1 00:00:06,000 --> 00:00:12,074 2 00:00:15,183 --> 00:00:17,651 WARREN: I remember we sat and listened to the songs, and, 3 00:00:17,685 --> 00:00:20,621 there was something incredibly eerie about 4 00:00:20,654 --> 00:00:23,424 the first track Jesus Alone, 5 00:00:23,457 --> 00:00:26,660 sort of had this line, "He fell from the sky, crash landed". 6 00:00:26,694 --> 00:00:28,696 MAN: Do you wanna just tell me the story? 7 00:00:28,729 --> 00:00:31,465 WARREN: I mean I don't really know because I can't imagine 8 00:00:31,499 --> 00:00:33,834 how you never get such a thing. 9 00:00:33,867 --> 00:00:37,571 And, you know, I just can't even 10 00:00:37,605 --> 00:00:39,440 fathom it. Um... 11 00:00:39,473 --> 00:00:44,345 And watching this happen to people that you love, 12 00:00:44,378 --> 00:00:47,281 is um... It doesn't even... 13 00:00:47,315 --> 00:00:51,285 I don't think even... lets you any, gives you any insight 14 00:00:51,319 --> 00:00:54,122 really into it. Because, there's a step within, 15 00:00:54,155 --> 00:00:55,489 you can't go. 16 00:00:56,490 --> 00:00:59,527 But, it... it feels like... 17 00:00:59,560 --> 00:01:03,564 for Nick or somebody who's created all his life, um, 18 00:01:03,597 --> 00:01:07,335 it feels like... [INDISTINCT MUMBLING] 19 00:01:07,368 --> 00:01:09,103 Can we stop right there? 20 00:01:11,405 --> 00:01:13,441 MAN: We have to re-calibrate, this is out of focus. 21 00:01:13,474 --> 00:01:14,642 It's not usable at the moment. 22 00:01:14,675 --> 00:01:16,610 I know. Calibrate focus please. 23 00:01:17,611 --> 00:01:19,780 Sorry. That's alright, man. 24 00:01:19,813 --> 00:01:21,649 Are you... Let's cut it. 25 00:01:22,883 --> 00:01:24,618 Alright, do you want me to hop out? Yeah. 26 00:01:24,652 --> 00:01:26,720 Yes please. Could you? Do you want me to get out too? 27 00:01:26,754 --> 00:01:28,722 Yea, we'll get out. If you wanna stretch your legs. 28 00:01:28,756 --> 00:01:29,857 Yeah. 29 00:01:31,859 --> 00:01:34,162 MAN 1: Mate, I'm sorry. 30 00:01:34,195 --> 00:01:37,331 MAN 2: It's shocking man. It's shocking, it's terrible. This is not what I... 31 00:01:37,365 --> 00:01:41,769 -what I want you to... - To be honest I find this really hard, because, 32 00:01:41,802 --> 00:01:46,607 - I've never discussed Nick's private life, um... - Yeah. 33 00:01:46,640 --> 00:01:51,645 Or anybody that I know. I don't sort of, discuss it like this, and, it feels like this is 34 00:01:51,679 --> 00:01:54,815 -something that gotta come up. You know? - Yeah. 35 00:01:54,848 --> 00:01:59,787 Um, and so there's a part of me that feels very protective. 36 00:01:59,820 --> 00:02:02,690 That's where's it's hard to strike a balance, you know. 37 00:02:02,723 --> 00:02:04,525 Like, I can... you know, 38 00:02:04,558 --> 00:02:07,295 I don't wanna go and tell you what I saw when I went there, 39 00:02:07,328 --> 00:02:10,631 and all this, I don't wanna tell what I felt because, 40 00:02:10,664 --> 00:02:14,268 it just feels like... that's... 41 00:02:14,302 --> 00:02:16,103 that's like, private, you know. 42 00:02:19,973 --> 00:02:23,744 Uh, I just... Warren sent me something yesterday. 43 00:02:23,777 --> 00:02:26,146 MAN: Uh... emailed a friend... 44 00:02:26,614 --> 00:02:29,583 um, last night. 45 00:02:29,617 --> 00:02:32,520 I shouldn't go in first, because I get in before... 46 00:02:33,487 --> 00:02:34,522 Uh... 47 00:02:35,456 --> 00:02:37,791 [FOOTSTEPS] 48 00:02:37,825 --> 00:02:40,461 We've all gotta get behind you. 49 00:02:40,494 --> 00:02:41,895 Um, I don't know. 50 00:02:41,929 --> 00:02:46,800 WARREN: And, I was mentioning how time 51 00:02:46,834 --> 00:02:49,537 felt elastic these days. 52 00:02:52,005 --> 00:02:54,442 Alright so we need to go this way, mate. 53 00:02:55,943 --> 00:02:56,810 [INDISTINCT] 54 00:02:58,346 --> 00:03:01,382 WARREN: And he emailed me back... 55 00:03:01,415 --> 00:03:05,953 uh, a very excited and lovely email. 56 00:03:05,986 --> 00:03:11,425 Where he spoke about um, the idea that all things were happening... 57 00:03:11,459 --> 00:03:12,493 Is this um... 58 00:03:12,526 --> 00:03:14,161 WARREN: all the time. 59 00:03:14,194 --> 00:03:16,764 Is this okay to wear in the studio, do you want me to put a shirt on and stuff? 60 00:03:17,831 --> 00:03:21,635 Uh... Textually, 61 00:03:21,669 --> 00:03:23,604 textually that's not the greatest thing. Okay. 62 00:03:23,637 --> 00:03:25,973 Yeah. Okay. 63 00:03:26,006 --> 00:03:30,344 Okay, come on, let's uh... begin to film this. Alright. Yeah, we're filming. 64 00:03:30,378 --> 00:03:31,645 We never stopped. 65 00:03:31,679 --> 00:03:34,315 Okay. So, try and get both Nick's. 66 00:03:34,348 --> 00:03:38,519 WARREN: All past present and future, are happening now. 67 00:03:38,552 --> 00:03:39,753 Right now. 68 00:03:39,787 --> 00:03:42,790 And then if you just... Yeah, great Nick. 69 00:03:42,823 --> 00:03:47,995 WARREN: That basically a caveman, was clubbing a female mate, 70 00:03:49,563 --> 00:03:51,231 [CLANGS] 71 00:03:51,265 --> 00:03:57,004 Uh, at the same time that astronauts, or scientists trying to... 72 00:03:57,037 --> 00:03:59,573 work out how to colonize Mars. 73 00:03:59,940 --> 00:04:01,442 [FOOTSTEPS] 74 00:04:07,948 --> 00:04:09,016 WARREN: Now... 75 00:04:11,485 --> 00:04:14,388 that is encouraging right? 76 00:04:16,490 --> 00:04:21,962 And, I think he meant well. But, it's not true because... 77 00:04:29,870 --> 00:04:31,004 it's not true... 78 00:04:32,406 --> 00:04:33,574 because... 79 00:04:33,607 --> 00:04:35,576 We need an exit. I know. 80 00:04:35,609 --> 00:04:36,710 It's to the right. 81 00:04:41,081 --> 00:04:43,717 Hey, you see there's another Nick in the mirror there... Yeah, there. 82 00:04:43,751 --> 00:04:45,619 Wait till he comes back in. 83 00:04:47,455 --> 00:04:49,557 WARREN: If everything was happening now... 84 00:04:50,424 --> 00:04:51,659 Nick. NICK: Yeah? 85 00:04:51,692 --> 00:04:54,094 How do you feel about us having another go at that? 86 00:04:54,127 --> 00:04:55,929 WARREN: I wouldn't be sitting here 87 00:04:55,963 --> 00:04:59,867 waiting for the film crew to work out how to work... 88 00:04:59,900 --> 00:05:02,636 MAN: Yeah, we'd really appreciate another go. 89 00:05:02,670 --> 00:05:05,973 WARREN: this ridiculous 3D black and white camera. 90 00:05:06,840 --> 00:05:07,841 NICK: Uh, alright. 91 00:05:08,576 --> 00:05:09,410 Okay. 92 00:05:09,443 --> 00:05:11,579 WARREN: Right now nothing is happening. 93 00:05:11,612 --> 00:05:13,514 MAN: We won't do it a third time. 94 00:05:13,547 --> 00:05:15,349 Okay, so what do you want to do? 95 00:05:15,383 --> 00:05:18,719 Basically, everything you just did was fantastic, okay? 96 00:05:18,752 --> 00:05:21,989 And? We'd really appreciate another go. 97 00:05:24,925 --> 00:05:27,695 You know what I'm saying? Um... so, I have to undress again? 98 00:05:27,728 --> 00:05:29,430 MAN: Undress, yeah. 99 00:05:29,463 --> 00:05:32,566 Now, let's go back to it, eh? Do you want to do it a bit slower? 100 00:05:32,600 --> 00:05:34,768 I see the focus, guys, you need to focus guys. 101 00:05:34,802 --> 00:05:37,771 [INDISTINCT CHATTER] 102 00:05:41,709 --> 00:05:46,113 MAN: I mean obviously your songs have become 103 00:05:46,146 --> 00:05:47,848 a lot less narrative. 104 00:05:48,982 --> 00:05:50,918 Uh... 105 00:05:50,951 --> 00:05:53,421 Yeah. The other half. Yeah, and... 106 00:05:53,454 --> 00:05:56,757 do you have uh, is there a reason for that? 107 00:05:56,790 --> 00:05:59,593 Well, yeah... Yeah I mean, 108 00:05:59,627 --> 00:06:01,729 I think um... 109 00:06:03,997 --> 00:06:08,936 maybe there's...[STUTTERS] maybe some serve a certain need, 110 00:06:08,969 --> 00:06:13,441 and, I think I probably needed uh, on some level 111 00:06:13,474 --> 00:06:17,745 a kind of narrative in my life that was... 112 00:06:17,778 --> 00:06:20,080 kind of predictable and had it's... 113 00:06:20,981 --> 00:06:22,883 had a kind of logic to it. 114 00:06:25,553 --> 00:06:28,121 NICK: So, I wrote stories and, 115 00:06:28,155 --> 00:06:33,627 they seem to hold everything together. Um, in a particular part of my life, for a long 116 00:06:33,661 --> 00:06:35,663 part of my life 117 00:06:35,696 --> 00:06:40,901 where things needed to be held together. Um, but, I don't believe in the narrative 118 00:06:40,934 --> 00:06:43,437 anymore. I don't... um... 119 00:06:46,940 --> 00:06:50,878 I don't actually believe that that's what life is like. 120 00:06:50,911 --> 00:06:53,013 And, that there's 121 00:06:53,046 --> 00:06:57,818 a pleasing resolve and all of that sort of thing to life. 122 00:06:57,851 --> 00:07:00,454 I... I... I just feel that 123 00:07:00,488 --> 00:07:05,025 to do fractured narrative, uh, a thing where, uh... 124 00:07:05,058 --> 00:07:07,595 where time is actually compressed, 125 00:07:07,628 --> 00:07:10,498 um, events uh... 126 00:07:10,531 --> 00:07:15,202 stuck on top of other events. There's no particular logic to it. Um... 127 00:07:16,937 --> 00:07:19,840 or, a distressing kind of logic, 128 00:07:19,873 --> 00:07:22,810 um, makes it, um... 129 00:07:22,843 --> 00:07:26,446 it's much ore real that true to the way I feel about things. 130 00:07:27,615 --> 00:07:31,552 So, um, this is just sort of directorial... 131 00:07:32,720 --> 00:07:36,490 uh, tactic, to make us all pissed off. 132 00:07:36,524 --> 00:07:37,991 What, you're pissed off? [LAUGHS] 133 00:07:39,226 --> 00:07:40,460 No, roll. 134 00:07:41,895 --> 00:07:43,531 To get us all edgy in the morning. 135 00:07:43,564 --> 00:07:45,198 WOMAN: Should we put your bags in front? Yeah, thanks. 136 00:07:45,232 --> 00:07:48,969 Not at all. It's actually just a... this is... 137 00:07:49,002 --> 00:07:50,070 Thanks, Nick. 138 00:07:51,304 --> 00:07:53,273 We're rolling right? 139 00:07:53,306 --> 00:07:54,575 [DOOR CLOSES] 140 00:07:58,311 --> 00:08:01,982 So, um, everything we say... 141 00:08:03,050 --> 00:08:04,885 is taped? 142 00:08:04,918 --> 00:08:06,920 It's all. Unless we pull out the plug. 143 00:08:07,655 --> 00:08:08,722 Yup. 144 00:08:10,824 --> 00:08:12,425 Okay. 145 00:08:12,459 --> 00:08:17,931 NICK: I think it's the nature of songs to um... have an insight into things 146 00:08:17,965 --> 00:08:22,803 that we don't consciously have because, largely they come from 147 00:08:22,836 --> 00:08:24,905 the unconscious. Yeah. 148 00:08:24,938 --> 00:08:29,610 Which is a king of reservoir of knowledge and understanding that"s far beyond what 149 00:08:29,643 --> 00:08:31,745 we consciously are aware of. 150 00:08:34,615 --> 00:08:36,550 I've got this... 151 00:08:36,584 --> 00:08:38,886 stuff that we did in Morwan here, 152 00:08:38,919 --> 00:08:41,254 when we were going through it. 153 00:08:41,288 --> 00:08:44,792 And, maybe we can just go through 154 00:08:45,659 --> 00:08:47,327 these, and look at them. 155 00:08:47,360 --> 00:08:50,097 What? Yeah, let's change it a little bit. 156 00:08:50,130 --> 00:08:53,333 Yeah, but it... Well, you know, we can add But um... 157 00:08:53,366 --> 00:08:56,236 or subtract and then... 158 00:08:56,269 --> 00:09:00,641 But actually, with Jesus Alone, should we go back to that, 159 00:09:00,674 --> 00:09:04,578 um, you know, we talked about going back to the earlier version of it. 160 00:09:04,612 --> 00:09:06,780 Yeah. That's less... okay, good. 161 00:09:06,814 --> 00:09:08,716 NICK: So, songs an often uh... 162 00:09:10,217 --> 00:09:14,254 appear to foretell situations in 163 00:09:14,287 --> 00:09:16,957 the same way as dreams maybe, are able to... 164 00:09:17,891 --> 00:09:21,962 um... have, uh... 165 00:09:21,995 --> 00:09:24,832 have a kind of prophetic nature sometimes. 166 00:09:24,865 --> 00:09:28,936 Susie, for example, is hugely superstitious, 167 00:09:28,969 --> 00:09:33,306 about my songs. Um... Yeah. 168 00:09:33,340 --> 00:09:36,810 That there being a canary in the coal mine kind of thing that there's some... 169 00:09:36,844 --> 00:09:38,746 Because, if... Exactly. Yeah. 170 00:09:40,781 --> 00:09:46,053 But, you know, and I... I... Like I said, I don't think 171 00:09:46,086 --> 00:09:50,357 that this is a unique to what I do. Although I 172 00:09:50,390 --> 00:09:54,862 write a certain type of song, that has a certain element 173 00:09:54,895 --> 00:09:59,933 of, uh, anxiety, and dread, and anguish... 174 00:09:59,967 --> 00:10:02,002 Yeah. To them in their nature. 