Transfer Language by TZ17
WORLD NIGHT
- Hey, man, how are you?
Good.
What do you say our turn is upside down sullen?
- This is the first bit for that, right?
- Are you kidding me?
Here is never too early for winter.
OK, let's take a walk.
Maybe there is a good one.
Come on.
You look like garbage.
- Thank you.
- Same.
Can you get enough sleep?
- A difficult night.
- A nightmare again?
- Never leave.
This one is a little different,
but they always end with him...
Look at humans, we don't have to continue doing this.
- Yes, we do, that's why I'm here.
Dude, you have to do something about your dream.
- Try it.
They are increasingly difficult to break away.
- Then continue.
- I can't do that, Alex, you know that.
The tree there is my place meet Anna for the first time.
Here, near the water, where we do the first kiss.
This is his home, our home.
I tried to leave, but I can't.
It's just that,
I can't.
- You always like sunset.
- Every sunset is beautiful.
- Remember that day near the lake?
It was very pleasant at the time.
- Of course.
A simpler time, when we are happy.
- What do you mean?
We are now happy, right?
I dreamed about you last night.
Many dreams about you lately.
Do you think that means?
You are in the lake alone, rowing.
I call and call you,
but you don't answer it.
I don't know, maybe you can't hear me
along the way out there.
I mean, it's a dream.
And then you turn to me and you wave your hand.
And like that you go.
It's hard to believe how fast
darkness sneaks all the way here.
- Night will fall
- What do you say?
Anna.
No, no!
- Hey, man, everything is ok?
- I, um, sorry I'm late calling.
- It's OK, I'm still working.
What's wrong?
Brett, are you there?
- I'm here.
You are right.
I have to leave this place.
- Do you want me to call or not?
- You really think I have to go to Sofia?
- I'll leave.
This is an amazing city and with your background
You are very suitable for a show.
Ready to try it for a few weeks.
If you don't like it, come back here
and we will go back to drinking beer,
find something else.
Thank you.
- OK? - Who is the client?
- Let's call and find out.
- Make a call.
- Are you ready? - I'm ready, I'll contact you when I arrive there.
- Yes, of course, and remember,
You don't like it, we use plan B.
- What is plan B?
- There is no plan B! now get out of here.
- Take care of him for me, okay?
- Yes.
- Ah, America?
- Yes, Los Angeles.
- Me, I speak American.
I mean, I speak English, but you know what I mean.
Where do you learn Bulgarian?
- My wife.
I have lived in Varna for the past three years.
Even though it's a little rusty.
No, don't really speak .
- They survived the bombing.
- Excuse me?
- Building.
You wonder why that looks so out of place
- on the road like this. - Good.
- That's the only that survives.
- Bad missile returns 99 blows here?
- Oh no, that's further.
Closer to the border Serbia, actually.
This building is far older than that.
- Sorry.
Who is it?
- I'm sorry.
Please, forgive my manners.
I'm Martin Barker and this is here
is my partner, Goran Stoichkov.
We have been waiting for you, Mr. Anderson.
Or can I call you Brett?
- Brett only.
So you both have this place?
- No, well, Martin runs it and I help him,
but the property is really owned by a company in the US.
- Let's go inside.
Do an interview in my office, I can show it to you.
- Wow.
Impressive.
- Yes.
This is really something else, right?
Come on in.
- Tell me, Brett.
How many years have you been
in the Department of Los Angeles Police Department?
- 15 years, fourth pension.
- How many years have you lived in Varna?
- Uh, three years and some changes.
- If you don't mind I ask, why is Varna?
I mean, this is a strange choice for Americans.
- Go there on vacation and never leave.
- Varna is where you meet with your wife, really?
- My wife?
Yes, I met him on a lake there.
What does it have to do with by interview?
- I have to apologize, Brett, but I'm sure you can understand
remember the position offered,
it's important for us to know as many as possible about potential candidates.
- Maybe I missed something in the job description,
but what to do my dead wife?
with me hired or not?
- I'm sorry, Brett.
I,
We don't mean to offend.
It's just that the company where we work
a little special
about who they employ as security in Zahari.
Please.
I'm sorry.
And I apologize about your wife.
- Thank you.
- Do you have a plan to return to the U.S., Mr. Anderson?
- Call me Brett.
No, I consider Varna my home now.
- Coffee? - No, thank you.
- You don't speak Bulgarian, right?
- Ah, a little.
