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LONDON, UK 1940
What's wrong, Mrs. James?
Get enough rest tonight. It's 12 hours of work.
I have bad news this morning.
My Jim disappears.
Try to calm down. I'm sure he will come back.
I hope so, miss.
I will feel better after drinking tea.
Right. Now the time is over.
A million bullets sent in the morning?
But the girls have worked ten hours today.
Yes, I know how urgent this is.
But don't expect the girls to work for up to 14 hours.
Good, I'll ask them.
He doesn't need to ask us.
A million bullets in the morning.
Come on, everyone. This must be completed.
Stop. Stop there.
Cannot continue.
Passengers aim for Bloomsbury, you walk from here.
Thank you.
Pass here, miss.
"A million bullets in the morning"? No wonder the audience mocked.
Or snoring. / We learn from our mistakes.
I will shoot the writers, not the film.
Authenticity, that's what we are looking for right now.
Authenticity can be seen from optimism.
Do you think I don't understand the way gives optimism to the audience?
Three of my grandchildren entered the military.
Your company's reputation is built with comedy films.
This year's best-selling film is my comedy film.
and Mr. Buckley is the one who wrote the script.
Yes, and a very film is also entertaining,
but if we capture the imagination and public trust,
It takes more than just fat policemen who fall from the stairs.
We need stories that inspire the country.
Give a brief description, Mr. Swain,
I promise, I will make films to win the war.
Or at least a film that calms if we lose.
So, please say what you want.
You already have the picture, Mr. Baker. Authenticity and optimism.
Minion Ministry damn...
Good, I will look for stories.
Sorry for making you wait.
Welcome in the Ministry of Film Information.
Roger Swain. You must be Miss Cole.
Madame. / Ah, that's great. Please sit.
Husband enters the military?
He volunteered as a superintendent of air attacks, but was not eligible for military service.
He participated in the war in Spain.
Good, good. Now, about work.
We need to strengthen the women's side which is more convincing in our production.
Mr. Buckley has been appointed as special advisor.
Not so special in paid things.
According to him, you are the one we need.
I say, "maybe." He can't worse than your recruits.
You wrote this? / Mmm-hmm.
This could be a pack of my chips.
I am a secretary in the copywriter section, but all copywriters are subject to military service.
"So-Be-Fee. Not beef, but not bad,
because sometimes you have to be satisfied with what you get."
Good.
The minimum wage starts from 3 and 10.
Surely we cannot pay you as many male workers,
so, agree if 2 per week?
Thank you.
You are a spectator in the cinema? / Yes.
So you are no stranger to information delivery.
We insert it between supporting features and main features,
so that the public does not have the opportunity avoid information.
What to do if is an air strike.
Immediately take refuge.
Don't stand staring at the sky. Immediately take refuge.
You will find, one page of the manuscript is the same as a minute on the
screen or about 80 meters of celluloid,
if the director doesn't waste stock of film like toilet paper.
Speaking of which, the women's toilet is at the last door to the left.
I won't risk other facilities if I become you.
I thought that what I was looking for was a secretary.
For God's sake, save it to yourself.
What do they say, War Artists Committee?
They consider my interpretation too brutal and disappointing.
You're much better than all of them.
They all try to provide for the family.
Ellis, I have an meeting this afternoon...
About new jobs.
They offered me 2 per week.
You know, Perry wants you to be the model.
I say, it's only me who is allowed hurt you.
You just put me for perspective.
No, I put you because I want you there.
I have to go to the supervisory post.
The job for me is writing.
Good, Catrin.
If there is an attack, go to the underground station.
I take you far from Wales not to see you bombed.
I met April today.
He and Tony make some kind of smart code ,
so Tony can write it about what he does.
"Green Village" means "English." "Onion soup" means "France."
There are words for "regiment" and for "train troops."
Should you smoke?
Can't you just mimic it? / Smoking can be maximized.
The smoke cannot be maximized.
It is "cut".
Are you allowed to knit?
My hands are itching to do something, and it feels right for my role.
Display! / I will find the knitting tool.
Walter, I want to talk.
I understand the importance of us filming nationalism,
and clear without reducing the message delivered.
I just...
curious if this can be a little more & apos; punch & apos;
if Mr. Brown is a little more expressive.
For example, when talking about smart code questions,
I can say, "That will be the first smart thing
that was done in April in his life."
Do you understand? Just a little humor. Next is accompanied...
Excuse me ./ Hello.
Halo./ Oh, of course.
No, no.
Only, the title at the end of will be,
"He doesn't listen, but enemies can listen."
It's a joke for women who feel her husband never gives attention.
So, if you start responding, this title makes no sense.
I wrote the script.
I will be in the locker room, if anyone needs you.
Ten minute pause.
Turn off the lights.
Expelled from shooting location. What is it that enters you?
The actor messed up the script.
Of course. He & apos; right actor.
What is this? Redeemer?
Hello. How are you with the baby? / He grows healthy.
With so much free time, I must contribute to the war.
I don't know what to do.
Is your hand skilled enough?
I think so.
Ever thought about work in a factory.
And play the version without dialogue.
They want to reuse record for carrots.
Hello. How are you with the baby? / He grows healthy.
Appetite is like his father.
He spends all food at home.
I don't know what to do.
Are you skilled in taking care of the garden?
I think so.
Ever thought about... / ... carrots?
Good, I'll make the recording.
Thank you. / How are you doing?
Men in the scenario make you feel at home?
They can't see my direction.
"If there is a dog in the script,
we will not assign Jack Russell to write & apos; woof, & no?"
I just read your work. They have nothing better than you.
Want to have lunch?
Don't be pious. This is office business.
I have a proposal for you.
When not busy giving special advice,
I work for a man named Gabriel Baker.
Remember him? Hungarian.
He is a producer.
The ambition to make films that can make a difference.
Hello, Tom./ Thelma.
Sorry. Excuse me.
Dunkirk. Evacuate troops who are trapped by German progress.
Seven hundred fishing boats and AL Kingdom
do the mission bring home the soldiers A pair of twin girls carrying the ship his father's shells to take part in the mission,
back with a deck full of soldiers.
That's what the Ministry is looking for. / Authenticity and optimism.
Contradiction, in my opinion, but this can be a very good story.
Before there is follow-up,
they want someone there and talk to the girls.
Me? / As long as your artist doesn't mind.
How did you meet?
He came to Ebbw Vale to paint a steel factory.
Ah, he's one of the artists.
Older than you? / Yes.
