(ALARM)
(Commander, loudspeaker) Attention, please. The Commander speaks. </ P>
(Commander, loudspeaker) Ship abandonment! </ P>
(BUSSANO ALLA PORTA)
Emergency! Meeting at the bridge 7, fast!
<What's up?
<Oh, what's up?
(Commander, in English) Ship abandonment!
Oh! Oh! </ P>
(Gegè) The shoes. </ P>
Woe to the misery! </ P>
What the fuck! </ P>
Oh, wait! </ P >
<Mr. Cristofori, go up.
We were waiting for you to finish the exercise.
It is very important that in the excitement of an emergency
everyone knows where to sit.
- It's a & apos; exercise? - Of course.
(RITMATA MUSIC)
(Eros) One morning I woke up
Oh nice hello nice hello beautiful hello hello hello
One morning I woke up and I found gl & apos; invasor
(sighing) What a ball!
<This is the flower of the partisan
O bella hello bella hello nice hello hello hello
This is the flower of the partisan
Died for the freedom
This is the partisan's flower
Died for freedom
- (together) Zan zan. - "Zan zan" no.
(SIREN SHIP)
- (Comandante) Hand steering. - (Primo Ufficiale) Hand steering.
- (Commander) Port 20. - (First Officer) Port 20, sir.
- (Commander) Midship. - (First Officer) Midship, sir.
- (Commander) Steady. - Steady, sir.
<It does not seem hard to drive this ship.
Like you see, the streets are wide here.
All of you at the most c & apos; is the parking problem.
But can you drive any ship?
Sure, Mr. Cristofori. Although C & Apos is ship and ship.
- Autopilot. - Autopilot, sir.
S & apos; is he pissed? </ P>
No, it's fixed with & apos; s Cruise. </ P>
- And it would be? - It's the one there. </ P>
It is a very nice passenger ship. </ P>
Only the company does not want to entrust it. </ P>
E si deve accontentare del modellino.
(Commander) You're beautiful
To die for
Everything looks like a movie
(Gege) They came a bit & apos; dark,
but they gave it to me before leaving, I could not change it.
Anyway, I recognize myself. It's me, look here.
Then I'll give you the autograph.
I'm a little bit excited to do this concert.
I'm going back to sing in Montevideo after 30 years.
I made it just 30 years ago, evidently they still remember it.
(Gegè) South America is not like Italy where I have the desire to sing.
Do not sing anymore?
Let's say I stayed in the music.
<Now I have a recording studio of mine, I produce, I launch the young.
(Gege) But singing is completely a & apos; other thing.
<Being there in front of an audience is a unique emotion.
Maybe with this concert a market opens in South America. </ P>
Who can say...
- Can I? - Please. </ P>
(Ruggero) Stewed meat with crisp vegetables on basmati rice,
to be corrected, if you like, with bean sprouts and parmesan.
You understand, today we have laid out a bridge between East and West
(RISATE) Does it take away a curiosity? </ P>
Why did not you take the plane? ?
In your opinion, if I was someone who took the plane,
would I submit myself to this endless journey?
Fear to fly is an unconscious desire to remain earth.
(THE COMMANDER RIDE)
Tell me something.
<Are you more a cook, more a psychologist or just cacacazzi?
Keep the three things in order. Commander, do you know if you like it?
You still have to get used to the idea that we occasionally welcome passengers. </ P>
But it's a special person, holds & apos; na capa tanta. </ P>
is writing the speech that I will keep for Grimaldi at the convention.
Sure, it's not kind of relationships.
It's been on a continuous board for for four years, does not take holidays.
<(with a foreign accent) Easy. It has no family, no children.
I have three children all females.
But maybe now he is a male, I hope so much. Can I have one? </ P>
- Please. - (Eros) Thank you, very beautiful. </ P>
Cosa vuole da me questo cantante mediocre?
Talk, talk... What the fuck are you talking about?
(Ruggero) Permit.
(GORGOGLIO D & apos; WATER)
1 minute and 19 Fuck, it's little. </ P>
(Ruggero) Disorder? </ P>
<Chiaromonte, which c & apos; is? </ P>
Have you finished writing the speech? </ P>
- No, I came for another reason. - Which is? </ P>
<The company wants to land in Montevideo. </ P>
I do not renew , boarding.
They say take all the holidays, even the backward ones.
Oh well, that's right.
No, I'm eight months old I'm not here.
Chiaromonte, holidays are obligatory, eh?
And then you really get off this ship, I've been there for four years .
- Commander, you must help me. - But how do I convince the company?
Is it more a problem a cook who does not want to land
or a commander with a shipwreck anxiety?
Chiaromonte, then? < br /> How dare you?
<No anxiety. This is called prevention.
1 minute and 19 seconds are not enough.
- No, eh? <And no. </ P>
<Especially if you stay locked in the cabin while the ship sinks. </ P>
<Maybe you can not break through the door. porthole, water continues to rise. - Enough. </ P>
<The Commander is the last to have to leave the ship. </ P>
Enough, Chiaromonte. </ P>
I'm working on it, my anxiety.
- But the sea is my passion. <I know.
- Oh well, I put in a good word for the extension, Go. - Thank you. </ P>
< Quello che hai visto rimane fra noi.
Water in the mouth.
- Forget this water. - I was wrong.
(MUSIC OF GUITAR)
(Ruggero) ) (Who are we? Where do we come from? Where do we go?) </ P>
(But how do we get back?) </ P>
(And where do we come back?) </ P>
(Salpare is a passing.) </ P>
(You leave affections and you chase memories.) </ P>
(Waiting for a landing place. But it really exists a landing?)
(I do not think so.)
(You have to train yourself to nothing to stay afloat.)
(The things that are missing many)
(but it is the imagination that should be stimulated in every way)
(to tear away small happiness happiness.) </ p >
<During travels, even the thoughts for women find their space
and manage to make them miss,
but we do not consider masturbation at all.