Enough to make me understand, you know.
- However, language is not really
important requirements for the job.
But, I think it's good to know.
- So what requirements are important?
- OK, even though there isn't anything especially demanding about your position,
Goran and me, and more are more important in management,
expect certain types of wisdom.
- I understand.
So what kind of business does get you out of this place?
Apart from four apartments in a three-storey building?
Sorry for the question, you know, old habits are hard to get rid of.
- It's okay.
We store our own products in the basement of the building
and we run the company real estate property outside the office.
You know, it generates little extra money,
income throughout the year.
- What kind of product?
- Come on.
Allow me to show you something.
This elevator is almost as old as the building itself.
- Assess with that key I know.
- It's old, but definitely works.
- Maybe we have to go up the stairs?
- I want to show dungeons.
And the only way to the underground room is with this elevator.
What if there is a power outage?
This automatically switches to the hydraulic system.
There is a panic button that is directly connected
to our office, so our cellphone.
However, it never happened.
- Hope it stays like that.
- Interesting.
- of course.
- What's on the top floor?
- Penthouse.
The owner of the company lives in the building
from time to time.
- So you have to use the key
every time you use an elevator?
- Every time.
It won't work otherwise.
- There are two keys.
I have one to me all the time.
You have another.
Basement is underground.
It takes a while.
- You will need the key
to enter the basement too.
- Please pass here.
Here you start the most important part of your routine.
8:00 a.m. sharp, every morning.
- Some vintage equipment beautiful here.
- Everything serves a purpose.
- What are the monitors?
- Follow me.
- Wow.
What do you keep there, King Kong?
- This is our storage hangar.
We rarely use it and You don't need to work inside.
- What do these symbols mean?
- What we found is these letters are actually
of the Enochian alphabet.
Unfortunately, we don't know what it means.
- This is quite sturdy like the you see.
- Yeah, makes you wonder for what it was built.
- Anyway.
Monitor in another room connected to a security camera inside a hangar.
Come closer.
All cameras are connected to this computer
who records 24 hours a day, seven days a week.
- How do you see something with the lighting there?
- We owned the building a few years ago.
It's just that I didn't get to the hangar.
So until we do it, this is what we get.
- Is there sand on the floor?
- The inside of the hangar is never finished.
So yes, what you see is sand and sand.
- So, let's say I take this job
What do I actually do when I come down here?
- Good.
You use this computer to check records every day,
twice a day.
This is a simple designed software to mark something unusual.
All you have to do is click
on one of the records marked
and that brings it to the screen.
There is a notebook there.
You need to sign it and fill it
every time you go down
- When was the last time something appeared?
- Never.
- What do you need for all cameras at that time?
- To protect our interests.
- How big is this space?
- The camera has placed all over the place
so we can see what we need to see.
- That's if you can see anything.
I mean, I never go there?
- No.
Just drop it, check the record
and make sure you fill out the notebook.
- But if you see something unusual,
and what we mean is...
- Goran tries to say, even if you succeed
a little hunch something strange,
You must tell us as soon as possible.
- What is it like?
- I won't worry about that.
I mean, you already saw the size of the door, right?
- That's good.
- However, if you see something strange use this.
You press the speed dial button
and someone will answer and instruct what to do.
- Someone?
- An employee.
Consultant, if possible.
- So that's it?
- That's all.
- Okay, Milan says something about an apartment.
- Yes.
There are two apartment rooms on the first floor.
I mean, it's small, but comfortable.
There are cable TV and all bells and whistles.
So, but it's only if you are interested.
- I'm interested.
- Good news.
Congratulations on joining.
- We need to sign a few newspapers upstairs.
Then we can show where you live.
- Good.
- Welcome to your new home.
- You have to find all the you need here.
- This is good.
Thank you.
- This is my contact details
We are not here every day,
So if you need anything anything, just call.
- When do I start?
- Tomorrow.
One last thing.
Please keep in mind lock the front main entrance
- every night, 11:00 a night - 00 a.m.
That's all.
- I will stop by to leave the key
to the main entrance.
- Good. - Where can I eat around here?
- There are restaurants across the street
or you can try café around the corner.
- Good.
Thank you.
- Oh, and Brett.
- Yes?
- Make yourself like at home.
- Hello?
Hello?
Sorry.
Wait!
Yes, these people, uh, they're kind of weird.
And I guess I almost gave the cleaning lady
heart attack when I hit it.
