open man will be uh,
really run heavy metal bands
this decade, at that time?
Fantastic. That managed to cure.
And uh, and they all are still friends.
I think everything how to live,
the situation that happened and works well
are people which you least expect.
And so the event alignment on paper
will look, uh, like no hoper.
But that's how it is.
[Mike Gitter] I think, you know, for example that Michael provided
You can, you can take something,
which is in it, in the universe itself and that is its own culture
and no, there is no need must fit in every red box.
Uh, and that can be, You know that can happen main stream.
Here we are in West Hollywood on Sunset Boulevard.
I stood up in the corner of Carol Drive.
Uh, home of the uh, former home Geffen Records, 9130 Sunset.
This whole block, this bungalow series
from Carol to Doheny
is a record company. </ P>
I arrived here in 1990, uh, to start working.
and the first band I signed was White Zombie.
Uh, when we got Cher, Weapon and Rose, Beck,
White Snakes, Sonic Youth,
uh, that is confusion extraordinary creativity, activity,
um, almost like that we can't do anything wrong.
[Sean Yseult] White Zombies Both have been at Caroline Records, and um,
we feel like everyone around us
it has been signed to the current department
and, and it might be we can, which one,
is a bit outrageous we think that 'cause,
we are not commercial in any way,
or the main label material.
But we just feel like, You know, we've been working hard for four years
and maybe, you know, we can jump there. </ P>
I don't know as soon as possible /> we start thinking about it,
suddenly somehow we connected with RCA Records
and MCA Records and people started asking us to meet and uh ,
we met with them but we don't feel right about them.
Like, they will— like, we go in there and suddenly they are like,
"Oh White Zombie is really street. "
You know? Like ugh, that god doesn't sound good.
[Daniel Rey] I did God of Thunder EP
and that sort of thing bridging between the old
Noisy White Zombies
and a little more mainstream rock.
and we play around with the sampler,
You know, that is the initial days of sampling.
Where you can release the sound from the movie and put it in your item.
So Rob is interested in that,
and we throw power sample in song.
Just a kind of foresight, from what will happen.
I tried to bring it to RCA,
with Circus of Power and Raging Slab. </ P>
But um, I know that RCA is not a good house for them. </ P>
So I'm kind of fair go through the movement take them to RCA.
Where, really Alago in Geffen is where they need to go.
Geffen. That's a cool label, you know, they, they just signed, uh,
Sonic and Nirvana Youth and,
you know , they have very good Weapons and Roses ,
we are very excited to meet this guy from Geffen and uh,
Daniel really took him to one of our shows at that time </ p >
which one, um, is a place called 428 Lafayette
or it's Club 428, or 428 Lafayette, which is the address.
In the corner, behind, in the dark
are these four young men making noise.
It's noise.
I don't think they are, you know, I don't hear songs. </ P>
But, what I see is this um,
crazy wild charisma which I feel from them.
They shake.
It's noisy.
As I said, I don't remember them < br /> become a song,
but for me at that time,
being a young A & R person in the music business,
uh, I like energy.
I can care if a song will be played < br /> on the radio or whatever.
I just like this noisy energy.
Michael can see that art in something even if it's fair /> chaos for others.
He can see what can happen.
Because of that -
Whatever we become, whatever we become successful for,
we have very little besides than
someone enters go, Wow, what they do
no one else does it. "
And they have some rough versions of from the complete package.
Maksud saya, Anda tahu, itu cukup mentah.
But that's the key to be a great A & R man.
After being polished everyone can see it.
You should see when it's raw,
you must be the person who signed it when no one else wanted it.
And that's what he did.
It's wild, I like it.
I think it's amazing.
And when they get out of the stage, you know, dreadlocks are depending on everywhere
Rob and uh, they are the funniest, most beautiful people I've ever met.
I remember it clearly.
Looks like we have like one song he likes.
And I don't even know if he likes the whole song.
We have one riff from one song he will always talk about.
And it looks like he signed us alone based on that.
Literally just based on that.
For me that is the sign like, A & R.
Do, experience that, you know, that sense of vision.