175 00:10:03,203 --> 00:10:05,172 So, it can... it can... 176 00:10:05,873 --> 00:10:08,942 foretell, um... 177 00:10:13,113 --> 00:10:16,650 uh, they can foretell, um... 178 00:10:18,418 --> 00:10:19,920 certain events. 179 00:10:22,289 --> 00:10:24,324 [SYNTH PLAYING] 180 00:10:26,994 --> 00:10:28,195 [SWITCH CLICKS] 181 00:10:32,232 --> 00:10:33,701 [SWITCH CLICKS] 182 00:10:46,780 --> 00:10:49,683 Right. Hey Jake! 183 00:10:49,717 --> 00:10:51,985 This is the vocal that you didn't do at La Frite. NICK: Yeah. 184 00:10:52,019 --> 00:10:56,056 NICK: Yeah but, I just patched up this... Yeah. 185 00:10:56,089 --> 00:11:00,160 So, um, is this before it's being... 186 00:11:00,193 --> 00:11:01,962 Before it's being... put in time? 187 00:11:01,995 --> 00:11:04,798 Yeah. 188 00:11:04,832 --> 00:11:09,770 * You fell from the sky Crash landed in a field Near the river Adur 189 00:11:14,808 --> 00:11:20,948 * Flowers spring from the Ground Lambs burst from the Wombs of their mothers 190 00:11:25,285 --> 00:11:30,157 * In a hole beneath the bridge You convalesced you Fashioned masks 191 00:11:30,190 --> 00:11:33,493 * You gave them names You gave them names 192 00:11:33,526 --> 00:11:35,328 * With my voice. 193 00:11:35,362 --> 00:11:36,764 It's better there. 194 00:11:36,797 --> 00:11:40,734 * I am calling you. 195 00:11:40,768 --> 00:11:42,736 And, I'm playing the piano at the same time. Yeah. 196 00:11:42,770 --> 00:11:45,472 And, because it's just opened up a bit more there. 197 00:11:46,373 --> 00:11:48,441 This feels like... 198 00:11:48,475 --> 00:11:51,845 It does need the piano right? Cut the piano here. 199 00:11:53,246 --> 00:11:55,983 We could do the piano separately. Yeah, yeah. 200 00:11:56,016 --> 00:11:59,753 Edit over done piano, and all those sorts of. 201 00:11:59,787 --> 00:12:01,054 "Ooh's", and "Ah's", and all that. 202 00:12:01,088 --> 00:12:04,758 *You're an African doctor Harvesting tear ducts * 203 00:12:04,792 --> 00:12:07,961 That has a, I mean a... I have to listen to the other one, but this... 204 00:12:07,995 --> 00:12:10,397 definitely has a sort of, intensity about it. 205 00:12:10,430 --> 00:12:14,434 Yeah. There's something the vibe just builds in it and it becomes hypnotic and stuff 206 00:12:14,467 --> 00:12:18,438 and, the other one feels like a song. It Feels... Yeah, okay. So... 207 00:12:18,471 --> 00:12:23,110 The vocal needs to be fixed up, because there's... Yeah, it goes in and out. 208 00:12:23,143 --> 00:12:25,112 Just mumbo-jumbo on it. 209 00:12:27,080 --> 00:12:28,782 Well, it's kind of ad-libbed. 210 00:12:28,816 --> 00:12:31,785 Right. A bit, a bit. You know, a lot. 211 00:12:31,819 --> 00:12:32,652 And then... 212 00:12:32,685 --> 00:12:35,488 In La Frite we kind of put it on one. 213 00:12:35,522 --> 00:12:37,891 The one was actually... it wasn't... 214 00:12:37,925 --> 00:12:39,860 We never even knew where the one was. 215 00:12:39,893 --> 00:12:43,831 It's coming in the wrong spots. At least we all had a different opinion. 216 00:12:43,864 --> 00:12:45,298 As we often do. [LAUGHS] 217 00:12:45,332 --> 00:12:48,936 It felt like it... You've never heard that one before. 218 00:12:48,969 --> 00:12:50,037 [LAUGHING] 219 00:12:52,105 --> 00:12:56,476 One! Should there be a vocal before we do anything else? 220 00:12:56,509 --> 00:13:00,080 WARREN: Uh... Yeah. Or, maybe we don't need a vocal before. 221 00:13:00,113 --> 00:13:04,317 I think the vocal would give us the kind of... the energy, 222 00:13:04,351 --> 00:13:05,853 Um... Right. 223 00:13:05,886 --> 00:13:08,388 And what to do, so that you feed off... 224 00:13:08,421 --> 00:13:11,158 You know, you working off like... 225 00:13:12,159 --> 00:13:14,194 [VIOLIN STRUMS] 226 00:13:15,262 --> 00:13:16,529 Oh, that's it? Yeah. 227 00:13:20,433 --> 00:13:23,103 Incredible wasn't it. Aluminum. 228 00:13:26,539 --> 00:13:28,008 I'm incredible. 229 00:13:29,442 --> 00:13:30,844 3000 Dollars. 230 00:13:30,878 --> 00:13:31,879 [LAUGHING] 231 00:13:33,280 --> 00:13:35,582 You bought it? Yeah. 232 00:13:35,615 --> 00:13:38,618 It sound good? Nah, it looks awesome. 233 00:13:38,651 --> 00:13:40,854 [LAUGHING] 234 00:13:43,223 --> 00:13:47,127 [VIOLIN STRUMS] 235 00:13:51,231 --> 00:13:53,333 [VIOLIN TUNING] 236 00:13:57,037 --> 00:14:00,473 NICK: This is difficult. This is really fucking difficult. 237 00:14:01,341 --> 00:14:02,442 It is. 238 00:14:04,211 --> 00:14:10,217 Doing and over dub-vocal, is some kind of torture. 239 00:14:10,250 --> 00:14:13,486 And it's something that I really try and avoid. 240 00:14:13,520 --> 00:14:19,226 I do everything I can to get the vocal down while 241 00:14:19,259 --> 00:14:21,428 the basic track is being recorded, 242 00:14:21,461 --> 00:14:23,997 you know. That we just all do it together. 243 00:14:24,031 --> 00:14:28,068 WARREN: There's something more hypnotic about this one and kind of more... 244 00:14:28,101 --> 00:14:31,038 meditative or, something. And it kind of has a... 245 00:14:31,071 --> 00:14:33,473 Feels a bit more mysterious or something. 246 00:14:33,506 --> 00:14:38,511 And, also the kind of fact that the stuff doesn't just come in on the one, 247 00:14:38,545 --> 00:14:40,613 wait, feel it comes in somewhere, 248 00:14:40,647 --> 00:14:43,083 there's some more space for the kind of backing... 249 00:14:43,116 --> 00:14:44,584 to kind of come through. 250 00:14:45,485 --> 00:14:48,555 [PIANO MUSIC PLAYING] 251 00:14:53,260 --> 00:14:54,427 WARREN: C? 252 00:14:55,595 --> 00:14:58,198 No. WARREN: What's that one? 253 00:15:01,268 --> 00:15:03,370 NICK: I don't know what the chords are. 254 00:15:04,571 --> 00:15:06,039 I have to hear it on... 255 00:15:07,540 --> 00:15:10,310 Nick, you wanna play piano right? 256 00:15:10,343 --> 00:15:12,545 NICK: I don't know what the chords are. 257 00:15:12,579 --> 00:15:16,449 I don't know. I don't know yet, because, 258 00:15:16,483 --> 00:15:18,251 I don't even know what the chords are. 259 00:15:20,187 --> 00:15:22,189 NICK: They keep changing all the time. 260 00:15:23,423 --> 00:15:25,458 [PIANO MUSIC PLAYING] 261 00:15:25,492 --> 00:15:27,961 NICK: I mean, I played the chords originally. 262 00:15:30,463 --> 00:15:34,701 But, there seems to be an endless variations on the circle. 263 00:15:34,734 --> 00:15:38,005 Oh fuck it. I don't know what that is. So, no, I won't be playing the piano. 264 00:15:38,505 --> 00:15:40,273 [CHUCKLES] 265 00:15:40,307 --> 00:15:43,010 And, there seems to be a bit weird to be trying to work out the chords, 266 00:15:44,011 --> 00:15:46,413 to an improvised song anyway. 267 00:15:46,446 --> 00:15:48,048 Don't you think? 268 00:15:49,482 --> 00:15:53,186 * I am calling you 269 00:15:57,490 --> 00:16:00,293 * With your voice 270 00:16:00,327 --> 00:16:05,065 * I am calling you 271 00:16:05,098 --> 00:16:07,267 I should have strengthened my voice. 272 00:16:08,101 --> 00:16:10,170 * With my voice 273 00:16:11,104 --> 00:16:13,206 * With my voice My voice 274 00:16:14,374 --> 00:16:19,079 * I am call, call, call 275 00:16:21,548 --> 00:16:24,584 I should have sung more before I came into the studio. 276 00:16:26,719 --> 00:16:28,788 * I am call 277 00:16:28,821 --> 00:16:30,757 I knew that at the time. 278 00:16:31,558 --> 00:16:32,692 Okay. 279 00:16:36,563 --> 00:16:37,730 Alright. 280 00:16:40,333 --> 00:16:42,102 WARREN: I'll come out okay. Yeah. 281 00:16:44,271 --> 00:16:46,406 NICK: I think I'm losing my voice. 282 00:16:48,541 --> 00:16:51,278 [PIANO MUSIC PLAYING] 283 00:16:55,848 --> 00:16:58,685 [PIANO MUSIC PLAYING] 284 00:16:58,718 --> 00:17:00,620 Just find it into lost things. 285 00:17:05,725 --> 00:17:07,260 My voice. 286 00:17:09,629 --> 00:17:11,331 My iPhone. 287 00:17:14,201 --> 00:17:16,169 My judgment. 288 00:17:16,203 --> 00:17:18,471 [PIANO MUSIC PLAYING] 289 00:17:19,172 --> 00:17:20,373 My memory maybe. 290 00:17:24,111 --> 00:17:25,412 Fuck. 291 00:17:25,445 --> 00:17:28,348 [PIANO MUSIC PLAYING] 292 00:17:40,427 --> 00:17:42,762 And, isn't that the invisible things? 293 00:17:47,400 --> 00:17:48,668 Lost things... 294 00:17:50,603 --> 00:17:52,472 that have so much mass, 295 00:17:55,342 --> 00:17:56,676 and so much weight. 296 00:17:58,678 --> 00:18:00,580 [PIANO MUSIC PLAYING] 297 00:18:02,249 --> 00:18:03,283 Alright. 298 00:18:03,316 --> 00:18:05,185 NICK: And, are as big as the universe. 299 00:18:06,486 --> 00:18:10,290 [JESUS ALONE PLAYING] 300 00:18:27,740 --> 00:18:30,377 * You fell from the sky 301 00:18:30,410 --> 00:18:33,846 * Crash landed in a field Near the river Adur 302 00:18:39,352 --> 00:18:44,424 * Flowers spring from The ground Lambs burst from The wombs of their mothers 303 00:18:49,296 --> 00:18:55,335 * In a hole beneath the bridge You convalesced, you fashioned Masks of twigs and clay 304 00:19:00,507 --> 00:19:04,411 * You cried beneath The dripping tree 305 00:19:04,444 --> 00:19:06,679 * Ghost song Lodged In the throat of a mermaid 306 00:19:12,919 --> 00:19:14,787 * With my voice 307 00:19:15,755 --> 00:19:19,592 * I am calling you 308 00:19:23,930 --> 00:19:28,701 * You're a young man waking Covered in blood that is Not yours 309 00:19:33,773 --> 00:19:39,279 * You're a woman in a yellow Dress Surrounded by a charm Of hummingbirds 310 00:19:44,551 --> 00:19:49,822 * You're a young girl full of Forbidden energy Flickering in the gloom 311 00:19:54,727 --> 00:20:00,300 * You're a drug addict Lying on your back In a Tijuana hotel room 312 00:20:05,572 --> 00:20:08,375 * With my voice 313 00:20:08,408 --> 00:20:12,612 * I am calling you 314 00:20:15,882 --> 00:20:18,651 * With my voice 315 00:20:18,685 --> 00:20:22,221 * I am calling you 316 00:20:28,060 --> 00:20:33,700 * You're an African doctor Harvesting tear ducts 317 00:20:38,405 --> 00:20:44,277 * You believe in God, but you Get no special dispensation For this belief now 318 00:20:50,450 --> 00:20:55,855 * You're an old man sitting by The fire, you're the mist Rolling off the sea 319 00:21:00,460 --> 00:21:06,299 * You're a distant memory in The mind of your creator Don't you see 320 00:21:09,402 --> 00:21:11,971 * With my voice 321 00:21:12,004 --> 00:21:16,275 * I am calling you 322 00:21:19,646 --> 00:21:21,948 * With my voice 323 00:21:21,981 --> 00:21:26,619 * I am calling you 324 00:21:31,658 --> 00:21:34,026 * Let us sit together 325 00:21:35,027 --> 00:21:38,331 * Until the moment comes 326 00:21:40,900 --> 00:21:42,902 * With my voice 327 00:21:43,736 --> 00:21:47,974 * I am calling you 328 00:21:52,979 --> 00:21:55,648 * Let us sit together In the dark 329 00:21:55,682 --> 00:21:59,051 * Until the moment comes 330 00:22:02,755 --> 00:22:04,391 * With my voice 331 00:22:05,091 --> 00:22:09,095 * I am calling you 332 00:22:12,865 --> 00:22:14,934 * With my voice 333 00:22:15,835 --> 00:22:19,872 * I am calling you 334 00:22:23,175 --> 00:22:26,112 * With my voice 335 00:22:26,145 --> 00:22:30,850 * I am calling you 336 00:22:33,853 --> 00:22:36,689 * With my voice 337 00:22:36,723 --> 00:22:41,093 * I am calling you 338 00:22:41,127 --> 00:22:43,563 [INSTRUMENTAL MUSIC PLAYING] 339 00:24:10,950 --> 00:24:12,952 [MUSIC FADES] 340 00:24:16,623 --> 00:24:19,125 WARREN: Cool! Nice. 341 00:24:19,158 --> 00:24:21,594 WARREN: That's a good one, and a longer. It's good. 342 00:24:21,628 --> 00:24:23,462 Great. Cup of tea? 343 00:24:27,667 --> 00:24:31,771 WARREN: Do you feel that the lack of narrative allows you to get the something... 344 00:24:31,804 --> 00:24:35,608 as wide a... I just don't think, I don't think, uh... 345 00:24:36,876 --> 00:24:38,578 life is a story. 346 00:24:38,611 --> 00:24:41,514 Yeah. You know, that... that hasn't, 347 00:24:41,548 --> 00:24:43,783 I mean, we all hope it is. Yeah. 348 00:24:44,183 --> 00:24:46,018 Um... 349 00:24:46,052 --> 00:24:48,120 We all... It kind of is, I have to say. 350 00:24:48,821 --> 00:24:51,190 It kind of is a story. 351 00:24:51,223 --> 00:24:53,760 It's the same story for everyone. [CHUCKLES] 352 00:24:53,793 --> 00:24:57,229 In a way It... In a way but, um... 353 00:24:57,263 --> 00:25:01,768 the arc can be very different and it's not necessarily, um... 354 00:25:04,637 --> 00:25:05,772 um... 355 00:25:06,906 --> 00:25:09,642 yeah, yeah, I guess... 356 00:25:09,676 --> 00:25:12,011 you were born, and you die. 357 00:25:12,044 --> 00:25:14,747 Um... Well you gradually... 358 00:25:14,781 --> 00:25:16,883 decay. Gradually decay. 359 00:25:16,916 --> 00:25:19,018 Yeah, which is... 360 00:25:19,051 --> 00:25:21,554 I mean, that what I feel like I'm dealing with. 361 00:25:21,588 --> 00:25:23,122 And, you're ten years ahead of me. 362 00:25:24,356 --> 00:25:25,625 Um... 363 00:25:27,126 --> 00:25:30,563 you decay and you sort of diminish. 