Yes, fear of nonsense _ from him is everything.
But you are right about work this is a walk in the park,
there is nothing for that
Yes, I don't really do anything.
I just paid, I think,
Watching a bunch of empty rooms.
Yes, yes, I'm here.
Thank you, man.
Well, maybe you should consider going to me.
Maybe you will actually be inspired to write something
that people want to read.
I just said it, man,
I have read coloring books with better character development.
Alright, goodbye.
American coffee, please.
- Uh, you don't want that crap.
Can I offer you real coffee?
- All right, I happen to love that nonsense, but of course,
I will go ahead and try wrong one of the coffee you mentioned, of course.
- Please sit down.
I saw you yesterday.
In a taxi, when I am cleaning outside.
Visiting someone?
- Actually I just took the job around the corner.
- In Zahari?
I think that place is a sort of nursing home.
- Yes, I am not so sure what it is.
- Not bad.
- Tells you.
- Brett.
- Welcome to Sofia, Brett.
I'm Zara.
Uh, so, um, what work do you do?
there in Zahari?
- Security.
- Security?
For what?
I have never seen anyone who go or come from that place.
- When I find out, I will tell you.
Is this your place?
- No, I just, I only work here.
This pays a temporary bill I study for my master.
- What department did you enter?
- Art history.
So, nice to meet you.
- That pleasure is all mine.
TZ17
Gosh, Brett.
- Coffee?
- Please.
- Did you catch that storm last night?
- Yes.
- Let me wake up all night.
- End of the world, I tell you.
- I saw a transfer of a van parked outside.
All moved?
- Do you spy on me, Zara?
- No, I, nothing else has to be done
around this part unless people are on guard.
So, tell me, Brett,
how a man America flies in Bulgaria
work as a security guard?
- Long story, but the short version
Once upon a time I was a police officer in Los Angeles.
So security work seems right.
- And what are you, come to Bulgaria
just to see other people's goods?
- Not exactly.
I fly from Varna.
That's where I live.
Yes, live.
- Life, life?
- This is a long story, as I said.
I've retired there.
- A little young to retire, right?
- I will consider it as a compliment, thank you.
- Do you know your building?
quite famous in around this part?
There is a lot of history behind the wall.
- Yes, so people keep telling me
- I've only read about that,
never really been inside but,
this place has experienced many weather for years.
- never inside?
- Uh, no.
- Okay, maybe sometimes you can come,
I can show it to you.
I mean, this is very spectacular inside.
It will also turn on the day which is usually very boring.
Contact me and we will prepare something.
- I want if I have your number.
- Let me see your phone.
Good, now you do it.
What is...
Yes?
Yes, um, I was told to call this number if there is something...
- What's the problem, Mr. Anderson?
- Uh, all right, actually I'm not sure.
I'm not even sure I saw something,
it's just...
- I'm on my way, Mr. Anderson.
Meet me in front of the building,
Should we say, 15 minutes?
- Sure.
Who am I talking to?
Hello?
- Please wait.
Mr. Anderson?
- Uh, yeah.
Sorry, I didn't realize...
- Don't worry, Mr. Anderson, you're not the first.
And you certainly won't be the last.
Jacob.
- Nice to meet you, Jacob.
- He has already been paid, Mr. Anderson.
- This is Brett.
- Ah.
Well, Mr. Brett, would you be nice
to drop me down to the basement?
- Of course.
Pass here.
Pay attention to your steps.
- I'm not always blind during my time here.
Ah, I remember that like the back of my hand.
- I'm sorry, you work here
- For some time, yes.
What is the camera recording?
And again, I remind you, Brett, please, in detail.
- This only runs away.
I mean, it looks like shadow
of something that moves very fast.
I tried playing it slowly again
and I can't exclude anything.
- I will need you to play it again.
Frame by frame.
And take me past everything that you see on the screen.
- There are several frames there.
I mean, this is less than a second.
- Can you make something else ?
You say that looks like a shadow.
What shadow?
- Honestly, Jacob, I don't know.
It could be anything.
- Are there any marks on the ground?
- What kind of sign?
- Like footprints.
- No, nothing.
Do I have to look for footprints?
- Play again, please.
- Well, maybe if there is the lighting is better
I can see something.
But to be honest, I don't know what I see.
And I really think we have to go in there
- and look around. - Absolutely not.
- You know, Jacob?
I play together because you look like a pretty good man.