Fifty? / No.
Sixty? He must be a dude.
No one else can afford to pay for being an artist.
Actually, his family revoked his inheritance.
Because of you? / Because of the politics.
So what do you think? A day by the beach.
And you won't know if will later make a movie,
there might be jobs that are better for you.
We need people to write slop.
Slop? / Female chat.
Women's dialogue. "Guk, bro."
Hello. I came to to meet Rose and Lily Starling.
We don't talk to reporters. No one is allowed to enter.
I'm not a journalist. I'm from the Ministry of Information.
Film Department.
Film?
And you go to Dunkirk?
We intend to do so, but the machine the ship dies for 5 miles.
The shaft bearing is damaged. We never reached there.
But in the newspaper, you take the soldiers home.
Our ship is towed by the steamship which is on its way back.
A lot of soldiers fall from above, so we pull some up to Nancy.
Someone saw us transporting soldiers and writing them in newspapers.
They misunderstand, right? / Dad said he was a laughing stock,
told us not to tell reporters.
But you are not a journalist. You're a film person.
Can I ask this woman something?
Lily can ask you something? / Yes.
Have you ever met Robert Donat? The famous actor?
Never, unfortunately.
Father!
Come on fast. Want to see the kitchen?
Not Father.
It's okay, Lil.
I don't like strangers. Don't like a lot of things.
And you bring the ship without permission?
Don't you fear?
None of the soldiers have that backpack,
suddenly there is a bark from it, makes us scared.
It turns out a dog.
One of them, a Frenchman, tries to kiss Lil.
No, I mean fear of what your father will do.
No. He is drunk.
We thought we would return before he realized.
Besides that, Eric is at Dunkirk.
Eric? / Father's men.
He gave these photos for our birthday.
We are birthday the same day.
Robert Donat in the film The 39 Steps...
and John Clements in The Four Feathers.
Never met John Clements? / Never before.
These photos belong to Mother. We don't know people in this photo.
I've met... / This film will be made, huh?
Maybe not.
Because of that stupid machine, huh?
What's wrong with drinking a little. / My father can strangle me if it's late.
What about kissing?
No thanks. / Come on!
I'm back on duty tomorrow.
Refugees to the left.
Passengers are legal, come on!
Passenger is legal, right.
Catrin?
I'm stuck in an attack.
Ended at Baker Street shelter.
I don't know where you are, don't know if you're safe.
I never knew if you were safe.
Gosh, look at you.
I will recover after drinking tea.
The attack damages the main places.
Catrin, I...
I want you to return to Ebbw Vale.
Ellis...
This is the biggest steel mill in Europe.
I prefer bombing there than here.
This is not just about bombing.
I can't afford to pay _ our life here.
Unable to pay for our lives anywhere.
But I have income. / If I live alone,
I can live in Perry's studio.
I can continue painting.
You don't need to protect me. I have income.
Your wages are based on the assumption that your husband can give you a home.
Please, don't complicate matters.
Mr. Cole? This is Alf, from the bottom floor.
I'm not a war, not a committee. I will make it better.
Mr. Cole./ Hello, Alf.
Massive rescue.
They want to know the amount that is in the room that is home land number 12.
Good.
When the twins reach Dunkirk,
they do what is done other small ships,
transporting soldiers from the beach
and heading for large ships who are waiting in the middle of the ocean.
There are shootings and strafing, but they don't speak frankly.
What seems difficult to express from they are the details,
a little authentic details.
Army with a dog in his backpack.
French people trying kiss Lily.
If I could get you to understand how they were brave.
Their father is angry, I think, and a little drunk.
They are afraid of him,
but still bring the ship, Nancy, that.
Nancy? / Nancy Starling.
According to their mother's name. / Very precise explanation.
Mmm?
Very appropriate.
Authenticity, optimism and a dog.
I imagine compulsory military service leaving a hole in your level,
then, for a quick change, we will give you some helpers.
Ny. Cole, Ms. Moore.
Mmm-hmm? / Good.
Generate good ones for aired in theaters
while there are still some cinemas that still survive.
Good work.
Yes.
Do I get a job? / Why not?
Expand & apos; slop & apos; with the twins.
Placed temporarily at Baker Productions.
Not entering credit on the screen. Minimum wage.
I need more. / I can send it to my boss.
I need more than the minimum wage.
I'll talk to Baker.
Leslie Banks is almost my age,
but still like to get drunk around the studio,
makes a mental breakdown like a broken hearted man...
Don't, don't, Cerberus. Too much glass.
If you give your client half of your attention to the hyena,
You can be an agent that is worth having.
Fighter aircraft. Will help buy it...
Ambrose Hilliard. The Man with the Glint.
I know it's a holiday now, but will you display it for me?
Inspector Charnforth?
"Someone has done errors.
Minor errors and are easily overlooked.
I almost did it myself."
Fighter, Sammy./ In pocket. Pocket.
Thank you. / This.
When can we see you behind the scenes, Mr. Hilliard?
What is the time?
Apparently Baker Films is being working on the Dunkirk script.
Apparently, you were placed here.
They want a title. / We haven't started writing yet.
And they ask the locations.
Want me to start looking for the players too?
Don't test me./ A ship, beach, twin girls.
It's just the answer. Try Devon.
or Dunkirk. You can go and look at it yourself.
He is placed here for spying on us.
Don't say anything to him, understand?
We will have every government division, and their wives will insert it here.
Table. It's Parfitt, you've met.
Companion writes. Glad to be working with you.
Report.
So what do you think? / The father inherited bad taste.
The good side of drunken sailors.
Make it an uncle. Uncle Frank.
Yes. / Drunk on a cruise.
Turn yourself at Dunkirk.
Twice shooting when he encountered Stuka's family.
Invite laughter, then shoot in scene three.
Life is ridiculous, dead tragic. / Tears flow.
Yes, the crew, young French, want to be a girlfriend.
Rose or Lily Girlfriend? / One of them.
Both? What are they like?
Shy, quiet. Lily rarely spoke.
One quiet, one fussy. They are both quiet.
No if you want to have a dialogue. / How old are they?
Thirty? / Yes, my goodness.
Movie title, Old Maids of Margate.
This is the Southend region.
Duapuluhsatu, sweet Lily, Rose jolly. Rose who gets a girlfriend.
"My dear, I can't die
without seeing the blue daisies of your eyes at the last moment."
You can direct the sentence to me.
What is the name of his girlfriend? / Eric. Eric Lumb.
Do you hear the noise?
