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[ominous music]
♪
- Should we go up there?
♪
- You first.
♪
[knocking on door]
[door opens]
- Trick or treat. - Trick or treat.
[door creaking]
♪
[lock turns, children screaming]
[doorbell rings]
[serene music]
- There's no one here.
♪
Hmm.
- It's still warm.
"Welcome to the neighborhood.
Your neighbors, Clark and Ellen."
- Aww.
Ah. Thank you!
[chuckles]
♪
Thank you. [chuckles]
- Don't stare too long.
- Hmm?
- You could've taken a picture,
and it would've been less awkward.
- I wasn't staring.
- Yeah, right.
- So those the big, scary country folk
you were talking about?
- Okay, I'm telling you,
country people are weird.
You'll thank me later.
- Look, Sarah, our neighbors made us pie.
- Why?
- To welcome us to the neighborhood.
- That's weird.
- It's not weird.
- When we moved into our apartment in San Francisco,
no one made us pie.
- Well, that is why we moved here.
- Hey, smile.
First picture in the new house.
[camera shutter clicks]
[dark music]
♪
- So, this will be your last session with me?
- Uh, unfortunately, yes.
It's a three-hour drive.
- Well, congratulations.
I hope the move from the distraction of the city's
gonna be a big step for you.
Do you feel, Kelly,
that you fully achieved your goals here?
- Um... not really.
I think, truthfully,
we have a way to go,
but I do think we're on our way
to a happier marriage.
- And Brian, do you feel you're over
your jealousy issues?
- It's not just about...
No.
I know there's more work to be done.
For both of us.
- Until we find you someone out there
that can continue your therapy,
I want to try something that has worked
for some other patients.
Now, you need to keep talking.
Keep letting out your feelings.
For they've been bottled up for so long,
which got you here in the first place.
I want you to do private video journals.
Now, you can do this a few times a week,
or as often as you like, really.
Just pull out your laptop
and record yourself being open,
being honest.
Just until we can find
someone out there for you to talk to.
- All right.
- Okay.
- For stress.
Give it a squeeze when it starts getting on top of you.
- [laughs softly]
Hopefully, stress is a thing of the past.
- Hopefully.
[dark music]
♪
- [clicks tongue] Hey, guys.
- Dad, don't get them excited.
They keep waking me up in the middle of the night.
- They do?
- They chirp all night long.
- I haven't heard them.
You brush your teeth?
- Yes, but my baby teeth
are gonna fall out, anyway.
So what's the point?
- [light chuckle] Good point.
Now they'll know it's sleepy time,
and let you rest.
- Is Mommy coming up?
- In just a minute.
- Are you guys going to bed too?
- Not yet.
I've got some work to do first.
- [sighs] Just like before?
- No, it's not.
Hey, before,
work was a subway or a cab ride away,
and now, I'm right out the back door.
- Okay.
- All right.
Good night, bud.
[breathing heavily]
- What's wrong?
- Nothing.
Everything's fine.
[tense music]
♪
- No, it's not.
- Okay, here we go.
Today is Wednesday, August 5th.
I know that I was supposed to do one of these by now,
but we have just been so busy moving.
Uh, and look,
I got my business set up.
[chuckles]
I have no idea where any of my new clients
will come from in a town this size,
but when they do, I will be ready.
[chuckles]
Meanwhile...
I don't know.
I mean...
I don't know if I believe Brian that he's come to terms
with the fact that I'm a massage therapist.
After all this time.
Insanely, I think he'd probably still be jealous.
First time I had a male client who was remotely handsome,
he'd probably get angry.
[footstep creaks floor]
Brian?
Hey, this is supposed to be private.
[suspenseful music]
♪
[ball bounces]
- Sorry, dropped it.
- What are you doing?
- Nothing.
I didn't know that's what you were doing.
- Excuse me?
- Honest.
Sarah's waiting for you to kiss her good night.
I was just, um... - Heading down to the workshop?
- Well, yeah, but only until Sarah's asleep.
Why don't you and I have, um, some adult time
once you get her down?
- I'll say good night to Sarah.
Why don't you, uh, open up some wine?
- All right.
[serene music]
♪
[pop music playing]
♪
♪ You're in a rage tonight
♪
♪ Flashes of temper...