See something that isn't, You know, it's not formed to -
it's the best zygote, and you know,
see, you know, while you see it the embers are like a fan become hell.
Once again his honest and brutal love for music,
uh, not only shines, but also, looking inside < br /> the future too
which is an extraordinary gift, really.
[Sean Yseult] A little dangerous.
Sesuatu itu sedikit berbahaya saat itu.
Which one, you know, we like and, and uh,
he really really likes our drummer.
Um, we have, a big muscular tattoo, cute,
he's still tall a school drummer who is uh,
the Alago is called Sweet Ivan.
"Oh, sweet Ivan." </ P>
And um, I don't know, I always thank God, You know, Ivan is in our band
or we may never have signed for Geffen.
I am a gay recording executive. </ p >
Remembering, I like heavy metals.
I like noise. I like... I like...
I like sweat .
I like it when I go to a concert, 99% of people there.
I mean why, why isn't he?
I mean, what is he, what will he love?
You go to the show and it's like, you know,
a bunch of jacked up people on steroids
with their clothes hit nonsense with each other.
He is in heaven. </ p >
[MICHAEL] Never exist nickname.
Um, but always, you know what I always do that thought uh ,
if the right word is funny, is uh, keep in mind,
all the people come to see me
as A & R executives at Elektra or Geffen,
know like, oh, Alago likes metal.
He signed Metallica.
He signed the Metal Church. </ P>
He signed Flotsam. </ P>
Dia bekerja dengan George Lynch.
So, you know, in a strange way,
young people that you might think are homophobic
have to get ready with me,
because, I don't want to think stick with me or tolerate,
because I hate those words, because I hate being tolerated,
The reason is always one want to be respected.
But those young people have to face me
because I'm the person they will come for recording contracts.
And I think that The beauty of all that is that
they might not ever meet a gay <br all their lives.
and everything that they can come to my office
and we can sit behind closed doors and listen to very loud music
and they can Play me their demo
and they see that, "Oh, you know, that guy is cool. "
and they will do it maybe leave my office
with a different perspective from what is meant by gay.
That makes it stand out
among many... all other recording industries that person,
, it will, that we come to meet over a period of time.
Michael stands out, in that way
maybe, you know, the perspective is different because, from, from he, his sexuality.
Maybe he stands out, in that way, uh, in, a, a, really like,
I hate to say it , sort of homophobic, uh, genre.
He is brave enough to stand there and, and be honest
and feel comfortable with who he is.
But that's quite ironic how is it all, you know, hardcore stuff
and all metal objects tough macho people and then,
you know, this is Michael , and everyone hugs him.
Fantastic. You, you, you must do it knowing that those people are fully themselves
and merge with themselves,
is the easiest person in the world to hang out with.
And I think that, uh, that's how we work.
Because as friends.
Because there are, there is no hidden agenda.
Fantastic.
And, and for that he doesn't need to lie. </ P>
Dan dia tidak.
To this day, I tell you, I don't know any lies he once said.
There might be some out there to oppose me.
But I would be more likely thought they were lying.
I have to say that, you know, grew up very sheltered place
in a church family while still a child in Michigan.
We came on a farm and everything.
I never exposed to all this kind of thing.
Alternative lifestyles that come as a teenager from the 70s.
I have never been right- really understand exposed to most of it at all.
After time passed and I looked back and saw what brother,
friends of my brothers, which are gay or different things like this
I realize that now as, or when I finally < br /> think about those things.
But Michael, um, that's one of the things we did know about him right away.
That's wrong only that people will tell you about him or whatever.
So, for me it's new.
[Jason Newsted] That's part of that and that's intact, I mean in the world,
You know the cause you have to think about it I am in Flotsam
as long as a few years like we got an agreement and all that.
Halloween year & apos; 86 was the last show I did with Flotsam.
Loading my own SVT to my truck, back home.
10 days later I played sold out Budokan with Metallica.
I never did anything about traveling the country side playing the show.
I only played on, in Arizona and California
at that time I joined Metallica.
So my exposure to things Things, it's all very fast.
That's a lot of whirlwind. After I joined Metallica,
started traveling around the world,
everything is new to me.