Like masturbation?
That is beautiful, but in the conversation to bring masturbation into play. ..
Commander, excuse me if I dare, she does not masturbate?
Sincerely little.
(Ruggero) Must do it more, much more.
<Promotes the release of endorphins, neurotransmitters related to happiness.
Ah.
(Ruggero ) Thanks, Calogero. </ P>
- I would start with two a day. - It seems excessive. </ P>
No! </ P>
I sincerely still I do & apos; na nice hacksaw a day.
<Excuse me, what do you want?
We are talking about biology.
To make a blowjob Do you need a degree?
Oh, calm down.
Do not allow to use this tone with me.
Hey, then!
Ruggero, why do not you invite Mr. Cristofori one night when you play?
You listen to a professional.
- He is also a producer. - Yes, vulgarity.
I must confess that I also have a good passion for singing.
(humming) Uh, uh, uh.
What do you say? </ P>
(MUSIC OF LOW AND GUITAR)
<Three female daughters, it takes courage. </ P> > They will give you a hard time. </ P>
(with foreign accent) It's not easy. And you? Children? </ P>
We missed only the children. </ P>
Stupe... Oh, you're hurting me! </ P>
- I did not do anything! It's normal. - & apos; I'm fucking phon! </ P>
Vedi, non fa niente.
Stupendous island is
C & apos; is a mild climate around me
There are reeds and bamboo
This is difficult.
(SIREN SHIP)
(Gege) Lying in the sun ad dry the body and the face
I look heaven in the face
Wave on the wave the sea brought me here
Rhythms, songs
Dream women, bananas and raspberries
Wave on wave I set myself now
The shipwreck m & apos; gave the happiness
That you do not give me
What the fuck, & apos; s final all together!
(Gegè) L & apos; we tried 200,000 times, shame the misery!
Thank you, thank you very much.
(Gegè) Thank you.
We have five minutes of interval, take a seat at this very rich buffet.
<Please, to the boarding. </ P>
- What are you doing here? - I'm looking for a little something to eat. </ P>
Yesterday I did not touch anything, I I'm up with a hole in my stomach.
You're not allowed to enter the kitchen, much less in the cold room.
I'm looking for two eggs. Me I do.
The door must be kept closed, otherwise the cold will be lost.
Do you want to tell me where are the eggs at least?
- Look, I'll close it. - And close! So at least I do not hear you. </ P>
Fuck! </ P>
Where the fuck are you & apos; ste eggs? </ P>
It's a fucking cold. </ P>
Oh. </ P>
Dove stanno le uova? Non le trovo!
(SHOTS ON THE DOOR)
<Open & apos; is fucking door that here is freezing! </ P>
But are you an asshole? </ P>
<(shouting) Open! </ P>
<Open & apos; is fucking door! </ P>
(Ruggero) Mr. Cristofori...
Her eggs.
We keep them in the small refrigerator.
<Is she a lover of classical ballet? Or is she ashamed of her stature?
<One is enough for me.
(GEGÈ FA DEI VERSI)
(Doctor, PC) C & apos; is a strong inflammation.
The satellite image is not very clear.
Continue with the anti-inflammatories that the Commander gave you.
As soon as you can go from an otorino.
- With anxiety, all right, Commander? - Thank you, Doctor.
- Con l'ansia tutto bene, Comandante? - Grazie, Dottoressa.
I closed the link, can also close the mouth.
- (in a hoarse voice) Thank you so much. - What?
- That made me lose my voice. - He did everything himself. </ P>
- The temperature change. - No. </ P>
He closed me in the cold room for more than half a hour.
No, she was already inside and then the eggs were not there.
- Why not me Did you say that right away? - But you asked me?
- Yes, I asked you. - He even threw me an egg back.
- You exasperated me! - With the clear intention of hurting me!
But do you want to finish it?
Good thing we're leaving in Montevideo a day in advance.
Just fight!
Do you want to understand that with violence you do not get anything?
- Make peace, up. Give yourself a kiss. - No. </ P>
- Then hug us. - No, I do not want to. </ P>
- Hug. - I do not want to. .
We all feel better. Come on, let's hug.
Up.
(in a raspy voice) So much for pe & apos; sang & apos;
Because I feel a friccic...
- Mr. Cristofori, how are you? - I've completely lost the highs.
Do not stay here. C & apos; it's wind, come in.
(TELECRONACY IN SPANISH FROM TV) Uh, tremendous. Muy bueno. </ P>
Ahì ahì, otra vez! </ P>
Field, field! </ P>
(OVERLAYING ITEMS)
(RIDE)
(SPEAKS IN ALBANESE)
Mammà how are you? Bono! </ P>
It's female. One & apos; other. </ P>
(Ruggero) Let's go. </ P>
Mi accompagni tu?
We have drawn lots and the short match has been touched to me.
- How are we going? - On foot, there are four steps.
(NOISE AND SOUNDS OF THE CITY)
(Ruggero) The workshop is now busy. </ P>
Meanwhile Dr. Perez will ask you questions to speed up.
- Is this the otorino? - Yes.
Exacto, doctor Perez.
¿Le gusta Uruguay?
We have just arrived, now I look at it and let you know. </ P>
Acerquese, por favor. </ P>
<It leans towards the Doctor. </ P>
(MAKE THE VERSES)
Holds the garganta irritada como a volcàn de Chile en erupciòn. </ P>
<¿Qué type de chili? Trininad, Moruga Scorpion I'm going out.
- No, Chile continental. - Ah.
- Pacific Ocean Cordillera... - Ah, claro. Pensaba la comida, is not it? </ P>
- Ah no. America. - America, yes. </ P>
When do you end up living? Can I know? </ P>
The doctor says his throat
is inflamed like a volcano that erupts hot pepper,
then I asked him what kind of chili.
- ¿He has been pushing the voz lately ? - Has he tried his voice lately?
Of course I struggled.
An asshole closed me in a cold room for half an hour. .