But to be honest, I started a little sick and tired
from nonsense This cloak and cross.
Who are you?
Why did you take a taxi here?
at midnight to come see
In some blur that may be nothing,
But we won't know that because you won't do it
Let me enter there and look around.
- Me, Me, Me.
Martin did say that You're the type who wants to know.
Of course he's not wrong.
But,
I believe he chose the right man for the job.
- You didn't answer my question, Jacob.
Who are you?
- Very good.
I work for Martin, Goran,
and company as consultant, Brett.
Satisfied?
- Consultant?
Well, they did mention something about that
in the interview.
You can just say that.
- Yes, I can, but no.
And before I work for Martin and Goran,
I do what you do now.
- How long have you worked for these people?
- Until my vision is taken from me.
What is the use of guards blind night?
I answer that, Brett.
- Should we call Martin and Goran
so they can tell someone in what company is going on?
- No need.
I will tell them in the morning.
- What are you doing?
- Listen, Mr. Anderson.
I listen.
- Zara.
- Brett, hi.
Um, what's up?
- Sorry to call very late.
I just want to know if you can help me with something.
- I can try, huh.
- What are you saying me today,
about this building that is so famous around this section,
I'm trying to find something online, but I'm just
Can find some articles that are quite light.
- Alright, there isn't much that happens to many things like that online.
Most stories come from from local residents
and people who live nearby, you know.
- Yes, alright, I think is the explanation.
- Why do you ask?
Do you see into murder?
- Murder?
- Oh, didn't they tell about the twin girls
who was found dead there when You took the job?
- No.
No, they don't do it.
- Oh, my God.
A moment ago
This person tries to enter the building
in the middle of the night.
When the police are called,
they check the trunk of their car
and find the bodies of two girls eight years old,
twins, in it.
- Oh my God.
- This really becomes weird.
It turns out he is their father.
He claims that their mother killed them,
But when the police go look for it,
they can't find it.
- What happened to him?
- He disappeared.
Nobody knows where.
- Does he say anything else?
- He will not speak with the police or other people.
A few days later and he was found dead.
He hangs himself.
- Listen, um, if you have tomorrow, can we meet?
- I can see you, after I finish at the cafe.
- Perfect.
- Mr. Anderson, Brett, you are awake.
- Yes, Martin, listen, I'm sorry.
My alarm, last night, I wasn't so sure what happened.
- It's okay, this happens.
You met Jacob last night.
- I met him, huh.
- Call it, right?
- Shouldn't it be?
- No, no, no.
You do the right thing, You do the right thing.
I'm here, I made a recording copy.
I have to bring it to the company, they want to review it.
- We better not go there and check everything?
- No.
Everything I need, here.
Listen, keep doing what you are doing.
And can the alarm clock be repaired, huh?
- Sure, yes. - Alright, goodbye, Brett.
- See you later.
- Wow!
This place is very cool.
- Wait until you see his apartment.
- Finally.
This is Zahari's place.
He is very beautiful.
Who is he?
- This is my wife.
My late wife.
- Oh, sorry.
I don't mean to say...
- It's okay.
Don't worry.
- You look good in uniform.
- It has happened a long time ago.
- And who is that?
- Frank, my old partner.
That was actually the last day I was wearing the uniform.
- Why?
- I stopped two weeks later.
- What are you doing?
Shoot someone?
- Small child.
Gang member.
He is 15 years old. He's just just killed Frank in front of me,
and I will be next if I don't do something.
- God, I'm sorry.
God.
I'm sorry.
Really, I...
- Where do you go?
- I have to go, you know, I have to do it
because I don't want to put my feet into the mouth again.
- Wait, no, no, no, no.
Don't go.
Stay, stay.
I want you to stay.
- Hey.
I thought you'd leave.
- I'm not going anywhere.
Can't sleep?
- Nightmare.
- I can fix it.
- what...
- And you don't touch anything? - No.
- Are you sure?
- Martin, please.
- Look, I check the monitor,
I see whatever is in it
and I call you.
In the right order.
- It's okay, fine.
He follows the procedure, Martin.
Exactly as requested.
Now, let's examine the record, right?
- Look there, you know what I see?
It looks like...
- Are you sure is a footprint?
- I see right there, Jacob.
And what's with you questioning all three things I said?
- I also saw them.
We must enter into the hangar.
Look closer.
Jake, I want you to wait here.
- will we go inside?
- Now we talk.
Let's go.
Enter or not?