When we meet, you know, I mean, you know, Clearly Michael gay
because he was found flamboyant that way.
Dan uh, dan ketika saya pergi, “Oh wow, ini hampir seperti Saya memiliki sekutu. ”
You know because the rest of the people in the bad know me,
I always basically come out, but
in my circles but never come out publicly or whatever
because I never felt who needed
or whose business even for that.
But met Michael, and in that case, then
when I told him I was gay,
You know, it's one of those moments, like
really?
You know, you're in the band and you play guitar in a metal band
and you, you know,
if I am a singer or something maybe, you know, it will -
Because you know, like, Rob Halford, Freddie Mercury,
and all that there is something there.
But, so we immediately become good friends
and are friends for years the year since then and that is
maybe why.
I have seen it hanged your hardest people,
you look the wrong way,
You end up on the river in New York City.
They will separate you.
And who is ahead and in the middle of talking to these people about music?
Similarity. Michael Alago.
You know we went to /> lots of events together.
But it's always like that Cro-Mags or whatever.
[Rob Zombie] So we will be on some shows.
Some small clubs just because he likes Cro-Mags.
For them they are next Metallica.
And it's nothing like the dirtiest, nastiest, cruelest looking for skinheads everywhere
and Michael without hesitation will always show
the biggest, looks cruel, tattooed skinhead he can find,
is fixated on him like, "That's my boyfriend for the night this. "
I like, " Please don't do this. "
" You will get you killed. "</ P>
But I somehow know he won't do it. </ P>
And he will get lost in the crowd, I will lose him,
I'll go home.
The next time I talk to him he will show up, go like,
You know, relate, link the story </ p >
how everything works the way he wants it to work
that night with anything, You know, maniac he found
and of course always has Polaroid to prove it and only him,
how many times that he did that extraordinary.
He was always involved with the people who were in it and real about things that.
You know when he saw Cro-Mags
despite the history of from the band and everything any nonsense.
Nobody can say in the 80s when you came to see Cro-Mags
that we didn't use a painful show
And we're all about that, and leave everything on stage every damn night.
S why he likes Cro-Mags .
Same as Metallica.
Same as, you know, all the bands that work with it.
Rob Zombie or all the bands, You know, like I said he ran away Fan club Dead Boys. </ P>
Anyone who sees Dead Boys knows them,
they use an amazing show. </ P>
[Cyndi Lauper] With Michael, it's not like that
Michael ever wanted it to tell me
You have to sound like this or you have to be heard like that.
Michael's one comment always saying to me is
You have to speak like yourself.
It doesn't right sounds like you,
can anyone.
And that sort of thing resonates.
And it's difficult because sometimes you want to rather lose yourself and grow.
But there's always being the way you can lose yourself and grow
and still sound like you.
And I think that the trick, isn't it?
And that's why you need people like Michael.
So basically you run the whole rock star life.
Like you do a lot of things you have to do it like <br heavy, heavy metal,
RnB, it's running all over with you.
So it's like you wear lots of hats for you time in the industry music.
Yes I have done it. Um, but that's fine.
I mean, this is a good time and there are so many incredible music out there,
and I never want it just categorized as this,
oh he is the person you are going to for heavy metals.
But me.
Um, but as I said I only like music.
So, I like the various ones artists that work with me.
Is that Johnny Rotten from Public image Limited,
or A & Ring for a Tracey Chapman Album...
Now, talking about what best, You know, legendary status Nina Simone...
[Michael] Oh Nina Simone. She's like my idol.
Uh, Nina Simone is great in Michael's life. </ P>
Um, he talked about it all the time for me and my mother. </ P>
Um, who is he
Take a photo with him,
what he meant for him, uh, yeah big.
He was certifiably crazy and couldn't be arranged by anyone.
He was brilliant.
He's a genius.
He entered the top ten important vocalists in singer history.
So when I get this wind, that she has Nina.
I, I can't even believe it.
[Cherry Vanilla] Nina Simone?
It's like producing God, You know, I mean.
Nina, Michael is producing?
As much as I think about Michael, lots of things.