200 women on the bench behind the cinema
swear loudly not to name their son as weak as Eric.
Give a dashing name./ John.
Dungu. / Johnnie.
Mmm-hmm./ He must return the name later.
Injured./ A risk. Rescue.
"Don't be stupid, Johnnie. There are snipers out there!"
Yep./ Save the commander.
His army partner?
Save the dog.
But not so. In the real world, he didn't do that. Film, Mrs. Cole.
The real world by cutting boring points.
Don't confuse facts with truth, and, for God's sake,
Don't let one of them mess up the story.
Now we know how the story begins. Johnnie in France.
We know how the end of the story is. / Go home safely.
And we know somewhere in between them
we have dogs, Dunkirk,
ship engine damage and uncle's death.
All we have to do is fill in the empty gaps.
I bought it.
Advance.
Call this rent, call it what you want, but I won't leave London.
Hmm! / Sorry. Bad night.
Buckley, Parfitt, meeting now. Ministry of Military Transportation.
It seems they are interested in your film scenario proposal.
They are worried, the damage to the machine "Nancy Starling"
can cause moral disappointment over the quality of British mechanical engineering.
This is what he did. Damn Ministry spies.
What if it's not the engine, but the propeller?
Stuck due to floating debris.
Uncle Frank goes down into the water to release debris, get shot,
and the two girls must complete the task under fire.
Don't the girls. / Don't?
Don't. Johnnie. / Johnnie?
Is there a sound of echo here? / Why is he?
Because he's a hero. / So?
How do we know he is a hero if he never acts heroically?
He is called Johnnie.
You deliberately want to fight with me, Mrs. Cole?
Johnnie can't enter the water. He was seriously injured.
Male incision on the biceps, for the sake of God.
The spell won't leak through the pants.
This is the story of Rose and Lily, but you don't want them to do anything.
They go to Dunkirk. / And Johnnie leads them home.
They are women. Women don't want to be heroes.
They want to have a hero. They want to be owned by him.
Tom, taxi.
And if the spy reaches sniffs
to get into the office while we are out, you are fired.
Don't think I won't know. I can end the shaving cream in the air.
Anything else?
Because you want to be flexible your femininity, then trim the office!
I hear the sound of furniture.
"Angels in the sea. Crashing the waves.
Two headed to Dunkirk. Three headed to Dunkirk.
Dunkirk or Bust. From Bust to Dunkirk. "
Somewhere in the world there is an bullet bearing the name of the man.
Why is he not exposed to military service? Baker assures someone
that Buckley is more useful in war with typewriter.
It won't last long.
He will end up in uniform, like & apos; mama's son & apos; other have mama.
Most likely, Parfitt finds he is in a pub,
spontaneously produces descendants.
You know, many men are afraid
we will not return under them after all this ends.
Those who make they fight.
Something changes.
I tidy it up. What happened at the meeting?
I explain the summary that we propose. They accept it.
What is this? / Lunch.
The girls can guide the ship back home.
They can guide the ship. Can guide the fleet.
But Johnnie who fixes the propellers.
You're late. I ordered the food myself.
Sorry. There are guests staying, friends from Poland.
Everything is very bad in Europe.
Here is not for a picnic, if you realize it.
You can't find decent servants in SoHo since Italy joined the war.
They are all considered as enemies of the state,
apart from Geppetto there, which is almost certainly a spy.
Cerberus!
Gosh, sheep carcass?
Beyond food rules,
but Cerberus can't live with crust and food scraps.
Sophie will boil it and make broth for her.
A lucky friend.
Maybe your sister is willing give me a meal too,
unless you've found work for me.
Baker's summary for the Dunkirk movie, have you read?
Better than expected.
Johnnie escaped from a barrage German machine gun.
Rescue the dog is very good.
Here, here.
No. Not you, Cerberus.
Surely it depends on who will play Rose.
Uncle Frank?
"Old man who sank"? Sammy!
"Sixties. Looks older"?
The senior role is not to mock, Ambrose.
Seriousness. Experience. Maturity.
We all become part in defeating Hitler.
Not this part. This is the role of the body. Dead before scene three ends.
Mr. Smith.
Mmm-mmm./ Mr. Hilliard.
Ambrose, you have to understand...
You, me, industry, we are all ready to serve the war now.
War. War...
War fucks!
War eliminates everything that is valuable, leaving only a lump of decay!
Sorry to be late.
There are bomb holes on Marylebone Road.
No one told me if there was a meeting.
No, we are trying to cover it up for now.
There seems to be someone in the department of Mr. Swain
Who knows someone said that the two girls Starling never reached Dunkirk.
That their engine is damaged before out of British waters.
Honey. Too bad. Your first description is very good.
So the two Starling girls lie?
What's the difference? / Of course it's different. This is not real.
In fact, they steal ships from men they fear
and sail in the ocean open as far as 50 miles to war.
They never reach there. / Because their machines are damaged.
There are truths that we will not reveal. Moral disappointment.
We choose the truth. Isn't that the point?
We say this is a true story. / Then, don't say.
You should be a propagandist!
700 ships leave for Dunkirk. 338,000 people were sent home.
Don't say this based on real stories.
But based on 100 real stories.
Thousand./ 338,000.
Dunkirk, the biggest repatriation of in military history,
or the miracle that returns our soldiers?
Good, continue as is. There is a car waiting for me.
You won't regret it. Thank you, Mr. Swain.
Buckley!
Sit down. Sit.
I don't care if you lie.
But care if you lie to us.
The money is not enough. Ellis wants me to return to Wales.
Then what? You can't afford to miss the bombing?
I'm sorry.
At least Parfitt will be relieved.
His wife, Mary, has a disability.
He hires nurses during the day, but keeps his wife at night.
When I tell you that you want to be paid more than the minimum wage,
he worries you're in the same position
whether your husband might have been hurt since the Spanish War.
Should I...
Do you want me to enter the office tomorrow?
With your loss, can I help?
Who else will write & apos; slop & apos ;?
Good work, Mrs. Cole.
You work well.
Hello, Catrin.
Halo./ Hello.
Ellis?
I just met Perry Conroy. Do you still have friends?
I got a letter.
Commission to document damage caused by bombs in the province,
and exhibition in London, soon after.
National Gallery.
Oh, Ellis.
Do you think there will be a train on Sunday?
I have to go back to London on Monday morning.
What do you mean? / Come visit you.
You will be with me, stupid.
Yes, of course.
After the script is finished.
You can get out of the job. / But I don't want to leave.