[radio clicks off]
[dark music]
♪
[saw buzzing]
[buzzing continues]
- I'm not sneaking out.
- [scoffs] - You were asleep.
- Did you see what I was wearing?
Yeah.
You disappeared into the workshop last night
like you used to disappear into your office.
- What do you want me to say?
- This was the plan, remember?
I agreed to move out here because you promised
that we were gonna give Sarah a sibling.
And now you're too busy to even...
try.
Well?
- I'm late.
Can we argue more when I get back?
[dramatic music]
♪
- Sarah, were you...
- I'm hungry.
♪
- Okay, um...
Let's get you some breakfast.
Brian: I don't think Kelly understands
how big a deal this is,
and how scary.
Her massage business never made any real money.
It's always been me.
I cashed in my equity
to build this new life for us.
I have to put in the work.
And yeah, part of it is late nights
and day trips to meet with restaurants and businesses,
and, you know,
it's a lot of pressure. I just...
[sighs]
Never mind.
[birds chirping]
[door creaking]
[faint whispering]
[faintly] Come on. Be with me.
Come. We're waiting.
Yes.
Come here. Come on.
Be with me.
Yes, come.
We're waiting.
[whirring]
- [sighs]
[gasps]
[sighs]
Where did you get that?
- I found it.
- Did you put something in the oven?
Oh, dinner will be...
[dramatic music]
♪
Please, take it off.
[dark music]
♪
Brian: More wine?
- Uh, no, I'm good.
I think maybe you should be too.
- "Brian, tell us about your day."
Why, I think I will, Kelly and Sarah.
Thanks for asking.
Six months ago,
I had gray hair.
- You still have gray hairs.
- No. No, I don't. The grays are gone.
I probably don't need this anymore.
[ball bouncing]
I'm happy because we moved here.
I'm happy we can spend more time together now
because the most important thing in life
is family and dreams.
- Sarah, your father is drunk.
- Mm. Mm-mm.
No.
I'm happy because today,
I got my first ever order
that wasn't from a friend.
Perfect stranger wants me to build a table
out of reclaimed wood.
Amazing, right?
- That's... that's amazing.
Congratulations. - Thank you.
I could not have done it without your support.
- Let me guess, you want to work on it tonight.
I'll clean up.
No power tools.
- I love you both. Mm.
Thank you.
[birds chirping]
Sarah: They still wake me up.
- Well, they never used to do that before.
Hmm.
Well, hopefully they let you get some sleep tonight, sweetie.
Hmm?
- [whispering] I'll cut off their heads.
[dramatic music]
♪
- Good night.
[radio playing, saw buzzing]
So... it's past midnight,
and I am still in bed.
Alone.
[scoffs]
Granted, I'm not a doctor,
but I think that it takes two people
to make a baby.
Um...
Sarah...
Just threatened to cut off her birds' heads.
She said it in this really weird voice.
[door shuts]
[sighs]
[child laughing]
Sarah?
You scared me.
Come out.
Sarah?
Hey, it's not funny.
[suspenseful music]
♪
[melancholic music playing]
♪
[Kelly screaming]
- Kelly?
Kelly?
[Kelly faintly groaning]
[gasps]
[Kelly faintly groaning]
- You did this.
- [gasps, whimpers]
[radio playing]
♪
[birds chirping]
Shh, shh, shh.
Settle down.
[sighs]
[chirping continues]
[dark music]
♪
Where's Sarah?
- Hmm?
- Where's Sarah? She's not in her room.
- What do you mean?
- I just looked. She's not in her bedroom.
- [sighs]
[suspenseful music]
- Sarah?
♪
- Sarah?
Sarah!
- Sarah?
♪
- Sarah?
Sarah!
[gasps]
Sarah!
Sarah?
Sarah!
[gasps]
Oh.
Sarah.
[sighing] Oh, come on.
- Hey, what were you doing out there?
- Hiding.
- What?
- Sarah,
I know you don't like it here yet,
but you can't be playing games like this.
- I was hiding from the darkness.
- What?
- Buster and Chomper warned me.
- The birds told you?
- She doesn't have a fever.
Come on, let's get you upstairs.
We'll talk about this in the morning.
Come on.