You know, Michael first Metallica and David Bowie, and all that sort of thing
but Nina Simone? </ P>
♪ Go to any place ♪ </ p >
♪ To every belief ♪
♪ To anyone ♪
♪ For every belief ♪
♪ For any hope ♪
♪ For... anything ♪
♪ I know how it feels ♪
♪ To be free ♪
[loud applause]
Yes. Money. People like to make money
and Michael has been involved in many things commercial things. </ P>
But when he is
really to Nina— Nina Simone's work
and working with Nina Simone.
I-it's not about money.
It's about pure art,
it's about loving art. </ P>
And Michael likes things he likes. </ P>
[Dito Montiel] There is a Nina Simone song called "Everything Must Change"
and inside it is- he is locked in the live version.
Ah!
And he used to show me that. </ p >
He plays it, he will play it snap repeatedly.
[Dito locked]
And he really likes it and, and, and it sounds crazy
but as an artist, you know, I will relate.
Like, like that, you hear that magic.
Like whoa, like, like, he will sign Nina Simone
if he does that.
You know what I mean? </ p >
Like oh, who cares if he does a great version from here comes the sun.
Snap it, you know?
Nina Simone < br /> by someone else's standards,
or by many people standard, it's finished.
But Michael has another idea.
Our journey has brought us here to Hollywood, California.
Uh, specifically for Franklin Avenue,
where my friends Nina Simone lived
for years in the 80s, 90s, uh, until she graduated in 2003.
I will come and visit it here every time I come to California.
And especially because we will make notes.
And there are two albums that we referenced a lot. </ P>
Billie Holiday & apos; s Lady in Satin,
and uh, Frank Sinatra A man himself.
He wants to make this note about love and loneliness and loss
It's drama all the time.
But I lit that fire < br /> with him because I only love him very much.
and I think, um, we get along well because he knows how much
I love him, respect him, and the music.
And we really made a remarkable note.
Little did we know at that time was making A Single Woman
that it will be the last for Nina full-length recording.
Uh, we managed recordings around '93,
and she endorsed in 2003.
and, um, but the wonderful thing about the music
is that it really lives.
because we have this beautiful station today,
like Pandora, uh and people like them,
and uh, I always hear his voice.
So, the spirit is fair always in the air
and I like that and I feel it all the time,
and, uh, he will never leave me.
I like that, huh.
>
♪♪
Oh this is broken.
Hmm
Oh, this isn't visible, this doesn't look broken. </ p >
Oh cool.
Good morning.
It's around 7am and I'm on Bourbon Street in New Orleans.
Look at the worst drink and anesthetize.
Obviously you are at the bar and you drink.
You are hanging out enough on these places,
you start know the bartenders.
They give you free drinks.
You hang out with the band.
You know, and what I mean by that like, you know,
from, from musicians to managers
to, crew road to record company people.
You know, whoever is involved and,
and it's hidden that, celebration
What is truly fair the music industry itself.
Is the cause of enough for a celebration.
All people get little rumors that part of the program
at that age, so,
for that scene, at that time,
it is things that develop.
Everyone gets a buzz to increase whatever it is,
madness is ongoing.
So, it's beautiful widely accepted.
If it's true Damage in our band.
That damages many of those bands we see through time,
you know , like, that kind of thing.
But um, that's only part of from the program for sure.
I know that there is certain things when I got into the band,
that I had to hold mine
when I arrived at it to be in the band.
Complete this, and we will see if you can survive with us.
It's like this the whole mentality and,
God, Michael must be, uh, enough to drink for all of us,
uh, quite anesthetized for all of us,
and all the other items that are in line with that
I think we all grew up like that.
We, this is like this rebellious attitude,
it's dark, the bad side.
[Kurdy Vanderhoof] Cause when you're young and you're in a rock band
and you go on the street for the first time
and you have read Circus Magazine and all yours
you know, all your heroes < br /> drug addicts and alcoholics
and you also want to do it.
I'll tell you this.
