1 00:00:11,000 --> 00:00:20,000 Visit www.Fastbet99.club Trusted Trusted Online Gambling Agent 2 00:00:44,545 --> 00:00:48,149 The piano we built for this film "The Homesman", 3 00:00:48,182 --> 00:00:51,152 the problem with this is that is out on the element, 4 00:00:51,185 --> 00:00:55,089 and it's destroyed. 5 00:00:55,123 --> 00:00:58,492 But I think it's a noble death for a piano. 6 00:01:00,161 --> 00:01:02,363 Wind is a great feature in the film 7 00:01:02,396 --> 00:01:07,101 and we think it will be great to be able to adjust the wind. 8 00:01:15,343 --> 00:01:17,578 Sounds really amazing. 9 00:01:23,551 --> 00:01:26,354 This is the fun part experimenting 10 00:01:26,387 --> 00:01:29,190 You know, you are looking for this item is out 11 00:01:37,265 --> 00:01:39,467 One interesting thing that happened 12 00:01:39,500 --> 00:01:42,603 is the sound journey through wire 13 00:01:42,636 --> 00:01:44,338 faster than travel by air, 14 00:01:44,372 --> 00:01:46,707 so you get this reverse echo, which is very cool 15 00:01:46,740 --> 00:01:50,511 You don't even need to put it effect on the sound at all. 16 00:01:52,613 --> 00:01:55,649 I mean, you can hear it all the way down in the valley. 17 00:01:55,683 --> 00:01:58,352 This is more than just a concept doing something cool 18 00:01:58,386 --> 00:02:01,622 that has never been done before. This is more fun. 19 00:02:01,655 --> 00:02:04,892 Death of the Samurai here, on the hill. 20 00:02:14,835 --> 00:02:16,704 When you hear "Rocky"... 21 00:02:19,873 --> 00:02:24,312 Everyone in the audience knows what happened 22 00:02:24,345 --> 00:02:27,481 Composer is a storyteller 23 00:02:27,515 --> 00:02:31,319 Music has the ability to shape and in some cases change 24 00:02:31,352 --> 00:02:34,322 or even subvert what filmmakers are communicating. 25 00:02:38,459 --> 00:02:40,728 Score is the heart and the soul of the film. 26 00:02:40,761 --> 00:02:44,198 Movie music can make Interesting scenes are more exciting. 27 00:02:44,232 --> 00:02:45,833 We call it "emotion lotion", 28 00:02:45,866 --> 00:02:48,736 because we can make you feel whatever we want you to feel 29 00:02:48,769 --> 00:02:51,639 This can be done to communicate at a certain level 30 00:02:51,672 --> 00:02:54,775 that they can't tell in the picture 31 00:02:54,808 --> 00:02:56,344 Great movie music can increase. 32 00:03:17,631 --> 00:03:19,433 music always 33 00:03:19,467 --> 00:03:21,302 part of the cinema-go experience, 34 00:03:21,335 --> 00:03:24,372 as far as 1895 when are lumiere brothers 35 00:03:24,405 --> 00:03:26,240 is experimenting in Paris. 36 00:03:26,274 --> 00:03:28,776 In the early days, was right, 37 00:03:28,809 --> 00:03:30,611 music is thought as something 38 00:03:30,644 --> 00:03:32,012 to cover noise from the projector 39 00:03:35,015 --> 00:03:37,551 Silent movies never shut up. 40 00:03:39,820 --> 00:03:44,258 There is at least a pianist in the smallest nickname, 41 00:03:44,292 --> 00:03:48,362 and sometimes bridges between They are theater organs. 42 00:03:51,599 --> 00:03:53,734 There are many theater organ makers, 43 00:03:53,767 --> 00:03:56,404 but that produces the most organs, 44 00:03:56,437 --> 00:03:59,507 and considered maybe the best 45 00:03:59,540 --> 00:04:01,575 is the name of wurlitzer 46 00:04:04,712 --> 00:04:07,615 They show how someone can revive 47 00:04:07,648 --> 00:04:09,983 existing movies if not silent 48 00:04:18,692 --> 00:04:22,262 They also managed to score printed for them, 49 00:04:25,499 --> 00:04:28,569 or they improvise and create them themselves. 50 00:04:31,439 --> 00:04:35,008 They are made part of an exciting experience. 51 00:04:39,813 --> 00:04:41,549 A number of people have played games 52 00:04:41,582 --> 00:04:43,851 with the idea of score Hollywood 53 00:04:43,884 --> 00:04:47,054 Max Steiner score for "King Kong" in 1933 54 00:04:47,087 --> 00:04:48,789 is a landmark. 55 00:04:48,822 --> 00:04:50,090 When "King Kong" comes out, 56 00:04:50,123 --> 00:04:53,927 "Wait a minute. Orchestra music in a movie?" 57 00:05:01,001 --> 00:05:03,103 the only reason he can do it 58 00:05:03,136 --> 00:05:04,838 because the movie is not scary. 59 00:05:04,872 --> 00:05:06,674 It looks kitsch and stupid, 60 00:05:06,707 --> 00:05:09,042 because of that... It's kitsch and stupid. 61 00:05:09,076 --> 00:05:10,644 But then he put the music into it. 62 00:05:15,816 --> 00:05:19,019 This really changes the film. That makes it scary. 63 00:05:29,730 --> 00:05:31,732 People have not finished that before 64 00:05:31,765 --> 00:05:34,101 That's right first main score 65 00:05:34,134 --> 00:05:38,472 which shows conclusively the power of music in the film. 66 00:05:38,506 --> 00:05:40,708 Alfred Newman came from the new heaven, Connecticut, 67 00:05:40,741 --> 00:05:43,677 an iconic figure in the history of film music. 68 00:05:49,783 --> 00:05:52,753 Sounds favored by horns and woodwinds. 69 00:05:55,623 --> 00:05:57,157 My father is Alfred Newman. 70 00:05:57,190 --> 00:05:59,627 In 1930, he came to L.A. 71 00:06:03,130 --> 00:06:04,898 He was in the fox of the 20th century for 20 years 72 00:06:04,932 --> 00:06:10,170 Fox logo... you can say the most famous logos ever written... 73 00:06:10,203 --> 00:06:13,841 It was not written for fox, it was written for goldwyn and it was rejected 74 00:06:13,874 --> 00:06:17,010 And then he uses it to change and Darryl Zanuck likes it. 75 00:06:17,044 --> 00:06:21,415 There is nothing like the orchestra. I'm talking about rubato. 76 00:06:21,449 --> 00:06:26,019 Meaning "slow down and speed up in an expressive way". 77 00:06:26,053 --> 00:06:28,756 You will never read a series of texts like, 78 00:06:28,789 --> 00:06:32,125 "I went to the market today." 79 00:06:32,159 --> 00:06:34,462 "I went to the market today." 80 00:06:34,495 --> 00:06:38,499 You will have... You will have a phrase structure. 81 00:06:38,532 --> 00:06:41,602 That is very important in music. 82 00:06:41,635 --> 00:06:44,738 They become experts make music. 83 00:06:44,772 --> 00:06:48,642 That helps determine what we know like classic Hollywood sounds. 84 00:06:52,913 --> 00:06:54,582 Spotting sessions are the first time 85 00:06:54,615 --> 00:06:56,984 we all gather, see the movie, 86 00:06:57,017 --> 00:06:58,652 and decide where music will go, 87 00:06:58,686 --> 00:07:00,988 and what kind of music will happen 88 00:07:01,021 --> 00:07:03,657 All films, the first 20 minutes 89 00:07:03,691 --> 00:07:06,193 too slow because we are putting the pipe 90 00:07:06,226 --> 00:07:10,498 So we want the music to be something but not crazy 91 00:07:10,531 --> 00:07:13,133 The purpose of the spotting session is to dialogue 92 00:07:13,166 --> 00:07:17,170 with the composer you have might have delayed 93 00:07:17,204 --> 00:07:19,807 I have done my work, I have done my design, 94 00:07:19,840 --> 00:07:22,610 I have thrown the film, I have shot it. 95 00:07:22,643 --> 00:07:24,211 We have done everything beautiful photography, 96 00:07:24,244 --> 00:07:27,147 we have done it all Our super-brilliant editing. 97 00:07:27,180 --> 00:07:29,917 Now it's past and trying to communicate 98 00:07:29,950 --> 00:07:32,553 what I hear in my mind 99 00:07:39,560 --> 00:07:41,895 Ah, mother. 100 00:07:41,929 --> 00:07:43,831 Mother is our rock. 101 00:07:43,864 --> 00:07:46,166 So it says "open road image", 102 00:07:46,199 --> 00:07:50,804 then we will cut maybe not the front door 103 00:07:50,838 --> 00:07:52,640 but shot before the front door 104 00:07:52,673 --> 00:07:55,509 - who builds a house - Understood. 105 00:07:55,543 --> 00:07:57,511 Spotting, for me, is very important 106 00:07:57,545 --> 00:08:00,280 because it gives me a picture what the director saw 107 00:08:00,313 --> 00:08:02,683 and what he is looking for. 108 00:08:02,716 --> 00:08:05,218 - Something very fresh... - fresh, huh 109 00:08:05,252 --> 00:08:06,987 And then we come here and we slow down. 110 00:08:07,020 --> 00:08:08,188 Type settled on it. 111 00:08:08,221 --> 00:08:09,823 You collaborate with people. 112 00:08:09,857 --> 00:08:12,693 I want them to feel like filmmakers like them 113 00:08:12,726 --> 00:08:14,227 has come into the process 114 00:08:14,261 --> 00:08:15,929 I am the person who specializes in 115 00:08:15,963 --> 00:08:17,665 this one thing they are not comfortable with 116 00:08:17,698 --> 00:08:20,000 You are trying to come with music 117 00:08:20,033 --> 00:08:24,204 which supports the scene and completes in an inconspicuous manner. 118 00:08:24,237 --> 00:08:26,774 You spend a lot of time as much as you can 119 00:08:26,807 --> 00:08:29,176 immerse yourself in the backstory. 120 00:08:29,209 --> 00:08:30,678 As a film composer, 121 00:08:30,711 --> 00:08:32,245 you are part of the storyteller team. 122 00:08:32,279 --> 00:08:34,181 Do you want to spin? progress to the next signal, garry? 123 00:08:34,214 --> 00:08:35,816 - Yeah. - this kind of 124 00:08:35,849 --> 00:08:37,618 ends when he comes round the corner right? 125 00:08:37,651 --> 00:08:41,689 I try to get the sense from what their insecurity is. 126 00:08:41,722 --> 00:08:42,790 More time You spend time with them, 127 00:08:42,823 --> 00:08:44,224 the more you get the answer 128 00:08:44,257 --> 00:08:46,259 Most directors don't know how to change emotions being musical... being music. 129 00:08:46,293 --> 00:08:50,063 So the composer must be kind act almost like a therapist 130 00:08:50,097 --> 00:08:54,234 and go through all these mishmash 131 00:08:54,267 --> 00:08:56,103 from what the director said and get the essence of it. 132 00:08:56,136 --> 00:08:58,071 What if we are like that? right tail to that? 133 00:08:58,105 --> 00:09:01,909 - Yes, right, you don't need to go... - right 134 00:09:01,942 --> 00:09:03,276 - doesn't print him? - Maybe not scored... 135 00:09:03,310 --> 00:09:05,245 Put a little good transition, garry, 136 00:09:05,278 --> 00:09:07,681 that kind of thing just spill. 137 00:09:07,715 --> 00:09:09,883 - And then he appears. - Yeah. 138 00:09:09,917 --> 00:09:11,151 139 00:09:11,184 --> 00:09:13,320 Something like that maybe? Yes. 140 00:09:13,353 --> 00:09:15,923 We got... We got the core of that. 141 00:09:15,956 --> 00:09:18,659 Sort of in the first Conversation with director 142 00:09:18,692 --> 00:09:20,260 I have a glimpse of what it can 143 00:09:20,293 --> 00:09:22,696 Every project starts roughly the same way 144 00:09:22,730 --> 00:09:25,999 Someone enters the room and says, "I have this idea. 145 00:09:26,033 --> 00:09:29,603 This will be fun to do. This will be an exciting adventure", etc. 146 00:09:29,637 --> 00:09:32,706 And they tell you ideas and you are pulled in and you become excited. 147 00:09:32,740 --> 00:09:35,242 And you're flattered that they even consider you. 148 00:09:35,275 --> 00:09:37,811 "Wow, me", you know. "I can ride this car". 149 00:09:37,845 --> 00:09:41,849 And then they leave the room and then you have a moment of reflection. 150 00:09:41,882 --> 00:09:44,718 You go, "I don't know how to do it. 151 00:09:44,752 --> 00:09:46,019 Oh my God." 152 00:09:46,053 --> 00:09:47,320 And then after a while you think 153 00:09:47,354 --> 00:09:49,122 You should call them and say, 154 00:09:49,156 --> 00:09:52,025 You know, "Hey, I thought you John Williams's better phone 155 00:09:52,059 --> 00:09:53,627 I don't have an idea how to do it." 156 00:09:53,661 --> 00:09:56,096 You know, a blank page is always a blank page 157 00:09:56,129 --> 00:09:58,866 Plus, I don't know where the music came from. 158 00:09:58,899 --> 00:10:02,670 So there is always fear that someone will turn off the faucet. 