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Test tests...
How does the earphone sound?
Hikari (Radiance)
"Test to check you earphones and synchronize."
Light turns green...
Office workers evaporate...
Trucks driving on bus lanes...
Bring a ladder, cross the road...
Rush when checking the clock...
Guiding people at bus stops...
Come to queue...
Bus stops, people go down...
Children cross the road...
Seeing a boy who doesn't raise his hand...
Children make fun of someone...
Middle aged women and office workers waiting...
A little tired waiting...
Waiting for a taxi with a fierce face...
Explain how...
Women with glasses...
Station, Nanto Bank board...
Signs stop buses and taxis...
Waiting for the lights to turn green...
Going to work, going to school...
Fiddling with his cellphone with his left hand.
Suspicious driver...
Autumn, morning, outside trees in a calm bay...
Houses with tile roofs.
Motorcycle boards in the sea.
This is Juzo's house...
Big trees seen from the porch...
A man with gray hair, not shaved...
Juzo folds laundry...
How are you doing, Tokie?
You are calm.
Tokie, no makeup, lock from it black hair on his shoulder...
From the porch staring at the garden...
I'm bored...
Seeing in a daze.
Suddenly Tokie comes alive...
Will you stay long there?
His hand stops, he looks at it gently.
Excuse me?
Yes.
Juzo looks at his back.
He is alone in the big living room...
Juzo remembers the sea...
Sand sculptures on the beach...
Juzo and Tokie sit on the porch...
Juzo, holding a glass of wine, one gulp...
You already told me.
Right?
Putting the glass on the table...
Do you remember?
Tokie, blank display...
Tokie without expression...
It's okay.
You're the only one who forgot...
As for me, none...
I'm cold, I'm flu.
Tokie vibrates...
Piercing his cheek...
Tokie, raise it to the sky...
He raises his head, looks up at the sky...
Mackerel sky.
Well, we will stop here.
So, Masako, what do you have?
Right.
Wait, I'm still sinking into the sky of the mackerel...
I will talk first then...
OK, let's follow the instructions...
About Tokie....
Well that might seem insignificant...
The hair isn't black, it's & apos; pure black & apos ;, I want to say...
Black hair...
What's in the bay?
I want to know more...
This is a sand sculpture.
That word & apos; sand & apos statue; sounds so foreign...
This is a sand sculpture representing a woman.
This is the picture...
That can be anything.
Sand is expected to arrive beach but a statue...
Is that a full size statue standing?
About 50 cm...
A naked person is sitting crossed, one knee up...
One elbow resting on the knee...
Her hair is tied up, facing us.
The scene now really takes shape and character.
Let me review this, sorry.
Ocean...
Sun barely penetrates thick clouds...
Gulls fly.
Tokie wearing a snow white dress...
Lying on the beach...
Juzo hangs over it.
I miss you.
He caressed his hair...
A kiss on the side of his mouth...
Even hugging you in me arms, I still miss you.
Holding him tightly an expression of sadness.
They never run out...
My mind never runs out...
Even when my love fades in front of me...
She's beautiful...
An expression...
Bending, walking in silence.
He stares as if he suddenly sees Tokie for the first time...
The sand on his face...
Wet eyes...
Expressions of hope for the life to come.
I see the sun barely piercing through thick clouds.
It was really fun...
Well, if I can...
You offer so many descriptive details.
They trigger a lot of feelings...
Ah right, yeah...
It looks like it's passing that window at home...
Many things appear...
I was surprised, wondering where the wall was.
You might try to say something...
You are Miss Ishida, right?
Are you talking to me?
You say "accompanied with a lot of feelings"
Well, don't read too much in it.
But you feel like that forced, right?
I won't go this far...
Because he offers a lot of details...
It helps to feel the space...
Because there are many words...
That's a lot.
For example?
"Seeing Tokies for the first time"
For example.
"expression of hope"
For example.
You just made it up.
Uh?
To say it clearly...