Throughout the 90's was Pantera,
everything is about drinking. </ P>
Everything. </ P>
I'm doing cocaine, I'm doing ecstasy,
Um, then, it's just bad. </ P>
I remember we ran out of cocaine one night,
and it was like 2 o'clock, At 3 am,
and we will shoot Harlem on 150 Street
and like, choose like crazy maniacs
and take 8 balls at 4 am
and until 12 o'clock, 1pm, or the following night.
As we are fully mental.
I got a story - I drive in New York City one night.
No, at that time day, exactly.
I was driving, and he was there walking down the road.
I shouted, "Michael, Michael!"
and he just walked.
And he turned and he looked around.
"Fuck with you! " He started swearing.
I was like wow, he was betrayed.
I like," Michael! " " Fuck you ! "
He's all messed up walking down the street I'm like a holy.
Like he's gone.
Don't know who I am.
Beer isn't enough.
Vodka isn't enough.
Jägermeister is not enough.
The blackout not enough.
Why do I have a receipt to deduct $ 1000 from City Bank in my pocket?
I started then did cocaine.
He is one of those people and we all know them.
We will go like, you know, </ p >
if you understand that that phone call, the person dies
you won't be surprised.
And I hate to say that.
p>
That's a terrible thing to say.
there is such a thing a chaotic state without something bad happens?
I remember being down here, going to the cracking nest
and don't even know how I got there.
The last thing I remember is that I'm in New York City.
Oof, scary shit.
p>
They drop everyone.
You don't know about that until you
have it in your life and actually see it happen for someone.
You don't understand it.
You know they say it damn disease,
you don't believe them.
Ah yes you can stop, you can stop.
I can stop.
Some people can't, you know, and it's like a damn, uh
I don't have it. Do you know?
But some people do it.
They try drugs, they are crazy, that's all. </ p >
You know you're usually walking playing with someone they like
"Oh, I was really hammered in the bar one night
and I remember I threw up and they put me in a taxi and they sent me home. "</ P>
you know like, " Wow, I'm crazy. "</ P>
Michael's story involves, you know,
madness that happened later because unlike last night
but like, three weeks.
As we wrote, and we do this,
and we stay up all night.
And of course the character he lists in his story,
At some point, you are like
how can this person live and breathe at this point in time?
And he is. </ p >
Michael Alago doesn't care.
I see it many times I mean,
I remember when I was drunk and like
must transport Michael from likes, potential fighting with big people.
He is like, You know, ready to go,
You know, ready to fight.
So we left that kind of in the middle of Weapons and Roses,
and we're walking a parking lot and uh,
there is a child like that looks like a youngster James Hetfield and uh,
just looks like gets into trouble,
and Alago goes, "Oh, what do you know?
Do you want to pass us because we will leave? "
We laugh, we have fun, we have to go.
Just be Alago and be generous.
Yes , they are rather like, say no,
and we, he is like, whatever, you know,
and we keep going and suddenly,
that looks like James Hetfield
running from behind,
and kicking Michael in the ass like he ran to kick the ball.
And I was like "Oh my God." And then, uh,
was on, <br It's like this big fight.
And I'm a girl, like I came out, I like to step back from this,
and uh, the next thing < br /> you know I'm not kidding it's like a cartoon.
You only see a fur ball fly in the air.
Suddenly a large feather ball has just gone flying across the parking lot.
Bam. Michael is on the boy.
He makes it slam against the bumper of the car.
He has one hand grabs hair children.
One hand grabs the nuts,
and he is like, "I eat children like you for breakfast." </ p >
I will never forget that in my life.
Don't make love to Michael Alago.
It could be a subtext of , documentary.
Cause if you are a jerk he will put you in a deep examination.
I thought I told you when I was angry at the police leg?
You know, uh, I think it's like part of the worst 5 years
and the last 5 years I drink and anesthetize.
I think uh, I also remember,
waking up St. Vincent with, uh, IV comes out of my arms. </ P>
There are some things that happen with his lifestyle
and drugs,
and it's like, You know, many people
who are doing those things at that time don't leave it.
[Debbie Southwood Smith] I remember that time living in Brooklyn
in um, Carol Gordon.
You would only see these people
withers and walks with a stick and is covered in wounds
and you know they will die.