159 00:10:05,438 --> 00:10:07,240 This is a film called "Race." 160 00:10:07,274 --> 00:10:10,711 I've worked for that a week, so I just started. 161 00:10:10,744 --> 00:10:12,345 I only get into my process with that 162 00:10:12,379 --> 00:10:16,750 Where I think should start is... just come. 163 00:10:16,784 --> 00:10:20,120 And I will start with that enter completely silent. 164 00:10:20,153 --> 00:10:22,355 No. 165 00:10:22,389 --> 00:10:24,825 Well, why not? 166 00:10:24,858 --> 00:10:27,961 Do you want to win a gold medal? 167 00:10:27,995 --> 00:10:30,397 - Sure. - Do you want to do it in Berlin? 168 00:10:32,800 --> 00:10:34,668 I mean, unless you plan to wait... 169 00:10:34,702 --> 00:10:38,772 There is a change in direction on the scene 170 00:10:38,806 --> 00:10:41,875 And that is often a prompt for which music will enter 171 00:10:44,011 --> 00:10:45,012 Good, they don't care for them much 172 00:10:45,045 --> 00:10:47,848 In Columbus here too. 173 00:10:47,881 --> 00:10:50,217 Will it be a problem 174 00:10:51,785 --> 00:10:53,220 No sir. 175 00:10:53,253 --> 00:10:54,988 I came here to run. 176 00:10:55,022 --> 00:10:57,224 OK, for the next 28 months, 177 00:10:57,257 --> 00:10:59,459 You are in class, or you are on that track, 178 00:10:59,492 --> 00:11:01,995 every hour, every day 179 00:11:03,831 --> 00:11:05,165 As a composer, 180 00:11:05,198 --> 00:11:06,800 when you sit there are watching a movie, 181 00:11:06,834 --> 00:11:08,869 It's not like watching games or real life. 182 00:11:08,902 --> 00:11:11,204 There is a camera position, there is a cut 183 00:11:11,238 --> 00:11:15,442 This is very artificial medium by the way, 184 00:11:15,475 --> 00:11:17,878 and it's nothing like real life 185 00:11:17,911 --> 00:11:21,148 We must find a smart way to introduce something familiar. 186 00:11:24,017 --> 00:11:26,153 An motif is a group of notes 187 00:11:26,186 --> 00:11:28,455 which might highlight What is the value of the film. 188 00:11:28,488 --> 00:11:30,924 A good example will be "close meeting". 189 00:11:40,067 --> 00:11:42,502 Beethoven is indeed one of the first composers 190 00:11:42,535 --> 00:11:47,207 to really take the theme or motif and spin it out in a very large way. 191 00:11:49,309 --> 00:11:51,011 Belongs to Beethoven "the fifth symphony," 192 00:11:52,880 --> 00:11:55,282 all of the parts are based on the rhythm of it. 193 00:11:55,315 --> 00:11:58,118 Simple hook, like a pop song 194 00:11:58,151 --> 00:12:00,788 But you then casting them in various lights 195 00:12:05,458 --> 00:12:07,294 By using motives, 196 00:12:07,327 --> 00:12:11,498 This helps you to understand the relationship in the story. 197 00:12:11,531 --> 00:12:13,901 Dear bilbo 198 00:12:15,803 --> 00:12:19,372 When you hear what is certain Motif, you connect it. 199 00:12:28,849 --> 00:12:31,418 And that really helps you follow the story 200 00:12:31,451 --> 00:12:36,123 Nine friends. 201 00:12:45,365 --> 00:12:47,400 When you get to the end of the film, 202 00:12:47,434 --> 00:12:51,104 when you play music in full glory, 203 00:12:51,138 --> 00:12:53,306 it's already familiar to the audience 204 00:12:57,177 --> 00:12:59,246 We are building something to the main one. 205 00:13:05,285 --> 00:13:07,888 Director is not a big fan of 206 00:13:07,921 --> 00:13:10,323 from a strict orchestra element, 207 00:13:10,357 --> 00:13:11,992 so we explore. 208 00:13:12,025 --> 00:13:13,526 Here, this is money. 209 00:13:13,560 --> 00:13:16,496 He is working on a film now is called "the shooter" that we are working on together. 210 00:13:16,529 --> 00:13:19,032 We are a little under the gun, 211 00:13:19,066 --> 00:13:22,302 and that nerve strain 212 00:13:22,335 --> 00:13:23,837 One of the things we are working 213 00:13:23,871 --> 00:13:25,105 this kalimbas processing 214 00:13:25,138 --> 00:13:27,407 This is a simple African instrument. 215 00:13:30,610 --> 00:13:33,280 Next week we will be here quite a bit 216 00:13:33,313 --> 00:13:35,548 217 00:13:35,582 --> 00:13:37,417 I'm pretty relaxed about that. 218 00:13:37,450 --> 00:13:40,020 Buck not 219 00:13:40,053 --> 00:13:42,022 There is a lot of work to do. 220 00:13:50,630 --> 00:13:52,365 That is kalimba you hear. 221 00:13:52,399 --> 00:13:55,502 He follows a mystery to find out what happened 222 00:13:55,535 --> 00:13:58,939 The music needs to be owned little intrigue 223 00:14:24,664 --> 00:14:27,067 I think we solved the puzzle this is pretty fast 224 00:14:31,304 --> 00:14:34,041 When the film grows, in terms of the subject 225 00:14:34,074 --> 00:14:36,176 that they handle and what the filmmaker 226 00:14:36,209 --> 00:14:39,947 they themselves search, the film music itself changes. 227 00:14:39,980 --> 00:14:43,516 It becomes more modern in style. This embraces jazz. 228 00:14:48,188 --> 00:14:51,658 "A tram named desire" The score for the first North Alex film. 229 00:14:51,691 --> 00:14:55,262 And he comes with a history has written ballet 230 00:14:55,295 --> 00:14:57,064 and concerts in New York 231 00:14:57,097 --> 00:14:58,999 and handle the first movie task, 232 00:14:59,032 --> 00:15:02,535 and write at most the revolutionary score of all time 233 00:15:10,743 --> 00:15:13,680 The first film score combines jazz 234 00:15:13,713 --> 00:15:15,282 in the writing structure. 235 00:15:17,284 --> 00:15:19,619 Goldsmith Jerry says when he hears it score for the first time, 236 00:15:19,652 --> 00:15:20,954 he knows that film music has changed 237 00:15:20,988 --> 00:15:22,522 and will never be the same. 238 00:15:28,728 --> 00:15:32,132 Bonds. James Bond. 239 00:15:32,165 --> 00:15:36,136 John Barry is from his own band, 240 00:15:38,105 --> 00:15:42,509 appears music that sounds like early James Bond music. 241 00:15:48,448 --> 00:15:50,017 When he wrote James Bond Music, 242 00:15:50,050 --> 00:15:55,522 he carries a band sensibility for movies 243 00:16:08,601 --> 00:16:11,371 The thing about band music is great, that's cool. 244 00:16:11,404 --> 00:16:13,006 And it's swinging. 245 00:16:15,375 --> 00:16:17,544 Feeling like this is a man who can do anything 246 00:16:19,746 --> 00:16:25,718 You will not hear any film, that is related to spying or secret services 247 00:16:25,752 --> 00:16:27,287 without reference to bonds 248 00:16:27,320 --> 00:16:30,057 I mean, it's already done Things to do, 249 00:16:30,090 --> 00:16:32,659 in the same way as morricone is for western spaghetti. 250 00:16:45,138 --> 00:16:46,639 Ennio morricone 251 00:16:46,673 --> 00:16:48,275 He doesn't go to hit you with music 252 00:16:48,308 --> 00:16:50,043 which makes you leave, "who, what is the instrument? 253 00:16:50,077 --> 00:16:51,778 Wow, how did he do it? that voice?" 254 00:16:51,811 --> 00:16:55,415 But what he will do is just kill you with a melody 255 00:17:07,127 --> 00:17:08,295 "The good, the bad and the bad" 256 00:17:08,328 --> 00:17:11,131 is an iconic piece of music . 257 00:17:11,164 --> 00:17:14,434 You know, he just took it That guitar sound 258 00:17:14,467 --> 00:17:17,504 and just put it the western environment. 259 00:17:29,182 --> 00:17:32,519 That is sound, You know, western spaghetti, 260 00:17:32,552 --> 00:17:34,454 still, 50, 60 years after the fact 261 00:17:34,487 --> 00:17:35,822 And I think that's enough an achievement. 262 00:17:35,855 --> 00:17:39,226 In the 1960s, you had this big period, 263 00:17:39,259 --> 00:17:44,164 where you are extraordinary trained musicians. 264 00:17:46,499 --> 00:17:49,169 Bernard Herrmann has come out dramatic radio 265 00:17:49,202 --> 00:17:53,640 and its ability to take sound, 266 00:17:53,673 --> 00:17:58,578 and make certain types unique orchestra 267 00:17:58,611 --> 00:18:02,682 That specifically for each film is a breakthrough. 268 00:18:02,715 --> 00:18:05,718 Music theme "Vertigo") main title of vertigo, 269 00:18:08,821 --> 00:18:11,191 it is a textbook perfect example 270 00:18:11,224 --> 00:18:16,563 from a score that says "mystery, something is wrong here 271 00:18:16,596 --> 00:18:22,802 Stay away, but please come. Let's run." 272 00:18:22,835 --> 00:18:27,774 That is different from other writers at that time 273 00:18:29,809 --> 00:18:32,579 This is not a melodic idea. These are small phrases 274 00:18:32,612 --> 00:18:37,617 which is circular madness to them, 275 00:18:37,650 --> 00:18:41,788 who works very well in Alfred Hitchcock's film. 276 00:18:41,821 --> 00:18:46,859 It feels like everything Driving forward in a state of pain, 277 00:18:46,893 --> 00:18:52,599 inevitably a terrible way. 278 00:18:52,632 --> 00:18:55,268 Bernard Herrmann, he has a ball 279 00:18:57,404 --> 00:18:59,606 280 00:18:59,639 --> 00:19:02,875 So it's just to do what he does with "psycho" in the bathing scene. 281 00:19:16,789 --> 00:19:19,826 Without music, it's not scary. 282 00:19:21,494 --> 00:19:24,231 You see the wound, You see the process. 283 00:19:24,264 --> 00:19:25,532 As soon as you put music there... 284 00:19:32,605 --> 00:19:38,345 You are stuck in the mindset of this psychotic killer. 285 00:19:38,378 --> 00:19:39,879 Out of the context of the film, 286 00:19:39,912 --> 00:19:41,548 people might just wonder, 287 00:19:41,581 --> 00:19:42,915 "what's the sound? Turn off." 288 00:19:44,817 --> 00:19:46,919 But it's very effective at that time 289 00:19:46,953 --> 00:19:50,490 This really deceives you believe that you see even more 290 00:19:50,523 --> 00:19:53,393 acts of violence in that scene than actually happened. 291 00:20:00,533 --> 00:20:02,735 When you read a book, and that says 292 00:20:02,769 --> 00:20:07,206 "there is this big forest," everyone describes the forest. 293 00:20:08,975 --> 00:20:11,644 None of these forests will remain the same. 294 00:20:19,051 --> 00:20:20,887 This is exactly the same as with music. 295 00:20:24,324 --> 00:20:27,560 You can ask 15 other composers to read the same script, 296 00:20:27,594 --> 00:20:29,396 they will all be different music ideas 297 00:20:31,598 --> 00:20:34,767 One of the things I found was to free film music 298 00:20:34,801 --> 00:20:37,704 is a fact that any instrument is valid, 299 00:20:37,737 --> 00:20:40,807 as long as it makes the movie better 300 00:20:40,840 --> 00:20:43,976 I have about five storage areas 301 00:20:44,010 --> 00:20:45,878 it all filled with music equipment. 302 00:20:45,912 --> 00:20:48,047 At some point, I collect enough items 303 00:20:48,080 --> 00:20:50,317 that when it starts to look like a trash shop, 304 00:20:50,350 --> 00:20:53,986 then the people here do intervention and they take it all. 305 00:20:54,020 --> 00:20:58,525 They scrape it clean, and I just start collecting things again. 306 00:21:01,628 --> 00:21:03,296 That is a piano something like that. 307 00:21:03,330 --> 00:21:05,632 I bought it at a toy store in the center of Beverly, 308 00:21:05,665 --> 00:21:08,301 and I play the theme song to "rugrats," 309 00:21:08,335 --> 00:21:11,504 because I thought I would never need to play piano again. 310 00:21:11,538 --> 00:21:13,806 It feels like $ 60 dollars. I think, "how much money 311 00:21:13,840 --> 00:21:15,408 to spend piano toys." 312 00:21:19,912 --> 00:21:23,550 So I bought it, took it to my studio, and recorded it. 313 00:21:23,583 --> 00:21:25,418 Then I take it back and get my money back 314 00:21:25,452 --> 00:21:28,821 And now I always wonder, Where is the piano toy 315 00:21:28,855 --> 00:21:31,724 that I wrote the theme song to "rugrats" on? 316 00:21:31,758 --> 00:21:36,896 Often I start cues from playing Other things, not computers. 