364 00:25:36,836 --> 00:25:38,838 Um... 365 00:25:38,871 --> 00:25:40,206 WARREN: Do you really feel that way? 366 00:25:41,140 --> 00:25:44,577 Yeah. In what sense? 367 00:25:44,611 --> 00:25:49,849 Um, that the struggle to... to do what I do is um... 368 00:25:52,318 --> 00:25:54,887 it just requires more effort. 369 00:25:58,257 --> 00:25:59,792 Was he ready? Yeah. 370 00:25:59,826 --> 00:26:01,160 Alright, mate. What from? 371 00:26:01,193 --> 00:26:03,162 Were do you wanna go from, boss? 372 00:26:03,195 --> 00:26:05,564 WARREN: I guess the second, uh... 373 00:26:07,266 --> 00:26:09,101 the second... no, verse. Chord? 374 00:26:09,135 --> 00:26:10,269 Second verse, okay. 375 00:26:11,971 --> 00:26:13,773 NICK: Most of us don't wanna change. 376 00:26:14,874 --> 00:26:16,208 Really. 377 00:26:16,242 --> 00:26:17,844 Does that went away? 378 00:26:17,877 --> 00:26:19,345 That did... What happened when you, 379 00:26:19,378 --> 00:26:21,748 when you came in, 'cause it went away. Now, it's come back. 380 00:26:22,749 --> 00:26:24,516 NICK: I mean why should we. 381 00:26:24,550 --> 00:26:28,354 WARREN: Has it moved back or, is it a cable? Was it when you lifted up the cables, John? 382 00:26:28,387 --> 00:26:29,956 Lift up the cables. 383 00:26:32,391 --> 00:26:34,727 NICK: What we want to do is... 384 00:26:34,761 --> 00:26:37,029 to sort of modific... modif... 385 00:26:37,063 --> 00:26:38,397 modify... 386 00:26:38,430 --> 00:26:41,333 Yeah. Yes. Stop, what've you done there? 387 00:26:41,367 --> 00:26:43,936 NICK: Most of us don't want to change. 388 00:26:43,970 --> 00:26:46,639 Whatever that cable is, that's the one. 389 00:26:46,673 --> 00:26:51,644 NICK: What we do want is sort of, modifications on the original model. 390 00:26:51,678 --> 00:26:53,980 [VIOLIN PLAYING] 391 00:26:54,013 --> 00:26:57,950 We keep on being ourselves but just... 392 00:26:57,984 --> 00:27:00,119 hopefully better versions of ourselves. 393 00:27:02,154 --> 00:27:03,389 But, what happens when... 394 00:27:05,024 --> 00:27:08,661 an event occurs that's so catastrophic 395 00:27:08,695 --> 00:27:11,998 that we just change from one day to the next. 396 00:27:13,833 --> 00:27:16,202 You change from the known person, 397 00:27:16,235 --> 00:27:18,671 to an unknown person. 398 00:27:18,705 --> 00:27:20,773 So that, when you look at yourself in the mirror, 399 00:27:21,908 --> 00:27:24,410 you recognize the person... 400 00:27:25,244 --> 00:27:27,146 uh, but you won't... 401 00:27:27,179 --> 00:27:30,182 but, the person inside the skin is a different person. 402 00:27:34,987 --> 00:27:36,956 NICK: So that when you go outside... 403 00:27:42,094 --> 00:27:44,163 the world is the same. 404 00:27:44,196 --> 00:27:48,901 But, now you are a different person and you have to 405 00:27:48,935 --> 00:27:51,337 renegotiate your position in the world. 406 00:27:53,806 --> 00:27:55,074 WOMAN: a bit. Going for G here... 407 00:27:55,107 --> 00:27:56,408 Yeah. We can do it. 408 00:27:56,442 --> 00:27:57,777 Okay. NICK: For instance... 409 00:27:58,510 --> 00:28:01,047 I think D-F-G, D-F-A seems to... 410 00:28:01,080 --> 00:28:02,982 NICK: when you go into a shop 411 00:28:03,015 --> 00:28:07,787 to get cigarettes, because this new version of yourself 412 00:28:07,820 --> 00:28:12,091 smokes, and the shop owner says, "How are you?" 413 00:28:12,124 --> 00:28:15,194 And you don't know how to answer. 414 00:28:15,227 --> 00:28:19,198 Or, when you meet a friend on the street, who says some kindness. 415 00:28:19,231 --> 00:28:23,903 Uh, the... they don't really work on the choruses because, 416 00:28:23,936 --> 00:28:27,473 they connect to the...[HUMMING] Yes... maybe it should be... 417 00:28:27,506 --> 00:28:29,041 it's like a "boom". 418 00:28:29,075 --> 00:28:32,278 NICK: And, suddenly you are crying in their arms for ages. 419 00:28:32,311 --> 00:28:35,514 And, then you realize that the person is not a friend at all. 420 00:28:35,547 --> 00:28:38,951 I think it's... we're saying the same thing... Like a boom? 421 00:28:38,985 --> 00:28:40,419 [HUMMING] 422 00:28:40,452 --> 00:28:42,454 They're doing the "waa". Then I'm planning to wind up. 423 00:28:42,922 --> 00:28:44,323 Yeah. 424 00:28:44,356 --> 00:28:47,226 NICK: But, someone else that you don't actually really 425 00:28:47,259 --> 00:28:48,427 know very well. 426 00:28:50,262 --> 00:28:52,765 I wouldn't put any more emotion into it. 427 00:28:52,799 --> 00:28:56,803 Or, you go into a bakery to buy a loaf of bread... 428 00:28:57,336 --> 00:28:59,438 let's say. 429 00:28:59,471 --> 00:29:02,875 And, you're standing in the queue, 430 00:29:02,909 --> 00:29:06,245 and someone grabs you by the arm and says something, 431 00:29:06,278 --> 00:29:08,280 with their kind eyes... 432 00:29:08,314 --> 00:29:10,282 [PLAYING CELLO] 433 00:29:10,316 --> 00:29:15,955 But, you can't work out what they've said because the new you can't hear very well. 434 00:29:15,988 --> 00:29:18,157 And, so, you say "What?" 435 00:29:18,190 --> 00:29:20,793 But, too loudly and angrily, 436 00:29:21,260 --> 00:29:22,461 and he says, 437 00:29:24,864 --> 00:29:28,034 "We are all with you, man". 438 00:29:28,067 --> 00:29:32,538 And you look around and all the bakery is looking at you with kind eyes. 439 00:29:34,006 --> 00:29:36,208 And, you think that people are really nice. 440 00:29:39,111 --> 00:29:42,048 But, when did you become an object of pity? 441 00:29:45,885 --> 00:29:49,088 [TECHNO MUSIC PLAYING] 442 00:30:04,336 --> 00:30:09,041 As soon as I walked in here, I got this spike of agitation. You did? 443 00:30:09,441 --> 00:30:10,442 How come? 444 00:30:15,414 --> 00:30:16,983 Has anyone seen my pen? 445 00:30:21,453 --> 00:30:22,955 Thank you. 446 00:30:22,989 --> 00:30:24,924 Um, yeah. 447 00:30:28,660 --> 00:30:29,828 Um... 448 00:30:29,862 --> 00:30:33,299 did you print out the words that I sent, or the words... 449 00:30:33,332 --> 00:30:35,034 This is what you sent. Yeah. Did I? 450 00:30:36,202 --> 00:30:37,970 Um, okay. 451 00:30:39,071 --> 00:30:41,173 Yeah, um... 452 00:30:41,207 --> 00:30:43,609 No, because you don't have any... 453 00:30:43,642 --> 00:30:45,311 What if I've got them on my computer? 454 00:30:47,613 --> 00:30:49,015 Do you have a printer? 455 00:30:50,582 --> 00:30:54,954 NICK: Here I am, the moonlight man, with my six shooter and Steve McQueen, 456 00:30:54,987 --> 00:30:59,391 call me a cab, I'm not that kind of a guy, I have a dream. 457 00:30:59,425 --> 00:31:03,229 Sometimes I the elevator to the top of the Burj Al Arab 458 00:31:03,262 --> 00:31:06,165 and shoot my guns across Dubai. 459 00:31:06,198 --> 00:31:09,001 Bang, bang, bang, I'm that kind of guy. 460 00:31:15,441 --> 00:31:17,009 I know. 461 00:31:17,043 --> 00:31:21,413 But mostly, I curl up inside my typewriter... curl up inside my typewriter and wish 462 00:31:21,447 --> 00:31:22,514 that I can die. 463 00:31:25,184 --> 00:31:29,288 Your legs are so long, they should come with their own elevator. 464 00:31:29,321 --> 00:31:32,424 Don't worry, darling, I'll be coming around, see you later. 465 00:31:32,458 --> 00:31:34,226 Have you guys sang them differently, 466 00:31:34,260 --> 00:31:36,128 or, something like that, um... 467 00:31:36,162 --> 00:31:38,264 [INDISTINCT] 468 00:31:38,297 --> 00:31:41,667 Because, between you and me and my best friend, the housefly... 469 00:31:44,103 --> 00:31:47,206 I'm Steve McQueen with a big beautiful dream. 470 00:31:48,707 --> 00:31:50,109 I am god. 471 00:31:52,378 --> 00:31:56,082 I am God, thinking about God, thinking about Steve McQueen. 472 00:31:56,682 --> 00:31:59,185 Oh, yeah, great. 473 00:31:59,218 --> 00:32:03,189 It's for me the sirens and the sylphs do their twilight pining. 474 00:32:03,222 --> 00:32:07,193 On Saturday night. I woke on someone else's stomach lining. 475 00:32:08,727 --> 00:32:11,530 Up and down this street, call me a cab. 476 00:32:11,563 --> 00:32:13,365 Call me a cab. 477 00:32:13,399 --> 00:32:17,036 No I'm a housefly called God and I don't give a fuck. 478 00:32:18,470 --> 00:32:20,206 Right, that's it. Go on. 479 00:32:20,239 --> 00:32:24,476 Here I come up the elevator, sixty floors hoping I don't get stuck. 480 00:32:26,145 --> 00:32:30,482 And everyone out here does mean And everyone out here does pain. 481 00:32:30,516 --> 00:32:33,052 But, someone's got to sing the stars. 482 00:32:33,085 --> 00:32:35,121 And, someone's got to sing the rain. 483 00:32:36,588 --> 00:32:38,290 I'm the atomizer. 484 00:32:38,324 --> 00:32:39,925 I'm the vaporizer. 485 00:32:39,958 --> 00:32:44,496 I turn everything to crud, I like it here in flesh and blood. 486 00:32:44,530 --> 00:32:46,698 I'm the elevator man, don't you see? 487 00:32:46,732 --> 00:32:50,436 You're a spine lashed, long legged lovely young thing. 488 00:32:50,469 --> 00:32:54,440 Call me a cab. I'll drive to the top of the Burj Al Arab. 489 00:32:54,473 --> 00:32:57,176 And, fire my guns across your stomach. 490 00:33:01,113 --> 00:33:06,585 Because, someone's got to sing the stars, and someone's got to sing the rain. 491 00:33:06,618 --> 00:33:11,090 And someone's got to sing the blood. And someone's got to sing the pain. 492 00:33:12,691 --> 00:33:15,027 Watch out you fuckers. 493 00:33:15,061 --> 00:33:18,130 I've got my six shooter and my housefly on lead, 494 00:33:18,164 --> 00:33:20,432 I'm Burj Al McQueen. 495 00:33:20,466 --> 00:33:23,369 And I'm coming to make every last one of you bleed. 496 00:33:23,402 --> 00:33:27,139 How are you, Jim? I'm alright, thank you. How are you? 497 00:33:27,506 --> 00:33:29,175 [LAUGHING] 498 00:33:29,208 --> 00:33:31,577 Got your beard back, mate. Yeah, yeah. 499 00:33:31,610 --> 00:33:33,312 I thought I'd grow it just for the show. 500 00:33:35,147 --> 00:33:36,815 What about continuity? 501 00:33:36,848 --> 00:33:38,417 Fuck continuity. 502 00:33:39,351 --> 00:33:41,053 Fuck continuity. 503 00:33:41,087 --> 00:33:46,825 God is great, chances are God is good, well I wouldn't go that far 504 00:33:46,858 --> 00:33:48,260 [INDISTINCT] 505 00:33:48,660 --> 00:33:49,695 C to B Flat. 506 00:33:49,728 --> 00:33:52,731 I'm Steve McQueen the atrocity man. 507 00:33:52,764 --> 00:33:57,303 * You wanna bleed on me. 508 00:33:58,637 --> 00:34:00,239 And sing too, Jim. 509 00:34:00,272 --> 00:34:05,177 * If you wanna bleed Don't bleed * 510 00:34:05,211 --> 00:34:08,180 NICK: With my strap on blood pondered dream... 511 00:34:08,214 --> 00:34:12,351 * If you wanna bleed Don't bleed 512 00:34:13,485 --> 00:34:15,254 * Step away. 513 00:34:15,287 --> 00:34:19,691 NICK: But, mostly curl up inside my typewriter with my housefly and cry. 514 00:34:22,261 --> 00:34:24,763 I tell my housefly not to cry. 515 00:34:24,796 --> 00:34:27,299 My housefly chose me not to die. 516 00:34:28,634 --> 00:34:31,737 Because someone's got to sing the stars, 517 00:34:31,770 --> 00:34:34,072 and someone's got to sing the rain. 518 00:34:34,673 --> 00:34:35,674 D minor. 519 00:34:35,707 --> 00:34:37,543 And, someone's got to sing the blood. 520 00:34:40,312 --> 00:34:42,414 And, someone's got to sing the pain. 521 00:34:43,882 --> 00:34:45,151 Okay. 522 00:34:48,354 --> 00:34:50,689 [INDISTINCT CHATTER] 523 00:34:50,722 --> 00:34:51,723 [CLEARS THROAT] 524 00:34:55,161 --> 00:34:56,328 NICK: Look at him. 525 00:34:59,331 --> 00:35:00,699 Holding everything together. 526 00:35:00,732 --> 00:35:02,100 NICK: Is my hair alright? 527 00:35:03,535 --> 00:35:05,671 Fucking, never been better. 528 00:35:05,704 --> 00:35:09,575 Best it's ever been. Best it's ever been. Huh? Best it's ever... 529 00:35:09,608 --> 00:35:14,546 It better be. Fucking, proceed with absolute confidence. 530 00:35:14,580 --> 00:35:16,415 NICK: What would I do without Warren. 531 00:35:16,448 --> 00:35:17,516 If it's not... 532 00:35:17,549 --> 00:35:18,850 [PIANO MUSIC PLAYING] 533 00:35:18,884 --> 00:35:20,252 MAN: Cut! Cut! 534 00:35:21,520 --> 00:35:22,754 MAN: Three-Four minutes. 535 00:35:22,788 --> 00:35:26,392 NICK: We should do one, we should do a take pretty soon. 536 00:35:26,425 --> 00:35:29,861 Or we're gonna lose the essence of the thing. 537 00:35:29,895 --> 00:35:33,432 Because I can the whole mojo slipping away. WARREN: Yeah, it's getting 538 00:35:33,465 --> 00:35:37,436 cold. NICK: We're getting bored, irritable. 