He had already entered without permission and the eggs were not there.
- You could have told me before! - (Ruggero) No!
- Yes, you should tell me! - He did not give me the time.
I'm doing an idea.
- Hello. - hello.
¿Has tenido enfermedades importantes,
internaciones, intervenciones quirurgicas alguna vez?
Asks if you have recently received hospitalization, diseases or operations.
I would just like to know when my voice returns.
I know & apos; stewed of questioning.
(Ruggero) The Doctor is doing a & apos; anamnesi.
It is also done in Italy, it is not a Uruguayan tribal practice.
- Do I have to laugh? - No, he has to answer so we hurry up.
Nothing serious, only a shelter last year .
(Ruggero) What kind of hospitalization? For what?
Gastric lavage for psychotropic drug abuse.
- ( Gege) I was a little exhausted. - And you wanted to kill? </ P>
(Doctor Perez) Vamos. </ P>
(NOISE AND SOUNDS OF THE CITY)
(OVERLAPED VOICES)
They told me that nearby c & apos is an Italian grocery.
I could buy some bacon and make a nice carbonara.
- To cheer up... - But what can I do with the carbonara?
I have to turn with this concert. I I need the money, I have to do it.
The doctor said that he had a vocal cord blocked.
The voice does not come back to it so soon.
I have to find one that does it for me.
But where do I find another singer?
If I find it, just go there and he says to him: "So & apos; Gegè Cristofori."
Nobody knows me, I was here only once 30 years ago.
Anyone can be Gegè Cristofori. That, that one, another.
Montevideo is a very European city.
A little Paris, net of its grandeur.
What the fuck are you talking about?
I say I could take advantage of these days before his departure
to do a little & apos; the tourist.
But you do the tourist!
I know & apos; come here to sing, not to be a tourist!
And if I can not sing, it's your fault!
So I'll give you some advice, Do not speak to me again.
I'll give it a last time to tell you that the port is from the other side.
- There? < br /> - Beyond.
(NOISE AND SOUNDS OF THE CITY)
(BACKGROUND MUSIC)
- Beautiful car. - Beautiful .
It belongs to a billionaire, it has more than 1,400.
We bring it to you one trip practically.
And to think that perhaps it will never rise above.
<Tomorrow I will meet the organizers of the concert to cancel it.
No concert, no money .
<I do not think it's that bad.
I think I understand that singing is no longer his main profession.
Now he's a producer, he has a recording studio.
I do not have a recording studio, I've been fucking nothing for years.
Sa what would it take now? A little bit of wind in your face.
(SONGS IN ENGLISH)
(CANTICCHIA)
Where do I bring you?
Sometimes to stay still go farther.
(GEGÈ IMITA THE MOTOR OF THE CAR)
(SONG IN ENGLISH FROM THE PC)
Ed Rush, me lo ricordo. Non era il mio genere.
He only moved his mouth, the voice was mine.
How would it be?
That song I'd made it myself with a friend mine.
l & apos; we went to a producer, went crazy.
But my face was not good, it was a question of image.
And he called & apos; sto Edoardo Russo, an out of tune model,
and l & apos; they set as "Ed Rush".
He on TV and I at home.
C & apos; I tried again, some songs I placed...
But they never put me in front of me.
>
- I'm sorry. - What should I do...
Oh well, you'll find a solution.
I certainly do not want to do to do the eremite on the ship.
Why do not you tell me that yours is a vocation.
Let's say it was all right and then something happened.
And they started looking at me as if I were a & apos; other person.
had you combined?
- Nothing. - You will have defended at least. - No. </ P>
And what have you done? </ P>
Nothing, nothing. </ P>
Bravo, that's how it's done. </ P>
(SOUNDS) AND RUMORI DEL PORTO)
(Guild) Gracias. </ P>
- (Gilda) Hello, sorry are you Italian? - (Ruggero) Yes. </ P>
Anch & apos; io, a little & apos;. </ P>
I'm lost, I'm looking for Mr. Cristofori. </ P>
(Guild) He's arrived with this ship, no? Is it here? </ P>
I'm in charge of the concert. </ P>
Maybe, I'm not responsible... management is not mine. </ P>
Ma sono io che... Se qualcosa va male mi licenziano.
We had an appointment here.
They did not let me in with the car.
(Guild) Maybe it went down and we even crossed paths.
<For me Gegè Cristofori could be anyone.
- He never saw it in his face? - No, we just talked on the phone.
I was looking for his photos on the internet for a poster,
but I did not find anything.
- (Guild) Maybe it's still in the cabin . - No, I do not think so, follow me.
Here, he certainly knows where he is.
I have the honor to introduce you the manager of Gegè Cristofori.
<Ah, I did not know he was coming with a manager.
Yes, always.
Pleasure, I'm Gilda Mandarino, the person in charge of the concert. </ P>
Cioè la responsabile no, ma sono io.
Mr. Cristofori dov & apos; is?
Dov & apos; is...
Gegè Cristofori? It's me. </ P>
Why did not you tell me right away? </ P>
Why...
Because I'm never sure of myself.
I always wonder who I am, what am I doing here.
I understand...
Anch & apos; I sometimes I I question myself.
- I have doubts. - Sure.
It's a good thing.
Oh well, I'll take away my doubts . He is Gegè Cristofori and you are...
- Mandarin Guild. - Mandarin Guild.
- And I am... - The manager. - I'm the manager. </ P>
- What do we want to do? - I guess you'll want to go to the hotel. </ P>
Of course, we do not want to spend the life on the ship
Let's go.
We take our bags, a moment! You did too late!
(Gilda) Morgana.
Hola, ¿le gusta Uruguay?
These have the fixation.
<Momentarily it will be the driver of you.
It is an opera singer muy brava.
(Ruggero) Thank you.