317 00:21:47,740 --> 00:21:51,678 This is a set bell ring. They are very rare. 318 00:21:55,748 --> 00:21:58,084 There is music in everything. I will take the elevator. 319 00:21:58,117 --> 00:21:59,752 You will be in that and suddenly 320 00:21:59,786 --> 00:22:01,988 the door will be like. 321 00:22:02,021 --> 00:22:03,756 And you are like, "What is that, man? 322 00:22:03,790 --> 00:22:05,925 That's cool, you know? " And you go back to studio 323 00:22:05,958 --> 00:22:07,660 and try to create that sound. 324 00:22:07,694 --> 00:22:09,829 What sound is that? like in the form of music? 325 00:22:09,862 --> 00:22:14,467 So I always try to filter what the world sounds like music. 326 00:22:32,051 --> 00:22:34,821 No there is a name wrong way to do something. 327 00:22:34,854 --> 00:22:36,989 You just have to keep trying, and the wrong way 328 00:22:37,023 --> 00:22:39,025 is the wrong way, arrives in the right way. 329 00:22:39,058 --> 00:22:41,961 This is a little dinosaur in that extinct 330 00:22:41,994 --> 00:22:45,465 and give birth to violins, and guitars, 331 00:22:45,498 --> 00:22:47,467 and many other things. That The construction is quite simple. This is rather suggestive see, at least. 332 00:22:47,500 --> 00:22:51,438 Sounds like when seal plays a musical horn 333 00:23:08,921 --> 00:23:11,123 in a circus or something. 334 00:23:17,897 --> 00:23:21,000 335 00:23:21,033 --> 00:23:22,401 336 00:23:55,034 --> 00:23:57,537 I haven't played that for years. 337 00:23:57,570 --> 00:24:01,874 Now I have the plot, I can imagine 338 00:24:01,908 --> 00:24:05,712 like what can the above melody, right? 339 00:24:35,575 --> 00:24:37,243 This is heaven. 340 00:24:44,617 --> 00:24:48,555 I try to find generals rhythm in a scene 341 00:24:51,123 --> 00:24:55,728 "Mad Max," I spend at least seven months producing a score. 342 00:24:56,896 --> 00:24:58,965 Try this, try that. 343 00:24:58,998 --> 00:25:00,700 Different types of drums. 344 00:25:09,308 --> 00:25:11,243 The drum is uniquely recorded 345 00:25:11,277 --> 00:25:13,780 for "mad Max" only play one. 346 00:25:20,152 --> 00:25:24,591 If you combine all this some songs together, 347 00:25:24,624 --> 00:25:28,928 then you can really, The quality is very interesting 348 00:25:28,961 --> 00:25:31,297 from this drum play with 349 00:25:31,330 --> 00:25:34,266 and they are quite aggressive, I am a big fan. 350 00:25:52,619 --> 00:25:54,153 It really makes, you know, is quite different 351 00:25:54,186 --> 00:25:56,188 Some directors of want music 352 00:25:56,222 --> 00:25:57,990 for continuous press shots 353 00:25:58,024 --> 00:26:01,293 Other directors really want long music pieces 354 00:26:01,327 --> 00:26:04,731 who goes to a lot, a few shots at the same time. 355 00:26:09,936 --> 00:26:11,938 These are things that you continue to struggle with 356 00:26:11,971 --> 00:26:14,741 when you work for images. 357 00:26:21,247 --> 00:26:24,116 I don't care what music is, But if I make a song, 358 00:26:24,150 --> 00:26:26,252 it must give me goose bumps, myself 359 00:26:26,200 --> 00:26:27,954 I don't say that to be arrogant, 360 00:26:27,987 --> 00:26:30,056 but if it doesn't hit me in the stomach 361 00:26:30,089 --> 00:26:31,791 as a large piece of music, 362 00:26:31,824 --> 00:26:35,094 I can't expect the audience, there are people there, 363 00:26:35,127 --> 00:26:36,996 to have that feeling touch the stomach. 364 00:26:37,029 --> 00:26:39,098 If it gives me goosebumps, it's very possible it will give others goose bumps, 365 00:26:39,131 --> 00:26:41,100 366 00:26:41,133 --> 00:26:44,804 because I think creeps come for everyone from the same place. 367 00:26:44,837 --> 00:26:46,873 When we are looking for in emotions, 368 00:26:46,906 --> 00:26:50,843 and other types responses to music, 369 00:26:50,877 --> 00:26:53,345 There are many structures in the brain involved Music is so multifaceted, It's very multidimensional. 370 00:26:53,379 --> 00:26:58,117 Different musical aspects processed 371 00:26:58,150 --> 00:27:00,653 with a different system in the brain 372 00:27:00,687 --> 00:27:02,321 So when you are looking for on something, 373 00:27:02,354 --> 00:27:03,823 like melody and tone, 374 00:27:03,856 --> 00:27:05,725 it has been processed with one system in the brain. 375 00:27:05,758 --> 00:27:08,861 When you look at time-based aspects such as tempo and rhythm, 376 00:27:08,895 --> 00:27:12,899 it has been processed by another system 377 00:27:12,932 --> 00:27:15,968 We have several kinds of from physiological responses 378 00:27:16,002 --> 00:27:20,106 that the body shows, and creeps actually just a sign of what is happening in your body 379 00:27:20,139 --> 00:27:22,341 There is a system in the brain, striatum ventral 380 00:27:22,374 --> 00:27:27,113 381 00:27:27,146 --> 00:27:30,349 382 00:27:30,382 --> 00:27:32,051 and nucleus accumbens, specifically, 383 00:27:32,084 --> 00:27:33,753 This is the center of our appreciation. 384 00:27:33,786 --> 00:27:37,857 Things like chocolate or sex, this is a reaction 385 00:27:37,890 --> 00:27:40,392 which we can see involves this structure 386 00:27:40,426 --> 00:27:45,097 So interesting because kind of pleasant feeling 387 00:27:45,131 --> 00:27:48,935 we get from chocolate, dopamine release, 388 00:27:48,968 --> 00:27:53,973 we can see some of the same types activation in the brain to music. 389 00:27:54,006 --> 00:27:57,343 That is a form of art that is technically non-existent. 390 00:27:57,376 --> 00:28:00,012 You can touch the musical instrument, 391 00:28:00,046 --> 00:28:05,417 You can touch a CD or cassette or vinyl that contains music, 392 00:28:05,451 --> 00:28:08,454 but you can never really put your finger in music. 393 00:28:08,487 --> 00:28:11,357 It's just that moving air is a little different. 394 00:28:11,390 --> 00:28:15,928 All the music that is done is providing some structure of this air molecule. 395 00:28:15,962 --> 00:28:18,865 So if a truck passes, 396 00:28:18,898 --> 00:28:22,802 This pushes air molecules against our inner ears. 397 00:28:22,835 --> 00:28:24,904 If someone plays cello, 398 00:28:24,937 --> 00:28:27,740 it drives exactly the same air molecules in our ears, 399 00:28:27,774 --> 00:28:30,076 only in a different place, structured. 400 00:28:30,109 --> 00:28:32,311 And there is something strange 401 00:28:32,344 --> 00:28:34,380 but really, very interesting and strong about that. 402 00:28:34,413 --> 00:28:38,818 But they will never take it our freedom! 403 00:28:38,851 --> 00:28:41,420 That makes soldiers march into battle 404 00:28:43,289 --> 00:28:45,257 That makes people cry. 405 00:28:49,028 --> 00:28:52,431 This can really increase overall emotions 406 00:28:52,464 --> 00:28:56,002 in a way that will make live a movie with its audience 407 00:28:56,035 --> 00:28:58,270 long after the last one film frame 408 00:28:58,304 --> 00:28:59,839 We are doing something here. 409 00:28:59,872 --> 00:29:02,875 We use something from ether 410 00:29:02,909 --> 00:29:06,979 Movie music, and orchestra music in general, 411 00:29:07,013 --> 00:29:09,548 very interesting for neuroscientists 412 00:29:09,581 --> 00:29:13,986 and scientists because great strength for emote. 413 00:29:14,020 --> 00:29:16,055 Movie music is usually something 414 00:29:16,088 --> 00:29:18,891 we are unconscious attention to, 415 00:29:18,925 --> 00:29:21,861 but nevertheless a strong impact on us. 416 00:29:21,894 --> 00:29:24,196 "Remember the titans," music for me 417 00:29:24,230 --> 00:29:27,800 It has been written so it is specific to that. 418 00:29:30,102 --> 00:29:32,271 This is very interesting using music in movies, 419 00:29:32,304 --> 00:29:37,176 This provides a very specific context for music. 420 00:29:37,209 --> 00:29:40,279 There is a permanent relationship, so when you hear it again, 421 00:29:40,312 --> 00:29:42,448 the experience you have in theater is generated. 422 00:29:42,481 --> 00:29:45,551 I never even thought about whether it could be used elsewhere. 423 00:29:45,584 --> 00:29:48,120 Thank you. God bless you 424 00:29:48,154 --> 00:29:51,991 and hopefully God bless United States. 425 00:29:55,427 --> 00:29:57,229 The phone rings. 426 00:29:57,263 --> 00:30:00,900 A friend of mine said, "I was at the convention. 427 00:30:00,933 --> 00:30:05,938 & apos; Remember titans & apos; is playing as hard as a kiss concert. " 428 00:30:09,541 --> 00:30:11,543 I am not asked, which I am not happy with, 429 00:30:11,577 --> 00:30:15,848 But, this is quite interesting the watch is used 430 00:30:15,882 --> 00:30:19,018 for something completely different. 431 00:30:19,051 --> 00:30:22,288 We live in that world Things that underlined. 432 00:30:22,321 --> 00:30:26,092 This is really interesting how does the music 433 00:30:26,125 --> 00:30:31,163 from "remember the titans" evoke what Obama wants 434 00:30:31,197 --> 00:30:35,334 to be like someone walking out as a new president. , = = it's resonant again. 435 00:30:37,303 --> 00:30:41,407 Strength scores in and of themselves are amazing. 436 00:30:41,440 --> 00:30:43,642 When we watch Movies are 90 minutes long, 437 00:30:43,675 --> 00:30:47,046 we produce around 21,000 or more eye movements. 438 00:30:49,215 --> 00:30:51,650 And even though we feel like us has full control 439 00:30:51,683 --> 00:30:55,221 440 00:30:55,254 --> 00:30:59,058 441 00:30:59,091 --> 00:31:02,228 and freedom where to look for it, lots of research on eye tracking 442 00:31:02,261 --> 00:31:05,231 has shown it is actually the film audience 443 00:31:05,264 --> 00:31:08,034 usually look around the same place on the 444 00:31:08,067 --> 00:31:10,069 screen at almost the same time. 445 00:31:10,102 --> 00:31:13,639 One way the eyes can be directed is to a specific place 446 00:31:13,672 --> 00:31:17,543 on the screen is when there is something about music 447 00:31:17,576 --> 00:31:20,479 that matches some characteristics on the screen. 448 00:31:20,512 --> 00:31:24,383 For example, a rising tone with something that is rising. 449 00:31:27,086 --> 00:31:29,155 And a good example is from 450 00:31:29,188 --> 00:31:33,225 "married life" montage from "rising" film. 451 00:31:33,259 --> 00:31:36,295 first time that we see the balloon 452 00:31:36,328 --> 00:31:38,597 who is tied to Carl's cart, 453 00:31:38,630 --> 00:31:41,433 it's very important because the balloon will go 454 00:31:41,467 --> 00:31:44,036 becomes important visual motives, 455 00:31:44,070 --> 00:31:48,107 an important theme for the whole film 456 00:31:48,140 --> 00:31:54,013 We see Carl, and then we see Ellie walks out with a parrot. 457 00:31:54,046 --> 00:31:58,117 And then the balloon cart goes up and down again. 458 00:31:58,150 --> 00:31:59,986 So it's very interesting to look at the music can be part of the dance choreography of our eye movements during the film sequence. 459 00:32:00,019 --> 00:32:04,523 First representative score, 460 00:32:04,556 --> 00:32:07,659 where everything you see, You hear. 461 00:32:07,693 --> 00:32:09,595 Walk up the stairs. 