539 00:35:37,469 --> 00:35:41,640 Can I hear, can I try that out just with the backing track please, Jake. 540 00:35:49,515 --> 00:35:50,649 What's the time line? 541 00:35:52,484 --> 00:35:55,287 [INDISTINCT CHATTER] 542 00:35:56,755 --> 00:35:58,757 NICK: 'Cause it's too loud. 543 00:36:02,494 --> 00:36:05,597 [PIANO MUSIC PLAYING] 544 00:36:29,388 --> 00:36:31,523 [CHATTERING] 545 00:36:35,661 --> 00:36:38,297 Tishi, see that guy? Tishi. 546 00:36:38,330 --> 00:36:42,401 That means, go to... The cameraman, was like, Tishi. 547 00:36:42,434 --> 00:36:44,970 Did you show him his camera? Yeah, yeah, I showed him a photo. 548 00:36:45,471 --> 00:36:46,905 Spooky. 549 00:36:46,938 --> 00:36:49,941 NICK: Warren just pointed out how much the photographer looks like. 550 00:36:49,975 --> 00:36:51,377 Tishi. 551 00:36:52,744 --> 00:36:54,580 Tishi is another photographer. 552 00:36:54,613 --> 00:36:57,349 MAN: Hang on. [INDISTINCT] 553 00:36:57,383 --> 00:36:59,918 Who has like shaggy hair and a beard and... 554 00:36:59,951 --> 00:37:02,521 Bad backs are coming back. Yeah, mate. 555 00:37:02,554 --> 00:37:06,358 NICK: Lived most of his life in the streets, of his home town. 556 00:37:06,958 --> 00:37:08,226 In the Czech Republic. 557 00:37:09,728 --> 00:37:12,398 He took photographs of women, with a camera 558 00:37:12,431 --> 00:37:13,699 that he made himself. 559 00:37:14,633 --> 00:37:16,468 They are... 560 00:37:16,502 --> 00:37:19,037 really wonderful photographs. 561 00:37:19,070 --> 00:37:23,575 Like stolen moments, of women in over many 562 00:37:23,609 --> 00:37:25,411 amazing facets. 563 00:37:28,514 --> 00:37:30,682 I mean, many amazing facets. 564 00:37:33,752 --> 00:37:36,622 Women have more facets than men. 565 00:37:38,089 --> 00:37:39,891 Men are... [LAUGHS] 566 00:37:39,925 --> 00:37:42,661 Men are pretty much two dimensional. 567 00:37:43,695 --> 00:37:45,564 And women are, 568 00:37:45,597 --> 00:37:46,698 like, fucking 3D. 569 00:37:48,367 --> 00:37:51,503 My wife is spectacularly three dimensional. 570 00:37:54,906 --> 00:37:56,575 But, every time I try to, um... 571 00:37:57,843 --> 00:37:58,977 get a handle on her, 572 00:38:00,812 --> 00:38:03,882 and to put her into focus, 573 00:38:03,915 --> 00:38:07,018 she shifts and changes, and becomes someone else. 574 00:38:07,052 --> 00:38:09,855 Or worse, she steps out of the frame entirely. 575 00:38:10,689 --> 00:38:11,723 And... 576 00:38:12,624 --> 00:38:15,894 I'm left with a hovering 577 00:38:15,927 --> 00:38:17,963 ghost, in which... that's... 578 00:38:19,365 --> 00:38:20,766 burned on my retina. 579 00:38:22,033 --> 00:38:24,670 Like I've starred into a spotlight. 580 00:38:25,604 --> 00:38:26,972 And closed my eyes. 581 00:38:29,808 --> 00:38:31,710 Eventually she steps back into the frame, 582 00:38:33,379 --> 00:38:35,647 and I pull her back in focus. 583 00:38:35,681 --> 00:38:37,649 But, she's changed because she's been 584 00:38:39,951 --> 00:38:42,988 out there, communing with the dead. 585 00:38:46,958 --> 00:38:48,827 [SIGHS] 586 00:38:57,503 --> 00:39:01,006 [GIRL IN AMBER PLAYING] 587 00:39:11,583 --> 00:39:16,755 * Some go and some stay behind Some never move at all 588 00:39:18,123 --> 00:39:25,096 * Girl in amber trapped forever Spinning down the hall 589 00:39:25,130 --> 00:39:31,837 * Let no part of her go Unremembered, clothes Across the floor 590 00:39:31,870 --> 00:39:38,577 * Girl in amber lumber slumber Shuts the bathroom door 591 00:39:38,610 --> 00:39:45,651 * The phone, the phone The phone it rings, it rings It rings no more 592 00:39:45,684 --> 00:39:52,924 * The song, the song, the Song it spins since nineteen eighty-four 593 00:39:52,958 --> 00:39:59,865 * The phone, the phone The phone it rings, it rings It rings no more 594 00:39:59,898 --> 00:40:04,002 * The song, the song It's been spinning 595 00:40:04,035 --> 00:40:07,873 * Since Nineteen 596 00:40:07,906 --> 00:40:11,610 * And if you want to Bleed, just bleed 597 00:40:14,145 --> 00:40:18,550 * And if you want to Bleed, just bleed 598 00:40:21,119 --> 00:40:25,824 * But if you want to leave Don't breathe 599 00:40:26,825 --> 00:40:30,896 * The world just step away 600 00:40:30,929 --> 00:40:33,599 * And let the world 601 00:40:33,632 --> 00:40:40,071 * And now in turn, you turn You kneel, lace up his shoes Your little blue-eyed boy 602 00:40:41,940 --> 00:40:49,247 * Take him by his hand Go floating down the hall 603 00:40:49,280 --> 00:40:56,488 * I get lucky, I get lucky Cause I tried again 604 00:40:56,522 --> 00:41:03,862 * I knew the world it would Stop spinning now since You've been gone 605 00:41:03,895 --> 00:41:10,736 * I used to think that when You died you kind of Wandered the world 606 00:41:10,769 --> 00:41:17,275 * In a slumber till you Crumbled, were absorbed Into the earth 607 00:41:17,308 --> 00:41:21,680 * Well, I don't think That any more 608 00:41:21,713 --> 00:41:24,249 * The phone it rings no more 609 00:41:24,282 --> 00:41:31,757 * The song, the song it Spins now Since nineteen eighty-four 610 00:41:31,790 --> 00:41:38,029 * The song, the song it spins The song, it spins, it spins It's been a spinning now 611 00:41:38,063 --> 00:41:44,670 * And if you'll hold me I will Tell you that you know that 612 00:41:46,772 --> 00:41:51,176 * And if you want to leave Don't breathe 613 00:41:52,844 --> 00:41:57,515 * And if you want to leave Don't breathe 614 00:41:59,651 --> 00:42:04,990 * And if you want to leave Don't breathe 615 00:42:05,957 --> 00:42:07,926 * A word 616 00:42:08,827 --> 00:42:11,329 * Just step away 617 00:42:11,362 --> 00:42:15,567 * And let the world turn 618 00:42:27,646 --> 00:42:33,852 * The song, the song it Spins now Since nineteen eighty-four 619 00:42:35,220 --> 00:42:41,092 * The phone, it rings, it rings And you won't stay 620 00:43:10,088 --> 00:43:12,658 * Don't touch me 621 00:43:17,328 --> 00:43:19,264 * Don't touch me 622 00:43:24,135 --> 00:43:26,672 * Don't touch me 623 00:43:30,408 --> 00:43:33,111 * Don't touch me 624 00:43:38,416 --> 00:43:41,619 * Don't touch me 625 00:43:49,995 --> 00:43:53,799 [INDISTINCT CHATTER] 626 00:43:58,269 --> 00:43:59,871 NICK: Hair's still alright? 627 00:44:00,772 --> 00:44:02,173 WARREN: Even better. 628 00:44:02,207 --> 00:44:04,042 It's even better now. 629 00:44:05,476 --> 00:44:06,978 What ever you did, don't touch it. 630 00:44:07,779 --> 00:44:09,715 NICK: Don't touch it. 631 00:44:15,754 --> 00:44:17,255 NICK: Fuck! What happened to my face. 632 00:44:20,158 --> 00:44:22,060 Look at those bags under my eyes. 633 00:44:24,095 --> 00:44:25,396 Where did they come from? 634 00:44:28,499 --> 00:44:29,901 They weren't there last year. 635 00:44:34,439 --> 00:44:37,342 The director says I look like a battered monument. 636 00:44:40,178 --> 00:44:42,981 I have a terrible feeling he's trying to be kind to me. 637 00:44:47,085 --> 00:44:49,187 I must remember to be kind back. 638 00:44:51,790 --> 00:44:53,825 I must remember to be kind. 639 00:44:56,061 --> 00:44:58,764 [MAGNETO PLAYING] 640 00:44:59,998 --> 00:45:03,401 [INSTRUMENTAL MUSIC PLAYING] 641 00:45:34,065 --> 00:45:37,235 * Mostly I never knew Which way was out 642 00:45:43,174 --> 00:45:46,845 * Once it was on It was on and that was that 643 00:45:53,184 --> 00:45:57,088 * The umbilicus was a faucet That fountained rabbit blood 644 00:45:57,122 --> 00:45:59,524 * And I spun on my wheel 645 00:46:02,961 --> 00:46:04,830 * Like a laboratory rat 646 00:46:11,937 --> 00:46:17,175 * I was an electrical storm On the bathroom floor Clutching the bowl 647 00:46:21,913 --> 00:46:26,017 * My blood was for the gags And other people's diseases 648 00:46:31,056 --> 00:46:34,425 * My monstrous little memory Had swallowed me whole 649 00:46:40,131 --> 00:46:45,136 * It was the year I officially Became the bride of Jesus 650 00:46:46,337 --> 00:46:51,242 * In love, in love In love you laugh 651 00:46:51,276 --> 00:46:53,979 * I move you move 652 00:46:54,012 --> 00:46:57,849 * And one more time With feeling 653 00:46:57,883 --> 00:47:01,152 * In love, in love In laugh, you laugh 654 00:47:02,020 --> 00:47:04,222 * I'm sawn in half 655 00:47:04,255 --> 00:47:07,258 * And the stars are splashed 656 00:47:10,495 --> 00:47:14,933 * Across the ceiling 657 00:47:17,168 --> 00:47:22,373 * Oh, the urge to kill Somebody was basically Overwhelming 658 00:47:26,611 --> 00:47:32,117 * I had such hard blues Down there in the supermarket Queues 659 00:47:36,154 --> 00:47:42,193 * And I had a sudden urge to Become someone Someone like you 660 00:47:42,227 --> 00:47:48,033 * Who started out with less Than anyone I ever knew 661 00:47:54,372 --> 00:47:58,543 * In love, in love, I love You love, I laugh, you love 662 00:47:58,576 --> 00:48:04,315 * I move, you move And one more time with feeling 663 00:48:06,184 --> 00:48:09,254 * In love, in love I love, You love I laugh, you laugh 664 00:48:10,288 --> 00:48:12,958 * I'm sawn in half 665 00:48:12,991 --> 00:48:15,593 * And the stars are splashed 666 00:48:18,329 --> 00:48:23,001 * Across the ceiling 667 00:48:49,727 --> 00:48:54,165 * Oh, and oh you come shining 668 00:48:54,199 --> 00:48:57,202 * Softly to the hold Of a drink 669 00:48:59,604 --> 00:49:05,376 *Come as far as the edge Of my blood and swim 670 00:49:10,115 --> 00:49:15,020 * And in the bathroom mirror I see me vomit in the sink 671 00:49:18,556 --> 00:49:24,362 * And all through the house we Hear the hyena's hymns 672 00:49:28,433 --> 00:49:33,338 * Of love I love, you love I laugh, You laugh 673 00:49:33,371 --> 00:49:38,376 * I move, you move, you move One more time with feeling 674 00:49:41,279 --> 00:49:46,017 * I love, you love I laugh, you laugh 675 00:49:46,051 --> 00:49:52,190 * We saw each other in heart And all the stars have Splashed 676 00:49:52,223 --> 00:49:54,025 * And splattered 677 00:49:56,227 --> 00:49:59,330 * Across the ceiling 678 00:50:12,343 --> 00:50:14,145 [MUSIC FADES] 679 00:50:21,086 --> 00:50:23,288 How disturbing is this? 680 00:50:23,321 --> 00:50:25,256 It's quite disturbing. Yeah. It is? 681 00:50:25,290 --> 00:50:29,727 Well, I think, um... I'll make a deal with you. 682 00:50:29,760 --> 00:50:33,131 Absolutely anything in that's in the film that you don't like? 683 00:50:33,164 --> 00:50:34,665 Yeah. Right? You can cut out. 684 00:50:34,699 --> 00:50:36,033 Okay. Okay? 685 00:50:39,404 --> 00:50:40,771 Okay. 686 00:50:40,805 --> 00:50:42,440 Let's just take one now. 687 00:50:42,473 --> 00:50:44,342 Wait till it's, um... 688 00:50:44,375 --> 00:50:48,079 I'll wait till... You know, take a photo of them, 689 00:50:48,113 --> 00:50:50,515 and then we can put it in the film. 690 00:50:54,185 --> 00:50:56,321 That worked, yeah. Okay, cool. Yeah. Okay. 691 00:50:56,354 --> 00:50:58,123 And just wind it on with the... Okay. 692 00:50:58,556 --> 00:50:59,757 The winder thing. 693 00:51:00,891 --> 00:51:02,593 Okay. 694 00:51:02,627 --> 00:51:03,594 Awesome. Okay. 695 00:51:03,628 --> 00:51:06,531 And so, if you wanna, um, take any photos today, 696 00:51:06,564 --> 00:51:08,399 just gotta pop up the flash, which is that. 697 00:51:13,838 --> 00:51:15,240 NICK: We didn't ask for it. 698 00:51:19,610 --> 00:51:21,612 But, it is all around us. 699 00:51:21,646 --> 00:51:23,214 A gratuitous beauty. 700 00:51:24,915 --> 00:51:27,852 That exists whether we, uh, there to witness it or not. 701 00:51:30,488 --> 00:51:32,623 The world plunges on. 702 00:51:34,659 --> 00:51:36,361 And the world is magnificent. 703 00:51:40,398 --> 00:51:42,533 I watch you on your ice flow. 704 00:51:44,335 --> 00:51:46,771 Cold something into the Arctic wind. 705 00:51:49,574 --> 00:51:52,343 The wind offers a brutal resistance. 706 00:51:54,745 --> 00:51:56,113 But, still you plough on. 707 00:52:00,651 --> 00:52:03,221 I cling to my ice berg and sing to you. 708 00:52:04,789 --> 00:52:10,528 *See the sun, see it rising 709 00:52:13,298 --> 00:52:16,834 * See it rising 710 00:52:17,902 --> 00:52:23,140 * Rising in your eyes. 711 00:52:27,745 --> 00:52:30,581 Oh my God. Hey. 712 00:52:30,615 --> 00:52:32,817 Look at you. I've got brown hair. 713 00:52:37,688 --> 00:52:40,458 You've been alright? Yeah. 714 00:52:40,491 --> 00:52:43,228 What you doing. Oh, good. Nothing. 715 00:52:43,994 --> 00:52:47,732 Um... No, get rid of it. 716 00:52:47,765 --> 00:52:50,535 Have the animal rights people... Shh, shh! 717 00:52:51,436 --> 00:52:52,703 Why is creaking? 