Wake up, sleepyhead.
Feeling better?
You know, after the darkness,
your bad dream and all that.
Was there...
Was there someone with you last night?
Outside?
- Can I have pancakes?
[solemn music]
- After you brush your teeth.
♪
[gasps]
What if Sarah was sleepwalking last night?
- She seemed pretty awake to me.
- Well...
I mean, she must've done this.
- No, don't even say it.
- Brian, I mean, we didn't do it.
- [sighs]
- We have to send her to see someone.
There's clearly something wrong.
She decapitated her birds.
She said she was gonna do it.
The other night.
- Wait, wait.
There's blood insidethe cover.
The cover must've been on the cage when it happened.
- Then where are the heads?
- To Buster and Chomper...
[clears throat]
Although we are no longer together,
you're still here with me,
and wherever you are,
I'm still there with you,
because each and every one of us
leaves an imprint during the time that we are given.
An imprint that stays
long after our bodies leave us.
So no good-byes will be said today.
I'll end it there.
Daddy?
We're ready.
- Yeah.
All right.
[dark music]
♪
[sighs]
- Is she asleep?
- Today really wiped her out.
Poor kid.
- [sighs]
Well, my sister is comingtomorrow to check out the house.
So, having her cousin here
will distract her.
- Are they gonna stay the whole weekend?
- Just one night.
- All right.
What?
- [sighs]
Do you wonder if this was a mistake?
Moving here?
- [scoffs]
It hasn't even been a month,
and no, I love it.
- But it's just so... different.
You know, all of her friends
are back in the city, and my business...
- It's exactly what I hoped it would be.
- Are you coming to bed?
- I need to do my journal first.
- You could, uh, skip a night.
- It's important to do it every night.
[door opens]
It's not the city she misses.
It's her business, because she doesn't have
any massage "therapy" clients here.
I never told her this,
but sometimes the guys at work, they'd needle me.
They'd say things like, you know,
they'd pretend they were gonna make an appointment with Kelly.
I came home more than once
to find these clients all oiled up,
and they weren't, like, old or fat.
These men, these strangers, they're lying down in a room
next to my wife, and she's rubbing them down
like a... like you-know-what.
So no, I don't miss living there.
I don't miss it at all.
[doorbell rings]
- Hi, beautiful.
- Hi, Aunt Jamie.
- I heard your birds died.
- What did I say?
- Not to be a jerk.
- Wanna see something cool?
- Whatever.
- Hey! - Hey.
- Oh, how are you?
- Good, how are you?
- Good, thanks for coming. - Hi.
- Of course. Hello, good to see you.
- Where's Mark?
- He, uh, just couldn't get away from work.
He said next time, for sure.
Your favorite.
- Oh, it's from the wine store in our neighborhood.
- Our old neighborhood.
- Well, would you like to see the grand tour?
- I can't wait. - All right.
[mysterious music]
♪
- Whoa.
♪
- My dad says old houses change
and the floors get crooked and stuff.
♪
- Got any marbles?
- So, how's it all really going?
- Uh, well, aside from dead pets, no clients,
and Brian finding a new way to work
every hour of the day.
I guess I just thought things would be different
when we left the city,
but just more of the same in a new place.
But our new bathroom
is bigger than our old living room.
- Nice.
- Give me one.
[dark music]
Cool.
Give me another.
- My turn.
♪
- Awesome.
It's like a magnet.
- Mason, wait.
Mason, don't go down there.
- Where's the stupid lights?
[faint whispers]
[knocking on door]
Sarah, open the door.
[knocking on door]
Sarah?
Sarah!
Sarah, let me out!
Let me out!
[Mason screaming]
- I said, "Don't go down there."
- What'd you say, hun?
- Where's Mason?
- In the dark.
- Mason?
Mase?
[eerie music]
♪
Mase?
- Oh.
- Hey.
What's wrong? Come here.
What are you doing down here?
- Uh, I don't know.
♪
- Has he ever done anything like that before?
Zoned out like that?
- No.
It was definitely weird.
Maybe something's wrong with your house.
[dark music]
♪
[hammer thudding]
[radio playing faintly]
Kelly: So what happened at camp with Mason?
- Well, he put a firecracker in a bullfrog.