<De la Sierra Morena
Cielito lindo vienen bajando
A par de ojitos negros
Cielito lindo de contrabando
Ay, ay, ay, ay
Sing y no llores
Porque singing if cheerful cielito lindo
What two cogliones And what the fuck! </ P>
(Morgana) Ay ay ay ay
Montevideo is full of beautiful hotels,
but I chose this because here I heard a "muy especial" magic.
Look.
Maravillosa decadencia.
This room "me encanta".
(Guild) Do you want to know why?
(Guild) Come, come .
Look.
Look at the ceiling. Look at that drawing.
<I see you like a cloud .
Or the shape of a dream.
(Ruggero) Who knows what you dream in a hotel room in Montevideo.
But that is a stain of moisture!
<In my opinion those who have stayed here must have had some beautiful dreams.
They dream of changing their rooms.
Now I'm going. See you at the restaurant tonight.
(Guild) Go pick you up Morgana at 8:30 pm
I'm very happy that you're here, Gege.
- Hello, hello. - (Ruggero) Hi.
(LAUNCHES THE KEYS)
Thank you, thank you!
Please. But do not shake me, come on.
You did not say why you did it. < br /> Why did you replace me?
Maybe because you made me sorry, you made me sad.
Or maybe because I find assonances in a vocal singer drifting...
Oh well, I do not care. I do not want to know.
Come on, though.
Let's enjoy it this stain of humidity, full of dreams, of clouds.
Rainfall.
And of course, rain is needed.
(RINTOCCHI DELL & apos; CLOCK)
- (Guild) Hello. - Hello. </ P>
Good evening. </ P>
Hello. </ P>
Hello.
(Guild) Sit down.
Gegè here and you here.
Do you like it?
Much.
It's a restaurant very special, during the day it's always full.
Instead of at night it's more...
- More... - Exclusive. </ p >
Yes, no exclusive...
- How do you say? - Desert.
<To say they do dinner only for four people.
Four of us tonight.
But we are three.
- No, four. - He says we are four.
Expect Rosalba Bolena, your great admirer.
Here she is!
- (coughing) Come, come with me. - Yes, I rinsing your hands.
Can you tell us this story? Who is this Rosalba Bolena?
- The one that wanted me here. - That?
Thirty years ago at my concert he met the man of his life.
It's full of money, you know how they are & apos; s billionaires...
- No, I do not know. - He wanted to organize an anniversary.
He asked Gilda's management to organize this reunion.
So could you recognize me, why did not you tell me right away? </ P>
Why did not you ask me. </ P>
So it's my fault? </ P>
Let's 50 and 50.
Okay, I'll take my 50%
and I'm going to frame this big shitty figure.
- We do 60 and 40. - 70 and 30. </ P>
We are mortified. </ P>
Gegè Cristofori? </ P>
Oh my god, what a thrill!
Over the years it has become more beautiful.
- Thanks. - Good evening.
He is Ruggero, my manager and he really wanted to know her.
But are you kidding me?
Enough of this "she".
So you make me feel older than I am.
- We sit down? - Very willingly.
(GEGÈ SOSPIRA ) We sit down.
Are the waiters there or are we completely self-managed?
No, yes... Mozo, estamos listos.
(Waiter) Amapola
Lindìsima Amapola
Serà siempre mi alma
Tuya alone
(Morgana) Yo te quiero
Amada niña mìa
Igual que ama la flor the luz del dìa
( together) Amapola
Lindìsima Amapola
No seas tan ingrata
Y àmame
Amapola
Cómo puedes tú vivir
Tan alone
Bravo!
(Gegè) Bello? Are we ready for the photo shoot?
Let's go to unleash your sex appeal too long dormant.
Good morning. Did you sleep well? </ P>
- Hello. - Hi. </ P>
- Last night it was good, was not it? - Well, yes. </ P>
Yes, I think Rosalba and you... You taste, or not?
Good, good.
Is Gegé ready?
- C & apos; is a problem. - What's up? </ P>
Gegè...
Non è qui.
No, claro. I see it, it's there. </ P>
(Guild) Hello, good morning. </ P>
- (Guild) All right? - (Ruggero) Yes, ready for the photos.
But do you go dressed like that?
Yes.
Yes, no, I really like you.
Let's go?
I say to Morgana to come to the entrance.
Ay estoy tan feliz siento an alegrìa que me va y me comes,
que es a thing de loco, I pose muy happy.
- Where the fuck were you? - T & apos; I left a note.
I'll go back to the ship. "
To sleep, I can not get to the mainland.
- Rugge & apos ;, can I trust you? - Call me Gegè. </ P>
(Gegè) Gege, can I trust you? </ P>
(NOISE AND SOUNDS OF THE CITY)
(MUSIC ALLEGRA)
(PHOTOGRAPHIC SHOTS)
(Gegè) Oh well, those for the headstone we have already made them.
We make some more cheerful for the manifest?
<Why? If not it is fake. </ P>
El artist no if debe show a lot. </ P>
And then let's put it back. </ P>
(PHOTOGRAPHIC SHOTS) Me gusta . Me gusta. </ P>
<Ay muy bueno, me encanta, saca saca. </ P>
Es espectacular. Me encanta. </ P>
Es muy bueno, what do you say? </ P>
(Ruggero) Yes, I like it, the artist and his absence. </ P>
Interesting, a manifesto without the artist.
- (Ruggero) An empty poster. - A manifesto without manifesto.
The money there are they, Gilda? Or is it a cachet without cachet?
Yes, it does not matter. Take some more shots, then decide.
Saca un par de fotos màs, eh?
But now I have to escape. < br /> I have a big problem to solve.
Me encanta, estàs divine. Muy muy lindo, muah! Besos. </ P>
(Ruggero) Hello. </ P>
- What are you doing? - The photo without the photo. </ P>
(PIANO NOTES)
- (in Spanish) Make me a coffee! - (in Spanish) Do it!