I don't want to disappoint them.
Of course.
I leave on Sunday, then return to London for the exhibition.
It shouldn't be too far away. / No, it's not too far away.
I will visit as soon as possible.
Good, then.
Calf meat is gone. I already ordered Milanese meat...
and pudding... semolina.
You are Mr. Ambrose Hilliard? / Yes.
I'm Sophie Smith, Sammy's sister.
In his office. Last night he worked until late. A bombing occurred.
I was asked to identify his body.
I can't.
Th. Hilliard?
Mr. Hilliard?
Unfortunately, someone does errors.
I almost did it myself.
Sammy Smith loses two fingers in his left hand.
Sorry, I tried hard to...
shows the whole.
Only for families.
Is this him? Is this your friend?
My agent.
Yes.
That's it.
You can stay with us, if you want.
This is very soothing. I'm sure we can provide space.
Thank you.
For Ny. Cole Congratulations with hope from Lily and Rose Starling NB: We hope the film runs smoothly
Happy New Year Mr. Hilliard.
Sammy likes calf meat. Do you recommend it too?
It's not the same as meat pre-war calves.
Now Sam...
Now my brother is gone,
I have to find something that can concern me.
I have responsibility, dependents.
I decided to continue the agency.
I understand Sammy has discussed the film of Baker Dunkirk with you,
your role as a drunk uncle. / No.
After this conflict with my brother, I say,
"Does it hurt you to be honest, Sammy?
Explain that the man is 63, not 36.
And a short period of his fame as Inspector Charnfort..."
Charnforth! Inspector Charnforth!
Please calm down, Mr. Hilliard./ I'm very calm.
What you see is controlled anger that is triggered by coldness.
One of the many subtle emotions that great actors can do.
Three weeks in the Devon location, following three weeks in the London studio.
There are currently only nine films in pre-production in British studios.
No one else holds roles for you.
I hope I share some of the qualities of my brother, Mr. Ambrose.
But I don't share sentimental attachments.
I will not retain clients who do not make a profit.
Calf meat, two.
and semolina pudding?
Good choice.
Too long. Partially remove.
Which part is it? / What you don't need.
Why? You look like you haven't slept for a month.
I'm fine.
I just feel easier when the story takes place every night.
At least you already know what is going to happen.
I have never known the pleasure marriage... / Bombing.
I think the journey to meet husband in various provinces is too long.
Not too.
This is difficult, you know? About the train.
OK.
What is that?
That's France, Uncle Frank.
That's Hitler!
What's wrong? / Meeting now, with Mr. Swain.
We will only publish this as a shooting script.
They want you all. / Oh, no.
Take it easy. All of them are dead and buried.
No, this is used as a rear-line adverb in a situation
because of strong winds that appear _ opposite direction on the day.
Have I told you? Meeting at Whitehall.
Ministry of War.
"We are a little, but happy,
we are brothers.
Because today, he who spills blood with me will be my brother.
And gentlemen in England who are now sleeping in beds will consider themselves damned because they aren't here,
and keep lowering their masculinity
while there is a voice that fights together with us on Saint Crispin's Day. "
The power of dramatic art. You know,
how many people come to the movies every week in this country.
Thirty... / Thirty million.
And in America close to 90 million. making sure that movies, especially your films, give us a unique opportunity for us to convey our case to the American people. They are afraid we are already battered. You show us fighting.
They believe this country is dominated by the upper class.
Show the situation in England,
where ordinary people are heroes.
But the most important of all,
your film involves itself directly with a feminine experience,
to show American women
that this war must be fought for by their sons, husbands and brothers.
Of course, if we want America to hear, we must give them someone to be heard,
characters that really can they recognize.
Do you want us to put American people in it? / Right.
Ideally, a star has a connection with England,
Cary Grant or Errol Flynn,
but the war is not waiting for the ease of entering Hollywood schedule.
In addition, we think of a better .
Carl Lundbeck.
American son, of Norwegian descent.
Before the war, he spread powdered seeds in his parents' field in Michigan.
When Germany attacks Norway,
Carl goes to England to join the RAF...
where it makes itself feel is at home.
Salmon is not the only creature who must get off the track AU Lieutenant Lundbeck.
So far he has shot _ falling 24 German aircraft,
which makes England give him an award.
A true hero.
Inspiration for other Americans, and, as you certainly say,
the camera likes him.
Prefer it again if it is in color screen.
Colored? I think we can arrange it.
But there are no Americans at Dunkirk.
Very thorough.
Pack up, Mrs. Cole. You left for Devon.
(Trademark) cantik Beautiful copper kettle, beautiful copper kettle (Trademark)
(Trademark) cerah Bright copper kettle, bright copper kettle (Trademark)
(Trademark) I got a kettle I got a kettle... (Trademark)
(Trademark) cantik Beautiful copper kettle... (Trademark)
I'm almost done./ No, you're completely done.
If I hear again the word "kettle",
I will find a kettle and put it in your butt.
Round.
Sorry.
I think the soil absorbs along your hair and fat. / Soil absorbs?
But I want to make your eyebrows really tangled
so that the two stick out in different directions.
Different directions? What, you... / Then...
I would rather have four honest words than 50 pages of nonsense.
You are playing Rose... / No, I'm the Rose
And me as Lily.
This is the best script I read in this month.
Isn't that right?
Wyndham Best. I'm playing Johnnie. Johnnie?
The soldier.
or hero, if possible.
... documentary about Clydeside port workers.
Who brought us here?
Alex, can I join?
Documentary maker and authenticity. A pile of decay.
Buckley, cover me, cover me.
What?
Uncle Frank. Mr. Hilliard.
You know he will be here. / Yes, but I don't think I'll be here.
Is he okay?
Avoid Hilliard. Bad experience.
Carnal? / What? Not.
Oh, that one? I don't need to, worry about that.
He's an actor.
Unless you review it, relate sex, or do both together,
he won't remember you.
Ladies and Gentlemen,
my honor to introduce you
for young people who have contributed great for all of us.
Soon we will return him to the RAF to return to duty.
Previously, he was American ours.
Mr. Carl Lundbeck.
Hi. Halo./ Alex Frayle, director.
Hi. Nice to meet you.
Wyndham Best. How are you? I'm Johnnie.
Carl Lundbeck, AU Lieutenant.
Hi./ Hello.
Mr. Hilliard./ If I get...
Mr. Ambrose Hilliard./ Yes.
Sir, I watched all Inspector Charnforth's films there.