- Oh! Oh, no. - Yes, he did.
Ah, look who has perfect timing
to not help us make dinner at all.
- I was working.
How you feeling?
- Eh, I'm a little sore.
I'll be okay.
- Good, 'cause you know we've got, um,
work to do later.
- Um, okay, still right here.
- Whoa, all right, Prince Charming.
- What?
- You actually out there working,
or you just drinking by yourself?
- Well, it's not drinking alone
if there's other people on the property.
- Hmm.
- This is so much better
than office life.
- Uh, the kids are in the other room.
Why don't you call them in for dinner?
Just don't breathe on them.
[all chuckling]
"It's not drinking alone
if there are other people on the property"?
I mean, who says that?
And then, Jamie goes to bed early,
and I'm like,
figuring, okay, you know,
tonight's a night that we will actually have some alone time,
and he just goes back to the workshop.
[children laughing, footsteps]
[sighs] Hey!
You guys are supposed to be in bed.
[ominous music]
♪
[footsteps]
[gasps]
Oh, great.
You guys found an even creepier mask.
It's time for bed, you guys.
[sharply exhales]
- [breathing heavily]
[toilet flushing]
[door shuts]
[man laughing]
[woman moaning]
- [gasping]
[gasps] Brian.
I don't know what...
I saw children
in the hallway.
Wearing masks.
- Okay, did you tell them to go back to bed?
- It wasn't Mason and Sarah.
I checked. They're still asleep.
- And you nag me about drinking.
- I'm not drunk.
- Well, neither am I,
and Clark is in the guest room with Jamie.
- What? Who?
- Oh, you know who.
- Our neighbor, Clark?
- Shirtless right now with your sister.
- [scoffs] That is obviously crazy.
- Kelly,
he's in there right now.
She's cheating on her husband with a stranger
in our home.
- Okay.
Now is the time that you admit that you are joking,
because you're starting to scare me.
- Go look for yourself.
[suspenseful music]
♪
[knocking on door]
- Jamie?
It's me.
You up?
Jamie: Uh, hold on.
- This is ridiculous.
[door opens]
- What's up?
- Where is he? - Uh, what?
- Brian, enough.
Let it go, okay.
- He's a creep, Jamie.
I already caught him staring at Kelly.
- Hey, Brian, what in the hell are you talking about?
- You're drunk and you're embarrassing me.
Will you stop it?
- Hey! Hey!
Look. - What?
- Maybe your therapist can explain
this is called projecting.
Mark and I aren't the ones
having problems.
- Then why didn't he come visit?
- Because he can't stand you
because you're a jealous prick.
- Well, at least I'm not a cheater.
- [gasps]
- You've lost your mind, dude.
You know, and if you think giving up your business
and moving to the sticks to have another kid with him
is going to fix anything,
you're just as crazy as he is.
Mason? - [chuckles]
- Mason, wake up, honey.
We have to go.
Kelly: Jamie!
Jamie, please.
[car engine starts]
Come on, just wait until morning.
Jamie, please stay.
Look, I'm so sorry. I know that he's an...
Jamie! Jamie!
[footsteps, floor creaks]
- Dad?
Kelly: What in the hell were you thinking?
That is my sister.
- [gasps]
- Brian?
Brian, will you please just talk to me?
What in the hell is going...
Brian!
What is going on with you right now?
Have you lost your mind?
That's my sister.
Brian! Brian!
You can sleep on the couch!
- Aah!
- You feeling better?
After your bad dream?
- Why did they have to go in the middle of the night?
- Um...
Your Aunt Jamie wasn't feeling good.
- Then she probably needs sleep.
- You are so smart, buddy.
How about we go into town today?
Maybe catch a movie?
- Yes, please.
Can Dad come?
- Uh, he probably needs to work.
- [sighs]
He always needs to work.
[saw buzzing]
- Then we went to the library,
and I got three books.
- Big ones or little ones?
- I'm nine.
- So, big ones.
- [giggles]
And then we ate pizza at,
um...
- It's called Garabusi's.
- Right.
Mommy let me get whatever I wanted.
- That's because your mom is the coolest person in the world.
- And then we saw a movie.
- That was a pretty amazing day.
- Too bad you weren't there.
- Next time I will be.