462 00:32:09,628 --> 00:32:11,397 Romantic kiss 463 00:32:11,430 --> 00:32:15,067 The eyes do the same thing the ears are doing 464 00:32:15,101 --> 00:32:17,369 There are so many decisions to make in the film. 465 00:32:17,403 --> 00:32:19,605 Hollywood is passing a strange transition in the 60s, 466 00:32:19,638 --> 00:32:22,141 especially mid & apos; 60s to the early 70s. 467 00:32:22,174 --> 00:32:25,744 One of the things that is obtained Thrown out is the idea 468 00:32:25,777 --> 00:32:29,081 which is ancient orchestra score 469 00:32:29,115 --> 00:32:30,616 Now there is movement towards source music. 470 00:32:30,649 --> 00:32:33,019 471 00:32:36,122 --> 00:32:38,090 472 00:32:40,292 --> 00:32:41,560 regional music... 473 00:32:46,332 --> 00:32:49,201 Intimate type grouping music... 474 00:32:54,540 --> 00:32:56,208 it's just different. Many 60s 475 00:32:56,242 --> 00:32:59,511 of composers who really know what they do, 476 00:32:59,545 --> 00:33:01,713 who doesn't want to do it it's the old way 477 00:33:06,618 --> 00:33:11,623 Jerry jewelers are truly the most innovative composers 478 00:33:11,657 --> 00:33:15,061 to work mainstream films regularly. 479 00:33:15,094 --> 00:33:17,229 What is amazing about "ape planet" 480 00:33:17,263 --> 00:33:20,566 does he use everything This modern technique. 481 00:33:20,599 --> 00:33:24,203 He applied it again and put it in the drama. 482 00:33:28,474 --> 00:33:33,079 Mixing bowl of metal and rubber The ball is reflected into the bowl. 483 00:33:42,321 --> 00:33:45,191 Just kind of screw with orchestra like he does 484 00:33:45,224 --> 00:33:47,826 and just become so ballsy in the choice 485 00:33:47,859 --> 00:33:50,629 and that's very precise for the film 486 00:33:50,662 --> 00:33:52,531 That will always happen one of the best of all time 487 00:33:52,564 --> 00:33:53,832 science fiction score 488 00:33:58,370 --> 00:34:01,673 "Chinatown" written within 10 days after 489 00:34:01,707 --> 00:34:05,077 Previous scores have been written, recorded, and thrown out. 490 00:34:05,111 --> 00:34:07,113 And this is very interesting that Jerry entered 491 00:34:07,146 --> 00:34:09,081 and he saw the film, 492 00:34:09,115 --> 00:34:15,121 and he immediately decided needed four harps, four pianos, 493 00:34:15,154 --> 00:34:17,689 strings, percussion, and solo trumpets. 494 00:34:29,368 --> 00:34:31,870 Why are four pianos? 495 00:34:31,903 --> 00:34:37,543 I mean, Jerry is just a godfather kind of all this, right? 496 00:34:37,576 --> 00:34:41,547 This is very interesting music Choice, but it's Jerry. 497 00:34:41,580 --> 00:34:44,550 You ask musicians, they may Assume he is the best he has ever been. 498 00:34:52,524 --> 00:34:54,626 When I hear "reivers," I say, "God, this person 499 00:34:54,660 --> 00:34:57,696 - must be 80 years old -" I really think... - Actually! 500 00:34:57,729 --> 00:34:59,631 I think maybe here some 80 year olds 501 00:34:59,665 --> 00:35:02,334 who might write the best score of his life. 502 00:35:02,368 --> 00:35:04,203 And I want to find out who this person is, 503 00:35:04,236 --> 00:35:06,572 and I met this young man named John Williams and I was stunned. 504 00:35:06,605 --> 00:35:09,375 John Williams does not start As a classical composer, 505 00:35:09,408 --> 00:35:11,410 He started as a jazz pianist. 506 00:35:11,443 --> 00:35:13,379 John Williams plays piano on "stories on the West Side." 507 00:35:17,849 --> 00:35:20,186 And he plays piano in "apartment" 508 00:35:23,422 --> 00:35:25,357 Born and raised in the fox system, 509 00:35:25,391 --> 00:35:27,593 he and Jerry the goldsmith, That's where they learn. 510 00:35:27,626 --> 00:35:31,163 Nobody knows the whole the field will change 511 00:35:41,807 --> 00:35:43,275 When we see "jaw," 512 00:35:43,309 --> 00:35:46,212 if you don't have it that "ba-domp ba-domp", 513 00:35:46,245 --> 00:35:47,813 none of us would know what happened 514 00:35:56,922 --> 00:35:58,857 it's pretty brilliant 515 00:35:58,890 --> 00:36:03,262 And it's almost like crazy experiment 516 00:36:04,896 --> 00:36:08,700 He is a machine, "ba-dum, ba-dum," accelerates. 517 00:36:08,734 --> 00:36:10,802 Ba-dum. Ba-dum. Ba-dum. 518 00:36:10,836 --> 00:36:14,773 Like a train moving forward, this is a feeding machine. 519 00:36:14,806 --> 00:36:19,278 He is as simple as that "I move forward to kill." 520 00:36:21,813 --> 00:36:24,816 The shark doesn't need more. He needs two notes. 521 00:36:24,850 --> 00:36:26,485 First day with Steven, he said, 522 00:36:26,518 --> 00:36:27,719 "what will to play for the jaw?" I go... 523 00:36:32,424 --> 00:36:33,392 He said, "You're kidding." 524 00:36:34,893 --> 00:36:36,828 I said, "You're crazy, this is a serious movie!" 525 00:36:36,862 --> 00:36:39,531 I think he will say, "No, I'm just kidding." 526 00:36:39,565 --> 00:36:42,768 And he will play this a very poetic pastoral symphony. 527 00:36:42,801 --> 00:36:46,338 And John said, "no, no makes a very primal film." 528 00:36:52,878 --> 00:36:54,012 Part of the genius from John Williams 529 00:36:54,045 --> 00:36:55,914 is how he sees music 530 00:36:55,947 --> 00:36:58,717 and how he is Place music in a movie. 531 00:36:58,000 --> 00:04:12,454 John doesn't want music to celebrate red herring. 532 00:37:02,488 --> 00:37:05,891 He just wants music to give a signal the actual arrival of a shark. 533 00:37:05,924 --> 00:37:08,360 Everyone goes, "oh, & apos; jaw & apos ;, There are only two of these notes." 534 00:37:08,394 --> 00:37:13,832 This is not. This is amazing pieces of orchestra symphonies 535 00:37:13,865 --> 00:37:17,703 that happens and it just becomes triggered by these two records. 536 00:37:17,736 --> 00:37:21,807 Only artistic imagination is phenomenal 537 00:37:21,840 --> 00:37:23,008 We are not worthy. 538 00:37:23,041 --> 00:37:25,677 I say, "Oh my God. This is rebirth. 539 00:37:25,711 --> 00:37:26,845 Movie music returns, it's alive!" 540 00:37:43,729 --> 00:37:48,334 "Star War" is made extraordinary splash when out. 541 00:37:48,367 --> 00:37:51,637 Everything about that is very interesting and thrilling 542 00:37:51,670 --> 00:37:54,573 for 11-year-old children who grow up at that time. 543 00:37:54,606 --> 00:37:55,741 They come. 544 00:37:57,809 --> 00:38:00,679 and speak as a whole human generation 545 00:38:00,712 --> 00:38:03,081 I, I think 12 times That thing came out. 546 00:38:03,114 --> 00:38:07,453 So it's very big has an impact on my youth 547 00:38:09,688 --> 00:38:12,658 We got the theme of "star war" locked in our heads as a child, 548 00:38:12,691 --> 00:38:15,327 as soon as we leave from the theater 549 00:38:22,701 --> 00:38:25,036 Music, yes, This is a symphonic score. 550 00:38:25,070 --> 00:38:28,374 But I mean, this is one of the biggest scores may have been written 551 00:38:28,407 --> 00:38:31,577 It is impossible to think of "star war" without Williams music. 552 00:38:40,619 --> 00:38:42,421 The score he did helped the audience 553 00:38:42,454 --> 00:38:46,658 find the classic again orchestral film scores 554 00:38:52,598 --> 00:38:55,033 Spielberg and Lucas can claim many things, 555 00:38:55,066 --> 00:38:58,069 and one of them helps to reintroduce audiences 556 00:38:58,103 --> 00:39:00,372 for that type an exciting experience. 557 00:39:02,574 --> 00:39:04,476 Star Wars change This crap is reversed 558 00:39:06,778 --> 00:39:08,414 That is John Williams that made me, 559 00:39:08,447 --> 00:39:10,582 first of all, realize the film's music could be 560 00:39:10,616 --> 00:39:14,986 of quality and difference is equally great 561 00:39:15,020 --> 00:39:18,123 like the classic my composer grew up with. 562 00:39:18,156 --> 00:39:20,959 There are traditional ones Good and bad ideas, 563 00:39:20,992 --> 00:39:23,995 and how they are exemplified in music. 564 00:39:24,029 --> 00:39:26,665 I like to always go for "star war," 565 00:39:26,698 --> 00:39:31,570 because there are beautiful ones themes, main themes John, 566 00:39:31,603 --> 00:39:33,805 and then there are love themes 567 00:39:39,945 --> 00:39:41,747 But then there is Darth Vader 568 00:39:54,192 --> 00:39:57,729 theme it's just self-defense and so broad 569 00:39:57,763 --> 00:39:59,698 that you go, "oh boy, there's Something that's not good here." 570 00:40:09,775 --> 00:40:12,110 the right score for the right film at the right time 571 00:40:14,846 --> 00:40:19,217 The 70s era was true John Williams era. 572 00:40:23,254 --> 00:40:27,559 Without music, superman Power is greatly reduced. 573 00:40:29,094 --> 00:40:32,998 Believe me, if you try to fly without that theme, 574 00:40:33,031 --> 00:40:36,802 You go everywhere One step, two steps and down. 575 00:40:40,606 --> 00:40:42,173 Everyone knows superman, 576 00:40:42,207 --> 00:40:45,477 but the Krypton theme that came just before that... 577 00:40:47,112 --> 00:40:52,684 That opening, it's mysterious, It's almost like an avant-garde. 578 00:41:00,759 --> 00:41:05,997 That makes this really melodious two-letter melody. 579 00:41:06,031 --> 00:41:10,135 Almost successful, for me, 10 times more parts. 580 00:41:10,168 --> 00:41:13,972 So that's the way around it pieces with other pieces. 581 00:41:20,946 --> 00:41:23,615 Most of the world, If you play the music 582 00:41:23,649 --> 00:41:26,585 from "jaw", or "star war" or "robber from the lost ark," 583 00:41:26,618 --> 00:41:29,555 most people know what is 584 00:41:29,588 --> 00:41:30,922 "Raider of the missing ark." 585 00:41:30,956 --> 00:41:34,726 If you hear the melody without rhythm, 586 00:41:34,760 --> 00:41:39,097 You can recognize it. 587 00:41:39,130 --> 00:41:42,634 But if you only follow rhythm, 588 00:41:42,668 --> 00:41:44,770 Without the melody you recognize it good ways 589 00:41:54,980 --> 00:41:57,983 Very simple little note sequence 590 00:41:58,016 --> 00:42:04,155 But I spend more time on that a little musical grammar bit 591 00:42:04,189 --> 00:42:06,692 to get it right so that they seem inevitable. 592 00:42:10,095 --> 00:42:13,699 There are those who are offended, melodious, well-organized themes, 593 00:42:13,732 --> 00:42:16,902 but I think That is only half of that. 594 00:42:16,935 --> 00:42:21,306 There is always a bravura part from the composition of John Williams. 595 00:42:21,339 --> 00:42:27,112 8, 16, 32 bar first. Large theme "raiders of the lost ark". 596 00:42:27,145 --> 00:42:29,047 And then comes section b. 597 00:42:35,320 --> 00:42:38,256 This is less well known, but it's very beautiful. 598 00:42:41,760 --> 00:42:44,663 I always think that's the part he writes for himself. 599 00:42:44,696 --> 00:42:48,233 I think he's brilliant as people feel. 600 00:42:48,266 --> 00:42:52,938 And as popular as the music, He is even better than that. 601 00:43:06,084 --> 00:43:08,787 If it will be easy to enter the phone 602 00:43:10,255 --> 00:43:13,324 Yes. 603 00:43:16,862 --> 00:43:18,163 I like that. The fact is, 604 00:43:18,196 --> 00:43:19,865 seems like is a very natural transition 605 00:43:23,134 --> 00:43:24,836 - Up or down? - up 606 00:43:28,373 --> 00:43:31,810 It might be down. 607 00:43:31,843 --> 00:43:33,645 It can go down one time and then go up. 608 00:43:33,679 --> 00:43:35,881 What does the score need? to do has changed, 609 00:43:35,914 --> 00:43:38,183 because of how the film making has changed. 