[LIGHT INSTRUMENTAL MUSIC]
Subtitles by explosiveskull
SARAH: Tell me a story.
MARLOWE: Well, once upon a time, there were two baby bears.
MARLOWE: Now the King really liked these bears. He did.
MARLOWE: He treated them like princes.
MARLOWE: One day, the bears decided that they wanted to be the King.
And steal all his honey.
MARLOWE: That's a sad story, isn't it?
MARLOWE: Now go to sleep.
[LIGHT INSTRUMENTAL MUSIC ENDS]
[HOLIDAY MUSIC BEGINS]
LEE: Merry Christmas!
SOL: That's it.
No. No! Sol, Sol! I bruise like a peach!
May I?
Just don't get the paper wet, yeah?
I never do.
LEE: Seriously, I need to tell you something.
LEE: You know, I've just masturbated in the ocean.
LEE: And although you weren't part of my inner visual framework
we did make eye contact at least twice or three times
approaching climax.
I don't want this to complicate our friendship.
Nah, happy to help. Yeah.
Fuck, I'm parched. I'm parched.
I might get some water from the hut in a sec.
Sweet. While you're there, pick up your shit, cos it
looks like a war zone.
Alright, alright.
Have you been to the scrap yard recently?
Why?
It's just that Shay said that some girl was looking for us.
Apparently she's from back home.
Here, I know what you're thinking, mate, right.
Hey. I wouldn't get worked up, alright.
If it's her, it means he's found us.
LEE: Nah, we'd be dead already if he found us.
Wait a minute, she'd be like our very own honey trap.
Yeah, but if you rule them out, the possibilities
get a lot fucking darker, Lee.
Are you hearing yourself?
You're smoking too much of this, my friend.
You're starting to sound fucking tweaked.
Right, look, I might be paranoid but it doesn't mean I'm wrong.
Alright, yeah, yeah, yeah. We'll go to Shay's now,
we'll find out who he was talking about.
It was probably just some bird who saw me bronzing, yeah.
And wants to get my number, huh? Huh, huh?
Wouldn't be the first time.
SOL: So, what were you thinking about in the ocean?
LEE: Just beneath the surface, manga mermaids sucking me off.
SOL: Fucking hell.
LEE: Well, you gotta keep things fresh, haven't you?
SOL: Did she look anything like The Little Mermaid?
LEE: Yeah, she was a point of reference.
SOL: Bit young, don't you think though? No?
LEE: Yeah, but when you're talking mythical creatures, man,
it's the wild fucking west.
♪ But you're taking me for a fool, boy ♪
♪ You don't know. ♪
♪ So you tell me to stay cool, boy ♪
♪ Haven't had you around for a while ♪
♪ It's real shit right here ♪
♪ See, I can live, it's possible ♪
♪ That I can breathe ♪
Hello, Pupul.
♪ It's possible ♪
SOL: Gonna show these kids how to play cricket properly.
Hello, Sir Shay.
SHAY: Hey! Mr Lee! Come, come, come, come.
Say hello to Anil. He's missed you.
Anil in the house!
ANIL: Hi, Lee.
Haha! That what you're after? Is that what you want?
SHAY: Here comes trouble. You love it.
What a view, huh?
SHAY: Yeah.
LEE: Alright, Sir Shay? Sit down.
LEE: He runs, he chucks it. He hits the thing off the thing!
LEE: I don't know the rules, but that excited me.
SOL: You alright? Long time, man. Hey, brother.
Good.
Listen, Shay, I wanted to ask you you said some girl was looking for us?
Yeah, you remember there was the, it was a girl last week,
or something, you were saying she was looking for us.
I didn't get to meet her. My, my, my wife,
she saw a young girl looking for a white man and a black man.
Fuck, man, did you say anything to anyone?
No, I haven't said anything to anyone, Sol.
No contact, as we agreed.
MARLOWE: D'you know where the others went?
[INTENSE MUSIC]
LEE: Hope our darlin' landlord's not in.
SOL: The rent's cheap, it's a good spot. He's getting into karma and shit.
LEE: Karma. He's an ex-Marine, Solly. He's unhinged.
LEE: There's blood on his hands, man.