I'm sorry I missed it today.
- Honey, you've got work to do on your table.
We'll get this.
[dark music]
♪
I'm... I'm starting to feel like
I really don't know this man.
And that is scaring me.
- This... this is a disaster.
I feel like it's almost gone too far
to even get better now.
Like, what are we even doing, you know?
- Talking to yourself?
- Uh, hi, no.
I was just, uh...
Um...
You're Ellen, right?
- Yes, and you're...
- Brian. - Brian, right.
Oh, silly, we're neighbors.
[giggles] Mm.
You don't have any white wine in that fridge, do you?
It's so hot out here.
- Um, no, just beer.
- That'll work.
[dark music]
♪
Looks like everyone's asleep.
- [laughs softly] Um...
Probably, yeah.
- I've been watching you work.
- You have?
- I guess building a business is like that.
You have to put in so much effort, right?
- Yeah.
I wish Kelly got that.
♪
- Some people only see what they choose to see.
But I don't.
♪
[suspenseful music]
♪
[breathing heavily]
- I feel like something's happening to me.
I don't know what's going on.
[sighs]
I'm gonna hurt them.
It wants me to hurt them.
- Sarah, can you bring down your dirty clothes?
- Fine.
- Don't forget the ones on your floor.
[man laughing]
- I'll try.
[people chattering]
- [gasps]
- Here.
Mommy?
[eerie music]
♪
- She's asleep?
- Yeah, what's going on?
- I saw a family in the dining room.
Just like I saw those kids in the masks upstairs.
- That was Sarah and Mason.
- No, it wasn't,
and as soon as I blinked,
they disappeared.
- So you're saying, what? You saw a ghost?
- I don't know, Brian.
I don't like it here.
I want to leave.
- This is unbelievable.
- Look, I am seeing things,
and I am not crazy.
- No, just manipulative.
- [gasps] What?
- We came here to save our family,
and ever since we moved in, you've been trying to
find reasons to go back.
Sarah has no friends. You have no clients.
I work too much.
- Please.
You have to believe me.
There is something
wrong with this house.
- Hey, Kelly, you think maybe it's you?
- You can stay here.
I'll take Sarah, and I'll go to the city,
and I'll live with Jamie.
- Because you think the house is haunted.
Who's crazy now, Kelly?
You know who'd get custody?
- Custody?
Who said anything about a divorce?
- You're threatening to take my daughter away.
Hey, look at me. Look at me.
You know me.
You know who I am, and you know how I do things.
And I would never, ever let you take Sarah away from me.
- Look at you.
You're a crazy person.
And you would never get custody.
- Over the woman who took her child from the house,
without permission, because she was seeing things
and thought they were ghosts?
Kelly, you're smarter than this.
- [scoffs]
- You don't threaten to take Sarah away from me.
You don't threaten to take Sarah away.
You don't threaten to take Sarah away from me!
You don't take Sarah away from me, Kelly!
You hear me?
- Brian, get out!
- You don't threaten to break up this family
because you're trying to ruin my dreams!
My dreams!
- Daddy?
- [breathing heavily]
[suspenseful music]
♪
- You should be in bed, sweetie.
- But... - It's okay.
Daddy's gonna go downstairs and get some sleep.
It's okay.
Go to bed. It's all right.
♪
[Brian breathing heavily]
- You awake, Kelly?
I think we need to talk about this now.
Sleeping in separate beds,
it isn't gonna fix anything.
Come on, Kelly.
Kelly, please.
[dramatic music]
♪
[gasps]
♪
[gasps]
♪
[breathing sharply]
[machine whirring]
[dark music]
♪
[saw buzzing]
[knocking on door]
- Dad?
[buzzing silences]
- Sweetie, I'm working.
- Mommy got a client.
- That's great.
- Okay, well, we're going to get some oils and stuff,
and I hope some ice cream too.
- Love you.
[buzzing resumes]
[solemn music]
♪
- And all of our soaps and oils
are actually made right here in town.
- Oh, that's great.
I'll definitely be back.
- Well, I can ship them to you too, if it's easier.
- Oh, there's no need.
We, uh, just moved here a few weeks ago.
- Oh, congratulations.
It's a great place to live most of the time.
What part of town are you in?