Never come back and watch it again.
"You see, someone makes errors."
"Small mistake, but almost missed."
Yes! Oh!
Sir, I have to call my mother.
That is our secret weapon.
Now you write about it. There must be no reason or no rest.
God bless America. / God bless America.
He is very handsome. / Come on!
Then what do Americans do at Dunkirk?
No, forget that.
What doesn't he do? / Fight.
Yes, then what's the role? / Pastor?
No, we need a hero. / Either...
Tourist writer? Journalist? / Journalist.
A witty stubborn adventurer who can drive a ship heroically.
You no longer review actions from Rose and Lily.
I don't hate the whole structure.
Please someone help over there.
Immediately there.
Of course, ironically,
they entrust this film to the documentary director.
He won't want to have a dialogue.
This will contain fish tracing and local children who play soccer, just look.
What if the American becomes a hero not because of what he does,
but because of what he didn't do?
He falls in love with Rose,
but he didn't try to disturb Rose and Johnnie's relationship.
Self-sacrifice, it's noble.
Only if he has a chance. / Maybe he has.
Maybe Rose likes it, because it's the type that lets Rose fix the propeller.
So, give a name to our reporter.
Joe.
Stubborn type only has last name.
Buckley./ Received.
And who are you before being Cole?
Catherine Pugh.
Catherine? / Catrin is a Welsh version.
This is the idea, "A beautiful Welsh girl deserves a beautiful Welsh name."
Where is your specialty?
"Cardiff Cole.
Caerphilly Cole. Coalmine Cole."
Hey!
That's my chips!
Good, Catherine Pugh, you come with me.
OK.
Brannigan, Johnnie, take a position.
No thanks./ Leave it... I...
Please keep quiet. Please keep quiet.
Thank you.
I snapped my fingers as a shot the sniper.
Please, flick very slowly.
It's difficult to explain it to non-actors,
but I want to react to snipers up there,
not on the flick here. Understand?
Actually, there's no way a real weapon is fired up there, right?
No./ Good.
Ready to take a scene. Sound?
Play sound.
Speed (= Voice recording)
Dunkirk's film, scene 17, take one.
Good luck, Lieutenant Lundbeck.
Action!
Here, son.
Here.
Come on.
Don't be silly, Johnnie. There are snipers out there.
And he has friends. The name is 98 Kurz Carbine.
The best weapon since... Win...
... chester 73.
I'm sorry. I forgot my dialogue.
Cut.
Gosh.
Twenty-three repetitions.
We stopped just because ran out of film stock.
The War Service and the distributor want him.
And no one gave him trial?
Can't we replace him?
This film has an important part to play
laying national cases to the American public.
He is a pattern tool. / If Yank stays here,
this film can fail together national case.
He's a brave child.
Can you or me be brave?
Mr. Baker is fine?
He loses one of his grandchildren. Get hit by a tram off the coast.
It would be very bad if that happened in vain.
Mr. Poor Baker. / It's always in vain.
Why do you think people like movies?
Because stories are structures. A form, purpose, meaning.
When everything turns bad, movies remain part of the plan, this...
There is value in it.
It's not like life.
You're not so sure, huh?
I'm sure this will be good movie.
How can you become a writer ?
Parfitt.
He made a comedy film for Baker.
I used to collect jokes that I heard on the streets
and I sell it to the pub.
Phyl thinks you're born in a pub.
I often stay in pubs when I was a child.
My father is a soldier, in his last time.
Things about men sent to fight, Mrs. Cole,
some of them never back at all,
some return as heroes...
and some return to being drunken drunks.
I should stay away from the track.
In pubs. / Or movies.
I prefer movies.
Every now and then you just need to make a decent one,
the price of one and a half hours of one's life they will pay to watch it.
I really feel this film will be like that.
Yank damn.
This will run smoothly if you keep watching him.
We reduce the Lundbeck dialog to to its essence and use narration.
"I'm not at the beginning of the story,"
but the story starts in a small village of fishermen in England. "
Yes, yes. Difficult to reveal, authenticity.
He can still act. / No, he can't. we train him some stupid shows on the spot,
So Yank knows what he must do.
I feel there is some sort of misunderstanding.
I am an actor, a person who is a little is ridiculed, but still that's me.
Maybe because we are involved in imitating life,
there is a common misconception that everything that lives can do what we do.
You have to find that it's not so,
for which I convey a sense of sincere sympathy.
But I'm an actor.
I only know my art power.
In teaching, training, stupid performances,
for these things, unfortunately I don't know anything.
Sorry for disappointing.
Mr. Hilliard, you're right.
You're right, everything new you say.
This is a matter of respect for art and artists.
And this makes me feel how wrong we are
playing Uncle Frank to be laughed at.
Right, he's drunk and clown,
but he is also the one who gave up his son went to war
to grandchildren and so on.
If we present that truth,
if playing Uncle Frank is very worthy of your time and talent,
could you be willing the same time and talent
to help Mr. Lundbeck and the film?
I guess we haven't met properly.
I'm Catrin Cole. One of the script writers.
Catrin, between us, we will make them cry in the halls.
I have to tell Ellis, I can't go to the opening of the exhibition.
I send a telegram. It's all we can do.
Time and talent, really good.
Have you thought about that before?
The exhibition only lasts two weeks.
We will return you to London before the exhibition closes.
Damn!
This! / Cheers!
Johnnie Lumb.
Kent, from England. You?
Brannigan. Made in America and not for export.
Then why are you here? / Trying again.
The propeller jams.
If I could cut...
Quick, Uncle Frank.
Hey! Hey!
Uncle Frank?
I dropped the knife.
William... Archie...
My children.
Your childhood has passed.
Why don't you tell if you are still in France?
I can... pick you up home.
I can... can bring both of you...
go home.
You worked great lately.
Night, Buckley./ Night, Mrs. Cole.
Beautiful copper kettle. / Aged since...
Bright copper kettle. / It has been aged since...
Beautiful copper kettle, bright copper kettle.
This is the place. Dunkirk.
Blimey. So many of our people. They will never...
Ny. Cole?
They won't be able to get all of us out.
Where is he?
Thank you. / Cut!
Someone please remove Mr. Hilliard from Dunkirk?
Find Ny. Cole! / Train tickets.
Ration cards. The right to travel
Calm down. Mr. Hilliard won't realize your departure...
Not about Hilliard, but Ellis.
He will be disappointed because I missed the opening,
does not appear until the last minute.