718 00:52:55,005 --> 00:52:58,776 It's been, um, an enormous amount of doing nothing, 719 00:52:58,809 --> 00:52:59,944 waiting around. Yeah. 720 00:53:01,279 --> 00:53:02,680 Sounds pretty difficult. 721 00:53:05,350 --> 00:53:07,852 You'll get used to the camera being there, now your on. 722 00:53:08,819 --> 00:53:10,187 Thanks. 723 00:53:11,556 --> 00:53:12,690 Good day Suz! 724 00:53:12,723 --> 00:53:14,459 [LAUGHING] 725 00:53:15,460 --> 00:53:16,727 See you're shy. 726 00:53:22,767 --> 00:53:24,402 That's what I'd do at the time, and they... 727 00:53:24,435 --> 00:53:27,305 they give me special one that's not connected. 728 00:53:27,338 --> 00:53:28,806 Just for the fuck of it. 729 00:53:30,040 --> 00:53:32,810 Go to DFA fader, that's fuck all. 730 00:53:32,843 --> 00:53:34,211 [LAUGHING] 731 00:53:36,514 --> 00:53:38,749 BOY: And the buttons? Can I press the buttons as well. 732 00:53:46,324 --> 00:53:50,661 NICK: And this guy, is the videographer. We're watching the videographer, 733 00:53:50,695 --> 00:53:54,031 who's watching the camera man, who's watching us, 734 00:53:54,064 --> 00:53:56,501 and it just goes around, and around, and around. 735 00:53:57,902 --> 00:53:59,704 Spooky, huh? 736 00:53:59,737 --> 00:54:01,606 WOMAN: So, which is the 3D camera? 737 00:54:01,639 --> 00:54:02,673 Cam-ception! 738 00:54:02,707 --> 00:54:04,609 They heavy one. That one. 739 00:54:04,642 --> 00:54:06,444 This is the videographer. 740 00:54:06,477 --> 00:54:09,614 Is this in 2D? That's in 2D. 741 00:54:09,647 --> 00:54:11,716 Okay. He's in 2D. 742 00:54:13,318 --> 00:54:14,985 [LAUGHING] 743 00:54:22,026 --> 00:54:25,363 WARREN: Yeah, I mean it's... No, I mean it's... 744 00:54:25,396 --> 00:54:28,833 Yeah, yeah. Basically the couple of record in the soundtrack stuff 745 00:54:28,866 --> 00:54:32,870 has been really about that I just pall a bunch of stuff in there, 746 00:54:32,903 --> 00:54:36,974 and then just try and find something in there, like it's really about... that's 747 00:54:37,007 --> 00:54:38,909 the really exciting thing. 748 00:54:38,943 --> 00:54:43,080 Um, for the last few years with me, has been about that, like... 749 00:54:43,113 --> 00:54:47,385 trying to find something that kind of, just comes out of nowhere. 750 00:54:47,785 --> 00:54:48,986 Um... 751 00:54:49,019 --> 00:54:52,457 NICK: These guys, Warren and Andrew the director, 752 00:54:52,490 --> 00:54:54,459 they like to go on about, 753 00:54:54,492 --> 00:54:58,663 accidents and the accident... uh... 754 00:54:59,630 --> 00:55:03,701 the accidental nature of art, 755 00:55:03,734 --> 00:55:07,938 but, this is just another way of saying they're communing with the Gods. 756 00:55:09,774 --> 00:55:13,077 I mean, you think God would have more pressing to do. Really. 757 00:55:14,979 --> 00:55:17,047 There's no such thing as accidents. 758 00:55:17,081 --> 00:55:18,549 [LOUD CLANG] 759 00:55:19,417 --> 00:55:20,485 MAN: Oh, fuck! 760 00:55:23,821 --> 00:55:26,524 Yeah, I think accidents is the wrong word, because, 761 00:55:28,459 --> 00:55:30,595 um, it more... 762 00:55:32,930 --> 00:55:34,432 Um... 763 00:55:34,465 --> 00:55:38,803 that we just get into... that we get ourselves into a space these days. 764 00:55:39,537 --> 00:55:41,506 Where, um... 765 00:55:41,539 --> 00:55:45,643 some sort of magical thing happens, that isn't 766 00:55:45,676 --> 00:55:46,911 to do with, uh, 767 00:55:49,079 --> 00:55:51,982 which isn't to do with knowing, 768 00:55:52,016 --> 00:55:56,053 which isn't to do with knowing at all actually, so... 769 00:55:56,787 --> 00:55:59,390 um... 770 00:55:59,424 --> 00:56:04,929 I mean there are of course, happy accidents and stuff like that, but... 771 00:56:04,962 --> 00:56:10,100 Mostly, um, I find that me and Warren particularly, when we kind of 772 00:56:10,134 --> 00:56:13,738 jam together and stuff like that, we get into, uh... 773 00:56:15,440 --> 00:56:19,810 a situation where a lot of very beautiful things just happen 774 00:56:19,844 --> 00:56:25,149 after each other. And, then we get into a situation where that doesn't happen at all. 775 00:56:25,182 --> 00:56:27,885 And we kind of, um, forever... 776 00:56:30,020 --> 00:56:34,525 um, foraging away for these moments. 777 00:56:40,765 --> 00:56:45,536 NICK: It's a very different collaborative situation with me and Warren that is 778 00:56:45,570 --> 00:56:50,475 with anybody else, that has been working with me. 779 00:56:50,508 --> 00:56:54,044 Because, we actually sit down in a room together and compose 780 00:56:54,078 --> 00:56:55,480 a song together. 781 00:56:57,081 --> 00:56:59,584 * We're beginning our descent 782 00:57:01,051 --> 00:57:04,489 * I never knew What that meant 783 00:57:06,824 --> 00:57:09,159 * We grabbed the oxygen pod 784 00:57:24,241 --> 00:57:28,813 * And I call out the window 785 00:57:32,783 --> 00:57:35,119 * Down here the sea. 786 00:57:38,723 --> 00:57:44,261 And it actually really exciting to sing the same if you're in a room together, 787 00:57:44,294 --> 00:57:46,196 to sing to something, 788 00:57:47,632 --> 00:57:49,667 that you don't know. 789 00:57:49,700 --> 00:57:51,769 You don't know where it's going. 790 00:57:51,802 --> 00:57:53,871 So, I'm singing a melody, 791 00:57:55,205 --> 00:58:01,178 that's being kind of, stretched into all these 792 00:58:01,211 --> 00:58:05,583 into a wholly different way, that I can never come up with myself. 793 00:58:10,087 --> 00:58:12,557 [PLAYING THE VIOLIN] 794 00:58:34,879 --> 00:58:37,648 When I sit at the piano, 795 00:58:37,682 --> 00:58:42,853 I play chords and I know what it's gonna sound like before I press the keys down. 796 00:58:45,956 --> 00:58:50,260 And so you just... it becomes repetitious, there's no way around it. 797 00:58:58,302 --> 00:59:00,170 It's very exciting to have 798 00:59:01,071 --> 00:59:03,307 someone else doing 799 00:59:03,340 --> 00:59:05,042 that side of things. 800 00:59:07,778 --> 00:59:10,948 Because, your melodies aren't dictated by 801 00:59:10,981 --> 00:59:12,116 what you know, 802 00:59:30,134 --> 00:59:33,237 [SKELETON TREE PLAYING] 803 00:59:33,270 --> 00:59:37,341 * Sunday morning 804 00:59:37,374 --> 00:59:41,178 * Scattered in trees 805 00:59:42,713 --> 00:59:45,215 * Pressed against the sky 806 00:59:46,751 --> 00:59:50,655 * The jittery TV 807 00:59:51,756 --> 00:59:54,692 * And an empty bed 808 00:59:57,261 --> 01:00:02,733 * Glowing white like fire 809 01:00:02,767 --> 01:00:06,671 * And I called out the window 810 01:00:10,374 --> 01:00:15,012 * Down to the sea 811 01:00:17,882 --> 01:00:21,886 * And the devil Comes collecting 812 01:00:21,919 --> 01:00:24,822 * For nothing is for free 813 01:00:25,723 --> 01:00:28,893 * And I call out the window 814 01:00:29,927 --> 01:00:35,766 * Jesus rising by 815 01:00:35,800 --> 01:00:38,335 * In a 816 01:00:42,039 --> 01:00:44,775 * Field. 817 01:00:57,087 --> 01:00:58,823 You know, I'm... 818 01:00:59,890 --> 01:01:01,926 to a fault, 819 01:01:01,959 --> 01:01:06,230 have had a thing about words, both, love and respect about 820 01:01:06,263 --> 01:01:11,836 words, but, a kind of fear about words, of where they can actually take you, and... 821 01:01:11,869 --> 01:01:18,142 Um, what they can expose and stuff about you. Words right, that's what that's... 822 01:01:18,175 --> 01:01:21,979 what makes the world go around, if we didn't have any way about 823 01:01:22,012 --> 01:01:25,816 articulating anything, we would have no way of even remembering anything really. 824 01:01:26,884 --> 01:01:30,187 Um... so, 825 01:01:30,220 --> 01:01:34,091 because of that power of words I've really kept them 826 01:01:34,524 --> 01:01:37,094 contained like, 827 01:01:37,127 --> 01:01:39,930 don't let a line go, in my opinion... 828 01:01:39,964 --> 01:01:43,433 I mean, people might just think what I do is shit. I have to forget about that. 829 01:01:43,467 --> 01:01:45,502 But, in my opinion I don't need a line go, 830 01:01:45,535 --> 01:01:47,471 that I'm not really really please with. 831 01:01:47,504 --> 01:01:49,306 Basically, right? 832 01:01:49,339 --> 01:01:51,008 Um, and this record 833 01:01:52,042 --> 01:01:55,813 I have to let go of that, because, 834 01:01:55,846 --> 01:01:58,482 um, the line is successful 835 01:01:58,515 --> 01:01:59,917 for another reason. 836 01:02:00,317 --> 01:02:01,919 [TAPPING] 837 01:02:06,323 --> 01:02:08,425 [ANTHROCENE PLAYING] 838 01:02:08,458 --> 01:02:12,162 * All the fine wind is gone 839 01:02:16,801 --> 01:02:20,204 * And this sweet world is so Much older 840 01:02:25,910 --> 01:02:31,115 * Animals pull the night Around their shoulders 841 01:02:34,819 --> 01:02:40,224 *Flowers fall to their Naked knees 842 01:02:41,225 --> 01:02:45,462 * Here I come now here I come 843 01:02:45,495 --> 01:02:50,467 * I hear you been out there Looking for something to love 844 01:02:54,271 --> 01:02:59,143 * The dark force that shifts At the edge of the tree 845 01:03:00,510 --> 01:03:04,514 * It's alright, it's alright 846 01:03:04,548 --> 01:03:10,220 * When you turn So long and Lovely It's hard to believe 847 01:03:13,357 --> 01:03:20,297 * That we're falling now In the name of the Anthrocene 848 01:03:31,241 --> 01:03:37,447 * All the things we love We love, we love, we lose 849 01:03:40,985 --> 01:03:47,892 * It's our bodies that fall When they try to rise 850 01:03:51,295 --> 01:03:56,901 * And I hear you been looking Out for something to love 851 01:03:59,069 --> 01:04:03,107 * Sit down beside me 852 01:04:03,140 --> 01:04:05,842 * And I'll name it for you 853 01:04:08,478 --> 01:04:13,951 * Behold, behold The heaven bound sea 854 01:04:17,654 --> 01:04:23,160 * The wind cast its shadow And moves for the tree 855 01:04:25,462 --> 01:04:32,469 *Behold the animals And the Birds And the sky entire 856 01:04:32,502 --> 01:04:38,275 * I hear you been out there Looking for something to Set on fire 857 01:04:40,978 --> 01:04:47,484 *The head bow children Fall to their knees 858 01:04:47,517 --> 01:04:53,623 * Humbled in the age Of the Anthrocene 859 01:05:07,972 --> 01:05:11,141 * Here they come now Here they come 860 01:05:11,175 --> 01:05:13,944 * Are pulling you away 861 01:05:15,345 --> 01:05:20,951 * There are powers at play More forceful than we 862 01:05:23,587 --> 01:05:27,224 * Come over here and sit down 863 01:05:27,257 --> 01:05:30,327 * And say a short prayer 864 01:05:32,162 --> 01:05:37,534 * A prayer to the air, the air That we breathe 865 01:05:39,069 --> 01:05:44,408 * And the astonishing rise Of the Anthrocene 866 01:05:45,642 --> 01:05:48,645 * Come on now, come on now 867 01:05:48,678 --> 01:05:52,049 * Hold your breath While you're safe 868 01:05:54,684 --> 01:06:00,557 * It's a long way back And I'm begging you please 869 01:06:00,590 --> 01:06:04,594 * To come home now Come home now 870 01:06:09,233 --> 01:06:15,372 * Well, I heard you been out Looking for something to love 871 01:06:18,275 --> 01:06:22,279 * Close your eyes Little world 872 01:06:22,312 --> 01:06:24,714 * And brace yourself 873 01:06:32,422 --> 01:06:36,660 I don't want to just write songs like a diary, 874 01:06:36,693 --> 01:06:40,430 of what my life is like, I'm not really interested in that. 875 01:06:40,464 --> 01:06:42,666 Um... 876 01:06:42,699 --> 01:06:46,603 I want to write songs that radiate out... that... 877 01:06:46,636 --> 01:06:49,506 connect with people and don't alienate people. 878 01:06:54,344 --> 01:06:56,613 A kind of great... 879 01:06:56,646 --> 01:07:00,284 trauma isn't actually a very good thing, 880 01:07:00,317 --> 01:07:01,918 um... 881 01:07:01,951 --> 01:07:06,423 you know, you kind of... Well sometimes you know, we all wish we have something 882 01:07:06,456 --> 01:07:10,794 to write about. We all wish we have something in our lives, 883 01:07:10,827 --> 01:07:13,830 that can happen. That we can... 884 01:07:13,863 --> 01:07:16,032 that we can, um... 885 01:07:20,104 --> 01:07:22,772 to write about and make our writing interesting. 886 01:07:22,806 --> 01:07:25,742 And all of that sort of stuff. 887 01:07:25,775 --> 01:07:30,114 But, actually trauma actually I think in the way that this happened and, 888 01:07:30,147 --> 01:07:31,548 and in the events that happened, 889 01:07:35,152 --> 01:07:38,388 it was extremely damaging to the creative process. 890 01:07:42,759 --> 01:07:49,099 NICK: Later someone entered the garden and bashed the snakes brains in with a rock. 891 01:07:49,133 --> 01:07:54,238 Basically every one stood around among the long black cars in a state of shock. 