And you see that all of New York.
And you know they will die.
People infected with HIV will die.
That's 80's and that's how it is.
And I started to hear the story of about Michael being seriously ill.
So I went to see Michael one, one day and,
and I see it and he's very thin, you know, like,
like very small, do you know?
And I just see it and he just goes, "Yes." You know...
You know all the images of my friends
ill , who is missing,
suddenly seems like it appears into my head when,
when Michael tells me that he, he is HIV positive.
And I, I remember the first thing I did
which I am, me, you know, which is my habit,
You know, just to hug, hug, you know my friends and /> similar like
let them know that, you know, I'm there for them.
Um, so that's very, yes, very, very, very, very difficult to handle with, uh,
You know, the cause at that time everyone died of AIDS.
How did he go < br /> to survive, you know?
He is my brother,
you know, I love him.
Um, yes that is, uh, > it's hard. That's difficult.
They don't have cocktails, uh, smooth as they do now.
I think there is things he didn't take because he didn't like the reaction that he had them.
karena dia tidak seperti reaksi bahwa dia memiliki mereka.
Michael faded away.
And I don't think he will succeed.
And I can't imagine the world without him in it. </ p >
There was a time when it seemed like he was getting near the end,
and it was a very gloomy day.
Go to meet him and um, You know, he can barely move. </ P>
And what was made it was really terrible was the cat
really hurt too, So the cat is kind of dirty,
and loitering really comes out of it too.
And he comes out of there.
>
And it's very sad.
That's not even once, it's two or three times,
that he suddenly unite again.
The next day Michael is back. General meeting.
Michael's — no he okay, he's fine.
Fine. </ P>
A year later or something I heard
Michael had pneumonia, or he was very sick, bah, bah.
So we stayed - I called him during those days,
I remember eating an intense conversation over the phone with him.
And he is very brave and really hope,
even though I have admit there is a time when I call him
and he will only say, "I can't talk now."
"I'm very sick."
"I can't talk now."
Then...
I don't know, it must be within a few months of this period,
they came with these pills, this cocktail.
And at first he kind of stabilized
then he started be healthy again.
Michael is fine and started this new career
as a photographer and great.
And um...
years later she is still fine
and it's one of them the miracle of that period
where we lost a lot of friends.
And where we thought we lost him.
He was at the end of the lucky one from, a, one generation.
Because only a few years, say like...
he was very lucky.
Thank God he took a chance to be clean,
because God knows what, where he will be.
When he finally said that to me like he went to a meeting
and he got- I was like thank God for what you know?
You need Get yourself on track. </ P>
I like to see it as there's the bottom you hit. </ P>
There is a prize. </ P>
You also scratch past it briefly,
uh, um, you get help you need, somehow.
Or you, you are aware I can't, I can't live like this anymore.
I need, if I need to,
if I want to live, I have to change.
Yes back that day, drinking and anesthetizing, you know, one, myself.
You have all kinds of likes, You know, hatred and other things and it's like,
oooh, praise God in my calm, I am an adult.
Uh, and in its infancy you just let everything work.
Because all of that stuff is a thing of the past.
And what do you know?
I don't want to live with all that.
Because it is past and,
you grow and you learn and um,
you learn to love and you learn < br /> not to live in fear
and, uh when you do that, you know, life only becomes very beautiful.
[Mina Caputo ] Creation, Destruction. Creation, Destruction.
You must destroy yourself to create yourself.
That's the name of the game.
It's alive, huh?
To feel excitement you have to suffer.
Here, this is the paradox that brings us to the full circle
what is Michael Alago.
The paradox of business, gay scene, photography scene,
poet scene, you know everything.
You know he's past a lot with that whole world of music business.
I remember Michael telling me he didn't want to do it again,
and he just left to take pictures.
I just want to like meet boys on the street and take photos of them.
And I turn here is this person and he's like,
"Hi, my name is Michael Alago and I'm a photographer. "
And only ba-da-ba-da-ba.
Just so you know, really only and sure of himself and...
"Can I take your photo?"