You overload experience.
Do you have to be so rude?
I just tried...
Help everyone.
And it's oppressive, can't you see?
It should be noted that Mr. Nakamori as opposed to everyone...
Still has some vision.
I understand.
Next time we filter...
I will try not to force...
I will choose my words carefully...
And save Mr. Nakamori.
There.
Thank you very much.
Bright weather.
You see, the attitude of Pak Nakamori...
It's better to deal with it, I think.
Most people are very grateful for the details you offer...
They don't mind anything.
Isn't the cinema destination...
To connect you to the lives of others?
This helps me to live another experience people with proxies.
Explanation of vowels...
Offer cinema...
For people who can't see and help them connect too.
You see Mass, as a vocal guide...
You must understand their imagination...
And imagination people who face challenges are phenomenal.
Right.
Made of sand...
A woman made of sand...
(movie script)
A woman made of sand...
Let's go to the sea, you and me.
Tokie gave him a charming look and kissed the injured finger...
He turned to Pak Ida who was learning to go.
Have you ever thought about the suicide of Mr. Ida?
You know, I should have been dead for a long time.
I took Tokie together...
Tokie, what will you do?
I have to go home...
But you live here with me.
This is your only place...
Let's go.
Don't touch me.
Miss Mass, can we meet this week?
Mother Aki?
Miss Mass. - It is been a long time.
How are you? -There.
Favorite fruit, I bought it on the road.
First this season.
Thank you.
Very attentive to you. My daughter is not like that.
How lately?
Good and bad moments, it's irregular.
He can be confused.
It's hard to forget that day when he ran away...
This is a burden.
What we will do without you.
Don't worry, I do my best.
Right.
Thank you very much. -It is okay.
But...
But you have to start considering...
Care of an institution.
Mother, are you happy?
Sure...
As long as you are.
There are lots of sounds here...
When I close my eyes...
I hear better.
Father's bag...
Can I save it for a while?
SIM, valid until 1996.
Cash: $ 72.23
Tickets to Obanaza warm water.
Receipt from the supermarket.
Lunchbox $ 3.96.
Drink $ 0.97.
Coffee, 185ml can, $ 0.64.
Appointment at an osteopath clinic, telephone card...
Discount coupons.
I remember all of Dad's stuff.
Call the section head Ikeda.
"Calling the head of the Ikeda section"
Yes, Ikeda spoke.
Nakamori, how are you doing?
I'm glad you are still in your office.
What?
Tell me.
I ask about bugs we have on the CPU board.
Ah, thanks for your quick reaction we've fixed it, thank you.
We will send you verification results this morning.
Well then, you mean tomorrow morning, right?
Excuse me, Mr. Nakamura, now at 9 am.
What?
This is not night.
Sorry, I thought we were at night.
Have you worked all night? You are amazing.
I hope you give me some that focus power...
Have you ever slept?
OK, I'll call you later.
Thank you, I will expect your call.
Bright weather.
No, the weather is not good.
"Even when my love disappears before me..."
"she is beautiful."
"My mind never runs out..."
What is that?
I take photos. -Taking pictures ?
Look at this.
Cheese.
Where are you?
There are two of you?
He is a famous photographer.
Although he doesn't want to admit it.
"The photographer is like..."
"hunters who choose time as prey."
"Knowing how small I am and how big the world is..."
"I will continue to meet him while breathe with wisdom."
Quote. -Yes.
Looks like his grandfather is a cameraman...
I hear.
Tomoko. -Yes?
Can I borrow it?
Sure.
Thank you.
You can save it.
You don't need to do it.
But I need something in return.
Can I tell you my request?
Hello.
Yes.
On the 23rd, OK...
Yes.
Already, in the studio on the 23rd...
Thank you very much.
Goodbye.
What is that?
I got an appointment.
Really? -Yes.
You are very lucky, a little the director receives an interview.
Do you recommend me?
I don't.
What is your request?
Hi.
I am Osaki...