892 01:07:56,473 --> 01:08:01,111 Everything got sad, sad as a wind chime. Sad, as stream as, 893 01:08:01,145 --> 01:08:03,280 sad as a single lost sock. 894 01:08:05,382 --> 01:08:10,854 There are many snakes, many trees, many gardens to unlock. 895 01:08:10,887 --> 01:08:16,660 The media and it's complicitors reader blew the whole thing out of proportion. 896 01:08:16,693 --> 01:08:21,731 A snake became a serpent, and in a typical tabloid distortion 897 01:08:21,765 --> 01:08:26,236 the dead tree grew apples, the wasteland paradise, God was brought in 898 01:08:26,270 --> 01:08:28,672 blame apportioned. 899 01:08:28,705 --> 01:08:33,610 The whole thing went tits up to the ceiling. A complete fuck up and a total abortion. 900 01:08:33,643 --> 01:08:34,711 It's like a rap song. 901 01:08:35,879 --> 01:08:40,850 The children let off hand fulls of balloons into the sky, 902 01:08:40,884 --> 01:08:42,486 they huddled under the marquis. 903 01:08:44,954 --> 01:08:46,323 The wind chime stopped. 904 01:08:49,193 --> 01:08:50,394 Stream is flagged. 905 01:08:53,197 --> 01:08:55,332 The straight sailing ships on the sea. 906 01:08:57,967 --> 01:09:02,206 There is a toll gate now in paradise, absolutely nothing is for free. 907 01:09:06,810 --> 01:09:08,345 What's the worst that can happen? 908 01:09:10,547 --> 01:09:13,483 Turning, pushing the hair from you face and smiling at me. 909 01:09:18,955 --> 01:09:22,859 MAN: Do you think it's a good idea to have Suzie coming out of the toilet? 910 01:09:24,594 --> 01:09:27,631 Just from an aesthetic 911 01:09:27,664 --> 01:09:29,699 and emotional and, 912 01:09:29,733 --> 01:09:32,336 How do you feel Suzie? SUZIE: I don't mind. No, no. 913 01:09:32,369 --> 01:09:33,537 It's fine. I don't mind. 914 01:09:33,570 --> 01:09:35,672 [INDISTINCT] 915 01:09:35,705 --> 01:09:39,209 Darling, do you really wanna be photographed pinning and dressed up in the toilet? 916 01:09:39,243 --> 01:09:40,610 It's fine. I don't mind. 917 01:09:40,644 --> 01:09:42,579 Just decide though. Okay. 918 01:09:42,612 --> 01:09:45,915 Well, it probably, oh... MAN: Let's move the camera up there. 919 01:09:45,949 --> 01:09:47,451 Can we avoid seeing th toilet? 920 01:09:47,484 --> 01:09:49,253 You won't see the toilet. 921 01:09:49,286 --> 01:09:51,521 You're not going down into the bowl. 922 01:10:14,944 --> 01:10:16,613 MAN: What d'you think when you look at the picture? 923 01:10:18,682 --> 01:10:20,284 Yeah, things are changed. 924 01:10:20,984 --> 01:10:21,985 Um... 925 01:10:24,053 --> 01:10:25,889 I like that because, uh... 926 01:10:29,459 --> 01:10:34,598 because of the position of our bodies, that we're not, uh, connected. 927 01:10:34,631 --> 01:10:36,366 That we're sorbed in our own... 928 01:10:38,067 --> 01:10:43,740 whatever. And, uh... but there is a real connection as well 929 01:10:43,773 --> 01:10:44,841 at the same time. 930 01:10:50,414 --> 01:10:52,382 Anyway I love that picture. 931 01:10:52,416 --> 01:10:57,654 Actually went to a union psychiatrist, 'cause I had 932 01:10:57,687 --> 01:11:00,990 some problems or whatever. But, when you ended up talking about Suzie all the time because 933 01:11:01,024 --> 01:11:04,461 she's actually much more interesting than I am, 934 01:11:04,494 --> 01:11:08,565 And he was obviously more interested in her as well. 935 01:11:09,065 --> 01:11:11,301 Um, and... 936 01:11:13,002 --> 01:11:17,474 and he said, that it was a kind of untapped 937 01:11:17,507 --> 01:11:21,044 creativity makes... is quite a common thing, actually 938 01:11:21,077 --> 01:11:24,948 to... for... um, 939 01:11:24,981 --> 01:11:28,017 that she's not doing what she's supposed to be doing. 940 01:11:28,051 --> 01:11:30,854 So, it's a common thing for women 941 01:11:31,855 --> 01:11:33,423 to move furniture around. 942 01:11:34,391 --> 01:11:36,360 I mean, what should we do... 2. 943 01:11:36,393 --> 01:11:38,362 Yes? Where can this go? 944 01:11:38,395 --> 01:11:40,997 It can go back to where it was the other day. Back into... 945 01:11:41,030 --> 01:11:44,000 SUZIE: Where was it the other day? It was where? 946 01:11:44,033 --> 01:11:48,338 The bike was there. Yeah. SUZIE: Yeah, but do you want this out of the shot completely. 947 01:11:48,372 --> 01:11:49,573 If you can just get that. 948 01:11:49,606 --> 01:11:51,741 That could go into Nick's office. 949 01:11:51,775 --> 01:11:55,579 NICK: She knows I don't like it, so, um, 950 01:11:55,612 --> 01:11:58,515 tends to happen when I'm not in the house. 951 01:11:58,548 --> 01:12:02,686 And, so I go away and then I come back in and it's different. 952 01:12:02,719 --> 01:12:07,591 You don't mind if I put this back under the... SUZIE: Yeah, that's fine. 953 01:12:07,624 --> 01:12:12,529 NICK: I found this article of this guy up north, who had a similar situation with his wife 954 01:12:12,562 --> 01:12:14,297 and, he would nail... 955 01:12:14,330 --> 01:12:18,702 everything. All the chairs to the ground and everything like that. And she would tear them up 956 01:12:18,735 --> 01:12:23,640 and she'd be... it was like, that chronic. And eventually he divorced her in the end. 957 01:12:24,641 --> 01:12:25,709 But, um... 958 01:12:28,011 --> 01:12:29,779 doesn't bid well for the future. 959 01:12:33,016 --> 01:12:35,819 'Cause it's cropped up in couple of Nick's songs, 960 01:12:35,852 --> 01:12:37,654 I'm like... MAN: Yeah, yeah, yeah. 961 01:12:37,687 --> 01:12:39,923 I'm really embarrassed. MAN: I always thought that 962 01:12:39,956 --> 01:12:44,961 it was some brilliant... He'd come up with some brilliant kind of, 963 01:12:44,994 --> 01:12:47,731 metaphor, you know... SUZIE: Yeah, I know. 964 01:12:47,764 --> 01:12:50,767 Is an actual description. Actual description. 965 01:12:50,800 --> 01:12:55,739 Suzie changes, um, it's better but Suzie actually changes 966 01:12:55,772 --> 01:12:57,907 the function of the room. 967 01:12:57,941 --> 01:13:00,877 While you asleep, right. [LAUGHING] 968 01:13:00,910 --> 01:13:02,479 So that you wake up, 969 01:13:03,680 --> 01:13:07,751 and, yeah it's... it's a different, yeah. 970 01:13:07,784 --> 01:13:11,488 It's like the TV room, when before it was the bedroom or something. 971 01:13:13,022 --> 01:13:15,459 No, I unplug it myself, darling. 972 01:13:15,492 --> 01:13:18,495 The woman keeps it plugged in though. Suzie, I think here... 973 01:13:18,528 --> 01:13:22,031 they should... SUZIE: The boots and everything. Thank you. 974 01:13:24,734 --> 01:13:26,069 NICK: Alright, just take it in and out. 975 01:13:28,738 --> 01:13:30,139 NICK: Oh, fuck. 976 01:13:30,173 --> 01:13:32,075 Because there's, um... SUZIE: Okay. 977 01:13:35,879 --> 01:13:37,947 MAN: Did you see that? That's Nick Cave. 978 01:13:38,915 --> 01:13:40,617 [SUZIE LAUGHS] 979 01:13:40,650 --> 01:13:43,987 Now, should we just see, you can see what's gong on there, Nick. 980 01:13:44,020 --> 01:13:46,456 You can see what you're being photographed by. 981 01:13:46,490 --> 01:13:48,492 NICK: Yeah. 982 01:13:48,525 --> 01:13:51,795 MAN: You just thought that we'd leave the house and you'd be safe from us right? 983 01:13:51,828 --> 01:13:54,598 Yeah. In a sense yeah. 984 01:13:54,631 --> 01:13:57,801 But, we're still filming you, in 3D. 985 01:13:57,834 --> 01:13:59,703 From another location. 986 01:13:59,736 --> 01:14:01,170 Thats amazing. 987 01:14:01,204 --> 01:14:04,941 But, seriously what... what do you think about Suzie's shoes? 988 01:14:06,042 --> 01:14:07,911 Well, let me see her feet. 989 01:14:11,515 --> 01:14:13,617 You see them? 990 01:14:13,650 --> 01:14:16,986 I think you should wear the high heels. Okay. 991 01:14:17,020 --> 01:14:18,187 I'll keep them on. 992 01:14:18,922 --> 01:14:21,591 Alright. Okay. 993 01:14:21,625 --> 01:14:24,961 Now, Suzie, you want to just explain to us the philosophy of the dress? 994 01:14:24,994 --> 01:14:30,667 Yeah, um, okay this dress is based on the American prairie dress, 995 01:14:31,034 --> 01:14:33,069 and, um... 996 01:14:33,102 --> 01:14:36,640 it's, you know, there's some cults that all wear the same dresses... 997 01:14:37,674 --> 01:14:39,543 that was kind of the inspiration, 998 01:14:39,576 --> 01:14:42,579 because I wanted to do them in all these different color pastels. 999 01:14:42,612 --> 01:14:46,082 And I wanted them to be kind of, instead of, being really frumpy that they're really 1000 01:14:46,115 --> 01:14:48,885 see through. Some of them are completely see through. 1001 01:14:48,918 --> 01:14:52,021 And some of them, like, this one is sort of, semi see through. 1002 01:14:52,055 --> 01:14:54,791 We can decide how much you... 1003 01:14:54,824 --> 01:14:56,459 want to reveal. 1004 01:14:56,492 --> 01:15:01,665 MAN: So, its the idea that takes something that is supposed to be deeply conservative, 1005 01:15:01,698 --> 01:15:03,166 and sexualize it. 1006 01:15:03,199 --> 01:15:06,903 Yeah, I guess so. There is that. And it's not that see through. 1007 01:15:06,936 --> 01:15:08,204 So you don't have to worry. 1008 01:15:09,873 --> 01:15:11,274 Since, um, 1009 01:15:11,307 --> 01:15:16,012 you know, since everything that happened my work became something 1010 01:15:16,045 --> 01:15:19,182 different, you know. Before it was something I was doing 1011 01:15:19,215 --> 01:15:23,687 you know, because I was enjoying it and loving it, but, then it became a real necessity, 1012 01:15:23,720 --> 01:15:26,856 I really had to be able to work, 1013 01:15:26,890 --> 01:15:29,325 'cause it was the only thing that would take my mind off everything. 1014 01:15:29,358 --> 01:15:30,193 Yeah. 1015 01:15:32,028 --> 01:15:36,165 SUZIE: I tried to not allow myself, 1016 01:15:36,199 --> 01:15:41,304 to sink down into, you know, I try to... 1017 01:15:41,337 --> 01:15:46,910 You know, to just keep moving forward and keep looking forwards, and just, um... 1018 01:15:46,943 --> 01:15:53,149 But, sometimes, you know, physically sometimes I feel it almost more on my... 1019 01:15:53,182 --> 01:15:58,121 Don't know how to describe it. It's like a physical depression almost. Not 'cause I'm 1020 01:15:58,154 --> 01:16:02,959 depressed, but just the grief process and, you know, and everything like that is very... 1021 01:16:02,992 --> 01:16:07,664 physical but, very you know, my work is so diverting, 1022 01:16:07,697 --> 01:16:10,867 and, I'm so grateful for that. Right. 1023 01:16:10,900 --> 01:16:14,938 Nick tells me, "You're really different when you go..." Nick really encourages 1024 01:16:14,971 --> 01:16:17,774 me to work, and, um, 1025 01:16:17,807 --> 01:16:22,912 people have said to me all that's what... creativity, where it comes from. 1026 01:16:22,946 --> 01:16:27,083 It comes from all other time from pain and from... 1027 01:16:27,116 --> 01:16:30,286 some terrible situations and... 1028 01:16:30,319 --> 01:16:33,890 And, then I realized that that's what was happening to me. 1029 01:16:34,991 --> 01:16:36,259 You know, in a small way. 1030 01:16:39,896 --> 01:16:44,233 I haven't got anything I can say any words of... 1031 01:16:44,267 --> 01:16:50,173 wisdom or anything about it. Because, I'm not at that... I don't know if I ever will be. 1032 01:17:02,886 --> 01:17:04,420 [INDISTINCT] 1033 01:17:04,453 --> 01:17:05,922 MAN: Suzie, can tell us what it is? 1034 01:17:07,356 --> 01:17:08,758 Um... 1035 01:17:08,792 --> 01:17:09,926 [WHISPERS] It's difficult. 1036 01:17:12,896 --> 01:17:13,897 I'm gonna cry. 1037 01:17:14,297 --> 01:17:15,298 [GULPS] 1038 01:17:18,968 --> 01:17:26,175 Um, well, after Arthur died I found this in storage. 1039 01:17:26,209 --> 01:17:32,048 I just couldn't believe it when I saw it because, it's a painting that he did when he was 1040 01:17:32,081 --> 01:17:37,386 how old? About five or, something like that? And it was... it's of the windmill, 1041 01:17:40,056 --> 01:17:41,324 and, you know, just where died. 1042 01:17:44,193 --> 01:17:46,062 Um... 1043 01:17:46,095 --> 01:17:49,833 And Earl did one as well. There's two of them. 1044 01:17:49,866 --> 01:17:54,437 Um, and then I found this one and I just kind of couldn't believe it. 1045 01:17:58,107 --> 01:18:01,845 I sort of hid it for a while, I didn't want to show Nick, I didn't know what to 1046 01:18:01,878 --> 01:18:03,780 do with it, 1047 01:18:03,813 --> 01:18:08,017 and, I was upset that it's framed in black and why it's framed in black. 