610 00:43:38,216 --> 00:43:40,686 Let's take John Williams, let's end "e.T." 611 00:43:44,756 --> 00:43:46,057 Where will we go? 612 00:43:46,091 --> 00:43:47,759 To the forest 613 00:43:47,793 --> 00:43:51,129 This is only wide open space for music 614 00:43:51,162 --> 00:43:52,731 Follow me! 615 00:43:57,402 --> 00:44:00,371 When was the last time someone left the place 616 00:44:00,405 --> 00:44:03,809 that opens and says, "I want this to be a music moment 617 00:44:03,842 --> 00:44:06,344 where you only carry it tune home." 618 00:44:21,993 --> 00:44:27,365 I will be here. 619 00:44:36,875 --> 00:44:38,009 See you soon 620 00:44:38,043 --> 00:44:41,312 We have this broad, expansive music by taking off from the spaceship 621 00:44:41,346 --> 00:44:43,214 John Williams, Steven Spielberg decides 622 00:45:03,101 --> 00:45:05,871 that we will go from great music, 623 00:45:05,904 --> 00:45:08,740 reminds us who goes into the spaceship. 624 00:45:08,774 --> 00:45:13,044 We can see what's happening In the story it's very sad, 625 00:45:15,146 --> 00:45:19,851 This is a farewell. 626 00:45:19,885 --> 00:45:21,719 And in the end we hear this code, 627 00:45:27,893 --> 00:45:31,763 this fanfare is very triumphant 628 00:45:31,797 --> 00:45:35,233 It says that we are looking at This is from Elliot's point of view. 629 00:45:50,381 --> 00:45:55,286 That's not a loss, but it's almost like saying, 630 00:45:55,320 --> 00:45:58,489 "mission completed. We have e.T. Home." 631 00:45:58,523 --> 00:46:02,427 In an orchestra, one of the things we love 632 00:46:09,267 --> 00:46:11,069 is a 10 minute break. 633 00:46:11,102 --> 00:46:12,503 634 00:46:12,537 --> 00:46:16,307 But at tens, whenever you are inspired by music, 635 00:46:16,341 --> 00:46:17,976 there is electricity 636 00:46:26,351 --> 00:46:28,019 In "Jurassic park," 637 00:46:28,053 --> 00:46:30,989 You can tell by the appearance of in your partner's eyes 638 00:46:31,022 --> 00:46:33,158 that you is not wrong, 639 00:46:33,191 --> 00:46:37,062 that you just played something will almost live forever. 640 00:46:37,095 --> 00:46:40,098 Almost everything we do with John Williams is... 641 00:46:40,131 --> 00:46:43,168 We know that it will happen to be extraordinary 642 00:46:43,201 --> 00:46:45,436 We always go sessions like feeling, 643 00:46:45,470 --> 00:46:48,439 "why can't all Sessions like this?" 644 00:47:07,558 --> 00:47:09,895 A lot of time You will choose a studio 645 00:47:09,928 --> 00:47:12,530 because it matches the type the sound you want to make 646 00:47:15,233 --> 00:47:19,104 First church, clear. 647 00:47:19,137 --> 00:47:21,873 This is a building that is here for several hundred years. 648 00:47:21,907 --> 00:47:27,212 You know, this is a church, and I think everyone thinks that all churches are haunted somehow. 649 00:47:27,245 --> 00:47:32,617 We have engineers who have entered Here who just saw that happen. 650 00:47:32,650 --> 00:47:35,520 You know, just the chair starts to spin around This will be a great way to do it excuse me, right? 651 00:47:37,956 --> 00:47:40,291 If it's already a terrible mistake 652 00:47:40,325 --> 00:47:42,093 "That is the ghost that does it That." But no, you know, 653 00:47:42,127 --> 00:47:44,295 all the horrible things that happen here are always based on people. 654 00:47:44,329 --> 00:47:48,233 Usually me. 655 00:47:48,266 --> 00:47:50,235 I've kind of lived in this building since around 1994. 656 00:47:54,239 --> 00:47:57,475 - morning - Hi, David 657 00:47:57,508 --> 00:48:00,078 It was very shabby when George Martin in the late 80s 658 00:48:02,180 --> 00:48:06,651 sort of coming up and deciding this will be the place 659 00:48:06,684 --> 00:48:09,254 to change to the studio. 660 00:48:09,287 --> 00:48:11,422 If you have ever been in a small room a group of people and shouted a lot, 661 00:48:14,625 --> 00:48:18,429 it's kind of choked out space 662 00:48:18,463 --> 00:48:20,932 663 00:48:20,966 --> 00:48:22,433 You know, so you can't really hear anything 664 00:48:22,467 --> 00:48:24,535 because the sound has no place to go 665 00:48:24,569 --> 00:48:26,571 be everything stack on itself? 666 00:48:26,604 --> 00:48:28,673 It's the same in the acoustic space 667 00:48:28,706 --> 00:48:31,676 If we have 110 people in a room, 668 00:48:31,709 --> 00:48:34,012 we have this moving roof panel. 669 00:48:34,045 --> 00:48:37,648 You lift the roof and it gives you additional two and a half reverb 670 00:48:37,682 --> 00:48:40,351 and so, you know, his voice can swim around 671 00:48:40,385 --> 00:48:43,688 This beautiful room with all this amazing reflective surface. 672 00:49:29,800 --> 00:49:32,337 We use up to 100 mics in a session 673 00:49:32,370 --> 00:49:36,007 It all gives you choices how close or how far 674 00:49:36,041 --> 00:49:38,109 You want to feel it from music 675 00:49:38,143 --> 00:49:41,446 This is very different acoustic towards the Abbey road. 676 00:50:12,177 --> 00:50:14,045 Total 86 players today. 677 00:50:14,079 --> 00:50:15,813 So it's good size orchestra. 678 00:50:15,846 --> 00:50:17,682 We are here at Abbey Road number one studio, 679 00:50:17,715 --> 00:50:19,350 which is a big orchestra room at Abbey road 680 00:50:19,384 --> 00:50:20,651 Check, check, one, two, three, test. 681 00:50:20,685 --> 00:50:23,088 Check, one two three. 682 00:50:23,121 --> 00:50:26,491 It doesn't seem like much has happened absorbent material on the wall, 683 00:50:26,524 --> 00:50:28,626 so there are still a little of the living voice for that. 684 00:50:28,659 --> 00:50:29,827 When the orchestra cuts 685 00:50:29,860 --> 00:50:32,197 you really little reverb 686 00:50:39,337 --> 00:50:41,572 The Beatles record their songs orchestral items here, 687 00:50:41,606 --> 00:50:44,842 and then in the 80s it became often used for film values, 688 00:50:44,875 --> 00:50:47,612 so "the return of the jedi" Most of it is recorded here. 689 00:50:47,645 --> 00:50:50,081 Chorus people, thank you for coming 690 00:50:50,115 --> 00:50:53,118 Welcome to this process make "star war". 691 00:50:53,151 --> 00:50:55,220 "star war" _ prequels are noted here 692 00:50:55,253 --> 00:50:56,687 Just wind. 33. 693 00:50:56,721 --> 00:50:58,389 One two three. 694 00:51:05,696 --> 00:51:08,566 The first three "master of rings" films are recorded here. 695 00:51:15,506 --> 00:51:18,109 I know when Williams is like the films here, 696 00:51:18,143 --> 00:51:19,777 he tends to arrange here 697 00:51:19,810 --> 00:51:22,713 and throw like this, far away. 698 00:51:22,747 --> 00:51:25,850 So the choir from like "duel destiny" faces that wall. 699 00:51:41,599 --> 00:51:42,633 Our sound engineer in this film, 700 00:51:42,667 --> 00:51:44,669 ask this layout, 701 00:51:44,702 --> 00:51:47,672 because he prefers in terms of getting the sound he wants 702 00:51:56,247 --> 00:51:58,316 When do you a film composer, 703 00:51:58,349 --> 00:52:01,286 part of the show you gave director and producer 704 00:52:01,319 --> 00:52:02,820 the music they want 705 00:52:02,853 --> 00:52:04,622 But at the end of the day, if they don't like it, 706 00:52:04,655 --> 00:52:06,524 it's not in the film 707 00:52:06,557 --> 00:52:09,327 My crew in the mixing room consists of engineers, 708 00:52:09,360 --> 00:52:11,829 who in this case a man named Casey stone. 709 00:52:11,862 --> 00:52:15,633 He sits behind the blackboard and he operates all faders. 710 00:52:19,270 --> 00:52:21,539 He is the one who founded everything microphone here, 711 00:52:21,572 --> 00:52:24,409 Set a plan for how we will record everything 712 00:52:27,245 --> 00:52:29,814 Next to it is a man named Louis, 713 00:52:29,847 --> 00:52:32,317 and Louis is operating pro tool, 714 00:52:32,350 --> 00:52:35,520 so he controls the clicks that I hear in my headphones, 715 00:52:35,553 --> 00:52:37,655 and that all musicians hear in their headphones 716 00:52:48,299 --> 00:52:50,435 And then he also records everything needed, 717 00:52:50,468 --> 00:52:52,670 make sure they are all labeled correctly 718 00:52:57,242 --> 00:52:58,909 There is a gentleman named John finklea, 719 00:52:58,943 --> 00:53:00,478 he is a music editor 720 00:53:02,313 --> 00:53:04,715 He is the one who wants take everything needed and assemble is not just the version that we use in this film, 721 00:53:04,749 --> 00:53:07,685 but also the version we ended made a soundtrack album from. 722 00:53:07,718 --> 00:53:11,289 723 00:53:21,266 --> 00:53:23,268 Next to it is orchestrator, 724 00:53:23,301 --> 00:53:25,670 who in this film is Matt dunkley 725 00:53:25,703 --> 00:53:29,707 I do all my writing on a computer 726 00:53:29,740 --> 00:53:34,745 The orchestrator takes the file and converts it to an orchestral value, 727 00:53:35,946 --> 00:53:37,815 score it I can do from, 728 00:53:40,651 --> 00:53:43,888 and which parts can be produced and given to all musicians. 729 00:53:46,991 --> 00:53:48,826 And they don't need to see all other parts 730 00:53:59,837 --> 00:54:03,574 Great. Truly. 731 00:54:03,608 --> 00:54:05,810 Move? 732 00:54:05,843 --> 00:54:08,479 Yes. Ready? 733 00:54:08,513 --> 00:54:12,817 Different cities, different influences, different rooms. 734 00:54:12,850 --> 00:54:15,986 In London, they usually play in a soft voice. 735 00:54:20,858 --> 00:54:23,428 In Los Angeles, they play with a stronger voice 736 00:54:28,566 --> 00:54:30,368 I work really hard. 737 00:54:30,401 --> 00:54:34,505 You know, and I have a team It also works hard with me. 738 00:54:36,073 --> 00:54:38,643 It takes a lot of to get to this point 739 00:54:46,083 --> 00:54:49,854 Really like your life story, 740 00:54:49,887 --> 00:54:53,924 use images as vehicles 741 00:54:53,958 --> 00:54:56,761 to show humans that you are. 742 00:55:13,043 --> 00:55:15,112 That was menajubkan. 743 00:55:15,145 --> 00:55:20,050 Doing a score is something that every ordinary person does. 744 00:55:20,084 --> 00:55:23,020 Not so Composers don't have meat to go there and do an orchestra, many of them do it. 745 00:55:23,053 --> 00:55:25,523 But this is often more important for them to be at the booth, 746 00:55:25,556 --> 00:55:29,527 listen to what orchestra is playing, 747 00:55:29,560 --> 00:55:32,129 and sit there with director 748 00:55:32,162 --> 00:55:34,098 to find out how director Feelings of what he heard. 749 00:55:34,131 --> 00:55:38,135 Let it play. 750 00:55:44,074 --> 00:55:45,443 If you talk to John Powell, or Hans Zimmer, 751 00:55:53,050 --> 00:55:56,053 they will say they prefer to enter control room, don't do, 752 00:55:56,086 --> 00:55:59,690 753 00:55:59,724 --> 00:56:02,493 because that's where everything has eaten Through, they have more control. 754 00:56:02,527 --> 00:56:04,429 I mean, basically, we all happen after the same thing. 755 00:56:04,462 --> 00:56:05,763 We want the best results, 756 00:56:05,796 --> 00:56:09,634 best performance for movies 757 00:56:09,667 --> 00:56:11,902 Many composers like being in the booth, 758 00:56:11,936 --> 00:56:14,905 so they can get closer to the director 759 00:56:14,939 --> 00:56:17,608 But I personally feel I get the best performance when I'm doing my own music 760 00:56:17,642 --> 00:56:20,878 Good morning! 761 00:56:20,911 --> 00:56:22,813 This is a movie for Paramount. This is very fun. 762 00:56:22,847 --> 00:56:25,683 John has done great, oh my god, what is the score 763 00:56:25,716 --> 00:56:28,653 So without further ado, our composers and conductors, 764 00:56:28,686 --> 00:56:32,457 John debney 765 00:56:32,490 --> 00:56:33,524 Good morning. 766 00:56:37,161 --> 00:56:38,629 We will start out with 5m1v3 767 00:56:38,663 --> 00:56:42,967 Let's make some sounds. 