- The door operates on a timer.
As long as we have the key, we can exit.
- What happens if it doesn't?
- Please.
- What do you think is making this trail?
- I don't know.
- Animals obviously enter here.
Need to look around.
Find out how to enter and close it.
- No.
It shouldn't.
I have everything we need.
We go.
Now!
- If we don't close it,
we will end here
whenever there is something that makes the system die.
The trail ends here.
Martin?
Seriously?
- I've never seen anything like this before, Martin.
We cannot ignore it.
- I don't ignore it, okay,
I just don't know what to do until he sees them.
- I know that but we have to...
- What is happening?
- Nothing.
Everything is under control.
- Martin.
- I have to make a few calls.
We will talk again later.
- What is happening?
What's with you two?
What makes you so fear of being there?
- Tomorrow.
We are talking about tomorrow.
I promise, first thing in the morning.
- Oh, God, Jacob.
- I'm very sorry.
Can you please bring me up?
Martin and Goran leave hastily,
it seems they have left me.
Dan Brett,
Don't enter the hangar alone.
TZ17
- Hello?
Hello?
- Here I am.
Can I enter?
- I will go down soon
- Why don't you answer ?
- What?
- Call me.
Why don't you answer it?
- What are you talking about?
- Am I doing something wrong?
- Wait.
Zara, no!
What are you talking about?
Call?
I haven't done anything,
I am completely don't forgive you.
- Just keep quiet.
- Damn, Brett!
Are you okay?
- I'm sorry.
I'm sorry.
- You don't like it.
- I'm fine.
My head.
I think you...
- Anna? - Yes.
- Brett.
Talk to me.
Talk to me, say me what is happening.
Have you ever been treated?
- My friend Alex tried to connect I'm with a psychiatrist, but no.
That's this place.
Vision, his dream is stronger here.
There is something about this building.
Something bad.
- Brett, not the building.
You have to go to the doctor.
- No, these people have hidden
something from me since I arrived here.
- What kind of thing, Brett?
- Difficult to explain.
Only there.
This just eats away at the back of my mind and no matter how hard I try, I can't ignore it.
These people hide something from me.
I have a bad feeling about this place.
- Hello?
- Brett?
This is Jacob Keaton.
I have to speak with you immediately.
- Jacob, how can you... it's fine.
I will come down soon.
How did you get here?
- I drive.
I'm blind, Brett, I'm not in a coma.
I take a taxi.
- It's four o'clock in the morning, Jacob.
- We run out of time.
I think it has started.
- What starts?
Jacob, what started?
- Oh, hi!
I should wear clothes.
- Don't get any problems on my account.
And you?
- Zara.
- Enchanted, Miss Zara.
Jacob Keaton, you want.
- Fun.
I will only be fine.
- About what is this?
- Oh. I will ask you to accompany me to the penthouse.
- There is no one there, Jacob.
Actually, we are the only people in the entire building.
I checked all apartments
that Martin and Goran say that people live there
and there is no one there.
The place is empty.
Why is the place empty, Jacob?
What is obtained Martin and Goran?
So scared this morning?
- If you come with me, I will explain everything.
- Where do you go?
- Open.
- I don't have a key.
- Yes, you have.
Pass here.
No one needs feared here.
He is dying.
- Jacob, who is this person?
- Zahari.
His name is Zahari.
- Architect?
If this is Zahari who will make it like...
- 150 years, give or take.
- You don't really expect me to believe this is the person who built the building, right?
Come on, Jacob!
- Young people, I will need you
to help me stop what I am afraid of happening here.
- How can I help you stop something?
when I don't even understand what you say?
- Do you believe in the afterlife, Brett?
- Do I believe in the afterlife?
What kind of question is that?
No, I don't believe it.
- This place,
this building,
it occupies space directly above
one of seven gates, each, each gate
sort of, how should I say it,
door to the other side.
- The other side?
- Nightlife.
Land of dead people.
- Okay, I'm out of here.
- You have to listen.
The remaining six gates are spread all over the world,
The location is only known to the guardian
assigned to protect the gate, also the door.
Now, if,
Amit-amit,
The dead, they somehow find the gate
on the other hand,
then they can move freely between this world
and their Night World.
Zahari and others, they are afraid of something,
something else, something from before the human age
will find the entrance and enter our world,
so they try prevent that from happening.
- You don't really believe this nonsense, right?
- Do you know what your voice is?