1048 01:18:08,051 --> 01:18:09,318 I don't know why? 1049 01:18:09,352 --> 01:18:12,221 Um, because it was framed a long time ago, 1050 01:18:12,255 --> 01:18:16,125 and it kind of, freaked me out as well. 'Cause I thought "Why is it framed in black?" 1051 01:18:16,159 --> 01:18:17,260 You know, maybe that's... 1052 01:18:19,228 --> 01:18:24,000 you know, it's been really superstitious, and, um, anyway yeah. 1053 01:18:24,033 --> 01:18:25,902 But, I'm... I don't really know 1054 01:18:27,771 --> 01:18:28,972 what else to say about it. Really. 1055 01:18:36,780 --> 01:18:37,981 Yeah. 1056 01:18:41,918 --> 01:18:43,486 Put it over here? Yeah. 1057 01:18:59,035 --> 01:19:00,036 [SIGHS] 1058 01:19:03,172 --> 01:19:07,210 NICK: There is more paradise in hell than what we've been told. 1059 01:19:07,243 --> 01:19:10,980 And every step we take, we stop from blue. 1060 01:19:11,014 --> 01:19:13,016 Lie down and bleed into the water hole. 1061 01:19:15,151 --> 01:19:18,221 And so, the night, it will in time unfold. 1062 01:19:18,254 --> 01:19:21,457 Curled up inside my palm and it's sleeping too. 1063 01:19:21,490 --> 01:19:25,461 There is more paradise in hell than we've been told. 1064 01:19:25,494 --> 01:19:28,898 From your lashes tumble stars of gold, 1065 01:19:28,932 --> 01:19:32,068 star lashes, little splashes of dew. 1066 01:19:32,101 --> 01:19:34,770 Spill across the world and through my soul. 1067 01:19:36,139 --> 01:19:39,375 Now call your tiny animals to the drinking hole. 1068 01:19:39,408 --> 01:19:43,346 Little cat, little bear, little fire horse, little kangaroo, 1069 01:19:43,379 --> 01:19:46,950 there is more paradise in hell than we've been told. 1070 01:19:46,983 --> 01:19:50,920 Little cat, little fire horse with a shivering foal. 1071 01:19:50,954 --> 01:19:54,057 Curled in my demon palm and dreaming too. 1072 01:19:54,090 --> 01:19:57,526 And, all across the world the night night unfolds. 1073 01:19:57,560 --> 01:20:00,897 And all across the night and through my soul. 1074 01:20:00,930 --> 01:20:04,500 But, every step we take we start from blue. 1075 01:20:04,533 --> 01:20:06,936 Fresh tears bleed into the water hole. 1076 01:20:09,138 --> 01:20:11,574 There is more paradise in hell than we've been told. 1077 01:20:21,650 --> 01:20:26,122 You need... The imagination needs room to move. 1078 01:20:26,155 --> 01:20:28,524 It needs room to invent. 1079 01:20:28,557 --> 01:20:32,428 Um, and to dream, and when 1080 01:20:32,461 --> 01:20:36,900 a trauma happens, that's that big... 1081 01:20:36,933 --> 01:20:40,970 It is no room, it's just no imaginative room around it. 1082 01:20:41,004 --> 01:20:42,405 It's just the fucking trauma. 1083 01:20:44,307 --> 01:20:47,576 Um, and I think that was... 1084 01:20:47,610 --> 01:20:51,981 that was what the problem was when I tried to do new songs in the studio. 1085 01:20:54,050 --> 01:20:56,185 It's almost like the songs, uh... 1086 01:20:57,420 --> 01:21:00,556 that songs that you had written, uh... 1087 01:21:03,126 --> 01:21:07,463 in a way... maybe there were songs you might have needed. 1088 01:21:10,366 --> 01:21:13,136 I don't know. I don't know about the songs. 1089 01:21:13,169 --> 01:21:15,571 Because the songs do seem to have a... 1090 01:21:17,306 --> 01:21:19,308 The... Um... 1091 01:21:22,178 --> 01:21:24,513 There's a sense of helplessness in the songs. 1092 01:21:24,547 --> 01:21:27,416 Yeah. Well, you know... You know. 1093 01:21:29,986 --> 01:21:34,157 When we... you know, it's sort of talking about this prophetic nature of all of them, 1094 01:21:34,190 --> 01:21:37,226 that sort of stuff, I mean we gotta take that with a pinch of salt. 1095 01:21:37,260 --> 01:21:39,495 Yeah. You know, um... 1096 01:21:41,264 --> 01:21:44,567 And I don't really care about their prophetic, 1097 01:21:44,600 --> 01:21:47,170 they're not important enough. 1098 01:21:47,203 --> 01:21:49,939 At this stage... 1099 01:21:49,973 --> 01:21:53,676 but, the way that they've been presented, the way that... 1100 01:21:53,709 --> 01:21:55,511 the way that you hear them on this record. 1101 01:21:59,582 --> 01:22:03,486 It's very much because of the emotional state, 1102 01:22:03,519 --> 01:22:06,455 just... not just of myself but, everybody actually. 1103 01:22:06,489 --> 01:22:08,224 In the studio when we were doing that... 1104 01:22:09,458 --> 01:22:11,727 it's... it's, um, 1105 01:22:11,760 --> 01:22:17,266 the kind of state we were all in gave us, I think a confidence just to allow this thing 1106 01:22:17,300 --> 01:22:21,537 to go out like it was. This document to go out like it was. 1107 01:22:21,570 --> 01:22:26,642 Um, which we wouldn't have done if events were different, you know. 1108 01:22:26,675 --> 01:22:30,713 Fix this up and we would have redone this and, um... 1109 01:22:34,117 --> 01:22:39,122 There's something about the naked nature of the songs that have 1110 01:22:39,155 --> 01:22:40,256 um... 1111 01:22:41,757 --> 01:22:43,159 Alpha. 1112 01:22:44,493 --> 01:22:47,263 Or, you know... 1113 01:22:48,564 --> 01:22:50,166 all through. 1114 01:22:51,667 --> 01:22:52,668 So we're here. 1115 01:22:56,139 --> 01:22:57,373 [BUTTON CLICKS] 1116 01:23:00,243 --> 01:23:03,412 [INSTRUMENTAL MUSIC PLAYING] 1117 01:23:16,659 --> 01:23:19,562 [I NEED YOU PLAYING] 1118 01:23:47,690 --> 01:23:52,761 * When you're feeling Like a lover 1119 01:23:52,795 --> 01:23:58,334 * Nothing really Matters anymore 1120 01:23:59,302 --> 01:24:02,571 * I saw you standing there 1121 01:24:02,605 --> 01:24:06,709 * In the supermarket 1122 01:24:06,742 --> 01:24:13,716 * With your red dress falling And your eyes are to The ground 1123 01:24:15,818 --> 01:24:20,289 * Nothing really matters 1124 01:24:20,323 --> 01:24:27,096 * Nothing really matters When the one you love is gone 1125 01:24:28,464 --> 01:24:31,467 * You're still in me, baby 1126 01:24:32,168 --> 01:24:35,704 * I need you 1127 01:24:41,344 --> 01:24:46,782 * In my heart, I need you 1128 01:24:52,888 --> 01:24:57,460 * Cause nothing Really matters 1129 01:24:57,493 --> 01:25:01,630 * I'm standing in the doorway 1130 01:25:01,664 --> 01:25:07,836 * You're walking around my Place in your red dress 1131 01:25:07,870 --> 01:25:12,408 * Hair hanging down 1132 01:25:12,441 --> 01:25:18,514 * With your eyes on one, we Love the ones we can 1133 01:25:18,547 --> 01:25:23,619 * Cause nothing really matters When you're standing 1134 01:25:31,760 --> 01:25:37,366 * I need you, I need you 1135 01:25:40,703 --> 01:25:45,674 * Cause nothing Really matters 1136 01:25:45,708 --> 01:25:51,847 * We follow the line of The palms of our hands 1137 01:25:51,880 --> 01:25:56,585 * You're standing In the supermarket 1138 01:25:56,619 --> 01:25:59,788 * Nothing, holding hands 1139 01:25:59,822 --> 01:26:05,361 * In your red dress, falling 1140 01:26:05,394 --> 01:26:09,198 * Falling, Falling in 1141 01:26:09,232 --> 01:26:14,603 * A long black car is Waiting 'round 1142 01:26:14,637 --> 01:26:19,908 * I will miss you When you're gone 1143 01:26:19,942 --> 01:26:26,782 * I'll miss you when you're Gone away forever 1144 01:26:26,815 --> 01:26:31,254 * Cause nothing Really matters 1145 01:26:31,287 --> 01:26:36,759 * I thought I knew better So much better 1146 01:26:36,792 --> 01:26:40,863 * And I need you 1147 01:26:47,002 --> 01:26:51,407 * I need you 1148 01:26:56,379 --> 01:27:00,683 * Cause nothing Really matters 1149 01:27:00,716 --> 01:27:05,421 * On the night we Wrecked like a train 1150 01:27:05,454 --> 01:27:09,725 * Purring cars And pouring rain 1151 01:27:09,758 --> 01:27:15,698 * Never felt right about Never again 1152 01:27:15,731 --> 01:27:20,269 * Cause nothing Really matters 1153 01:27:20,303 --> 01:27:25,541 * Nothing really Matters anymore 1154 01:27:25,574 --> 01:27:27,743 * Not even today 1155 01:27:27,776 --> 01:27:32,014 * No matter how hard I try 1156 01:27:34,049 --> 01:27:39,488 * When you're standing in The aisle 1157 01:27:40,723 --> 01:27:44,393 * And no, baby 1158 01:27:44,427 --> 01:27:49,998 * Nothing, nothing, nothing 1159 01:27:51,367 --> 01:27:54,370 * Nothing 1160 01:27:55,904 --> 01:28:02,478 * I need, I need, I need you 1161 01:28:04,613 --> 01:28:09,752 * I need you 1162 01:28:14,723 --> 01:28:17,926 * In my heart 1163 01:28:17,960 --> 01:28:22,064 * I need you 1164 01:28:25,000 --> 01:28:28,737 * Just breathe, just breathe 1165 01:28:29,438 --> 01:28:36,379 * I need you 1166 01:28:48,591 --> 01:28:50,426 [MUSIC FADES] 1167 01:28:55,831 --> 01:28:59,001 There are things that are being torn apart, 1168 01:28:59,034 --> 01:29:03,105 and I'm desperately trying to find 1169 01:29:03,138 --> 01:29:07,876 a way of making some kind of, um... 1170 01:29:07,910 --> 01:29:12,014 narrative sense out of it, if we're talking about song writing, or, at least 1171 01:29:12,047 --> 01:29:15,418 some sense out of it where, um... 1172 01:29:15,451 --> 01:29:21,056 over the... I can do what it keeps saying in the books. What people keep saying to me 1173 01:29:21,089 --> 01:29:26,495 that It's, uh... that I can reduce this chaotic... 1174 01:29:26,529 --> 01:29:30,566 mess that's happened down into something that... 1175 01:29:30,599 --> 01:29:31,634 that's more um... 1176 01:29:34,870 --> 01:29:39,074 You know, that I can reduce, distill it down to like 1177 01:29:39,107 --> 01:29:43,979 a platitude that I can fit nicely you know, a kind of greeting card 1178 01:29:44,012 --> 01:29:46,148 sized platitude, 1179 01:29:46,181 --> 01:29:50,118 that means something to me, like, "He lives in my heart", or something like that. 1180 01:29:50,152 --> 01:29:52,721 People say it all the time to me. 1181 01:29:52,755 --> 01:29:56,525 "He lives in my heart", and I go, "Yeah, yeah, I know, I know". 1182 01:29:56,559 --> 01:29:58,827 But, he doesn't you know. MAN: He doesn't? 1183 01:29:58,861 --> 01:30:03,065 I mean, he is in my heart but, he doesn't live at all. 1184 01:30:03,098 --> 01:30:07,803 And, there is no... I wanna be able to sit here and... 1185 01:30:10,005 --> 01:30:15,143 round this off in some kind of way. But, to me it's just not. 1186 01:30:16,679 --> 01:30:18,447 You know, it's just not... 1187 01:30:23,952 --> 01:30:28,791 things... it's affected me in a way that I don't understand. 1188 01:30:28,824 --> 01:30:33,862 So, then my reactions to things aren't, um, 1189 01:30:33,896 --> 01:30:37,800 the same as they used to, and they used to be able to predict what would... 1190 01:30:37,833 --> 01:30:40,669 I would feel at certain times and now... 1191 01:30:40,703 --> 01:30:42,571 um... 1192 01:30:42,605 --> 01:30:45,841 I just have a handle on things anymore. 1193 01:30:46,809 --> 01:30:50,579 Um... What's that like? 1194 01:30:50,613 --> 01:30:53,949 Well, it's frightening because, uh... 1195 01:30:53,982 --> 01:30:56,451 like, I don't know what I'm fucking doing now. 1196 01:30:56,885 --> 01:30:58,120 For example. 1197 01:30:58,153 --> 01:31:01,557 What am I sitting in a... in a... camera... 1198 01:31:02,791 --> 01:31:06,194 being filmed, talking about this sort of thing. 1199 01:31:06,228 --> 01:31:09,164 I wouldn't have dreamed of doing that before. 1200 01:31:09,197 --> 01:31:11,767 MAN: Well, I'm not sure that I feel entirely comfortable about it either. 1201 01:31:11,800 --> 01:31:13,135 [LAUGHING] 1202 01:31:13,168 --> 01:31:14,503 I don't know either. 1203 01:31:16,672 --> 01:31:21,109 [DISTANT SKY PLAYING] 1204 01:31:25,614 --> 01:31:28,684 * Let us go now 1205 01:31:33,956 --> 01:31:36,491 * My one true love 1206 01:31:38,193 --> 01:31:40,663 * Call the gasman 1207 01:31:41,263 --> 01:31:44,099 * Cut the power out 1208 01:31:46,134 --> 01:31:50,005 * We can set out 1209 01:31:50,038 --> 01:31:53,141 * We can set out For the distant sky 1210 01:31:56,078 --> 01:32:01,550 * Watch the sun Watch it rising 1211 01:32:04,186 --> 01:32:06,589 * In your eyes 1212 01:32:26,709 --> 01:32:30,846 * Let us go now 1213 01:32:31,847 --> 01:32:38,320 * My darling companion 1214 01:32:45,928 --> 01:32:48,163 * Set out 1215 01:32:48,196 --> 01:32:55,170 * For the distant sky 1216 01:33:05,948 --> 01:33:10,819 * See the sun See it rising 1217 01:33:13,789 --> 01:33:18,293 * See it rising 1218 01:33:18,326 --> 01:33:23,832 * Rising in your eyes 1219 01:33:41,349 --> 01:33:44,687 * Let us go now 1220 01:33:46,288 --> 01:33:51,760 * My only companion 1221 01:34:00,736 --> 01:34:05,173 * Set out for 1222 01:34:06,308 --> 01:34:11,847 * The distant skies 1223 01:34:19,487 --> 01:34:24,459 * Soon the children 1224 01:34:24,492 --> 01:34:28,130 * Will be rising 1225 01:34:29,031 --> 01:34:34,903 * Will be rising 1226 01:34:34,937 --> 01:34:41,910 * This is not for our eyes 1227 01:34:57,159 --> 01:35:02,330 * They told us our gods Would outlive us 1228 01:35:04,332 --> 01:35:09,772 * They told us our dreams Would outlive us 1229 01:35:12,775 --> 01:35:18,346 * They told us our gods Would outlive us 1230 01:35:20,548 --> 01:35:24,987 * But they lied 1231 01:35:34,897 --> 01:35:37,332 [VIOLIN PLAYING] 1232 01:36:25,313 --> 01:36:27,382 [MUSIC FADES] 1233 01:36:42,330 --> 01:36:46,268 NICK: I'm driving in a car along the M25, 1234 01:36:46,301 --> 01:36:52,240 and I'm driving in a car along the M25, on a tiny blue spec trapped in a moon beam. 1235 01:36:56,011 --> 01:37:00,949 I'm looking out the window, and up at the countless and indifferent stars. 