SOL: It's a phase. The heat, the drugs.
SOL: He's just a little fuzzy round the edges.
LEE: The landlord hath returned. Are you alright, Mikey boy?
LEE: You big, dangerous, Q-tip.
SOL: You still owe me for last night, by the way.
Do I? Oh, didn't I?
Nah. It's two vodka sodas, a shot of Henny
and three Kingfishers, bro.
LEE: Yeah... I thought I was smashed, yeah.
LEE: Let's see what we have here.
Will we call it a hundred?
No, it was three fifty. So, let's call it three fifty.
Alright. Three and fifty. Pow. Don't spend it all in one place.
Seriously, man. You should hide your stash somewhere a bit less
obvious.
Yeah, I'll take that into consideration, bro.
I'm gonna take a shower before we head out, alright?
Let's see, white crystals. Alright, my pretty.
Forgot my shampoo. Are you kidding me?
LEE: It's alright!
No, it's not alright, Lee.
It is. 'Cos I'm broke.
What? And that was free?
Look, Solly, it's an investment, alright?
I spent my last hundred on this,
but I'm guaranteed to make at least, like, a grand back.
Yeah, well, I'm flushing it.
What? Fuck you doing, flushing it?
- Don't be ridi...- ...you could get into for this, Lee?
Yeah, but it's not your business though, is it...
...don't stop and think, do you?
This amount of drugs could get us all put away.
Hey, woah, woah, woah. Look, look, look. It's easier for you,
right, sleeping on a bed full of money.
Fuck you, Lee.
I don't sleep a wink 'cos of where that money came from.
Well, smoke more charras then, mate.
It's one night's work, right.
I'm gonna make loads of money.
And then you can end this lifestyle downgrade you have
from hanging around with me.
Think of it that way. Please?
Be careful, Lee. Remember your deal with Shay.
You sell drugs, you get served up by the fishermen.
[HAUNTING MUSIC ESCALATES]
VIX: Excuse me.
I'm searching for this guy. Have you seen him?
Right then. Let the Christmas bevvys begin, huh?
LEE: Little Christmas bevvy? Hmm?
This one's for you, Jesus.
Mind if I?
Yeah. Just don't get it wet.
I never get it wet. What are you talking about?
MIKE: You're interrupting my meditation.
My head hurts. I'm gonna start again.
Where have you been, Mike?
Hana de Rama.
That dirty beach?
It's quiet there, Soldier.
Yeah, it is. 'Cos it stinks of fish.
MIKE: I like the smell of fish.
LEE: Only you'd go to the one skanky beach in Goa, Mike.
What do you even do there? You can't swim.
I can swim, Soldier.
MIKE: Hana de Rama's a place of peace. You wouldn't understand.
Listen, Mike. We're gonna go get some food before we go...
...go to the party, if you wanna come.
Yeah, I'll come. I won't eat though. I'm fasting.
♪ Mele Kalikimaka is the thing to say ♪
♪ On a bright Hawaiian Christmas day ♪
♪ That's the island greeting that we send to you ♪
♪ From the land where palm trees sway ♪
♪ Here we know that Christmas will be green and bright ♪
♪ The sun to shine by day and all the stars at night ♪
♪ Mele Kalikimaka is Hawaii's way to say Merry Christmas to you ♪
♪ Mele Kalikimaka iS the thing to say ♪
♪ On a bright Hawaiian Christmas day ♪
LEE: I'm gonna get you to break your rule tonight, as well, man.
SOL: What's that?
LEE: This bullshit rule you have about not
having sex with a woman over forty-five.
There's so many...
But, like, you reach forty and I think that's...
There's so many beautiful women on this beach that are like...
That's the limit.
Sixty, sixty-five.
Nah, nah.
Seventy.
Nah. Forty.
Seventy-five...
Forty.
Eighty.
Really?
Eighty-five.
Really?
Death.
That's disgusting, man. Absolutely disgusting.
Little fucker. Ha! Got ya.
You didn't have to do that.
Yeah, but, it's a mosquito, Mike, you know.
It bites. It's a soul.
SOL: What's that, Mike?
MIKE: It's a knife.
What d'you need that for?