From White Light.
Right.
Excuse me?
I carry a document magnifier.
Right.
Thank you.
My place is a bit messy.
I can offer you tea... please.
Beautiful.
Please enter.
Oh... don't move.
I will do it.
Do you hurt yourself?
I apologize for that.
It's okay.
You pollute this because of an error.
Uh?
This is from Mr. Kotowa, about a room for marriage...
It's okay.
Hey, the hotel is very good.
This is designed for blind people.
That is not the point.
You don't understand.
I told you I don't want it.
Feel good.
What was that? -There is no.
What? -What?
You do something.
No
What are you doing?
Who do you know salt from pepper?
Tells you not to touch it.
What animals do you like?
Uh?
OK, I will tell you their names.
Pigs.
Tiger.
Elephants, giraffes, bears...
Rabbit, girl, panda...
Chicks...
Chicks.
Continue?
Give me your left hand.
The one with the sticker is salt.
How about that?
Getting.
But...
And now it will light up right on the tray.
Beautiful.
What?
This room with sun comes from the west...
Very beautiful.
As much as possible...
I always rent bright apartments.
Sunlight flows...
To the whole room...
Pressing the rainbow prism.
Misako, cover it with his hand.
Even in the palm of his hand.
Prism is a rainbow.
How is that?
Not bad.
Beautiful.
Uh?
When I bow my head...
You think I can't see, right?
Right.
But I see this way.
Uh?
But...
When I look forward...
I can't see.
Is that so?
The letter was before...
Come from my ex.
I have been married a long time ago.
Invitation to his wedding...
Hey.
Eat your yakisoba.
Light is red.
Cross the road.
Just step over white lines.
Misako walks on a path for blind people.
Scary...
That's very difficult.
Good.
You found something? -It is okay.
You are the director of this film...
Yes.
Is the character, Juzo, expressing something close to you?
Good...
Not in a clear way...
But of course, that way is true.
In what ways does it fulfill your experience?
For one, I'm old.
What I wrote for the last scene...
How is that?
Precisely, for that scene...
I need to say something about narration...
It's there...
That expression.
Hope for the life to come.
Is that not good?
It's not that it's not good.
Juzo... might die tomorrow.
Uh?
Because he is old...
He he he... you see?
The desire to live...
Does not prevent death...
And even almost die...
One desire to live.
See? That is human.
This is weird, right?
Reaching this age...
The border between life and death becomes blurred.
For the last scene...
Look...
How can I express it?
Juzo thinks about his death but...
Is he alive or is he dead...
He has gone beyond attention to this...
If we can lift that ambiguity...
For the sake of the film...
I want to hope to win...
Director, it's time.
Uh?
Sorry, I have to go.
Miss Osaki...
I am very glad I met you.
I would be very grateful if you expressed that hope to Juzo.
See you later.
Rain is getting heavy.
Geez, take a shower.
Dunes...
Juzo, wrapped in his coat, climb in silence.
Endless.
My mind never runs out.
Juzo walked away, bent...
Go silent.
Sunlight shines on his shoulders...
At the top of the dunes, Juzo stops...
He looks at the sky without moving...
Good.
Yes, if we compare to the previous time.
This is really organized, it flows smoothly...
You introduce intervals...
That's emotional...
Slow and steady sequence of scenes...
I think you are doing a good job.
Thank you.
You do a strict narrative at this time.
This is good when the film is good.
As for me...
This narration...
Yes?
First there are people who see it for the first time...
He thinks it's terrible.
Terrible?
Top scene, Juzo workshop...
Your expression is minimalist...
What is...
That doesn't provide space.
We are all here maybe are too familiar with the job.
Maybe I edited it too much.
I understand.
I will review the top scene.
If I can ask something...
You create the narrative from the whole movie...
What do you get, what do you feel...
When you make that narration?
What do I feel?
What do you feel about the film...
That perception flows from the film.
What is that?
In his work, the director of Kitabayashi...