- Um, we just
bought a farm house over on,
uh, Church and Ballard Street.
My husband needed a workshop.
Do you know the place?
- Mm-hmm. Thanks for coming in.
- Thanks.
- Excuse me, can you not do that?
- Sarah, hey.
Sarah, that's not yours.
Sarah?
Why did you write that?
Uh, I'm really sorry.
[dark music]
Come on.
♪
Sarah?
Where did you hear that?
"We see what we choose to see."
- What?
- The thing that you wrote.
- Can we still get ice cream?
- [sighs]
[solemn music]
♪
- Mm-hmm.
Ugh! Nothing again.
Unbelievable.
Anyone need anything?
- I'll take a water.
Please.
- I'm fine.
- Okay.
[dice rattling]
[door opens]
- Yes.
- Okay.
[dice rattling]
- Daddy's turn.
- Brian, it's your turn.
- Dad?
- Hang on.
I'll be right back.
[dice rattling]
[indistinct chattering]
[dark music]
♪
[indistinct chatter]
I thought you were coming back to game night.
- [whispering]
- Brian!
What are you doing?
- Nothing, uh...
Nothing.
- Was there someone in here?
- No.
- I saw you talking to someone.
- Well... well, you saw wrong.
♪
- I... I know how this all sounds,
but...
I've seen things, Jamie.
- Call someone in.
- Like who?
- Brian wasn't all wrong about me and Mark.
There was a problem, like, a year ago.
- You never told me.
- Not everything needs to be broadcast,
but you know, don't laugh.
I talked to a psychic.
- [chuckles]
- Seriously, Kelly, everything she said was true.
Pay her to make the trip.
[tense music]
♪
Kelly: So, I can't believe this,
but I actually sent Sarah and Brian out
on a bunch of errands to get them out of the house.
And this woman, um...
A psychic... is coming here.
[dark music]
♪
- There were two of them.
- Yeah.
- They were warning your daughter.
It killed them to keep from warning her again.
♪
He stays downstairs now?
- Uh... well, we've had some fights.
- But he's been in here at night...
watching you sleep.
♪
There are children here.
Young spirits.
They're hiding behind masks.
[sighs]
Oh, no.
They're all trapped in here,
and they're not alone.
There's something looming over this place.
This land.
[door creaking]
- What?
What is it?
- A shadow.
Just...
darkness.
It's a soul collector,
and it's not done.
- I don't understand.
Who is it?
- No, no, it's not a who.
It's, um...
It's a what.
I don't know, but it's been here longer than you or me.
[faint whispering]
It's pure darkness.
- What does it want?
- It wants death.
It wants pain.
And it preys on the weak.
It infects them
like a virus.
[loud buzzing] You hear that?
- Hear what? - He's here.
- Are you okay? - Oh!
Oh, that buzzing.
He's here, he's here.
I have to go. I have to...
- No, just... - I have to go.
- Can't you just stay?
- No, no, now I have to go. I have to be...
- No, please, I don't even understand!
- I have to go now! - But please, I need your help!
I don't understand.
- Stop. Oh, my God, no!
[shrieking]
- Oh, no!
- No, no!
Oh, my God!
- Open the door!
Open the door!
- Aah! Aah!
- Okay, just breathe normal.
Okay, relax and breathe normal.
There you go.
[dark music]
♪
Kelly: I didn't tell her anything
about what I have seen or heard.
She just walked through the house, and she knew.
- [scoffs]
She knows your sister, though, right?
- So?
- So, these people are con artists, Kelly.
They gather information from everywhere
and stitch it together so you think they got a gift.
- She ran out of the house
because she heard a buzzing in her head.
- Theater.
And before she could hit you up for big money
to perform an exorcism or whatever, she got stung.
- I want to move.
- You've wanted to move since we got here.
- I am trying to save our family here.
We have to leave.
- Actually,
I have to stay.
- [sighs]
- While I was out with Sarah,
we stopped by a new restaurant
that's supposed to open this winter.
Showed the owner some pics,
he placed an order.
Tables, chairs, a custom bar.
It's huge.
[tense music]
- [scoffs]
You might be...
the most selfish man in the world.
♪
[hammering]
- [gasps]
[heavy footsteps]
[suspenseful music]
♪
Sarah!