Spiritual men have enemies.
Yeah, you really showed that pineapple there, buddy.
I mean, just cos he puts on a kaftan and shaves his head
doesn't make him a 'spiritual man'.
Yeah, but he hasn't always been like that, to be fair, you know.
Yeah, but that proves my point, you know what I mean.
Just cos he's in fucking India doesn't make him better
than us. Phoney.
♪ From the land where palm trees sway ♪
SOL: Come on, ladies.
Tonight, my friend, tonight, I'm gonna reclaim my belt, huh.
Yeah, yeah.
I got me lucky flip flops on. You got no chance.
SOL: You know, today's the first day in months that I know
the date but I have absolutely no idea
what day it is.
I think it's Thursday.
Yeah, well, it feels like a Friday.
Every day feels like a Friday, buddy.
LEE: Alright, bitches.
I'm gonna have a quick like, five minute chat with Marlowe.
To do with business proposals.
Hi, Lee!
[UPBEAT DANCE MUSIC]
Woah!
[HIGH PITCHED RINGING]
[LIGHT AIRY AMBIENCE]
LEE: Camomile with a dollop of honey, Vix?
Just how you like it.
Thank you.
Shouldn't you be following Marlowe around somewhere?
Actually, I was meaning to ask.
You couldn't get me like a five minute meeting, could you?
Little business proposal I wanna put his way.
LEE: And I know youse two are close or...
You've only been working here five minutes.
LEE: Yes, but I'll make you a cuppa every day if you do.
Okay. I'll see what I can do.
Hey, you fancy reading what the future holds for me?
It's bleak.
Yeah, but you haven't even turned a card yet.
That's right.
Alright.
[DRAMATIC AMBIANCE]
Have you actually got anything to say
or are you just gonna eye fuck me?
Sorry, um, I've, look I...
I've been working in the club a while now and I know how
everything works. I'm hard working, I'm loyal.
I'm a man you can trust.
What's this gotta do with me?
I'd like to start selling gear in your establishment,
Mr. Marlowe.
So, where to?
You can take us to Camberwell.
That's a bit out of the way, innit?
Only for one of us.
'Cos you know the club's losing money, don't ya?
Well, how can I help?
I'm getting a bit hungry, actually.
Petrol station there. D'you wanna pull up outside front,
I'll get something.
Thing is, you can't park by the front, you have to...
Pull up at the front, Lee.
What are your aspirations, Lee?
Why?
Ambition's a dangerous thing.
RAY: Put the fucking cash in the bag, now! Fucking now!
LEE: Fuck. Shit!
MARLOWE: Come on.
RAY: Fucking move!
LEE: Fuck.
LEE: I can't fucking go to jail, I can't fucking go to jail!
MARLOWE: Park up!
What the fuck?!
And home sweet home.
What? What, you live here?
That was our mate in the petrol station.
You fuckers. Oh, you fucking fucking fuckers, man.
Jesus Christ, I thought I was gonna have a fucking
heart attack.
Oh. You did brilliantly.
You consider yourself one of the boys.
Hey, one more thing.
Yes, boss?
D'you wanna get married?
Insane is not taking an opportunity that comes your way,
my brother.
Unless you got other options on the table.
Look, bottom line is this:
She gets to get out of some hell hole
and you get fifteen grand.
Then what happens when she gets here?
She gonna work for the club for 20p an hour?
It's not your problem, man.
At least she's not dodging bullets on the bus home.
And Marlowe's a stand up guy, so.
Is he now?
Yeah.
You've known him all of five minutes.
Right, he's always done okay by me.
Look, trust me, Solomon.
She'll be fine.
I promise you.
For fifteen grand, alright?
And all you've gotta do is say...
Oh, I'm so sorry.
ADEZE: It's fine. Take this.
So, why did you decide to come to England?
Running away.
MINISTER: Do you, Sol, take this woman, Adeze,
to be your lawful wedded wife?
I do.
Now by the power invested in me,
I now pronounce you husband and wife.
[SOFT INSTRUMENTAL MUSIC]
You may kiss your bride.
[MUSIC CONTINUES]
LEE: My brother introduced me to Sol. That's how I know him.