Amor? Amor? </ P>
(MOBILE PHONE)
(INDISTED NOISE)
Hola. </ P>
Yes. </ P>
(RIAGGANCIA)
(Ruggero) Tanto pe & apos; sing & apos;
Why I feel a fric in the core
So much pe & apos ; play & apos; because in my chest me...
No, I can not, I feel ridiculous here.
You have to get used to standing on the stage.
<Those are aware I'm not a professional.
And sure!
<If you sing with the same face of when you're cooking cod!
But that c & apos; enters the face, I have to memorize
ten songs in three days. </ P>
And in two days c & apos; is the proof general with the orchestra.
You have to approve of an attitude .
There are two types of singers.
Those that hold the microphone as if they were licking an ice cream,
and those that keep it as Christ commands.
(Gege, with a hoarse voice) So much pe & apos; sing & apos;...
Sing you that I can not do it.
So much pe & apos; sings & apos;
Because I feel a fric in the heart
Bravo! Then you have to learn to exercise a certain charisma. </ P>
How is the charism exercised? </ P>
- You have to fix the gap once in a while. - Yes.
- Look at the horizon. - Yes.
The public must think: "But where's the fuck looking?"
But Do you know that it can work?
While I am exercising the charism, I fix the void and the public asks:
"Where the fuck is it?",
distracts from the thought: "But this how the fuck sings?"
Bravo!
- Fix the void. - Yes. </ p >
(Gege) Have you seen? You've hypnotized. </ P>
(RITMATA MUSIC)
Gli artisti di strada mi commuovono, liberi, diretti.
C & apos; who starts off the road and who ends there.
Guild.
- (Guild) Hola. - (Rosalba) Hola .
Ok.
What is the meaning I have to give all & apos; interpretation of these songs?
- But what sense, the songs and enough. - I can not find any holds.
But what holds, so & apos; songs of love.
If c & apos; is love they are cheerful, if not c & apos; is love is sad.
These are all cheerful.
But what about the feeling of
feeling
with which state of mind I approach?
You approach with the state of mind that pay us handsomely.
So a state of mind </>> greedily happy.
- Hello, good morning. - Hello. </ P>
- Can I talk to you for a minute? - Yes, of course.
- Alone. - Ah.
- Fast, we are. .. - Yes.
The window!
So, what's going on?
No, nothing, everything's fine.
It's just that, I told you, I'd like to talk to you.
Yes, of course.
Yes, no, but talk to you more. </ p >
- Ah. - I was thinking of going...
How do you say? A trip. </ P>
- The two of us? - Yes. </ P>
- You do not taste it, no. - No, I enjoy it, I enjoy it.
I'm going to tell Gege... Gegè's agent, to my agent.
I go.
- Gilda has invited me for a ride. - And where are we going?
He really just invited me.
In the light of this invitation, with what state of mind do you approach?
- To what? - To mate.
Why do you say that Gilda...
Ah. </ P>
And what am I doing here? I just break my balls.
And what are you doing...
Call the Commander, invite him here. There are also spas.
Maybe reassure, tell them that you touch the pool.
(IMITA THE NOISE OF THE SHIP)
(with an effeminate voice) "Good morning, Commander"
I ask you to understand, because it's strange. </ P>
<What happened to you? </ P>
In what sense? </ P>
<You lost ?
There is nothing on the internet about you.
No photos, I made a thousand phone calls in Italy,
then finally I find you and you tell me those things...
Which things?
"What the fuck do you want bitch? Leave me alone! "
<Maybe you thought I was going for your ass.
Since you're not singing anymore.
- Or maybe it was a bad day. - Yeah, it was a bad day.
I have a collection of bad days, even very rare pieces.
One day I'd like to see it.
(RITMATA MUSIC)
- (Guild) Let's go? - (Ruggero) Yes.
(NOISE AND SOUNDS OF THE CITY)
You're not one who talks a lot, do you?
No.
I like words, so I try not to waste them.
Think if you could use only one a day. </ P>
- Solo una? - Sì.
You choose the morning and all day use only that.
No es posible.
At least ten to survive "todo el dìa ".
Then I'll give you... 21.
<Ten to live...
- And ten for a poem. - And l & apos; ultima? </ P>
<A beautiful swearword to let off steam at the right time. </ P>
(GILDA RIDE) One of them. </ P>
<In Italian I only know the classics.
- You have one. - Fuck!
<Fuck is an excellent swear word,
better.
Perfect to turn the page.
Fuck you!
(SUBSEQUENT ENCLOSURES)
- (panting) How much did I do? < br /> - 2 and 29.
This is the personal record. Champion!
They will do well with his voice, he will see that he will go to the concert.
My concert? I want to tell you something, Commander.
- Alcide. - Alcide. </ P>
I will reveal a secret that will leave you breathless. </ P>
Practically in apnea. Come, the I offer a proper herbal tea.
- Hola "ciche". - (together) Hola!
Let's get out of here, I'll take you to my favorite place.
<Why is your favorite place?
<Why not c & apos; is nothing, nothing at all.
I like it.
(OVERLAPED VOICES)
(Commander) And Chiaromonte has agreed to replace it?
- (Gege) It was he who proposed it. < br /> - Incredible, it's not from him.
It's not over here. You know who's around at the moment?
With the girl who organized the concert.
A cute little guy, quite potable but completely scirocco.
Yes, but we are not less.
I organized a little evening with girls. / p>
I can hardly maintain enthusiasm.
(MUSIC MALINCONICA)
I feel much better.
<Now I can be more myself.
Now you know my secret.
<Well... It seems like a good thing.
In fact it is.
About would never say that Gilda Mandarino is an actress.
Why did not you say so?
I do not know, I work for you for the concert.
I did not want to seem incompetent.
I keep it all right.
(Gegè) But well well...
You can know what happened to him to this cook, poet, motorcyclist,
substitute singer < br /> and so on and so forth?
<You were right, I'm lost. At some point something happened.
What?
It no longer matters.