768 00:56:43,000 --> 00:56:45,603 One two. Two. 769 00:56:45,636 --> 00:56:48,673 770 00:57:37,755 --> 00:57:39,624 Read good Read good 771 00:57:39,657 --> 00:57:42,693 Sight-reading musicians, studio musicians, 772 00:57:42,727 --> 00:57:44,261 really extraordinary type. 773 00:57:44,294 --> 00:57:46,531 Producer or filmmaker, they say, 774 00:57:46,564 --> 00:57:48,966 "Well, how many days do they do it? have to practice this?" 775 00:57:48,999 --> 00:57:52,870 And I said, "no, that's it. They never saw it before." 776 00:57:52,903 --> 00:57:55,540 And they go, "What is it?" 777 00:57:55,573 --> 00:57:58,175 There is an technique to be able to read, 778 00:57:58,208 --> 00:58:00,978 to be able to freeze as part, 779 00:58:01,011 --> 00:58:02,980 as a studio orchestra of sight. 780 00:58:03,013 --> 00:58:05,182 24, we are faster immediately. 781 00:58:05,215 --> 00:58:06,751 When you are writing music, 782 00:58:06,784 --> 00:58:09,019 You are writing letters for players. 783 00:58:09,053 --> 00:58:12,557 You give them a set of instructions on what they should do. 784 00:58:12,590 --> 00:58:14,759 And if you do it right, then it must be a love letter. 785 00:58:14,792 --> 00:58:16,627 And that... should be so show again, 786 00:58:16,661 --> 00:58:19,564 "I know your instrument. I know who you are." 787 00:58:19,597 --> 00:58:23,701 You have lots, many players try to play the same tone, 788 00:58:23,734 --> 00:58:25,169 but no one can. 789 00:58:25,202 --> 00:58:28,806 Everyone is turned off by micron of percentage, 790 00:58:28,839 --> 00:58:31,742 who gave it the chorusing effect 791 00:58:34,612 --> 00:58:38,583 If everything is consonant and perfect, 792 00:58:38,616 --> 00:58:42,787 Music will... This will be terrible. 793 00:58:42,820 --> 00:58:46,724 I mean, this will be like putting completing etta James. 794 00:58:46,757 --> 00:58:50,661 You know, that will happen take all souls from it 795 00:58:50,695 --> 00:58:53,764 And honestly that's why we have... 796 00:58:53,798 --> 00:58:55,099 Why is the orchestra? sounds beautiful 797 00:58:55,132 --> 00:58:56,801 If there ever was a time 798 00:58:56,834 --> 00:58:59,136 where I can't to get at the assessment stage 799 00:58:59,169 --> 00:59:04,141 and work with 90 musicians, I might do something else. 800 00:59:05,876 --> 00:59:09,113 Working with live musicians, That's what I live. 801 00:59:27,698 --> 00:59:29,233 Standing on the podium, 802 00:59:29,266 --> 00:59:32,202 and give downbeat to a piece of music 803 00:59:32,236 --> 00:59:34,571 you have spent long craft. 804 00:59:36,240 --> 00:59:38,242 And hear it for the first time, 805 00:59:38,275 --> 00:59:41,211 I think it's like seeing your child for the first time born. 806 00:59:47,184 --> 00:59:52,757 Joy, emotion from what it is, 807 00:59:52,790 --> 00:59:54,925 it's true Everything is for me. 808 01:00:00,164 --> 01:00:01,866 Pretty darn Good 809 01:00:01,899 --> 01:00:03,934 That is the true power of from the orchestra 810 01:00:03,968 --> 01:00:05,670 and I think that's why... 811 01:00:05,703 --> 01:00:07,872 That is why I think that will never disappear Certainly it has been transformed and will continue to be transformed, 812 01:00:07,905 --> 01:00:10,641 but I think in the heart, um... 813 01:00:10,675 --> 01:00:12,810 This is rather the most human element 814 01:00:12,843 --> 01:00:14,945 and the most emotional element we have 815 01:00:14,979 --> 01:00:16,914 Let's go from 20 to the end of 48 816 01:00:16,947 --> 01:00:19,149 817 01:00:19,183 --> 01:00:20,918 This film has a lot of music 818 01:00:20,951 --> 01:00:23,420 This is an action movie, This is a tentpole movie, 819 01:00:23,453 --> 01:00:26,223 so they tend to be more wall to wall. 820 01:00:26,256 --> 01:00:28,893 You know, "Jack Reacher" has about 60 minutes of music. 821 01:00:28,926 --> 01:00:30,895 This is around 110. 822 01:00:30,928 --> 01:00:32,730 You see the ad board 823 01:00:32,763 --> 01:00:35,199 before you finish do a movie 824 01:00:35,232 --> 01:00:36,867 You who drive pass it thinking, 825 01:00:36,901 --> 01:00:39,303 "But the music is not written." 826 01:00:39,336 --> 01:00:43,307 The scary thing is going down to the subway in New York 827 01:00:43,340 --> 01:00:46,811 and I'm halfway through and see your name on the poster, 828 01:00:46,844 --> 01:00:48,846 and say, "Oh my God," you know, 829 01:00:48,879 --> 01:00:53,217 that... I have a long way to go in two and a half weeks. " 830 01:00:53,250 --> 01:00:56,186 the more expensive movies get, 831 01:00:56,220 --> 01:00:57,688 they let you know this 832 01:00:57,722 --> 01:01:01,826 You know,... occasionally, you know, 833 01:01:01,859 --> 01:01:04,128 instructions will go down by studio 834 01:01:04,161 --> 01:01:09,133 that you know, everything goes up this and you are better, you know, whatever. 835 01:01:09,166 --> 01:01:11,468 So this is not necessarily inspirational, 836 01:01:11,501 --> 01:01:13,470 it's just terrible 837 01:01:13,503 --> 01:01:16,173 Complexity puts this matter together 838 01:01:16,206 --> 01:01:19,076 is now very large, and the pressure is very large. 839 01:01:19,109 --> 01:01:20,878 Our Studio 840 01:01:20,911 --> 01:01:24,381 We rolled near half a billion dollars every time we take a single film 841 01:01:24,414 --> 01:01:26,717 Do you know how many you have to make? 842 01:01:26,751 --> 01:01:28,886 Every movie you make should be in the top 20 box offices of all time. 843 01:01:28,919 --> 01:01:32,957 This is crazy. 844 01:01:32,990 --> 01:01:34,792 I only think about the complexity of the whole business has... 845 01:01:34,825 --> 01:01:38,362 Has brought complexity to art form. 846 01:01:38,395 --> 01:01:41,131 In the film "Armageddon," I do, 847 01:01:41,165 --> 01:01:43,233 I really got an hour from Jerry Bruckheimer 848 01:01:43,267 --> 01:01:46,771 849 01:01:46,804 --> 01:01:51,876 with countdown clock, count until our day is finished, 850 01:01:51,909 --> 01:01:55,045 and it's in front of from me at any time. 851 01:01:55,079 --> 01:01:57,982 Deadlines can be frightening 852 01:01:58,015 --> 01:02:00,284 The schedule in this film is so accelerated, 853 01:02:00,317 --> 01:02:02,853 it is at another level as a whole professionalism 854 01:02:02,887 --> 01:02:04,321 It's been around six hours so far, 855 01:02:04,354 --> 01:02:05,990 we have another three more hours. 856 01:02:06,023 --> 01:02:07,024 Guess what, 857 01:02:07,057 --> 01:02:09,794 six clicks to bar 29 858 01:02:09,827 --> 01:02:11,495 Yes, you have to go up half step, I think. 859 01:02:11,528 --> 01:02:13,898 Situations like this are very expensive, 860 01:02:13,931 --> 01:02:15,800 and so hard to set 861 01:02:15,833 --> 01:02:17,968 But there is always more than that One way to solve problems. 862 01:02:22,873 --> 01:02:25,943 And you can solve this problem by changing music on this piece, 863 01:02:25,976 --> 01:02:28,312 or you can solve it by changing it music in that cut 864 01:02:37,187 --> 01:02:38,188 Great. 865 01:02:39,957 --> 01:02:41,859 As the film-making style has changed, 866 01:02:41,892 --> 01:02:43,794 the music film itself has changed. 867 01:02:43,828 --> 01:02:46,997 And as filmmakers have realized that, for decades, 868 01:02:47,031 --> 01:02:48,432 um, they have asked for different things 869 01:02:48,465 --> 01:02:49,967 and succeed different things. 870 01:02:50,000 --> 01:02:51,969 What happened in 1978-79? 871 01:02:52,002 --> 01:02:54,004 Someone flips a synthesizer 872 01:02:55,906 --> 01:03:00,010 When synth enters, Actually punk also happens. 873 01:03:00,044 --> 01:03:01,879 And you have this amazing new 874 01:03:01,912 --> 01:03:04,481 extroverted music intelligence continues 875 01:03:17,327 --> 01:03:20,164 Danny elfman He is a player. 876 01:03:20,197 --> 01:03:22,099 You know, Tim Burton, One day he can make a movie. 877 01:03:22,132 --> 01:03:23,300 Who does he go to have that score? 878 01:03:23,333 --> 01:03:24,935 Hey, what about his favorite band? 879 01:03:24,969 --> 01:03:27,237 Yes, love oingo boingo. Who is at oingo boingo? 880 01:03:27,271 --> 01:03:29,039 Who is actually the main songwriter 881 01:03:29,073 --> 01:03:31,275 Who really did... oh, This is Danny Elfman's man. 882 01:03:31,308 --> 01:03:33,443 - Bingo-bango! 883 01:03:33,477 --> 01:03:38,115 I started writing strange but complex compositions. 884 01:03:38,148 --> 01:03:41,952 I wrote this thing called "oingo boingo piano concerto no. 1 half." 885 01:03:41,986 --> 01:03:45,355 Without writing it, I will never do it have taken "a great adventure of wee pee." 886 01:03:54,331 --> 01:03:57,434 Since childhood, is more or less, 887 01:03:57,467 --> 01:04:02,206 Only people who are really curious about who Are entertaining themselves, you know? 888 01:04:02,239 --> 01:04:05,609 Initially, you know, is just the antics of oingo boingo, 889 01:04:05,642 --> 01:04:07,945 and then overall Tim Burton, wee piss. 890 01:04:09,579 --> 01:04:12,282 There is nothing tasteless about Danny 891 01:04:12,316 --> 01:04:13,550 Thank you very much, crew. 892 01:04:16,520 --> 01:04:18,522 Danny is a composer 893 01:04:18,555 --> 01:04:21,491 who grabs your collar for the main title of the film and says, 894 01:04:21,525 --> 01:04:25,896 "I will take you to the world, and this is the problem." 895 01:04:31,301 --> 01:04:33,403 Danny's biggest strength is 896 01:04:33,437 --> 01:04:38,909 I think he performed the most amazing little short music ideas 897 01:04:38,943 --> 01:04:41,078 which then becomes great music idea 898 01:04:41,111 --> 01:04:44,048 When he is fully, like, explodes with "Batman," 899 01:04:44,081 --> 01:04:46,050 everyone's mind is blown away. 900 01:04:46,083 --> 01:04:48,652 "Batman", there is only one template: John Williams, 901 01:04:48,685 --> 01:04:51,055 and we don't want to do that 902 01:04:51,088 --> 01:04:53,557 Again, I have nothing that can continue There are no models of what type of chords, 903 01:04:53,590 --> 01:04:56,626 how you do it, like, a darker score It's still fun and has energy. 904 01:04:56,660 --> 01:05:01,298 905 01:05:06,670 --> 01:05:11,575 And I realized what I was trying to learn from Bernard Herrmann years before, 906 01:05:11,608 --> 01:05:16,380 there are only one rule 907 01:05:16,003 --> 01:05:17,414 There are no regulations. 908 01:05:22,519 --> 01:05:24,688 Boo! 909 01:05:31,161 --> 01:05:33,697 He can talk world of great orchestras 910 01:05:33,730 --> 01:05:36,200 very uber contemporary world, 911 01:05:36,233 --> 01:05:38,068 and he did it very smooth. 912 01:05:38,102 --> 01:05:41,571 And you can hear his voice, his personality. 913 01:05:58,122 --> 01:06:01,358 Thomas Newman is one of the composers 914 01:06:01,391 --> 01:06:05,095 it's very difficult to sort from describing what the sound is 915 01:06:05,129 --> 01:06:09,533 Like Danny Elfman, Thomas has developed his own voice. 916 01:06:19,343 --> 01:06:21,111 First score I work with it 917 01:06:21,145 --> 01:06:23,280 is "Shawshank Redemption." 918 01:06:23,313 --> 01:06:28,652 The music is very tense and unique and he has a clear sign, 919 01:06:28,685 --> 01:06:31,255 This is like an watermark on everything he does 920 01:06:38,695 --> 01:06:42,766 That is a timeless piece of art, "Shawshank." 921 01:06:53,810 --> 01:06:56,213 My name is Lester Burnham. 922 01:06:56,246 --> 01:06:58,048 When viewing American Beauty, 923 01:06:58,082 --> 01:07:01,718 and I hear Thomas Newman's first note 924 01:07:01,751 --> 01:07:05,789 in the first frame of the film... I think it's marimba that you heard. 