Bullshit. Your husband lucky man, Mrs. Cole.
I'm sure he knows that.
He is not my husband.
I mean, he is also not someone else.
We are not really married.
I bought my own ring at Woolworths.
I see. - Just fell in love to run away with him.
Too sure not to care about people's assumptions.
Behind... / It's best to leave immediately.
Hilliard looks for you.
Want to discuss your writing for death of Uncle Frank.
What do you think? / Obviously, it's too long.
But apart from that...
At the last minute,
sure Brannigan and Johnnie are their children lost in the war...
Wow...
"Your elapsed age."
Really.
I still feel we need to add a little.
Sorry, Mr. Hilliard, Mrs. Cole had to catch the train.
What? / He must go.
Ap... / This...
This is a personal problem.
Will he return tonight?
Let's dress you up.
You look handsome with t-shirts sou & your wester. / Really?
Gin.
Mr. Hilliard will definitely be angry.
We will blame the military relations party.
The old man can be friends with me.
So...
Take a position!
All, please keep quiet for scene taking.
Don't stay under £ 1,000.
The director wants to talk to you.
Let me guess, he wants to cancel my designs for dog costumes.
He didn't say the reason.
Tell him, you didn't find me.
But, I've found you.
No, you haven't.
You are tired.
You lean on the ship's fence.
Johnnie who was injured was hugged tightly.
No thanks.
You look up,
and see, appearing towards you through the deck,
a vision of beauty.
And you say...
Be careful. This child is quite chaotic.
He continues to talk about women named Nancy.
I guess that must be you.
Good.
Action.
Be careful. This child is quite chaotic.
He continues to talk about women named Nancy.
I guess that must be you.
Then the woman says...
I'm Rose. This is Nancy. The Nancy.
Which one do you say...
Rose...
You know, if someone 20 years old is younger and tends to be different,
others can almost be tempted.
Cat... Catrin...
Catrin!
Cat, don't make me run.
They will always be like that, right?
Younger, admire you like my old self.
Come on, Cat, you have a choice.
You didn't choose me.
I'll be back in a few days to move my luggage.
For God's sake, the flat is yours. You paid the rent.
After all, I will go to Manchester tomorrow.
They decide to bring exhibitions on the tour.
Success, then?
This is successful.
I'm happy.
You know, the first time I wounded you outside a steel factory...
I shouldn't hurt you are away.
I don't know, Ellis.
You shouldn't paint me so small.
Ticket, Madame.
Goodbye. Next, please.
Widow of war.
Widow of war.../ This.
Widow of war.
(Trademark) I'm not afraid of darkness (Trademark)
(Trademark) Are you afraid? (Trademark) / (Trademark) Are you afraid? (Trademark)
(Trademark), Wow, but happy in the dark (Trademark)
(Trademark) Together with the moon (Trademark) / (Trademark) Sang bulan (Trademark)
(Trademark) And you (Trademark) / (Trademark) And you (Trademark)
(Trademark) When we walk in the park at night (Trademark)
(Trademark) Oh, darkness is a gift (Trademark)
(Trademark) Who cares if we are without light (Trademark)
(Trademark) They can't turn off the moon (Trademark)
(Trademark) I see you smile in cigarette smoke (Trademark)
(Trademark) Even though the image fades... (Trademark)
Dunkirk in a can.
Completed.
(Trademark) They can't turn off the moon (Trademark)
(Trademark) I see you smile in a cigarette glow (Trademark)
(Trademark) Even though the image fades so fast (Trademark)
(Trademark) But I see what I want to know (Trademark)
(Trademark) They can't turn off the moon (Trademark)
(Trademark) We don't grumble (Trademark)
(Trademark) We don't worry about the alarm (Trademark)
(Trademark) But when you stumble (Trademark)
(Trademark) You stumble into my arms (Trademark)
Too young.
Combined age./ Twice too young.
(Trademark) And, like the light of love in your eyes (Trademark)
(Trademark) They cannot turn off the moon (Trademark) / Drink?
Good. / Thank you.
You stand up./ No, no.
Shut up, Ambrose, you know you want to sing.
Good. "Wild Mountain Thyme" D key major mayor.
I see.
(Trademark) O summer will arrive (Trademark)
(Trademark) And soft trees blooming (Trademark)
(Trademark) and wild thyme mountains (Trademark)
(Trademark) Grows around flowers bloom heather (Trademark)
(Trademark) Will you go, virgin, go (Trademark)
(Trademark) And we all go together (Trademark)
(Trademark) To pick wild thyme mountains... (Trademark)
How are you in London?
Calm down. There have been no bombings since last Tuesday.
I mean the exhibition.
Very successful.
(Trademark) sejati True love will not come (Trademark)
And your artists?
Likewise.
Then why don't you stay?
You know I will replace you .
I thought about what said Mr. Hilliard
about the need to add death messages. / Liars.
Sorry.
(Trademark) ... a tower (Trademark)
(Trademark) From a crystal and pure shower (Trademark)
(Trademark) And that's where I showered (Trademark)
(Trademark) All flowers in the mountains (Trademark)
(Trademark) Will you go, virgin, go (Trademark)
(Trademark) And we all go together (Trademark)
(Trademark) To pick wild thyme mountains... (Trademark)
(Trademark) sekitar Around the flower bloom heather (Trademark)
Bright moon.
Someone will steal it.
So...
A few more days in Devon.
London for studio shooting.
Then what?
Back indifferent and carrot business?
I don't know.
Swain talks about other features.
Air attack supervisors.
There will be & apos; slop & apos;
I don't know.
This.
I will give you a decent table.
Marry you.
What?
I am married.
No, you haven't.
That's privacy.
This is privacy talk.
You have to buy yourself your ring at Woolworths.
In difficult times, he tried to send you back to Wales,
and is he disappointed with you?
He is really stupid, but not as stupid as you.
He changes your name, for God's sake!
Where is your price? /
You don't have anyone. You don't know.
I know you deserve to be better. / Do you?
Are you better?
Catrin... I...
I think... you're amazing.
I guess... you're shaking up a drunken uggy.
Come on, get out of the water.
Hush!
You talk to Air Force Lieutenant Lundbeck.
Ah. You know he only plays movies on orders.
"They said this would be good for Eagle Squadron recruitment, sir."
He really wants to go back air. Poor child.
Teh, sir. / Thank you.
Oh, I... / Three cents.
This.
As long as you receive fees adequate training,
I don't mind if you continue instruct him.
Cost? / Yes. Of course the cost.