Tell me! Tell me! </ P>
Tell me! Tell me! Please. </ P>
(Commander) C & apos was a high school girl where she taught,
one of her underage students. </ P>
She abused a underage?
No, in truth she had fallen in love with him and provoked him.
Anyway... Have they been abused?
( RIDE)
I do not understand it. </ P>
Let's move on. </ P>
- Ce l & apos; ho, ce & apos; ho! - What?
<The poem of ten words.
"Poetry is a necklace of pearls to wear naked."
Diez!
It's not mine, it's by Santiago Velasquez, the do you know?
No, but the poems are always of those who tell you.
This is beautiful.
<It was necessary /> un & apos; capillary survey.
But he came out clean.
But now the scandal broke out and he did not hold up.
L & apos; pride, shame, has given up everything and gone away. </ P>
Plan, without looking back. </ P>
Now stop. </ P>
Turn around and look.
I am in your footprint.
Now you in mine. Wait. </ P>
Feet and hands, come on! </ P>
I would like to say: "fuck you"! </ P>
Good to turn the page. </ P>
Come. </ P>
- Ah sì? - Sì.
- Look at this. - Come on!
(Gegè) Alci & apos ;, but can I trust of this Ruggero Chiaromonte?
(Commander) Of course, that's a man full of values. </ P>
Did you hear the speech that wrote to me? Beautiful. </ P>
The problem is mine that I'm afraid to speak in front of an audience. </ P>
(Gege) And what problem is there? me.
(Gegè) Modestly I chewed on the audience.
(STRING OF THE TIRES)
(Guild) Ay was a reminder /> that en algun moment me iba a cagar.
- What's up? - (sighing) The petrol. - Ah. </ P>
- I ruined the day. - No, it was a beautiful day. </ P>
I could start a collection of good days.
We leave the car here, we hitchhike.
- Yes, I close the lock? - Please.
Of course, it would not seem to be a very slippery artery
(Ruggero) ) Here, here. </ P>
- (Guild) Hola. - (Ruggero) Por favor! </ P>
Por favor! </ P>
It would be good that Rosalba we say nothing. </ P>
- What have we run out of gas? - No, we saw each other today. </ P>
Why? </ P>
It is not professional to go out with the artist and be very comfortable with him.
It is not part of the responsibility that the management gave me.
I like people that go off topic.
Today I had a great time.
Can I hug you?
Yes, of course. Oh God, do not feel obliged.
Maybe let's get away from...
No, to avoid... Please.
Here you are, if you want...
Here.
C & apos; is something that I should tell you.
What?
I do not know if it's right what I'm doing.
- Why? - Estoy muy emocionada.
- No! - No, no. </ P>
- No, no, no, es que... Ay perdon! - It's my fault. </ P>
- Sorry. - No, sorry you. </ P>
- I have to go to rehearsals. - You have to go. </ P>
<Yes, sorry. </ /> The machine, move it.
But I do not...
Yes, I know, you have no petrol, but you think about it.
- But I come with you. /> - Do not follow me! </ P>
- But why? - It's not professional! </ P>
But I do not have the keys! </ P>
<About us, where we come from, where we go,
but above all how we come back and where we come back.
- Who is it? - Hey.
Ah, policeman...
Go bien.
To us sailors just a backpack of thoughts
And a case carrying the soul
During the travel even the thoughts for women find a space
And they succeed to make them miss
Thank you.
- And the ending? - No, I will not say.
C & apos; is a beautiful ending about masturbation.
I do not mean it.
I do not mean the word "masturbation".
- What is wrong with ? - I do not say it. - Let's say it together. </ P>
(together) Ma-stur-ba-zio-ne. </ P>
Help me ladies. Un, dos, tres...
(together) Mas-tur-ba-thisn.
No, I do not say that.
No.
(DOOR CLOSE)
Señor!
(together) Mas-tur-ba-thisn. Mas-tur-ba-thisn.
<" Amor, amor, yo I call you Eva "
" porque sos the number one. "</ P>
(with an effeminate voice) " Y yo I call you Dalmata "</ p >
"why sos and number cientouno."
(RISATE)
- Otra, otra. - No, "otra màs" not if po & apos; fa & apos;.
Thank you for the comprensuin por el mi cuoco y la colaboraciòn.
- Gracias to all. - Gracias, muchas gracias.
- (Commander) Gracias. - (Ruggero) Hasta luego.
(INDUCTIVE VOICE FROM THE TRANSCEIVER)
(Ruggero) Thank you , Commander. </ P>
All solved, I invented a story...
- C & apos; is a policewoman. - Ah yes, let's talk slowly.
Why did you call the Commander?
I could not call Guild, would have understood that I'm not Gege.
Bravo.
- Commissioner was a gentleman. - Bravo. </ P>
He understood that there was a problem and he turned a blind eye. </ P>
Thanks again.
But now I have to go
because I have so many things to do for the departure of the ship.
(Commander) See you later. < br /> Goodbye, thank you.
(Ruggero) The hotel is here.
It is beyond the hotel.
We say goodbye again, I recommend.
- Do you want it now or eat it at the hotel? - No, I had a nice breakfast.
The only thing that I ask you that today at the rehearsal you do not make yourself feel insecure.
- You're wrong the attack, you know what to do. - I look at the void and fix the horizon.
How do you feel, are you fit?
I had a cellmate who is also a nice, deep person. </ P>
I stayed two hours. </ P>
We needed the prison to get you over the time to sleep on the mainland?
You are going to see that life is the solution.
This outing with Gilda t & apos; has unlocked the self-irony .
Let's say it was born an acrobatic friendship.
So now to catch up I have to call Rosalba
and make him do some somersault.
Let's go and do & apos; na shower, go & apos;;
(MUSIC BY DANCE)
Describe.
Oh! What's going on, dear? </ P>
- È il fuso orario. - Ma a che ora puede?
Let's try again later.