This person, this good man, he was assigned,
is responsible for making, designing, making seals
which can prevent something from crossing.
He agreed to stay here, in this building
to serve as the last guardian,
the seventh and final gate guard .
- If he is the last seal guard,
who else?
- Ah, this I don't know.
But, each of the seven trustees
answer for a man named Pritchard, Isaac Pritchard.
He is the only who knows his location
from all gates.
- This man, how can he stay here?
I mean, how can he still live after all this time?
- Zahari, he is a chemist.
He can extend his life in an unnatural way.
- Maria.
- Who?
- Cleanser.
He was walking around with carts containing medical supplies
on the day I arrived here.
What did he do with him?
- That's not our business, Brett.
What you have to understand is this, Zahari is dying.
It means that the gate below we are very vulnerable.
What you see on the camera the other day,
I suspect it's possible big means someone
or something that tries to force the way
and enter our world.
They know the gate is open.
So we have to act now to stop it
or will be violated and we will never be able to do it.
- Stopping who?
Who should we stop?
- I have to go to the room underground now!
I can't do this myself.
- We will not approach dungeons.
- You have to listen to me!
- I listen to you, Jacob.
I will call Martin and Goran
and then I drive you home.
- If you don't do what I ask,
everything you know, everything you love will end.
- No one takes.
- Mice always leave sinking ships.
- Will you return to Varna?
- No.
I don't know.
Can we not do this now?
I just thought we had to get out of this place
until I know what to do.
- Where does he go?
- Stubborn old bastard.
He has the key.
- What is that?
- Tell me.
What did you see there?
- Footprints.
Hundreds of them.
Alex?
What is he doing here?
Don't let him go in there!
Alex?
What are you doing here?
- Nice to meet you too, man.
- How do you pass the front gate?
- The gate is open and I enter it.
And where are you?
- I'm here.
Please enter.
I need to get something.
- Alright, if you are here all the time,
Then why can't I.
to get you for five days?
- You fuck with me, right?
- Yes, I slept with you.
Come on, man, you know me.
You think I will take a bus and take a six hour trip
to Sofia just to make love to you?
- Yes, but you and I spoke yesterday.
- Oh no, we don't talk.
- Jacob will know what is happening.
Just follow me.
- What is happening, man?
You scared me.
Okay, you want me to go just say.
Brett?
Hey, what's the point, man?
You want to tell what has happened
these past five days?
- It's been five days.
I need to talk to Jacob first.
- Who is Jacob? Who keeps raising you?
Hey!
Are you sure this item is safe?
- What happened?
- Zara, when did you come early
You said I didn't answer my phone.
- Yes, why?
- why did you ask me that?
When was the last time we met or talked?
- Uh, four, five days ago.
I thought you blew me, that's why I came.
I don't know.
- Jacob, what is going on?
How can I lose five days?
How is that possible?
I remember talking to with Alex yesterday.
And then I remember meeting with you and Martin and Goran.
And now.
How can I lose five days?
How can someone lose five days?
- In the Night World, the concept of time,
There is no place, no meaning.
- This just stops for... - What is he talking about?
- What is that?
- What was that?
- I can't issue anything.
- We need to go inside.
- Now! - Where in?
- My friend, you take this.
You will need it there.
- What is that?
- He works there.
- I'm good.
What do we do when we enter there?
How do we stop this?
- We must seal the breaking one. - Before becoming
completely unstable and it's too late.
- What's late? - How do we seal it?
- I have the key.
I can guide you.
- Good.
Look, you two live here.
- Someone please tell I what happened here!
- Please help.
Stay here with him!
- What now?
- Listen, you two just live here!
Jacob, come on, let's go.
- No, man, I go with you.
- I also left.
- Good.
We will leave, but we stay together.
Get him.
Jacob, this symbol, what do you mean?
- They are seals.
Flying machine.
Protection symbol.
- What protection? - Dead.
Only those from from the land of the living
can open this door from both sides.
- brett!
- It's okay.
That should be done, we will not be locked.
Jacob, what are we looking for here?
- We need to move further into this hangar.
- How much further?
- Further.
- This place is very large.
How can we find something here?
- Jacob, I want you to go straight with me about something.
There were events that happened a few years ago.
With twin brothers.
You work here when that happens, right?
- Yes, I remember.
- So why is this place?
Why is it here?
- Father of those children,
he really believes that this building
holding power to bring them back.
- Bring them back from where?
- Death, of course.