[INSTRUMENTAL MUSIC FADES OUT]
VIX: Who wears flip flops to a wedding?
LEE: A man with lucky flip flops, that's who.
London cold, man. It just never ends.
Mmm.
It's just perpetual. You know what, I'm gonna
save up me pennies and move somewhere.
Mmm.
Hey, nothing is stopping you, is there?
No. I mean, my brother went all round India.
He said Goa is amazing. These flip flops are his.
That's why they're lucky flip flops. You know.
So, yeah. I love my brother, man. He's everything.
How old is he?
He's a twin.
Really?
Yeah.
Wow.
He's got the smarts, looks, obviously.
He died last year.
I'm so sorry.
No, don't be.
Don't be. He taught me to live for today.
Anything can happen to you at any time. You know.
Do you feel that you're living now?
I don't know.
Hey.
Yeah?
Slow down.
MARLOWE: How could you let her get like this?
Look at me!
Fifteen grand.
It's all there.
Now, fuck off.
Come on, man.
So, what's gonna happen with her?
Say goodbye, love.
Goodbye, love.
Come on, mate.
Eh, Solomon.
Aren't you forgetting something?
[SUSPENSFUL DRAMATIC AMBIENCE]
[HIGH PITCHED RINGING] [
[MUSIC FADES]
SOL: Lee? Lee.
You alright, man? Can you, can you stand?
You okay?
Fucking wandering everywhere. Getting in the way.
Who the fuck do they think they are?
No.
Is it dead?
LEE: No, maybe, maybe it's just stunned.
- Fuck, no. - Like, his eyes are still open.
We need to go. We need to go right now, man.
You know, you know what they're like about cows, man.
...give me a minute, man. I'm in agony here.
Seriously, Lee. Look, I met this guy once who was on
a bus when it got hit by a cow. The villagers chased him
and beat the living shit out of him. We need to go, now.
Come on, Mike.
Killer.
It was an accident!
Sol. It was an accident.
This isn't going anywhere.
The wheel's bust. Fuck!
Look, it's fine. Look, we'll all get on mine.
We'll get yours in the morning, let's go. Come on.
We just have to hope the locals haven't found the cow by then.
It'd be a shame to get lynched, it might spoil Christmas.
MIKE: Ohm manhe padme hum.
We... we have to move it.
The bike?
Yeah, and the cow.
That's it, yeah. Just in, yeah. In, in off the road.
LEE: Mike? Mike.
Listen, we have to go, right. We have to... woah, woah!
LEE: For fuck's sake!
Mike!
LEE: Sol, d'you see that?!
Come on, come on. We gotta move the cow.
SOL: Stop messing around.
SOL: Come on, man. Let's go, come on.
SOL: Right, you ready?
Oh, this is some bad karma shit, man.
SOL: Don't, don't start with that shit, Lee.
One.
Two.
Three.
No, I can't, I can't, I can't fucking touch it.
It's dead, I can't touch it.
We gotta move it, man. We can't leave it here.
Yeah, but we've already got rid of the bike. So it doesn't
- We can't leave it here! - matter, no one's gonna...
- Mike! - Oh, shit.
Mike, you fucker!
He could be up a tree, he could be in some holy temple
or some holy cave or just disappeared up his own arse.
Nah, he will have gone to the party, Lee.
Maybe he just forgot about what happened.
Nah, fuck that.
You think the girl's Vix, don't you?
That's why you crashed the bike.
No. The cow just came out of nowhere, just smashed into me.
- Bollocks, Lee... - You know...
I can read you like a fucking book, alright.
ADEZE: Running away.
MARLOWE: Fifteen grand.
I'm sorry.
LEE: Trust me, Solomon.
MARLOWE: It's supply and demand.
Gimme a line.
Really?
Merry fucking Christmas!
[UPBEAT DANCE MUSIC]
♪ It's Christmas time again ♪
♪ And as always, it feels the same ♪
Merry Christmas, brother. Wish you were here.
[LIGHT AIRY INSTRUMENTAL MUSIC]
She wouldn't screw him.
Not another one.
Kept screaming.
Alright?
Look, let's waive that tonight.
I've got a little favour I need to ask you.