[police radio chattering]
- She's not in the house.
- He took her. You're wasting your time.
- How well do you know your neighbors?
- Hey, everyone quiet!
- What is it? - Shh.
♪
- Sarah?
- Sarah!
- Sarah, you down here?
♪
[Sarah crying]
- She's in the wall.
- What?
Sarah?
How?
Oh, my God.
Is she in there?
- [screaming]
[Sarah crying]
- She's in there.
- [gasps] Sarah!
- Sarah!
What were you doing in there?
[dark music]
- It's the safe place.
- What?
♪
How did you get in there?
[ominous music]
♪
- "We see what we choose to see."
♪
Whatever that means.
[police radio chattering]
- It doesn't make any sense.
How did she get in there?
There was no hole in the wall.
There was no way in or out.
It was like someone sealed her in.
- Your, um, house is pretty well known in this town.
My father used to always say, uh...
there's something just wrong with this place.
- Here we go again.
- My father was the Chief,
a long time ago,
and the biggest case of his career
was in the late 50s.
It was right here at this house.
A man named Andrew Keating,
he was the principal at the elementary school,
and, um, he lived here alone.
People always said he was a...
a good man, a normal man.
Then in 1957, two kids went missing.
- You first.
Officer Hicks: The night of Halloween.
[door shuts, locks]
[children screaming]
A good two weeks went by,
before anyone realized that Andrew hadn't shown up for work.
So my father and his men, they came down here.
There was no answer.
The door was double-locked.
So they broke in,
and the kids were here.
Dead.
Still in their costumes.
My father said that it took a while to find Andrew.
He had barred himself in a room and...
starved himself to death.
Sarah: It's the safe place.
- There's a reason
this house is so infamous in town.
It wasn't just Andrew Keating.
20 years later, a woman named...
That's enough of that.
I'm just glad that this young lady is safe and sound.
You're a craftsman?
- Yeah.
- Seal up that room.
It's a dangerous place to play.
Ruth Wallace.
Let's go.
- Sarah couldn't explain how she got in the room.
There were no holes
in any of the walls.
She said she just blacked out.
And then the cop mentioned that name,
Ruth Wallace.
Apparently, she's still alive.
woman: No! Let me out!
[cell door buzzing, rattling]
- She hasn't had a visitor in a lot of years.
I gotta warn you, she almost never speaks.
[cell door buzzes, rattles]
- Why isn't she in a mental institution?
- From what I've heard, the public defender
tried to plead insanity on her behalf,
but the judge didn't buy it.
And the attacks haven't helped her case
to get out of here and into an institution.
- Hey!
- Once every year or so, something sets her off
and she attacks someone.
A guard,
another inmate.
I'll be back in ten minutes.
If you want out sooner just rap on the door.
[tense music]
♪
- My family and I moved into a house.
It's the same one
that you used to live in.
I know what you did there.
I know
what happened before.
With the man and those children.
What do the symbols mean?
I've seen them before.
In the basement.
I've seen your family...
sitting around the dining room table.
[prisoners shouting in distance]
- I didn't poison them,
but I poisoned them.
- [gasps]
♪
- You're a sensitive.
- A what?
- You see things.
- Not until this house.
- Well...
There's something there.
Something powerful.
♪
And the basement...
is the safe room.
It's the only safe room.
♪
Ruth: There's something dark in that house.
[rapid footsteps, children laughing]
Don't run in the house!
It got inside my mind.
It wanted me to hurt my family.
It wanted me to kill my own children.
I put poison in the food.
I could feel it.
[phone ringing]
The phone rang and it snapped me out of it.
[phone ringing]
I poisoned myself
to save my family from what I would do.
[whimpering]
I had to protect them...
from the darkness.
I knew it wouldn't leave me alone until I killed them.
So I had to kill myself.
No!
I threw the poisoned food away.
I know I did.
I went to the basement to die.
The darkness wanted pain.
It wanted death.
Once it's in you,
you can't get it out.
[man screaming]
[gasps]
♪
It didn't let me die.
When I came back, they were all dead.
[screaming]
[sobbing]
I... I didn't poison them...
[indistinct P.A. announcement]
But I poisoned them.