Many projects belong to him personal experience...
That's inner...
How can I say...
He doesn't try to get it one message until...
But if it is disclosed, he is happy.
And with that in mind I wrote the narrative.
And when you point to this expression...
And try to interpret it...
Scales borne by this film.
You have opened the depth.
What you declare here about the whole...
Destroyed beauty and sadness in the film.
and others
These things, however hard you are try, you will never recover.
I feel there is a very heavy side to story.
And when we watch that movie...
More than just a perception with a proxy from the screen...
It feels like we are in a much bigger world...
And you make it fun.
We enter a larger world.
A place that invites you in -Right.
And suddenly you see around and you are there.
Sudden
It's in me, I breathe the same air...
Listen to the same sound...
Feeling so many things, I watched the film.
You see Miss Misako, Cinema living in a wide world...
And in dealing with that the extent, our words are small...
But we shouldn't regret it.
Next...
Last scene...
After the sun sets...
You don't say anything.
I consider several options.
For the last scene, the person who saw it...
I would rather leave it to them.
A strange narrative will occur misleading people.
You run away.
Not like that.
It's just...
I only delete my personal feelings.
Is that true?
As for me, I don't feel anything.
That's when imagination fails.
Uh?
I always observe...
In 's facial expressions of the audience...
I believe they have answers...
But your face expression remains the same.
And it's not dependent on seeing or not...
I just want to know if you are taken from imagination.
Misako, it's easy.
Mr. Nakamori.
Do you run away.
I think we can end it here.
Excuse me.
Thank you. -Thank you .
We will contact you for the next playback, thank you.
Misako, you can go today.
I take the situation from here.
Maybe you can ask who doesn't have imagination.
Let's go. -Right.
Don't go.
Mr. Nakamori.
Please pass here.
Good night. -Good night.
It's been a long time.
We haven't seen you in six months.
Maybe.
We meet later.
Right, you and me.
Do you do this regularly?
Party in the office. -Business relationship.
Drink? -What are you drinking?
Beer. - I have one too.
Please, three beers.
What do you do? Model-Bikini.
That's not good.
I met many sweet girls.
Beautiful.
This is the beer.
Thank you very much.
Thank you.
You are there.
Applause.
Your back from work, Onishi, right?
Last night I returned from Okinawa.
Okinawa, really?
For bikini shooting.
You often have this job.
Cannot choose.
You don't have a voice.
I'm not like Nakamori. -How is that?
By the way.
There.
This is Radiance, right?
I'd better start reporting too.
Very?
He really does the Radiance cover?
It represents a kind of elf from the forest...
You need to use your imagination more...
My imagination. -Don't worry about that.
The photo has a green base.
A woman alone in the forest...
He just stands there...
And the character, the object, the environment...
Light, nuance, wind...
They are all balanced...
Everything becomes perfect.
In an instant of unity.
I suspect that it is his intention.
You sound like a good seller. -No, no.
What are your views lately, Mr. Nakamori?
Same.
You are not shooting anymore?
How am I?
You mean, it won't be cured?
Right.
But drugs can make progress.
There is no idea.
Are you serious?
That must make you angry?
I'm not angry...
I can't imagine.
You are brave.
What do you want?
I want that back.
What?
I want that back.
What's wrong with you?
What do you want?
My camera.
Give me back my camera.
I don't have it.
This is my heart.
Even if it can't be defeated again.
That's my heart.
Enough with that.
Time to release.
Mr. Nakamori.
I am Osaki.
What happened to you?
I can't see...
It's here...
Uh?
Will you...
Let me...
Touch your face?
Mr. Nakamori.
That place...
In the countryside...
Where do you take photos...
From the sunset it is...
Will you go there...
with me?
Please.
Good.
Are you okay?
I'm fine.
I don't want to forget.
Not even instant.
I want to see it all.
Every time forever.
I miss you.
Even holding you in my arms...
I still miss you.
They never run out...
My mind never runs out...