- We reach the others. - All right. - Ok. </ P>
(APPLAUSES)
Que lindos, good eh? </ P>
Much, then in the homeland of the tango to dance the smooth romagnolo in the afternoon ,
practically subversives.
Between mezz & apos; now the salòn closes and you can rehearse with the musicians.
Ah finally I can. ..
Can I tell you something about last night?
I firmly believe that I had to settle for the hug.
- I do not want to talk about it. - No, in fact we do not talk about it.
- I'm happy with the hug. - I do not want to talk about it. - Okay. </ P>
<Guild, we have to talk for a moment with the orchestra's manager, come on. </ P>
Your manager has a melted problem time.
Do you have a time zone problem?
Problem, dragged me behind the tables without notice.
I need a certain ritual.
I had a drop in my voice and consequently...
I feel I have to tell Gilda that I'm not Gegè Cristofori.
Sure, you have to tell him. After the concert you can tell him everything. </ P>
No, you do not understand, I do not know if I can keep lying. </ P>
- Do not make jokes, uaglio & apos;. < br /> - I do not guarantee. - So you ruin me. </ P>
Then you give me the money? We do not do crap, Rugge & apos;. </ P>
Cristofori. </ P>
Say hello.
- (Pedro) Como go? - Hola.
Gegè Cristofori?
Ce l & apos; has with you.
Do you recognize me? I'm Pedro Villani. </ P>
The musician of the orchestra, remember me? </ P>
< La tournée, 30 año fa.
This remembers everything.
"30 años di cabello" less.
<Let's go, so I'll introduce you to others.
What do we do?
Villani!
Gegè.
(PAIN VERSES)
Let's go!
(Pedro) " Estronzo "! </ P>
- Why did you hit that poor guy? - Do not worry I know what I do. </ P>
- Support me. - Yes, here .
- Can you tell what happened? - I'll tell you that it happened.
I kindly leave to make notes to that guitarist
and that dwarf has attacked us, tell him too.
- Yes, little guy but very aggressive. - Ok, I'll talk to him.
You'll see that I fix everything.
So you do not understand?
Gegè Cristofori on that stage with those musicians does not salt us!
And what do we do? So skip the concert?
<No, not just skip anything. If it allows, I'll put the money on it.
<And if Gegè does not want to play with them,
it's not a problem for me. </ p >
The concert tomorrow night must be done.
We will change orchestra.
(Ruggero) Good.
(VERSI DI GABBIANO, NOISE OF THE PORT)
(NOISEES AND SOUNDS OF THE CITY)
(OVERLAPID VOICES)
Ladies and gentlemen, Gegè Cristofori and the mutineers of the Bounty. </ P>
Aaa! </ P>
(Man) En cinco minutos prontos por favor. </ P>
(SBUFFA)
Why did you bring all this food? Is not it a waste? </ P>
After a life of shit, you do not know what satisfaction
I can remove some whimper, even if through a third party.
(NOISE OF PASSES )
(Man) Señor, lleno theater, vamos.
Madonna, that figure.
Momentarily I have little salivation.
As soon as you start singing, you'll be back.
Ok.
Aspe & apos;... You are the artist, I make my way.
Vamos muchachos, vamos pronto. </ P>
(Man) Por acà. </ P>
All right? </ P>
Eh? Yes, the guys know the pieces...
<The concert on the ship has had some success. </ P>
Sure, it's not like playing in a sold out theater.
<Ok, but after the concert we have to talk.
< È proprio quello che voglio, parlare finalmente.
- For the kiss issue... - Not now.
<I do not know what happened.
Suddenly me I'm on your mouth.
And I was fine.
But if you want it will not happen again.
I do not think so.
I go listen to you in the audience.
- Suerte. - Suerte.
(INUDIBLE VOICES)
(APPLAUSE AND ENLARGEMENT)
(CONTINUOUS APPLICATIONS)
I am the translator.
(TELEVISIVE JINGLE)
(Presenter) Buenas noches a Gegè Cristofori.
Probablymente usted no conoce "Las Vueltas de la Vida".
Good evening, Gegè Cristofori. You certainly do not know "Vuelta de la Vida." / p>
Ahora usted if estarà begging: ¿Qué means todo esto?
You will be asking: "What does this mean?"
(Presenter) ¿Conoce a esta mujer? Su nombre es Agostina Mandarin.
<Do you know this woman, Agostina Mandarin? </ P>
<Usted saca a bailar a esta mujer en este escenario during su concierto. </ P>
She invited her to dance on this stage in his concert.
Usted convisciò a esta mujer en una diosa,
primero en el escenario y luego pasaron la noche juntos.
(Translator) She made her a queen,
first on this stage and then you spent the night together.
<For Agostina it was the night of love most important of his life.
Señoras y señores,
on hija Guild Mandarino. </ p >
Your daughter, piece of shit.
(TV JINGLE)
(DOOR OPEN AND CLOSE)
(Rosalba) Stop!
(Gegè) But what's going on here?
But what daughter?
Gegè Cristofori does not take children.
(Gege) I denounce you to everyone.
give money, you have to give us money!
But how do you speak?
I do not keep children myself.
Sorry, we did so much testing . We never played theater.
Can we make one piece?
Yes, go.
(MUSIC MALINCONICA)
I denounce them, they have to give me the money.
But did you understand what happened?
You have a daughter, Gege.
Ruggero...
Señorita Gilda.
- How are you? - Good.
- What happened? - Sit down, I have to talk to you.
- Are you okay? - Sit down for a moment.
I have an explanation for what I did.
There are no explanations for what you did.
<I want to explain that it was important for me
to make you come from Italy to take revenge on my mother.
Gilda, I do not c & apos; nothing within with this whole story. / p>
I know, it's hard to accept having a daughter.
Imagine for me.
<Aceptar I hold a father all these years.
My mother always told me that you were dead.
Then last year she got sick and she told me everything before to die.
I wanted to meet you. I wanted to talk about her, about me.
<Yes, the self. "Hice a huge cagada, the self."