♪
- What does that mean?
Ruth? Ruth?
What do those words mean?
[prison gate buzzes, unlocks]
- That's it for time.
- No, not yet, please. She was talking.
Ruth, what does it mean?
- Your child is not safe.
[dramatic music]
♪
[phone line trilling]
- Hi, this is Brian.
Leave me a message and I'll call you back.
[tones redialing] - Please.
[line trilling] Please, answer.
Oh, thank God. Brian!
[phone beeps]
- Mommy, are you almost home?
- What's wrong, sweetie?
- It's Daddy. - Sarah, get over here!
- No, okay. - Mommy, please get home soon.
- Sarah, I... I need you to leave the house.
I need you to run out of the workshop.
I need you to go over to the neighbor's.
- Is that Mommy on the phone? - Yes.
- Is it?
- No, Brian. No, Brian.
- We only see...
What we choose to see. - Brian, please.
Brian, Brian, please!
- We only see what we choose to see.
- Sarah, get out!
- We only see...
- No! No, no, no!
No, no, no, no!
[crying]
[suspenseful music]
♪
Sarah!
♪
Brian!
Brian, let me out!
Brian: I have to do it.
I need to escape the darkness.
It wants death. It wants sacrifice.
- No. No! Brian!
Brian! - I have to do it.
- Sarah! Sarah!
- I have to escape the darkness.
- Please, no.
- I have to do it.
- [panting, crying]
♪
[grunting, yelling]
♪
[thudding]
[rattling]
[door creaking]
[breathing sharply]
Sarah?
[clatter, glass breaks]
[dog barking in distance]
[tense music]
♪
Sarah?
♪
[crying]
Sarah?
[fire roaring, crackling]
[Kelly crying]
♪
[gasps]
Sarah!
- Mommy?
- Oh, oh.
Okay, I need you to go to the car right now,
and lock the door, okay?
Go to the car.
Ellen! Clark!
Please!
Clark! Ellen!
- What's going on?
- My house... my house is on fire.
Please.
- What... what's happening?
- How is...
How is...
My house.
Kelly: It just...
it just burned so fast.
[sirens blaring]
The firemen got there in ten minutes,
but they were just too late.
[stirring music]
♪
Brian was inside.
He burned along with the house.
[Kelly crying]
- ♪ Love can't protect you now ♪
♪
♪ The love that I can feel
♪ It'll only...
Kelly: I've thought about, you know...
Brian.
- ♪ Love
- What happened to him?
And Ruth,
the woman that killed her family,
and just how similar it all was.
- ♪ Ooh
♪ Ah, ooh
♪ Daylight's dying
♪ Run, baby, run
♪ Baby, run
♪ Ooh
♪
- I truly believe...
that Brian had a moment of clarity.
Just like Ruth.
That he told Sarah to leave...
And he killed himself,
to get away from the darkness.
That he killed himself to save his family.
- Mm.
And you were locked in the workshop, correct?
- Yeah.
Yeah, I was until I...
- Went out the back door?
- Right.
- Your marriage was troubled
since before you moved into town.
Isn't that correct?
- We were having difficulties,
but...
We were doing the best that we could.
- [laughs softly]
[taps key]
Brian: This...
this is a disaster.
I feel like it's almost gone too far
to even get better now.
Like, what are we even doing, you know?
Oh, hi.
No, I was just, um...
[taps key]
- That doesn't sound like
you guys were working things out.
- I...
He was acting crazy.
I mean, he was talking to the air.
I mean, you saw that, right?
- What I saw was a man saying
that his marriage was basically over,
and talking to someone who was
just off screen.
[tense music]
Brian's life insurance was worth $1.5 million.
Until you moved over to the new house,
the policy was doubled
to $3 million,
and you were the one that signed it.
♪
- Brian was too busy at the office
shutting down his accounts,
and that's why he asked me to do it.
We doubled the insurance for both of us.
I was just the one who signed...
- Signed the papers, right?
I mean, $3 million is a lot of money.
♪
- Am I...
am I a suspect or something?
♪
- So, what do you think, Lindsey?
- Lindsey?
- I love it, Dad.
- Come on, you gotta check out the backyard.
[ball bouncing]
[dark music]
♪
[faint whispering]