Love me in the sand...
Love me in the sand.
Even when my love fades in front of me...
She's beautiful.
He looks at the sky...
Without blinking...
Bright...
Sunset...
Tomorrow...
Sunset place...
Together...
"Your message."
Hello, this is Ikeda...
Technical documents I send you another day...
Can you check it out?
I want to hear your opinion about some points...
Thank you very much, talk again later.
That's Koyanagi...
How are you doing?
There is something I want to discuss.
If you can advise us to a personal performance job.
I'll call you later, see you later.
This is Kane, how are you?
What is happening? we can't contact you.
Really, are you still alive?
You have one unread text message.
Osaki Misako.
So this is the place.
Even though I know I will never catch it...
I like chasing the sun.
How can I hold this enchanting light.
I chase the sun all the way...
Until drowning.
I too...
I also chased him.
Much longer than before...
My heart creaks...
Sometimes.
I hear.
Your heart creaks...
Same as me.
When I finally see the unseen...
When I feel upset...
Why?
But...
For this last screening I think the audience will like it.
You do a great job.
That is a film that is difficult to explain.
Can I have a little more time for the last scene?
I can't find words.
We see the audience schedule and decide.
How is that?
The most important thing...
He must get rid of it the most important...
This is very painful.
Mr. Nakamori?
Walk on the line...
Chase...
Without pursuing...
Cold grip...
Vibrations are sent to the body...
Afraid...
Yat-chan.
That's Misa-chan.
Where is the mother? -Misa-chan.
Misa-chan.
Where is the mother?
Misa-chan.
I arrived to open this morning, he left...
He also doesn't touch his dinner...
He might have gone overnight.
All villages launch search parties.
Misa-chan.
Father.
Look, the big mountain there.
Father's tree.
Let's take a photo so we don't forget.
We will make sure we don't forget.
Where does the sun go when it goes down?
Mother
Hey, Misa-chan.
Welcome back.
It's getting cold, isn't it?
Mother
Why?
What are you doing?
What?
Daddy will come back...
When the sun...
Will be buried in the mountains...
Daddy will come back.
Clouds look like smoke...
I am scared.
Come back.
"This is my last photo, this is for you."
"Earphone Test."
The scenery in Hamanako Bay...
Gray sky blurred...
Across the coast from various hills...
The sea looks a row of thick trees...
Roof tiles that are charming from Japanese houses...
Home opened in the park...
A white boat loses speed when approaching the beach.
In a dark room.
Outside the window, the sky is cloudy...
Inside the red spider lily niche.
Juzo interrupts the task of seeing Tokie.
Do you remember?
Well, it doesn't matter...
On your side, you forget everything...
But for me, not one memory...
I'm cold, I'm flu...
Are you cold?
Juzo brings a scarf young orange prints...
And wrap the neck of the Tokie firmly...
We see Juzo's face close to his face.
A tear from his eyes...
I miss you...
Juzo surrounded Tokie throat with his hand...
He nervously stroked his hair, cheeks.
Even when I hug you with arms...
He kisses his neck...
The eyes are empty...
I still miss you.
He ruffled his hair...
Endless...
My mind never runs out...
Love me in the sand...
Beaching waves foaming snow white...
Gray clouds wrap the sun like a bell...
Facing the ocean, Juzo holds until the scarf in the wind...
The waves are strong.
He dropped the scarf disappeared in waves...
Even when my love fades in front of me...
She's beautiful.
A woman's sand statue collapses...
Without leaving a trace...
With small steps, Juzo walks on the dunes...
The creamy coat floats in the wind...
Juzo walked away, bent...
Bright sunsets...
Shining over his shoulders...
Mr. Nakamori.
Arrival. -Wait.
I know now...
Even if you don't chase me...
Or try searching for me, it's okay...
I will...
I will come to you.
So, wait for me there.
Juzo stops at the top of the hill...
He looks at the sun without blinking...
Juzo stares.
That beam...
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