And I go, "Do you want to take my picture?" </ P>
And he said, "Yes." </ P>
And I went, "Okay." </ P>
And he said, "Can you make muscle? "
And I go," Are you sure? Make muscle? "
I don't know anything about this person.
I like to see it like that there is a photographer's eye there.
And I don't know what this number is.
Uh , I suspect it's a little Mapplethorpe induced.
Which isn't a bad thing too.
[Debbie Southwood Smith] Dia tahu Robert Mapplethorpe.
He must be influential on what Michael did.
There is no doubt about that.
But Michael even before that.
Even before he became a photographer.
When he was an A & R,
Michael always had a camera.
And that's why you got a shot young Michael with Bono. </ P>
You got a shot from young Michael with Johnny Lydon. </ P>
I went to Mapplethorpe exhibition in New York, some uh, some time ago and uh,
And uh... I - very excited things- crotch things, you know?
But I like it because it really threatens.
You know that on your face, you could say that.
But you have to be breaking down and uh, art is about surprises.
And, and and uh, and attack the taboo.
For me.
And I have no doubt Michael will break up more of several taboos.
Children are well done.
♪ ♪
I like having people close their eyes in pictures
because what happened is someone like this who you are not thinking of being approached
suddenly in my inner eyes
He becomes vulnerable , because he dreamed.
I just like that little vulnerability.
So there.
And of course which guides us
are you currently working, that is,
- Which is photography. - Yes
And that , that, that is especially— you must have -
you have very clear inspiration.
It's no secret that Michael loves his muscle men.
So that's the first subject.
Like, write what you know, do what you know.
So Michael is right for that and that's right.
If I tell people
what is Michael Alago < br /> do as a photographer
I have to say he is photographing a man.
A strong man.
Great guy.
Muscle men.
Of the types that can be a little intimidating.
That always seems to be
really ready to give something for Michael,
who seems to respond to
to his camera and become rather open to him.
Michael has some sort of tender taking they I think.
And that's what makes it unique type of work.
I think he's good documenting a tribe tattooed, muscular, tough guy.
Sexuality who is very much ahead.
But it is also not definitively defined.
Except in Michael take that obsessive.
[Kurdy Vanderhoof] it's perfect.
When he started telling me he did that, it was like,
I didn't, it never <br I thought of that he had to do that.
But when he started describing what he was doing and telling me, it was like,
well, that's perfect.
That's really what you have to do now.
And that's just, and he's good at that and he is excited about that.
There's another side to the art from where he comes from it.
You know and it's like that, just made makes sense for me.
And that's good.
I mean, I see photos of it every day.
They are there like you come to my apartment.
And they're there and every day you can see them.
and they, they are outside normal.
The back of the male head with chains and goods.
Damn incredible.
[Vince Aletti] He did something historic in several ways. </ P>
He documented the type of man he felt interesting. </ P>
many others people find interesting
that is now, and no,
not about 20 years ago, and maybe not exactly the same 20 years from now.
So that's the same way I think of Robert Mapplethorpe early photos, black man.
Um, which is not enough to look like today.
That he documents a certain period of people.
From, and I think a lot of photographers are becoming very intensely into their time.
Even back again until August Sander.
You are viewing, on a document at a specific time and place.
[Cherry Vanilla] You know, to see him now,
Very beautiful, very healthy,
is very strong and has this career that she likes.
Really different from the career he has.
It's not good to say okay, be-because we thought he would die
that made us love him even more.
But that happened, it did something for all of us. </ P>
That made our relationship, our love for Michael is much more intimate.
We all want to be fair hug him all the time because
it's nice to have someone still with you who you think you definitely lose.
He's one of them survived my crowd, my time.
So I can't help but just
feel like, "Yes! You and I love,
we are still here, we succeed." Do you know? "</ P>
As far as I know music is what makes me young.
That, that, that, that's what makes my soul alive.
And I think like having hanging out with Michael on the show
is the same as him, like that makes you stay young.
And he still has the same passion he has, you know 40 years ago.
Even though Michael is not a musician,
he's an artist in his own sense and he never loses that passion.
You don't overcome that.