You want me to dump it in the lake?
'Fraid so. It's a crying shame.
I mean, where is it?
You pop that into your, satnav, you'll be laughing, alright?
Hey, wh-what about-
Don't ask any questions, Lee.
[LOW RUMBLING]
Mike.
Mike!
Mike, you can't fucking swim!
[DRAMATIC WESTERN LIKE MUSIC]
What are you, what are you doing here? Huh?
Mike?
Mike, you alright?
Mike.
Mike, you alright? Good?
Fucker can't swim.
Mike?
Is he okay?
Think we need to go to a hospital.
We can't put him on a bike.
Let's take him in my truck.
Thanks again, Shay. Thank you.
You should probably get checked out too, man.
No, no, no. I'm fine.
Alright, can I talk to you for a second, Lee?
You stay here.
Hey, what is she doing here, man?
Come on, how's that for a welcome, huh?
Mate, I'm serious.
Oh, maybe she just came here to see me.
You know, is that so hard to believe?
Look, just stay here till I get back, alright?
Yeah, man, I will. No worries.
Good luck, Mike. Feel better, man.
Cheers, Shay.
I just can't believe you came.
Needed to get away.
Yeah?
[EERIE TRIBAL AMBIENCE]
SOL: Mike, Mike! Chill, relax, it's okay.
We're good, you're safe, okay?
He killed a cow. He killed a cow! You, you saw it!
Mike. Mike, chill! It's all good, okay?
[PULSATING TECHNO SOUNDS]
SHAY: I know the two security guards.
SHAY: They'll get him home safely.
[DRAMATIC ATMOSPHERIC AMBIANCE]
Ohm manhe padme hum. Ohm manhe padme hum.
Who is it?
Mike? Where's, where's Sol?
He left me at the hospital. I want my Ganesh.
H-how are you feeling man, are you okay?
W... Woah, woah, woah!
Ask me why I want my stuff. Ask me.
Why do you want your stuff, Mike?
To perform a resurrection on the cow we hit. And on you.
You two enjoy yourselves.
I have to go.
What?
Please.
[DOOR KNOCKS]
Oh, for fuck's sake. I don't fucking care.
I swear to fucking God, Mike.
Knife or no knife, I'm gonna kill ya.
RED TEETH: Mr. Lee?
No.
STETSON: Come on.
- No, no. - Come out!
Get your hands off me.
- Vix, Vix! - Come on!
Get your hands off me!
You have killed a cow.
What?
You have killed a cow.
This is very serious.
Wait, wait, who? Who told you?
- Will you confess, huh? - What?
This is very serious crime.
No, no, no, no, no, no. I don't confess.
The village people are very angry.
Where are we going?
You're going to prison. It's not like your country, no TV.
I have heard in your country, people do not work.
Government give them money.
Yeah, well, some people sort of.
They give you dole money but it's not much.
They expect you to live on sixty pounds.
That's the equivalent of five thousand rupees.
A year?
A week.
No, no, no, no, no, no. In my country, I'm saying,
I'm very poor.
Are you married?
Yes.
Yeah? You have children?
Three children.
Yeah? D'you have a picture?
Yeah. Yeah?
Hey!
Don't hurt me! Don't hurt me, please!
[EERIE AMBIENCE]
LEE: Hey, Vix!
D'you want a lift home?
What are you doing?
Nothing.
What d'you think of my new wheels?
Oh, come on. It's cold.
Please let me give you a lift?
Just wait.
Wait.
At your service, Madame.
This is not really your car, is it?
Nah, it's a mate's.
I just wanted to impress ya.
You didn't have to. I don't care what car you drove, Lee.
No?
No. Or what job you did, or how much money you earned
or how many gadgets you had.
No?
No. You care too much about that stuff.
Yeah?
I see you now, pally with Marlowe. It's funny.
You're caught up with the things, Lee.
And people get so caught up with the things,
they forget what's important.
Yeah, yeah.
Money, and all that.
Yeah.
- Hmm? - Wait, wait, wait, wait, wait, wait.
Hmm?
I have to say goodnight.
- Yeah, but- - I have to go.
One.
Yeah?
[CAR ALARM SOUNDS OFF]
I've got it.