I will raise this issue with Mr. Baker today.
Are there other things that I need to say?
Your dressing room is decent?
Your intimate needs are fulfilled?
Sammy said you don't like sharing studio facilities with the crew.
Especially electricity? / Yes, that doesn't need to be complained of.
They try their best give comfort.
And for the job,
people seem to respond Uncle Frank well.
I am waiting for your opinion ahead.
Thank you.
Stop licking your cock in a public place!
Basic dirty dog!
Sometimes people just need to be assertive.
You miss me?
Your jacket is left in the cabin.
The jacket smells you in a long time .
And one day, I wear it,
the only smell is Uncle Frank's cigarette pipe.
What I understand, all things change.
The bullet might be bearing my name.
Oh, Johnnie.
I won't blame you. Brannigan is one in a million.
And I don't write too many letters about it, right?
I am just a man everyday.
"Everyday. & Apos;
Good work.
Very good, shooting you so far.
When processed with coloring, this film will look amazing.
Gosh, his teeth are American! Is that true?
If the studio shoot goes halfway, this film will be a success.
But there are concerns... The memo, please.
... from our American distributors.
Please you absorb what is said without ridicule, Buckley.
"American audiences like to be made jerked. . "
Americans feel the end of the story which is presented by the author
too flat,
too... unfettered./ Confined?
That means it's an appeal for fighting.
Their concern is more about what is roughly called
love triangle.
I must say, as far as the eye looks at the front of the house,
Don't let the girl prefer Americans.
That might be because of teeth.
Teeth or not teeth,
what is needed is moral clarity,
satisfying completion of love relationships.
Maybe if Mrs. Cole can bring his work with Hilliard at the location,
Buckley and I can handle the end a new story in the office.
You will enjoy the studio. Change the atmosphere.
Good. Nice.
Slowly forward. Two steps.
Look sideways. / Like this?
No, left side of the camera direction, your right side.
Now look up and turn away while Stuka...
Please, if you don't mind... Stuka.
Johnnie is shot!
Can you bring lighting here? Thank you.
Can it shift?
We try to lift the big boy up.
Sorry ./ Tea. Excuse me.
Want to pass by. / Anyone wants tea?
I think it's very convincing,
isn't it? / Very real.
What is stone cake?
They want to know when the goods are ready?
On the way.
If you continue to wait, the end of the story can change, but...
Almost ready.
Kabari if it's ready.
Dah, Parfitt./ Ny. Cole.
Should we look for women who dress us up?
I think so.
The goods come. Look at your head.
Cigarettes?
I see. Good, bro.
Jejer and align. I see.
I never did understand a man.
Still, I hate to see you miss him.
I don't miss it.
Ellis moved a few weeks ago. I am used to.
Not the Ellis I thought of.
I'm sorry. It's just...
When we shoot in Devon, you always look so... bright.
Maybe I'm just being in a sentimental atmosphere.
My hostess was killed last night.
I can hear my husband crying behind the wall all night.
Looks to me, when life is so vulnerable,
it's a pity to be wasted .
I want to ask. On page 76, I said...
They become anxious, about the end of the story.
Become a spy of the Ministry now?
Is that the script?
Can I...
Sorry.
Sorry. I don't mean... / Don't bother.
That is worthless.
What do you think? / Not so good.
Not so good... Buckley.
This is not your fault. Really, no.
You'd better go home, Mrs. Cole.
Exterior train. Station.
Full moon, clear sky.
A man sits on the beach. A quarrel has just happened.
A woman walks away from her.
Now he is back.
"I didn't really mean it with I said before.
Besides, your words are worse.
That's a declaration.
" Really stupid "pretty good.
You have thought about it before ?
You deliberately want to fight with me, Mrs. Cole?
No.
What I want to say is...
if all this stops...
debates, scorn, insults and strife...
I will miss him.
Even if I die.
I still miss him.
Catrin Cole Dialogue School.
Continue, on and on.
Eliminate some.
Which part is it? / What you don't need.
Good.
I miss you.
Miss you more than that I can say.
Help me lift this.
Next to it is empty. Continue.
Come putari this way.
Ny. Cole?
Be careful, miss.
Ny. Cole? / Hmm?
I thought you were hit inside. / I was at the office.
Good, enter from the left.
Maybe I can borrow clothes.
Talk to the owner of the costume, but don't be surprised if she is emotional.
A parachute knocks down the roof Studio Four overnight
and all the Panzer division uniforms are ruined.
He said this was the worst night of bombing.
There is nothing left at Wimbledon.
The head of the property has not yet appeared, his assistant is hospitalized,
and nobody knows where electrician,
so we have to use whatever we can.
It's a little shaky. Maybe it should be tied to a pole.
There will be tears in tears before hours of sleep, hold my words.
No, you're a bit wobbly.
Ladies and gentlemen.
Can the lights be turned off until we act?
Sorry, Mr. Hilliard. This is heavy.
Again? / More.
This man hasn't been bathed since the last time he fell from the ship.
Change of plan.
Turn off Mayday Uncle Frank
going to Johnnie who is injured and is repairing the propeller.
Fast, Rex. We need you here.
Good, sir. Coming soon.
What can I do for you, sir?
Be careful. Watch Out.
And be careful... Beware of the cables.
I thought you were in the office./ Don't make a backrest.
This was indeed in the office.
I read the end of your story.
You finish it.
You're almost done./ It's not even close.
I'm useless for weeks.
I also read your other writings.
Oh?
What do you think?
Somewhat uncertain. I'm not sure where to go next.
No.
I'm not sure either.
Crumbs.
Find Ny. Cole! I have to talk to Mrs. Cole.
Ny. Cole!
Someone saw Mrs. Cole?
Come on, before they find us./ Where?
I don't know. I never went to the studio.
Ny. Cole!
The boss tries to take a scene without dialogue from Uncle Frank
because he said we lost visual tension.
Mr. Hilliard talked about the the integrity of the story,
he said he would play the scene according to your writing or not at all.
No one is sleeping and you are new... / It's fine. I go there.
No. Let me handle it.
Once Hilliard catches you, he won't let you go for hours,
and I wish I myself who did that.
Be careful,
rather shaky on it.
Don't lean there.
Don't move! / Buckley!
Do not move, keep in the place until the light is on.
Stay at your place.
Retreat. All backwards.
Please, take the girls away from the stage.
Mr. Brown, please take them away.
Almost morning.
Johnnie tries his best fix the engine,
but he is getting weaker minute by minute.