I mean that something that you will, will -
I-I burn me.
This fills my life.
And there's no doubt that it burns the life of Michaels. </ P>
[Phil Anselmo] Mike Alago and I see eye to eye because of our , we come down to earth.
He is a man down to earth.
I think that's what I have struggling with the most
is fame and popularity and how do others see you
because this is untouchable the damn rock star thing.
It's annoying. That's nonsense.
I'm the same as everyone else,
damn damn music.
Music fans.
A music nerdy, if you want.
That's what I saw in Mike.
[Doyle Wolfgang von Frankenstein] I always hope Michael is the best, friend. </ P>
I might do it Kill someone for him. </ P>
I think he is, he's great. </ P>
He's a kind person. He really is. </ P>
I just hope that he keeps going
as long as, as we do.
And I hope we can all hang out
in the dressing room, in the sky together someday.
Just like looking back < > all that happens,
"We do good."
We do good for ourselves. We do good for
people who exist around us at that time.
And we do it well for, for music.
Hopefully good people win
Do you know?
Because he will be there with that.
And it doesn't need of course it's very big public appreciation.
That's what you know You have done your best
and you have not done anything to harm or destroy humans else.
Fantastic.
Right. He stands very stiff at, in
I am very small. collection very important person
does not lie
I talked to him and I have this flashback
[Daniel Rey] Seeing Patti Smith on CBGB & apos; s.
I think it's & apos; 76, or & apos; 77. </ P>
And this is when you or - you order a table on CBGB & apos; s. </ P>
Now when I got there at dusk to get a good seat,
and there were around ten people already in line. </ P>
I look up the front line,
and you always wonder at the rock concert
who is ahead from the line?
And this is very small Spanish child in front of the line.
Feminine guy and I just remember seeing him say
he must be real a rock and roll fan.
Don't ask how Ted Nugent is here because I don't know.
I definitely like it back that day.
So if you are in New York City and you go to 2nd Street and Bowery,
you can see the sign on the pole that says Joey Ramone Place
and that because we're great
Arturo Vega, uh, he understands the way named Joey,
and uh, that's right cool.
In, like sorry the point of view he just said,
" This is the way I think, make love to you. </ P>
And you have a problem with this? </ P>
Isn't this great? </ P>
Look This damn man.
He has *** ten feet long and how amazing is that? "
It's like, yes it is, it's a big penis OK, you know?
Whatever, whatever it is the picture is possible. </ p >
Here we are Hollywood Boulevard and Walk of Fame
with all the great stars.
We are not exactly in the middle -that's all
but you know I guess if you get a star on Hollywood Boulevard
it will really, really- really cool.
So I'm thinking because this star is empty.
This is my star on Hollywood Boulevard.
It's not exactly main real estate, but what do you know?
I'll take it!
Yes and you can, see, you can < right next to
That will be Osmond's family.
And Michael Alago. I like it.
Hollywood here I come.
Oh I remember one show that was good in CB,
uh, this UK band was called Chelsea.
And they have singer named Gene October,
and I think I'm a a little more than drunk,
But right after that they do their set
I just caught it and brought it home for the night.
At The Ritz many people did a punch. </ p >
Like, so I'll go to Michaels's office and there are only people,
so you know, sometimes there will be someone < br /> like here, yes,
I won't, I won't like, "Oh can I just have some of your punches? "
but most people will offer it to you,
and then the next thing you know you...
You're tall on a coke that's not what really wants to be, you know?
I go to this party that night, there.
The band there is not visible.
You know everyone yells, "Shout! "
Song, " Shake it out with your cock coming out! "
[singing] Don't you know it will be a hit?
The reason everyone always sings it.
Everyone shouts and shouts,
they are singing rock with your cock coming out !
The funny thing is I'm walking, uh, on the 8th Avenue once,
near where he lives,
and I walk with some hardcore gay bookstore, uh, you know
I don't know what this is going on there, you know,
one of these places You might still be able to buy locker room
or, or, or you know,
and I see a picture of my boots in the window.
I'm like, "Hey, that my dear...
I think that is my shoes. "
And below it is written Dito Shoes
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