Adeze?
A-
Vix? Vix!
LEE: Sol?
Lee?
LEE: He told me to dump the car, man.
Oh, what the fuck? Lee?
I'm sorry, mate.
I didn't know she was in the back and...
...didn't know where else to bring her. She's...
- Calm down. - Yeah, yeah, yeah.
Just put her down. It's fine.
She okay?
LEE: I think she's still breathing.
Hey, what the fuck is this?
How could he fucking do this to me, man?
I told you that sleazy fuck was trouble.
What the fuck is that?
I can't let this slide, Lee.
Listen, don't even think about that now. Let's just...
I can't fucking let this slide, Lee.
Well, let's just go when we have a head start.
You can't go back there.
Sol, for fuck's sake.
[LOW DRONE SOUND]
SOL: Your brother would have never let him get away with this.
Distract him. And I'll make sure
he never thinks about running girls again.
Just bullshit him about the car, get him into the corridor.
Then I'll teach him a lesson.
RAY: Oh, look who it is.
You alright, Marlowe?
Hop in.
Nah, I'll give it a miss.
Just get in the Jacuzzi, Lee.
[LIGHT INSTRUMENTAL SOUNDS]
Yeah.
MARLOWE: Ah, you're not regretting it now, are you?
So d'you take care of that little piece of business?
LEE: Yeah.
Yeah, all good. Just straight to the bottom, you know.
Nobody saw you?
No, no, no. No, I mean, there was no one there.
No one around.
Wait for it.
So someone could have seen ya?
No. No, uhm...
Just kidding. Come on, let's dry off.
It's very important when you get out to dry yourself off.
Cos you don't wanna catch a cold.
- No. - You know? - Yeah. Alright, man.
You're a terrible liar, Lee.
Oh, really?
He's coming with me.
MARLOWE: No. He owes me. It's supply and demand.
I'm the middle man.
Guys wanna bang girls and girls wanna stay in the UK.
That's it. Simple.
Don't you play the martyr with me.
I'm not the one who married a stranger
for a pound fucking note.
Why did you try to fucking kill her?!
Do something, Lee!
Marlowe!
[EERIE TECHNO LIKE AMBIENCE BEGINS]
Where am I?
It's okay.
Fuck.
How are you feeling? Are you okay?
ADEZE: What happened?
Sol?
It's okay, it's okay. Look. Look, I'm really sorry.
Please just, just take this. You have to disappear.
Where?
Please, look, I'm sorry.
Thanks.
We have to get the hell out of here, Sol.
[OTHERWORLDY SOUNDS BEGIN]
LEE: Hi, this is Lee's phone. Leave a message.
I probably won't get it, but leave it anyway.
I'm looking for a guy who's about this tall.
No?
YOUNG MAN: No. Thanks.
VIX: Hey.
- Where is he? - You alright?
Lee? Marlowe.
What?
Don't bullshit me, Vix, alright.
Stop pretending that you're here for Lee. Like you actually give a shit about him.
What do you know?
I know you didn't travel half way
around the world for a reunion.
Now, if you've fucked him over again, Vix.
The police took him. I came back to tell you.
Bullshit.
We went back to your hut.
The police arrested him. I'm telling you the truth.
- Well, I don't believe it. - Hey...
- I'm fine. - Mate, fuck off. Mind yourbusiness, yeah.
- Listen... - Bruv, who you pushing, man?
[INDISTINCT ARGUING]
Sol!
VIX: Lee!
Sol!
Cool, yeah. Alright, alright.
YOUNG MAN: Your friend is an animal!
Wait a minute. Did you hit her?
- No? - No, no, no. No, no. He didn't hit me.
SOL: Are you okay?
- Yeah. Yeah. - Do you believe me now?
She said you got taken away by the police.
Yeah, yeah.
Someone grassed that I was selling drugs.
I didn't have it on me when they picked me up.
Should have seen them though, man.
I ended up having to give them everything I made last night.
Everything?
Fucking everything.
I thought you were looking after Mike?
SOL: Well, after we took him to the hospital,
he scared pretty much everyone there.
We put him in a room to calm down.
And you just left him there?