And we know, after the sun appears,
German aircraft will return.
Nobody wants to be here,
but there is something less in this film.
Ship that ran aground, damaged propeller,
no one fixes it, and there's no Tom Buckley.
Maybe we can do it shoot again. / Who is it with?
Ambrose Hilliard is still in a cast,
Wyndham Best is in the North Atlantic.
and Carl Lundbeck have returned to the RAF.
Can the French do it?
Come to help us, just as we come to them?
Looks not the right moral policy.
We can switch the camera highlight to the faces of the soldiers
and never seen who fix it...
Good work, Mrs. Cole.
They have nothing better than you.
You're great lately.
Rose can do it.
Rose can fix the propeller.
Cerberus, sit down.
Rugelach...
and kogel mogel.
To restore you before premiere event.
You must have thought I got some invitation to make love this week.
How happy you are.
Surely I'm not talking about further erotic .
There are several professional questions regarding your availability.
Please read, give your opinion.
The doctor said you were issued after a few days.
I can't see the conditions where you take care of yourself.
That's why I proposed that we prepare an apartment for you.
I'm sure the right treatment will be great benefits...
for your career.
You're still a handsome man, Mr. Hilliard. Yes.
But your good looks are fading away by your emaciated condition.
We can definitely fix this, together.
Thank you, Mr. Hilliard.
Pass here, Mr. Hilliard.
Miss, thank you.
Thank you very much. / Thank you.
I don't care how many questions I have a lot of dialogue.
I better have four honest words than 50 pages of lies. / Wyndham Best.
Young Lady.
Very good changes. Mr. Frayle.
Hello. Are you... this... / Yes.
Congratulations. Good work.
Good night./ Nn. Moore. Very slim.
Thank you. / Hello.
Let me do it.
Ny. Cole? Is he coming?
I tried.
Ms. Pugh, your uncle is coming to meet you.
Sorry for tricking.
Your hostess seems reluctant to accept male guests.
Frankly, he was the first person who didn't know me in these weeks.
He is not interested in film. Unfortunately.
Ah!
That's very beautiful.
That's from Rose and Lily. Rose and Lily are real.
They ran away to join with ATS.
Rose thinks if she can fix the propellers in the film,
he can learn to repair machines in the real world.
They are both mechanics now.
Baker plans a new film.
Air attack supervisors. I was asked to join.
He gives me freedom choose a role.
So, I think, as a thief a cat who retires,
not enough trained. That's why he is great at saving.
He knows the way in and out other people's homes.
The problem is, in the hands of the wrong writer ...
So, I'm wondering
if you are willing to direct your time and talent...
I didn't do it again.
Sorry. I can not.
Wipe the soap in your eyes.
This.
My agent.
You and I are given a chance only because the young people are gone.
or dying.
But by turning away from that opportunity,
even when grieving due to losing,
will not revive those who are not.
Have you watched our movie?
You must watch. Very good.
I'm amazingly great.
So do you.
Appeals to all small vessels.
All ships hope that soon be reported to the local port head.
Dunkirk. Oh, Lily!
I thought they would get them out.
Then they will need as many ships as possible, right?
Nancy.
Here, son.
Here.
Don't be silly, Johnnie.
There are snipers out there.
I don't care even though I have a cannon.
I won't shut up and see he shoots the dog.
A... what is that?
That's France, Uncle Frank.
Dunkirk.
Blimey. So many of our people.
They won't issue all of us.
Hitler? Hitler?
Who does he think he is?
Who do you think you are?
Johnnie!
I see. Come here
Thank you, Grandad. You deserve a medal, guys.
May God bless you.
Johnnie.
Johnnie. Johnnie./ Be careful.
This child is in turmoil.
He keeps talking about a woman named Nancy.
I guess that must be you.
I'm Rose. This is Nancy.
Rose.
The propeller is entangled.
If I could cut it...
Think of yourself Errol Flynn. He can do anything.
I take off the snare.
The boat moves.
Come on, beautiful.
He succeeded.
I have not been grateful, Mr. Brannigan, had brought Johnnie back.
There is no such thing as "master", where I come from, I was called Gene.
Thank you, Gene./ Thank you, Gene.
Tell me one thing.
At different times and places,
Can the man be me?
Maybe, but you're talking about the world without Johnnie.
And that is not the world that wants I occupy.
Have you ever seen something, and know, you want it,
wants it more than anything you ever wanted in life,
and know, it can't ever be to be yours?
I have, and I told you,
This feels like you've finished or is burning in your stomach
which continues to burn until at the end of your day.
I wasn't at the beginning of the story.
but you can bet, I will not leave before the end of the story.
Because now I know, this story must have the right ending.
End of a decent story fought for.
Miss.
Want to stay and watch it again?
You will find lots of scenes that make you laugh.
I watched it five times.
This is our film, right. They're our girls.
Thanks, but I'd better go back to work.
What work?
Air attack supervisor.
They want a summary. / We haven't got the story yet.
And they asked about the character, besides Hilliard as a cat thief.
Three girls, three different lives.
I need a specific one.
Nurses, comfort girls, wrestlers.
Seriously, you urge us now, and that is what you will get.
Prians?
Who else will make these girls fall in love?
Each other? / There are several titles.
Overhead Raiders. Fires Overhead. Fire in the Sky.
They are looking from a female perspective again.
A Tin Hat for Tallulah.
Girls Like Them? / Girls Like You.
Girls Like Us?
You need the end of the story. / We're working on it.
Make a happy ending.
Definitely.
(Trademark) I'm not afraid of darkness (Trademark)
(Trademark) Are you afraid? (Trademark) / (Trademark) Are you afraid? (Trademark)
(Trademark), Wow, but happy in the dark (Trademark)
(Trademark) Together with the moon (Trademark) / (Trademark) Sang bulan (Trademark)
(Trademark) And you (Trademark) / (Trademark) And you (Trademark)
(Trademark) When we walk in the park at night (Trademark)
(Trademark) Oh, darkness is a gift (Trademark)
(Trademark) Who cares if we are without light (Trademark)
(Trademark) They can't turn off the moon (Trademark)
(Trademark) I see you smile in a cigarette glow (Trademark)
(Trademark) Even though the image fades so fast (Trademark)
(Trademark) But I see what I want to know (Trademark)
(Trademark) They can't turn off the moon (Trademark)
(Trademark) We don't grumble (Trademark)
(Trademark) We don't worry about the alarm (Trademark)
(Trademark) But when you stumble (Trademark)
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