1236 01:37:02,517 --> 01:37:04,052 I am barely a child, really. 1237 01:37:06,088 --> 01:37:08,490 The blue spec spins in a dark field, 1238 01:37:10,258 --> 01:37:14,529 that began 15 billion years ago. 1239 01:37:14,562 --> 01:37:19,467 I'm driving home from the studio where I've been making a record. 1240 01:37:19,501 --> 01:37:23,872 I'm feeling what every person who makes a record probably feels. 1241 01:37:23,906 --> 01:37:28,176 That I am making something of great significance, and permanence. 1242 01:37:28,210 --> 01:37:33,281 Even though in reality I know what I've committed my self to is of no real significance. 1243 01:37:34,449 --> 01:37:35,951 And, no real permanence. 1244 01:37:39,654 --> 01:37:44,192 But, I have something that the universe has not 1245 01:37:44,226 --> 01:37:45,560 never has had. 1246 01:37:45,593 --> 01:37:47,262 And will never have. 1247 01:37:48,463 --> 01:37:49,531 Consciousness. 1248 01:37:53,035 --> 01:37:58,173 My consciousness exists only at this given time, it has no past. 1249 01:37:58,206 --> 01:38:00,642 And no future. 1250 01:38:00,675 --> 01:38:06,014 But, it's present, is bigger in magnitude than all the trillion stars 1251 01:38:06,048 --> 01:38:07,382 and planets, and galaxies. 1252 01:38:18,460 --> 01:38:19,461 There's no, um... 1253 01:38:21,596 --> 01:38:26,201 it... you know, I can put it in different ways with... 1254 01:38:26,234 --> 01:38:30,939 and make it sound nice and stuff like that, what happened, and... 1255 01:38:30,973 --> 01:38:36,078 you just kind of, tied up in language and stuff like that, but, actually... 1256 01:38:36,111 --> 01:38:39,614 every time I try and articulate it just... just... 1257 01:38:40,983 --> 01:38:44,519 does the whole... does him a disservice. 1258 01:38:44,552 --> 01:38:46,021 That's what it feels like to me. 1259 01:38:50,692 --> 01:38:52,527 You know, 'cause it's... 1260 01:38:52,560 --> 01:38:54,462 it happened to us but, to happened to him. 1261 01:39:09,111 --> 01:39:10,945 Um, and that's um... 1262 01:39:13,515 --> 01:39:18,053 like the day, or the night, and around that time is, um... 1263 01:39:20,455 --> 01:39:22,157 is like this place... 1264 01:39:25,760 --> 01:39:27,662 you just don't wanna go, 1265 01:39:27,695 --> 01:39:29,264 you know. It's like... 1266 01:39:29,297 --> 01:39:32,100 all the rest around is okay, I can 1267 01:39:32,134 --> 01:39:37,272 deal with that. I can deal with that. It's okay. In fact that's something I wanted to say... 1268 01:39:38,140 --> 01:39:39,774 is that... 1269 01:39:39,807 --> 01:39:43,345 if everything is not okay, but, it's also okay. 1270 01:39:43,378 --> 01:39:47,782 Right? Things go on, and, you know, if 1271 01:39:47,815 --> 01:39:50,552 anyone's interested, the records go on. 1272 01:39:50,585 --> 01:39:52,420 And, we're still going what we do. 1273 01:39:53,288 --> 01:39:54,489 Um, and the work goes on. 1274 01:39:55,790 --> 01:39:57,425 Um... 1275 01:39:57,459 --> 01:39:59,627 And, in that respect things... 1276 01:40:01,196 --> 01:40:02,630 continue. 1277 01:40:07,602 --> 01:40:09,704 Can we hear the, uh... 1278 01:40:09,737 --> 01:40:12,507 song please? Jake, where ever you are. 1279 01:40:15,310 --> 01:40:17,679 What ever, we just want to see how it goes. 1280 01:40:18,446 --> 01:40:19,681 Okay. 1281 01:40:21,483 --> 01:40:23,385 NICK: Can you do one one way, and one they other way? 1282 01:40:23,418 --> 01:40:24,686 Here we go guys, And... 1283 01:40:24,719 --> 01:40:26,621 [CLICK] We're rolling. 1284 01:40:33,128 --> 01:40:34,096 [SKELETON TREE PLAYING] 1285 01:40:39,834 --> 01:40:42,637 * Sunday morning 1286 01:40:43,771 --> 01:40:46,108 * Skeleton tree 1287 01:40:48,476 --> 01:40:51,646 * Oh, nothing is for free 1288 01:40:55,717 --> 01:41:00,288 * In the window, a candle 1289 01:41:03,791 --> 01:41:07,495 * Well, maybe you can see 1290 01:41:11,666 --> 01:41:18,140 * Fallen leaves thrown Against the sky 1291 01:41:19,707 --> 01:41:23,245 * A jittery TV 1292 01:41:26,648 --> 01:41:30,752 * Glowing white like fire 1293 01:41:34,889 --> 01:41:38,626 * Nothing is for free 1294 01:41:42,264 --> 01:41:45,433 * I called out 1295 01:41:46,468 --> 01:41:49,237 * I called out 1296 01:41:50,638 --> 01:41:54,176 * Right across the sea 1297 01:41:58,180 --> 01:42:02,184 * But the echo comes Back empty 1298 01:42:05,953 --> 01:42:09,324 * Nothing is for free 1299 01:42:14,296 --> 01:42:16,598 [INSTRUMENTAL MUSIC PLAYING] 1300 01:42:43,458 --> 01:42:46,228 * Sunday morning 1301 01:42:47,395 --> 01:42:49,431 * Skeleton tree 1302 01:42:52,334 --> 01:42:55,570 * Pressed against the sky 1303 01:43:00,007 --> 01:43:02,810 * The jittery TV 1304 01:43:06,514 --> 01:43:11,586 * Glowing white like fire 1305 01:43:14,689 --> 01:43:18,560 * And I called out 1306 01:43:18,593 --> 01:43:20,928 * I called out 1307 01:43:23,565 --> 01:43:26,568 * Right across the sea 1308 01:43:30,638 --> 01:43:33,608 * And I called out 1309 01:43:33,641 --> 01:43:36,311 * I called out 1310 01:43:38,480 --> 01:43:41,716 * Nothing is for free 1311 01:43:42,584 --> 01:43:45,287 * And it's 1312 01:43:46,521 --> 01:43:49,824 * Alright 1313 01:43:51,793 --> 01:43:53,528 * Now 1314 01:43:57,499 --> 01:43:59,567 * And it's 1315 01:44:01,403 --> 01:44:04,339 * Alright 1316 01:44:06,741 --> 01:44:08,310 * Now 1317 01:44:12,647 --> 01:44:14,716 * And it's 1318 01:44:16,618 --> 01:44:19,521 * Alright 1319 01:44:22,089 --> 01:44:23,625 * Now. 1320 01:44:34,902 --> 01:44:38,306 Anyway, that's what I mean, you know... 1321 01:44:38,340 --> 01:44:42,377 All of this stuff that I'm saying now it just... it feels like, 1322 01:44:42,410 --> 01:44:44,712 it's just a lot of bullshit to me. 1323 01:44:44,746 --> 01:44:47,782 You know, it may mean something but, in the end, 1324 01:44:49,050 --> 01:44:51,919 in the end there's something that happened, 1325 01:44:53,788 --> 01:44:59,661 um, and there's a kind of, like a ring around that event... 1326 01:45:01,028 --> 01:45:02,797 um, it's fenced off. 1327 01:45:07,034 --> 01:45:11,406 And, everything else is okay around it but, there's just something that happened 1328 01:45:11,439 --> 01:45:15,677 in that short space of time that we can never get that far away from. 1329 01:45:16,778 --> 01:45:17,879 That we're, uh... 1330 01:45:18,746 --> 01:45:20,648 You probably don't want to. 1331 01:45:20,682 --> 01:45:23,718 Well, it's I think, you know, when I looked at the film back there was 1332 01:45:23,751 --> 01:45:26,454 something I was rattling all about time being elastic. 1333 01:45:26,488 --> 01:45:27,922 Yeah. And that is 1334 01:45:27,955 --> 01:45:32,727 I think, that's what I meant that we're attached to this 1335 01:45:32,760 --> 01:45:37,765 event. And that we move away like that and we're line on a rubber band. 1336 01:45:37,799 --> 01:45:41,636 And life can go on, and on, and on, but eventually, 1337 01:45:41,669 --> 01:45:44,739 it just keeps coming back to that thing. And that's, uh... 1338 01:45:47,742 --> 01:45:50,612 that's some kind of trauma, I guess. 1339 01:45:56,918 --> 01:46:00,755 NICK: It's strange reading those scripts back, those, 1340 01:46:01,989 --> 01:46:03,791 lyrics... 1341 01:46:03,825 --> 01:46:05,026 from my song book back. 1342 01:46:08,195 --> 01:46:11,833 And, you know, they're okay. 1343 01:46:13,468 --> 01:46:15,136 They're actually kind of beautiful really. 1344 01:46:17,605 --> 01:46:20,174 But, at the time they never revealed themselves as such. 1345 01:46:20,207 --> 01:46:21,909 And they just thought that I was writing 1346 01:46:22,610 --> 01:46:23,845 a lot of rubbish. 1347 01:46:27,815 --> 01:46:29,116 That was one of the things I lost. 1348 01:46:31,553 --> 01:46:33,955 That was one of the things that I lost hard. 1349 01:46:36,691 --> 01:46:38,826 A sense of belief in myself. 1350 01:46:41,128 --> 01:46:42,764 Like I had fucked up bad. 1351 01:46:44,799 --> 01:46:48,870 The me and Suzie had looked away for a terrible moment. 1352 01:46:48,903 --> 01:46:51,473 And this reflected savagely on everything else. 1353 01:46:54,041 --> 01:46:56,944 My belief in the good in things in the world. 1354 01:46:58,480 --> 01:47:00,848 In ourselves, evaporated. 1355 01:47:06,854 --> 01:47:09,591 But, you know, after a while, after a time, 1356 01:47:11,025 --> 01:47:13,094 Suzie and I decided to be happy. 1357 01:47:14,796 --> 01:47:18,900 This happiness seemed to be an act of revenge. 1358 01:47:21,669 --> 01:47:23,137 An act of defiance. 1359 01:47:27,675 --> 01:47:30,478 To care about each other, and everyone else. 1360 01:47:31,746 --> 01:47:33,080 And to be careful. 1361 01:47:34,148 --> 01:47:35,617 To be careful with each other. 1362 01:47:37,118 --> 01:47:38,653 And the ones around us. 1363 01:47:49,831 --> 01:47:53,901 * I'm walking through Deep water 1364 01:47:55,069 --> 01:47:58,606 * It's all but I can do 1365 01:48:02,109 --> 01:48:05,747 * I'm walking through Deep water 1366 01:48:07,682 --> 01:48:11,786 * Trying to get to you 1367 01:48:14,622 --> 01:48:19,527 * Your face is hidden from me But your love is not 1368 01:48:19,561 --> 01:48:24,265 * I will not reach for other Things till I know what I have got 1369 01:48:24,298 --> 01:48:30,271 * I'm walking through Deep water Trying to get to you 1370 01:48:34,208 --> 01:48:37,111 * I'm walking through Deep water 1371 01:48:39,581 --> 01:48:44,218 * I have no time to lose 1372 01:48:46,921 --> 01:48:51,593 * I'm walking through Deep water 1373 01:48:51,626 --> 01:48:55,897 * There's nothing Left to choose 1374 01:48:58,933 --> 01:49:03,738 * This little heart of mine Got loaded up with chains 1375 01:49:03,771 --> 01:49:08,976 * The world just swirls Around me The water makes its claim 1376 01:49:09,010 --> 01:49:14,015 * I'm walking through Deep water Trying to get to you 1377 01:49:18,953 --> 01:49:22,023 * Who will calm my fears? 1378 01:49:23,725 --> 01:49:28,830 * Who will drive my tears away 1379 01:49:28,863 --> 01:49:32,333 * Who will calm my fears? 1380 01:49:33,835 --> 01:49:37,805 * Who will drive my Tears away 1381 01:49:47,214 --> 01:49:51,218 * I'm walking through Deep water 1382 01:49:52,419 --> 01:49:56,223 * Nearer to the sea 1383 01:49:59,326 --> 01:50:04,165 * I'm asking the deep water 1384 01:50:04,198 --> 01:50:08,035 * Don't take my love from me 1385 01:50:11,438 --> 01:50:16,043 * I'll dance with little ladies With a hundred just like me 1386 01:50:16,077 --> 01:50:20,915 * They hold their breath And hesitate And dance beneath the sea 1387 01:50:20,948 --> 01:50:26,387 * I'm walking through Deep water Trying to get to you * 1388 01:50:31,859 --> 01:50:36,063 [MUSIC FADES] 1389 01:50:43,104 --> 01:50:46,640 NICK: One, two, three, four... 1390 01:50:47,875 --> 01:50:49,944 * Come one 1391 01:50:51,913 --> 01:50:55,116 * Morning comes 1392 01:50:58,152 --> 01:51:02,223 * A jittery TV 1393 01:51:05,960 --> 01:51:08,696 * I call out the window 1394 01:51:08,730 --> 01:51:11,265 * When the morning comes 1395 01:51:13,034 --> 01:51:15,803 * Nothing is for free 1396 01:51:18,172 --> 01:51:24,712 * Nothing is for free 1397 01:51:33,755 --> 01:51:36,891 * Fire 1398 01:51:38,159 --> 01:51:41,095 * Nothing 1399 01:51:42,229 --> 01:51:45,967 * Can narrow the bed 1400 01:51:46,000 --> 01:51:52,139 * Glowing white like fire 1401 01:51:52,173 --> 01:51:58,279 * And I called out the window 1402 01:52:00,547 --> 01:52:05,052 * Down in the sea 1403 01:52:08,289 --> 01:52:12,393 * But the echo Comes back in, dear 1404 01:52:12,426 --> 01:52:16,230 * 'Cause nothing is for free 1405 01:52:16,263 --> 01:52:19,801 * And I called out the window 1406 01:52:19,834 --> 01:52:24,505 * Skeleton tree 1407 01:52:37,852 --> 01:52:40,054 [MUSIC FADES] 1407 01:52:41,305 --> 01:52:47,670