Shay said that he knew the two security guards and they were
gonna get him home safely.
Well he seemed pretty riled when he held a knife to my throat.
Here, come on, man.
Shit.
You okay?
Yeah.
You okay?
Yeah, I'm okay.
You alright?
Yeah, I'm good.
[LOW FREQUENCY DRONE]
I'll tell you one thing. I'm gonna sleep for about fifteen hours.
Come on, babe.
LEE: What?
What the fuck?
He's fucking lost his mind.
Who?
Mike!
I mean he's clearly still pissed about the cow.
Fucking menace.
Oh no, no, no, no. No, no.
My money's gone.
LEE: Oh fuck.
Well...
I'm not missing much.
Guess that's one of the only perks
of having fuck all to take.
That was everything.
I'm fucked.
No, come on, mate. You're not fucked.
LEE: We're alive, aren't we?
Fucking stereo's fucked.
Stupid fucking lunatic.
LEE: Man, we will work something out. We'll think of something.
LEE: Trust me, Solomon.
Tell me you didn't.
What?
Tell me how you paid off those cops.
I already told you how I paid off the cops.
And I know every fucking lie in your playbook, Lee.
Tell me how you paid off those cops.
Sol! Hang on now a minute, woah, woah, woah, woah.
I think we should just take a nice deep breath
before we start pointing the finger.
...truth, Lee. Alright? Nice cup of tea before we-
...Fucking truth, Lee. Tell me the fucking truth, Lee!
How fucking dare you say that to me!
Look me in the eye and tell me how you paid off the cops, Lee!
What was I supposed to do,
- Fucking hell, Lee! - Alright? I didn't have a dime. They weren't fucking around. They were talking about prison!
You lost me everything, Lee! I've got nothing left!
You lost me everything!
You know what the worst thing is?
If you had just been honest with me,
if you had just told me the truth, I wouldn't have minded.
But this, Lee, this? What the fuck is wrong with you?!
What was it, like, eight hundred quid or something?
I will get every penny back to you, I swear to God.
You owe me so much more than money, Lee.
The only reason I came here was to get away from the shit
that you put me in.
But you had to follow and bring all of your shit with you.
Everywhere that you go, Lee, everything that you touch turns
to shit. And I'm sick of it.
Your brother was right about you.
You're nothing but bad news.
Yeah.
[MELANCHOLY AMBIENCE]
Here-Shay's two friends at the hospital,
what did they look like? What did they look like?
Fuck off, Lee.
No, no, no, no, no. Did one of them have a big Stetson hat on?
- Sol, just please, please answer. - Yes, fuck's sake.
And the other fella had all red shit
on his teeth, like that pan shit? Yeah?
So?
It's Shay. Shay cleaned us out.
Sol! Will you just-
Hey, hey. Where are you going?
Wait here, we'll be back.
Right, you stay here.
Alright?
Just get my money back.
I will.
I'm not saving you this time.
Hi, Lee.
Mr. Lee, how good to see you. Happy Christmas.
Yeah, not really, mate. I got arrested by fake police.
Took quite the hiding and had to give them lots of money.
They looked quite like these two boys, actually.
Hmm. Come on, Mr Lee. Don't joke a joker.
Yeah, whatever. Listen, I need the money back, Shay.
I mean, come on, it was a fucking cow.
I'm not kidding around here, Shay.
Would you just get the fucking money, please?
Please, please, please. Mr Lee.
Mr Lee, please stop shouting.
Then maybe the real police'd like to hear about this.
Yeah? Yeah, boys?
What you smiling at you fucking prick?
Shh. And maybe the real police would like to hear
about you selling drugs on the beaches.
I like you, Mr Lee. You're my friend. You entertain me.
And I don't want to find you washing up in a net
with the other Jet Trash.
[LOW DRONE AND BELLS LIKE SOUNDS]
Mike?
D'you remember what you did to me earlier?
You held a knife to my throat. Do you remember that? Huh? Huh?
Want some advice from an old soldier?
Don't spend your life running.
Maybe it's time to move on.
Find an ashram that'll take us in or something.
Do what you want, man.
What's that supposed to mean?
It means as soon as I'm packed, Lee, I'm gone.
Where?