925 01:07:05,822 --> 01:07:09,293 This really sets the tone of the film, 926 01:07:09,326 --> 01:07:11,061 puts you slightly unbalanced, 927 01:07:11,095 --> 01:07:14,231 lets you know that you are in for a bit strange, 928 01:07:14,264 --> 01:07:18,602 offbeat take on American life 929 01:07:29,846 --> 01:07:31,615 Great thing about Thomas Newman 930 01:07:31,648 --> 01:07:35,285 does he successfully capture how to make uncertainty, 931 01:07:35,319 --> 01:07:39,089 so never... Never been too committed, 932 01:07:39,123 --> 01:07:43,727 But the music is good this great character for that. 933 01:07:43,760 --> 01:07:46,330 He will generally, in cues, 934 01:07:46,363 --> 01:07:49,166 he will build a key center 935 01:07:49,909 --> 01:07:53,137 Things will start to weave in and out around it, around the baseline. 936 01:08:06,450 --> 01:08:09,886 It creates a kind of texture that lives behind the orchestra. 937 01:08:09,919 --> 01:08:13,823 When the orchestra enters, it becomes part of the texture. 938 01:08:29,606 --> 01:08:32,409 Well, that language just doesn't exist 939 01:08:32,442 --> 01:08:35,912 That... comes out brain Thomas Newman 940 01:08:35,945 --> 01:08:37,481 Thomas Newman belongs to Alfred Newman 941 01:08:37,514 --> 01:08:38,682 youngest child 942 01:08:38,715 --> 01:08:40,517 Yes, that's how is trained playfully 943 01:08:40,550 --> 01:08:42,886 and he can write great orchestra score, 944 01:08:42,919 --> 01:08:44,821 but sometimes the film he is working on it 945 01:08:44,854 --> 01:08:46,190 requires something more intimate 946 01:08:55,699 --> 01:08:58,735 Often times You can get a mood, 947 01:08:58,768 --> 01:09:03,473 valid and fair mood slap to image 948 01:09:03,507 --> 01:09:05,842 and let sit for two minutes 949 01:09:09,646 --> 01:09:12,682 Everyone rips it. Every one. 950 01:09:14,718 --> 01:09:16,786 They think "this is a movie Music, this is the way I do film music. 951 01:09:16,820 --> 01:09:18,388 Here's the way I do that." 952 01:09:30,934 --> 01:09:33,737 And of course the has been copied and copied, 953 01:09:33,770 --> 01:09:35,272 but he... 954 01:09:35,305 --> 01:09:37,574 He was there at that time 955 01:09:37,607 --> 01:09:39,376 to introduce something new. 956 01:09:40,877 --> 01:09:43,213 It's very difficult to sit 957 01:09:43,247 --> 01:09:48,952 and do it with cold emotions single piano matters 958 01:09:48,985 --> 01:09:50,520 Because he has perfected it. 959 01:09:59,796 --> 01:10:01,798 Mtv is on air. 960 01:10:01,831 --> 01:10:03,633 What videos do they first play? 961 01:10:03,667 --> 01:10:06,303 A song titled, "video killing radio star"? 962 01:10:11,441 --> 01:10:13,677 If you look closely, you can see it Hans Zimmer in the background. 963 01:10:19,816 --> 01:10:25,555 Hans brings unusual things rock swagger, okay, 964 01:10:25,589 --> 01:10:27,957 to score a movie. 965 01:10:38,635 --> 01:10:40,537 There is brutality about the way 966 01:10:40,570 --> 01:10:44,441 played by the orchestra. There is a violence, if you want. 967 01:10:44,474 --> 01:10:45,475 An aggression 968 01:10:52,849 --> 01:10:55,785 There is intensity about that, a intensity about how the writing was written, 969 01:10:55,819 --> 01:10:57,821 an intensity about how it is played 970 01:10:59,923 --> 01:11:04,060 Single female voice from Lisa Gerard in the film, 971 01:11:04,093 --> 01:11:07,263 above visceral strength orchestra... 972 01:11:11,368 --> 01:11:14,438 Really impacts on the audience 973 01:11:14,471 --> 01:11:19,042 I will see you again. 974 01:11:19,075 --> 01:11:22,346 But not yet. Not yet. 975 01:11:26,850 --> 01:11:30,620 We have this idea. It must be a woman's voice. 976 01:11:35,725 --> 01:11:38,728 Why do you want women? sounds in a gladiator film? 977 01:11:38,762 --> 01:11:43,099 The next day we enter, and there are hands in the wheat field. 978 01:11:43,132 --> 01:11:46,503 And the shot lasts for a moment. 979 01:11:46,536 --> 01:11:48,004 If you have written it in the script 980 01:11:48,037 --> 01:11:51,575 it will not even be successfully shot. 981 01:11:51,608 --> 01:11:54,077 Why are you holding your hand? in the wheat field? 982 01:11:54,110 --> 01:11:57,647 The only way that shots can work is because of the music, 983 01:11:57,681 --> 01:11:59,416 because of Lisa's voice. 984 01:11:59,449 --> 01:12:01,785 But it's kind of giving a license for the rest of the film 985 01:12:01,818 --> 01:12:03,553 to be a little more poetic 986 01:12:03,587 --> 01:12:05,455 and become a little more expansive 987 01:12:05,489 --> 01:12:08,091 Really, I think, increases the whole experience, 988 01:12:08,124 --> 01:12:13,096 and that is in the form of Hollywood sounds for years later. 989 01:12:13,129 --> 01:12:14,831 Now we in the Hans Zimmer era. 990 01:12:14,864 --> 01:12:17,367 It only weaves above everything. 991 01:12:19,969 --> 01:12:21,971 This is why is a revolutionary 992 01:12:22,005 --> 01:12:26,376 Hans takes the strings and makes them like guitars. 993 01:12:26,410 --> 01:12:27,611 They play rhythm. 994 01:12:31,014 --> 01:12:33,817 And that's really interesting thing. 995 01:12:33,850 --> 01:12:36,520 I don't think anyone has really done that 996 01:12:50,467 --> 01:12:53,870 "Pirates." It's like Led Zeppelin. 997 01:12:53,903 --> 01:12:56,806 This is like freaking led zeppelin played by an orchestra. 998 01:13:07,551 --> 01:13:10,787 What Hans Hans has definitely done to "Dark Knight" 999 01:13:10,820 --> 01:13:12,522 obviously blur this line 1000 01:13:12,556 --> 01:13:15,191 between these giant symphonies sounds and electronics 1001 01:13:15,224 --> 01:13:20,764 and you are not so sure where one end and the other starts. 1002 01:13:20,797 --> 01:13:23,500 The type of light, repetitive ostinatos string 1003 01:13:23,533 --> 01:13:24,834 You often hear it. 1004 01:13:34,143 --> 01:13:37,514 It's just that this constant pulse continues. 1005 01:13:44,954 --> 01:13:46,990 Very strong 1006 01:13:48,858 --> 01:13:50,627 Very interesting 1007 01:13:55,031 --> 01:13:59,803 Hans Zimmer is still... He is a legend and still 1008 01:13:59,836 --> 01:14:01,638 becomes more legendary. 1009 01:14:05,542 --> 01:14:08,645 End of Iinception ", It's like a new morning. 1010 01:14:17,887 --> 01:14:20,490 When he comes home, he will go to be reunited with his family 1011 01:14:20,524 --> 01:14:22,158 for real, in fact. 1012 01:14:24,193 --> 01:14:27,130 You are led in one direction like that alright 1013 01:14:31,668 --> 01:14:34,971 Hans Zimmer scores really soaks you in waves 1014 01:14:40,744 --> 01:14:43,613 Then the music just piles up. 1015 01:14:47,050 --> 01:14:49,753 The camera presses and you go with the big question 1016 01:14:55,559 --> 01:14:58,494 Wow, music adds a fair amount a little here 1017 01:15:03,266 --> 01:15:04,934 We have finished the last five years, six years 1018 01:15:04,968 --> 01:15:08,137 where people are not film composers 1019 01:15:08,171 --> 01:15:13,242 asked by a director to do something unique. 1020 01:15:13,276 --> 01:15:17,847 Like Trent Reznor and Atticus Ross. 1021 01:15:17,881 --> 01:15:19,816 And I think this is really good example 1022 01:15:19,849 --> 01:15:23,219 where people just really love people 1023 01:15:23,252 --> 01:15:26,756 who has the career of an artist the world outside the valuation of films 1024 01:15:26,790 --> 01:15:32,528 can bring so much authenticity music and sound to images. 1025 01:15:49,145 --> 01:15:52,081 The sound they use is very contemporary 1026 01:15:56,152 --> 01:15:58,287 Score them for "social networks" 1027 01:15:58,321 --> 01:16:04,027 This is an emotional palette. This is very disturbing the lyrical piano type. 1028 01:16:04,060 --> 01:16:06,062 This is human, But it's technical. 1029 01:16:06,095 --> 01:16:11,601 It's emotionally dark, But there is a feeling for it. 1030 01:16:11,635 --> 01:16:13,202 When David Fincher calls, 1031 01:16:13,236 --> 01:16:16,172 "hey, I want you to score my next movie". Fuck it. 1032 01:16:16,205 --> 01:16:20,009 "This is a movie about Facebook". 1033 01:16:20,043 --> 01:16:24,147 I would have a hard time thinking about it something that sounds less sexy. 1034 01:16:24,180 --> 01:16:26,315 And we shuffle the deck 1035 01:16:26,349 --> 01:16:30,019 Trying things that aren't feel intuitive 1036 01:16:38,862 --> 01:16:43,867 Speaking of changes in temperature of a film 1037 01:16:43,900 --> 01:16:47,704 and emotional response from the audience 1038 01:16:47,737 --> 01:16:49,238 Radically different. 1039 01:16:53,209 --> 01:16:55,278 All films feel different after that 1040 01:16:55,311 --> 01:16:57,313 I think it feels a film that is far more important 1041 01:16:57,346 --> 01:17:01,284 of type "ah, lecture, tomfoolery" 1042 01:17:01,317 --> 01:17:03,753 it can be misled 1043 01:17:03,787 --> 01:17:05,755 to feeling with the wrong music there. 1044 01:17:05,789 --> 01:17:09,358 And since that time, there are more electronics artists do film values 1045 01:17:09,392 --> 01:17:11,227 Electronic, and engineering production 1046 01:17:11,260 --> 01:17:13,096 1047 01:17:13,129 --> 01:17:14,363 and different ways see music 1048 01:17:14,397 --> 01:17:16,265 that often is much deeper. 1049 01:17:16,299 --> 01:17:19,235 Trent Reznor and Atticus Ross for "Social Networks". 1050 01:17:19,268 --> 01:17:22,071 I think it's really worth it that Trent Reznor 1051 01:17:22,105 --> 01:17:25,975 not only got a nomination but also won an Oscar to score goals. 1052 01:17:26,009 --> 01:17:28,044 This is really worth it. 1053 01:17:28,077 --> 01:17:31,681 When you have an unconventional image with unconventional sound, 1054 01:17:31,715 --> 01:17:34,250 as with many things Trent and Atticus are doing, 1055 01:17:34,283 --> 01:17:36,452 the result can be really much bigger 1056 01:17:36,485 --> 01:17:38,054 than the number of their parts. 1057 01:17:38,087 --> 01:17:41,925 What are the net results? From that, you know, 1058 01:17:41,958 --> 01:17:43,760 in some cases is a kind of beautiful chaos. 1059 01:17:43,793 --> 01:17:47,163 Movie music has changed, is quite radical 1060 01:17:54,303 --> 01:17:57,807 Very far more experiments 1061 01:17:57,841 --> 01:18:03,046 There is more freedom and invitation artists who will never have 1062 01:18:03,079 --> 01:18:05,314 thinking of doing a movie and nobody will think 1063 01:18:05,348 --> 01:18:07,316 from making a previous movie score. 1064 01:18:07,350 --> 01:18:09,318 And for me it's true exclamation. 1065 01:18:09,352 --> 01:18:12,488 Technology has enabled 1066 01:18:12,521 --> 01:18:16,993 for each composer to become a producer too. 1067 01:18:17,026 --> 01:18:20,296 The point is, though, is a song 1068 01:18:22,331 --> 01:18:25,168 For this one is the only sign I feel 1069 01:18:25,201 --> 01:18:26,903 we still need to work a little. 1070 01:18:26,936 --> 01:18:29,873 It happened at the opening of the film 1071 01:18:29,906 --> 01:18:33,977 So, if we can be like this 1072 01:18:34,010 --> 01:18:37,213 ukulele of our orchestra, be said, 1073 01:18:37,246 --> 01:18:39,348 in very simple... Very like 1074 01:18:39,382 --> 01:18:44,120 plink, plink, plink, plink, plink 1075 01:18:44,153 --> 01:18:46,155 - like that, yup - That fly, yes 1076 01:18:46,189 --> 01:18:47,456 Very, very sweet. 1077 01:18:47,490 --> 01:18:49,893 One, two, three and... 1078 01:18:54,330 --> 01:18:56,032 Can we do it... okay? 1079 01:18:56,065 --> 01:19:01,104 Can we do it so that your nails go above the string, 1080 01:19:01,137 --> 01:19:02,939 to be rather dirty. 