I thought I hated you, but it's not like that.
No.
¿Qué?
<So who are you?
A friend of his.
Eh?
<We met 20 days ago on the ship where I cook. </ P>
Eh? </ P>
Your father is him. </ P>
Not...
(DOOR YOU CLOSE)
(MUSIC MALINCONICA)
Gracias.
(CANTANO L & apos; INNO URUGUAYANO) </ p >
Chiaromonte?
But what happened?
I came to the theater for the concert, they told me it was a weekly rest.
Maybe I'm wrong?
No, I made a mistake to get off the ground.
Here c & apos; is your extension. The day after tomorrow part.
- How long? - Two months.
Sorry if I allow myself, but make a big crap, Rugge & apos;.
What I do for lunch?
Spaghetti with fresh tomato, simple simple.
Hello.
What are you doing here?
I wanted to look you in the face without thinking you were my father. </ P>
You saw me, right? </ P>
- Gege is sick. - It's nothing new.
Very bad. The doctors say that he has little left to live. </ P>
They found something bad near the vocal cords. </ P>
He went away from the hospital, signed and left.
I have to find it, at least to apologize.
And I have to apologize to you too.
(CELLULAR RINGS) Ay perdòn. </ P>
¿ Hola?
- (Gege) Guild? - Daddy?
Do not call me Daddy that makes me feel like that.
<But where are you? < br /> I've looked for you everywhere, how are you?
<Now quite well.
Maybe it's the pain-killing pills that gave me to the hospital. </ p >
They gave me a certain euphoria.
You have to go back to the hospital.
<To do that?
p>
And anyway what is done is done.
I want to take advantage of the time that has remained
to enjoy this surprise
- My mother? What do you come in now? - I wanted to thank you. </ P>
It's a time now that I'm looking for. Agostina Mandarin was it? </ P>
But where are you? ?
- At the central cemetery. - But no, my mom's not there.
You've got a wrong cemetery, it's at the Buseo.
Ah . Excuse me, for the Buseo? </ P>
- Is the cemetery Buseo near here? - Yes, està acà is looking for yes. </ P>
- (Gilda) Daddy? - I'm going to the Buseo. </ P>
- (Guild) Wait till we arrive. - We'll get there? </ P>
Me and the cook. </ P>
(Guild) Hello. </ P>
Hello. </ P>
- Gracias for the phone call. - De nada, suerte! - Suerte. </ P>
What's your name? </ P>
Ruggero. </ P>
I'm rehearsing. </ P>
- Did you talk about me well? - He really did not speak to me.
When he told me about you it was late, he was already ill.
But from that little an idea of you I was done.
- Positive? - More or less an asshole.
- Sympathetic. - It's already a thing.
Now that you've seen you remember?
I could say yes, but I do not want to say more bullshit.
- I'm going to get a "florero". - Go. </ P>
Rugge & apos ;, but one can say of a that you've only been there one night
which is the most important woman in your life ?
- Yes. - Even if you do not remember?
Yes.
Va & apos; to help her get the florero. Meanwhile I finish the tests.
<Guild, but that joke of bad taste of empty theater
was going to end on television?
Yes, "Las Vueltas de la Vida", es a very important show in Uruguay.
And then finally Gegè Cristofori would have landed on TV. </ p >
What a pity.
(TELEVISION JINGLE)
(APPLAUSE)
Preparados.
En tres, dos, one , al aire.
(together) Gegè aquì, aquì.
(APPLAUSES)
- Rosalba? - (Rosalba) Gilda.
(APPLAUSE)
(RITAMATED MUSIC)
Wander I go down, & apos; cause the dreams are good
Flying is easy when I dream about you
When I forget my job thinking of my love
Praise my little chica give me todo el amor
Love me tomorrow much more than today
Believe me be cool I can play
Hola Buena Onda estàs
Chicas vamos a bailar
Suerte la noche lleguerà
Y quiero quiero quiero quiero quiero gozar
(APPLAUSI) Gracias , gracias.
Gracias, what a satisfaction!
You are a large audience, a great country.
Gracias, Uruguay.
<Just a curiosity, why are you always asking:
"Te gusta Uruguay?"
<What is this insecurity?
Yes, I enjoy Uruguay mucho.
It is an advanced country, welcoming, tasty.
And then I met my daughter here. Gilda!
(Gege) Come here.
Come and dance with me.
- No es el momento. - Please come. </ P>
Madonna, I had to start singing again. </ P>
Oh well, it's a shameless playback but the voice is mine
and finally s & apos; is rejoined with this face.
Baila, baila Gilda.
Rugge & apos ;, come!
(Gegè) Come and dance, come on!
And get off & apos; fuck it!
Come on, come!
(Gegè) Baila with Gilda.
Chicas vamos a bailar
Suerte la noche lleguerà
Y quiero quiero quiero quiero goero
(TELEPHONE RINGS)
We look l & apos; horizon.
- Are you okay? - I'm fine.
(APPLAUSE AND ENLARGEMENT)
Thank you, Uruguay!
(SIREN SHIP)
(RITMATA MUSIC)
When I found out that you were not my father
I stayed there a bit & apos; bad.
Because between the two I preferred you as a father.
<But then I convinced myself that it is better that you are not my father.
Because if I were my father...
(SIREN SHIP)
You're beautiful
To die for
Everything looks like a movie
(Eros) One, two, three, four...
(together) La la la la la
La la la la la
( Gegè) A cheerful tune
Suitable for the season
A beach, a girl
Everything else is a & apos; opinion
My opinion is this
You need a girl
And a merry little joker enough
It's my brain
That makes the la la capriole
What makes the the somersault
A merry tune
And soon comes evening
While my reasoning
Go to the conclusion
They go to the conclusion
The conclusion is this
We need a & apos; opinion and to say it
And a jolly jolly enough
To my brain
What makes la la la capriole
What makes the the somersault
That makes the the somersault
What does
Capriole