Wherever you're not.
Sol. Sol, I thought we were in this together?
I thought we were brothers? Brothers?
Yeah.
Me and you are not brothers, Lee.
In your own twisted little world,
you're trying to be your brother. And I'm done. I'm done.
I'm so, so sorry.
Sol.
Sol! Sol!
Fuck. Get off me. Get off me!
Fucking...
MARLOWE: You remember when I brought you into this country, Vix?
Good little earner, you were. Do anything for fifty quid.
Now you should never have got close to Lee.
That's very unprofessional.
As was all that business with Adeze.
Now you should have told her what she was getting into.
Naughty Vix.
The best thing I ever did, weren't it?
Knocking you up. Meant you couldn't just run away.
All I ever wanted to do was make a little money.
[EERIE SOUNDS FILL SCREEN]
Go on, back to mummy.
What's going to happen to them?
Make sure those two stay there.
What do you mean? You said you'd let us go.
And there's me thinking I wasn't gonna see your
lovely faces again, boys.
Oh, this is nice. Innit?
You're very quiet.
Nothing to say? Even you, Lee?
Put them in the back.
I've got it from here, boys. This is personal business.
[FAST PACED ACTION MUSIC BEGINS]
Stop there. Turn around.
On your knees.
You never forget the smell of burnt flesh.
It sticks in the back of your throat.
...little bit out of hand, that's all, man, please.
- It haunts ya. - Please.
Please.
LEE: I'm so sorry, brother.
["OH, CHRISTMAS TREE" PIANO MUSIC]
- Fuck. - Mike-
Why did you just slash him? Why didn't you fucking kill him?
It's a soul.
Come on.
Come on, get on, get on, get on.
Get her to shut up! I swear to Christ.
Hold on to me.
Lee!
No!
Vix!
Hold on.
Get out of the car.
He took my little girl because of you.
Yeah, well, you did what you needed to do then.
- Come on, Vix. - Look, we need to go to Shay's.
[INDISTINCT CHATTER] Please, no trouble!
Please just listen to me, I'll make this right.
Is there anywhere I can clean her up, please?
Come.
Come and sit down.
Tell me, what happened? What do you need?
Boys, we're in India.
Every day dozens of people come to me
asking for hundreds of dollars. Every day.
Where did the others go?
The English ones. Do you know?
Yeah.
Take me there.
He's gonna kill us, Shay.
Look, we got nobody else to go to, Shay.
Thanks, Shay.
Thank you, mate.
Sorry, sir. But we are closed for business today.
Give me my son back.
Now you've got something that I want.
Marlowe?
Let him go, Marlowe.
These two people have got nothing to do with this.
It's a horrible business. Horrible.
Please release my son.
Then throw me your gun.
Do it.
Now is not the time to negotiate, you'll understand.
There's a good boy.
Let him go now, mate.
Release him now, Marlowe. Come on.
I think we know how this plays out, lads, don't we?
Anil?
Please.
Just take the gun away from his head!
Why are you always running to his rescue?
He's the one that fucks everything up.
You can't fix it, Solomon. Not this time.
You're the one pointing a gun at a seven year old boy.
You coward!
I'm no liar! I don't run.
You think I can run from this?
When you do something, you stand up like a man.
You take your punishment.
You fucked up everybody's life. Do you not know that?
[LOW RUMBLING AMBIENCE]
See you soon, brother.
You can't joke a joker.
Alright, mate!
Bloody tourists.
Baby, you stay in the car, okay? You don't go anywhere.
Get out of the car.
After all the trouble you've caused me, I've earned this.
You don't have to do this. You don't have to run off.
Alright. It's madness. And I wanted to say,
I've been trying to say that...
Maybe in the next life.
[BIRDS CHIRPING]
What you did back there, your brother would have been proud.
MIKE: This is home.
SOL: So, what, you're just gonna stay here?
MIKE: Yeah.
SOL: Good luck, Mike.
MIKE: Wait.
Merry Christmas.
I'm keeping your deposit.
Is it still Christmas?
I think it's Boxing Day, actually.
How much have we got in the bag?
[JAZZ MUSIC BEGINS]
Subtitles by explosiveskull