- I see.
Sir, you are crazy.
But you know that, don't you?
- I see you.
- What's wrong?
- Yes, what's up, Jacob?
- Guard.
- Zahari?
- he leaves.
- Come on, come on, come on, come on.
They come.
- Who is coming?
- Death, Fool!
- Of course, who can?
Say that you don't buy this nonsense.
Look around, no one is here.
Only me, you, him
and a creepy blind man who loses several marbles.
- Shh.
- What?
- did you hear that?
- I didn't hear anything.
- What is that?
Brett?
Brett, wait!
Brett.
Brett, where are you?
I can't see it.
- Hello?
Hello?
How can you get here?
- Brett?
- Oh my God!
No!
You are not real!
You are not real, you can't be real!
No!
- That's me.
Your Anna.
- What?
No, it's impossible.
- Where are you!
Brett, where are you?
I can't see it.
- Hey.
It's all your fault!
You put all this empty talk in his head
and now my friend loses his senses.
- He said he heard someone.
We have to chase it.
- What we need is to get out of here.
So hurry up!
- Anna?
Anna?
Here, come, come with me.
Come on, come on.
Come on.
- Brett.
- Fuck!
- Come on, come on!
Wait.
Wait!
I, I dropped the key.
- Damn!
Damn!
I got it!
- Zara!
- brett!
- Zara!
Do you have the key?
- This.
- Where are the others?
- Oh my God!
What happened?
- Brett.
What is that?
- Yes.
- How is this, how is that possible?
How is that possible?
- I don't know.
He found his way back.
Hold it first.
Anna?
- I'm afraid.
- How?
How can you
Here?
- Nothing else matters.
I walk back to you.
I'm here.
I'm here now.
- Brett.
- We have to get out of this place.
- But I can't.
- Brett.
This is not Anna.
- Shh. - What are you talking about?
- Anna is dead, Brett.
He died.
- No, he didn't die.
He is here.
He is back for me, Zara, can't you see it?
- Brett, please!
- I want you to do something for me, baby.
I want you to open that door for me.
- No, no.
- Release me.
Free my soul.
- Brett, don't.
Don't!
- I can't, I can't do it, Anna.
Those things, That all happened...
- Shh.
Yes, you can.
You can.
That is the only way.
We can be together forever.
You have to open the door for me, baby.
- Why?
Why did you leave me?
Why did you give up on me, Anna?
- I do it for us, baby.
- I don't understand.
- I did it.
I want to be together forever.
I never leave.
I'm always with you.
I brought you here.
Everything I've ever did since I went
has been up to now.
Don't you feel it?
- Brett, please.
- You know it's true, right?
- Me,
I...
- Brett.
Where is the key?
Now, open the door.
Open the door.
Open the door!
- brett!
Stay away from him, bitch!
- Give me the key, bitch!
- Fuck!
- You won't hurt me.
This is me.
Anna you
You love me.
Not him.
Come on.
Come on, come here.
- Brett.
- What?
- It's too late.
- The door... - What?
- Open. - What?
Hey.
Hey!
Look at me!
You live with me, Zara!
- I'm sorry. - No!
It's okay. no problem, okay.
You live with me.
Hey, look at me!
Zara, stay with me, okay.
Look at me, here, okay?
- OK? - Good.
- Okay, cool. - I am here.
- We will be there, okay?
We will be there, okay?
- Yes.
- This will be good.
- Good. - Good.
Look at me.
Right?
Keep looking at me.
Okay, okay, good, we get it.
Be careful.
Good.
Come on, come on.
Let's go.
Come on.
Yes.
Zara!
Zara, come on.
Zara!
Look at me.
Look at me!
Uh uh, no.
- Brett.
- Come on.
No.
- Jacob?
I'm sorry, old friend.
- Who are you?
- My name is Isaac Pritchard, Mr. Anderson.
Are there other people who succeed out of the building with you?
Are there other people who live inside?
- Pritchard?
- Mr. Anderson, are you the only one?
Who made it out of the building?
- They die.
They all die.
- Good.
I want you to go with my now, Mr. Anderson.
Everything will be fine.
I promise you.
I will explain everything to you on the road.
- Where did you take me?
- A safe place.
You have done your job now, Mr. Anderson.
We will take care of everything now from here.
Please, just go with my men.
They will see you.
Transfer Language by Rizki Tanaya Ikram (TZ17)
KARAWANG, October 24, 2017