1081 01:19:02,972 --> 01:19:05,008 So you plink, plink, plink, 1082 01:19:05,041 --> 01:19:07,076 yes yes. 1083 01:19:17,120 --> 01:19:19,255 Cello now 1084 01:19:33,870 --> 01:19:36,172 Amazing sound 1085 01:19:36,205 --> 01:19:38,407 - happy - I am more than happy, man. 1086 01:19:38,441 --> 01:19:41,010 I like being hypnotized. 1087 01:19:52,221 --> 01:19:53,990 Yes, yes. 1088 01:20:27,423 --> 01:20:28,591 Whoo-hoo! 1089 01:20:28,624 --> 01:20:30,927 Humans, these are some great things Beautiful. 1090 01:20:30,960 --> 01:20:32,862 I just want to say thank you again because you are amazing, 1091 01:20:34,397 --> 01:20:38,467 and what privileges is for musicians, 1092 01:20:38,501 --> 01:20:41,504 like myself, have you people play my music 1093 01:20:41,537 --> 01:20:45,074 So, thank you very much. 1094 01:20:45,108 --> 01:20:47,343 Thank you, heitor 1095 01:20:47,376 --> 01:20:48,377 Basic movie music an recording art 1096 01:20:55,184 --> 01:20:57,987 1097 01:20:58,021 --> 01:21:01,157 Once you have a recording, then you become mixing, 1098 01:21:01,190 --> 01:21:04,427 more technology part of production. 1099 01:21:07,163 --> 01:21:09,032 Before music leaves my studio, 1100 01:21:09,065 --> 01:21:12,035 I only gave it one last last mix 1101 01:21:12,068 --> 01:21:15,004 to make sure everything is I want to be heard heard. 1102 01:21:15,038 --> 01:21:18,207 Each element is needed some attention 1103 01:21:18,241 --> 01:21:20,676 to create the whole feel that you want 1104 01:21:28,384 --> 01:21:32,021 So that... it's hers the main little melody 1105 01:21:32,055 --> 01:21:35,691 Very simple, because He is a simple man who is evil and evil. 1106 01:21:35,724 --> 01:21:39,495 So there is a point where, this is a very dramatic moment in this film. 1107 01:21:39,528 --> 01:21:40,997 Until now in music 1108 01:21:41,030 --> 01:21:42,465 I don't have every French horn, 1109 01:21:42,498 --> 01:21:43,967 so I introduce it. 1110 01:21:55,011 --> 01:21:56,579 You might can't even hear it 1111 01:21:56,612 --> 01:22:00,083 I can hear them because I know what they play, but... 1112 01:22:02,385 --> 01:22:06,322 Okay, so, now it's simple mix it a little. 1113 01:22:23,472 --> 01:22:26,442 Every time I play it Right then, they are there. 1114 01:22:26,475 --> 01:22:28,177 When I turn the horn goes down, 1115 01:22:28,211 --> 01:22:30,646 I don't feel that emotional peak. 1116 01:22:30,679 --> 01:22:33,516 Now there is a 50 foot robot running on the highway, 1117 01:22:33,549 --> 01:22:36,619 that line is better mixed hard, 1118 01:22:36,652 --> 01:22:38,387 If not, you won't hear it You want your intention to be clear 1119 01:22:38,421 --> 01:22:40,323 Horns only give such things heavier emotionally. 1120 01:22:53,402 --> 01:22:56,639 That is part of mixing, it's just that ensures the elements 1121 01:22:56,672 --> 01:22:59,608 You want to reach it from the audience 1122 01:22:59,642 --> 01:23:01,444 hard enough to make a statement 1123 01:23:01,477 --> 01:23:05,481 And you can't really hope cheerful. 1124 01:23:07,150 --> 01:23:09,285 1125 01:23:09,318 --> 01:23:11,987 You have to make a bold statement 1126 01:23:26,535 --> 01:23:28,271 I think, you know, with "Furious 7," 1127 01:23:28,304 --> 01:23:30,539 people actually react to the film 1128 01:23:30,573 --> 01:23:32,508 on an emotional level. 1129 01:23:35,544 --> 01:23:37,780 Paul and his character say goodbye. 1130 01:23:40,183 --> 01:23:43,152 That's probably one of the most great theater experiences 1131 01:23:43,186 --> 01:23:46,122 I've watched the movie that I've worked on. 1132 01:23:48,491 --> 01:23:50,793 And that's somewhat crossed real life 1133 01:23:55,264 --> 01:23:59,235 You can feel when the signal is working the audience. 1134 01:23:59,268 --> 01:24:00,569 That's what I love about film music, 1135 01:24:00,603 --> 01:24:02,738 if it's all emotions 1136 01:24:06,275 --> 01:24:10,713 I think of seeing the reaction of the audience to the movie you have done 1137 01:24:10,746 --> 01:24:12,448 very helpful 1138 01:24:12,481 --> 01:24:14,517 That doesn't help you For the movie you just did, 1139 01:24:14,550 --> 01:24:16,185 because it's already out In the theater. 1140 01:24:16,219 --> 01:24:18,654 But it will definitely help you for the next film 1141 01:24:23,726 --> 01:24:28,731 Seeing the reaction literally about how people respond 1142 01:24:28,764 --> 01:24:31,400 for your music, it's very cool. 1143 01:24:46,415 --> 01:24:48,584 Now often, I will sail forward, 1144 01:24:48,617 --> 01:24:52,521 and come back with a creepy and look at the audience 1145 01:24:52,555 --> 01:24:54,089 watching movies. 1146 01:25:02,865 --> 01:25:05,601 Very rare do I see doing that 1147 01:25:05,634 --> 01:25:07,836 Occasionally I will do it see through the audience, 1148 01:25:07,870 --> 01:25:09,472 I enjoy everyone watching it, 1149 01:25:09,505 --> 01:25:12,175 and then there is one head like in a tennis match 1150 01:25:12,208 --> 01:25:15,411 with one person like seeing Right on you see them 1151 01:25:15,444 --> 01:25:17,246 and that's not comfortable, and then I leave. 1152 01:25:23,719 --> 01:25:25,788 Do you want to make sense how does this work? 1153 01:25:30,393 --> 01:25:32,595 Especially on the screen it's really musical. 1154 01:25:32,628 --> 01:25:35,598 Do they move people? 1155 01:25:35,631 --> 01:25:40,469 Then I do something that's a little embarrassing 1156 01:25:40,503 --> 01:25:43,739 I will run to a bathroom stall, 1157 01:25:43,772 --> 01:25:48,944 um, and see if they hum 1158 01:25:48,977 --> 01:25:50,946 or whistling theme, 1159 01:25:50,979 --> 01:25:56,619 and it's amazing how many times really happened 1160 01:25:56,652 --> 01:25:59,522 It's like the last one pat behind 1161 01:26:01,424 --> 01:26:04,793 For me, I feel like I influence them to a certain degree 1162 01:26:04,827 --> 01:26:06,762 that they are unconscious. 1163 01:26:09,432 --> 01:26:13,269 It & apos; s cool to get to watch people 1164 01:26:13,302 --> 01:26:15,404 experiencing what I experienced 1165 01:26:15,438 --> 01:26:18,474 When I watch movies grow up. 1166 01:26:18,507 --> 01:26:23,712 And to think that it's alive Outside you is crazy. 1167 01:26:23,746 --> 01:26:25,948 I mean, surely will live longer than me 1168 01:26:25,981 --> 01:26:29,285 You know, these films will continue to be watched 1169 01:26:29,318 --> 01:26:30,953 and that's really cool 1170 01:26:30,986 --> 01:26:33,956 One of the responsibilities We have as a film composer, 1171 01:26:33,989 --> 01:26:38,227 are we the last person? on earth every day 1172 01:26:38,261 --> 01:26:40,363 orchestral music commission 1173 01:26:40,396 --> 01:26:42,598 Without us, the orchestra might disappear, 1174 01:26:42,631 --> 01:26:44,700 and I think it will happen make a rift 1175 01:26:44,733 --> 01:26:47,670 inside, you know, human culture 1176 01:26:47,703 --> 01:26:52,241 I think it will happen like a loss to humanity. 1177 01:27:08,591 --> 01:27:10,759 We all have this fragility. 1178 01:27:14,330 --> 01:27:16,699 We can chat for hours and in a funny way, 1179 01:27:16,732 --> 01:27:18,000 I am very safe about this. 1180 01:27:18,033 --> 01:27:20,369 I... because I'm hiding behind a job 1181 01:27:20,403 --> 01:27:22,571 You will never really find me 1182 01:27:22,605 --> 01:27:25,508 But when I play you piece of music, 1183 01:27:25,541 --> 01:27:27,676 I really expose myself. 1184 01:27:30,479 --> 01:27:34,317 And that's really a scary moment 1185 01:27:34,350 --> 01:27:37,486 I love, I love, I like what I do. 1186 01:27:39,688 --> 01:27:42,758 Even when I sit there driven by paranoia, fear, 1187 01:27:42,791 --> 01:27:45,928 neurosis, you know, pulling my hair out 1188 01:27:50,433 --> 01:27:52,701 I still won't exchange it for other things 1189 01:28:05,781 --> 01:28:09,752 Very few people Can be inspired every day 1190 01:28:09,785 --> 01:28:12,455 to write something brilliant 1191 01:28:12,488 --> 01:28:14,557 Whether or not you realize it, 1192 01:28:14,590 --> 01:28:17,092 playing music like an important role 1193 01:28:17,125 --> 01:28:18,927 in the way you respond to a movie 1194 01:28:18,961 --> 01:28:21,597 All your other work in the movie can't do anything 1195 01:28:21,630 --> 01:28:23,866 if not get the music right 1196 01:28:23,899 --> 01:28:25,768 You constantly have to rediscover yourself 1197 01:28:25,801 --> 01:28:29,872 and you have to adapt to very, very difficult soul 1198 01:28:29,905 --> 01:28:32,608 Weighing enough to carry on your shoulder, 1199 01:28:32,641 --> 01:28:35,010 if you are only struggling and you have your own doubts, 1200 01:28:35,043 --> 01:28:38,313 and sometimes, yes, sometimes you hit a wall. 1201 01:28:40,383 --> 01:28:44,086 Satisfaction works, yes, that's really something 1202 01:28:44,119 --> 01:28:47,823 Movie music is one of the great forms of art from the 20th and 21st centuries. 1203 01:28:47,856 --> 01:28:49,958 There is something about what the film composer 1204 01:28:49,992 --> 01:28:53,095 bring in with their intuition 1205 01:28:53,128 --> 01:28:55,798 The unique ecology, the combination is unique 1206 01:28:57,433 --> 01:29:00,603 This is what makes film music So strong, very mysterious, 1207 01:29:00,636 --> 01:29:06,542 and may not be denied for us as scientists 1208 01:29:06,575 --> 01:29:11,414 When we cut "Titanic", James sends music 1209 01:30:33,128 --> 01:30:37,065 like him... Because what I want to do is sketch 1210 01:30:37,099 --> 01:30:40,636 on synthesizers, with the synthesist, 1211 01:30:40,669 --> 01:30:43,205 what I want to do with an orchestra. 1212 01:30:43,238 --> 01:30:46,208 So I'm used to getting sort of new ideas in. 1213 01:30:46,241 --> 01:30:49,044 So I sat there cut one day 1214 01:30:49,077 --> 01:30:50,579 1215 01:30:50,613 --> 01:30:54,550 and a disk entered which says, "sketch." 1216 01:30:54,583 --> 01:30:57,586 I think, "oh, okay, here it is for the sketch scene." 1217 01:30:57,620 --> 01:30:59,888 I just glided around until I found a place 1218 01:30:59,922 --> 01:31:02,124 which seems synchronous with good scenes. 1219 01:31:10,866 --> 01:31:12,868 Very serious. 1220 01:31:12,901 --> 01:31:15,070 There is a kind of downbeat piano 1221 01:31:15,103 --> 01:31:17,973 I just used Leonardo's eyes appeared 1222 01:31:18,006 --> 01:31:20,242 and see directly on the camera. 1223 01:31:24,613 --> 01:31:26,682 When critical from eye contact 1224 01:31:26,715 --> 01:31:28,584 between them While he pulled it, 1225 01:31:28,617 --> 01:31:29,985 and then, boys, it really flows. 1226 01:31:35,691 --> 01:31:37,926 So, I'm very happy with that, I call it, 1227 01:31:37,960 --> 01:31:40,596 I say, "listen, this works well." 1228 01:31:40,629 --> 01:31:42,130 I installed it into the sketch scene 1229 01:31:42,164 --> 01:31:43,932 and it works fantastic 1230 01:31:43,966 --> 01:31:45,768 And he said, "oh, no, no, no, no, that's just a sketch 1231 01:31:45,801 --> 01:31:48,103 It's just a piano sketch a melody 1232 01:31:48,136 --> 01:31:51,206 We can drop it anywhere." And I said, "But that works beautifully in this place. 1233 01:31:51,239 --> 01:31:54,643 He said, "really?" I said, "Yes, complained here here." 1234 01:31:54,677 --> 01:31:57,680 So, he came, he said, "Oh, it works pretty well . " 1235 01:31:57,713 --> 01:31:59,247 He said," Okay, Well, I will arrange it. " 1236 01:31:59,281 --> 01:32:01,717 I say," no, no, no, no. Only piano. " 1237 01:32:10,826 --> 01:32:14,563 He said," Well, I know the best pianist in the world 1238 01:32:14,597 --> 01:32:15,898 I know... He is outside London. " 1239 01:32:15,931 --> 01:32:19,902 I say," no, that's you, friend, that is you