1 00:00:11,000 --> 00:00:10,000 Visit www.RFbet99.cc Trusted Safe Online Gambling Agent 2 00:00:05,000 --> 00:00:15,000 New Member Bonus 500 Thousand 10 Million Cashback Parlay 3 00:00:34,200 --> 00:00:36,680 EVA HESSE: There hasn't been a normal thing in my life. Sbobet Sportsbook roll 1.25% Maxbet Sportsbook roll 1.5% 4 00:00:37,904 --> 00:00:39,110 None. Rolls Live Casino Sbobet 338A 1% Rollingan Casino Live Maxbet 1.2% 5 00:00:40,206 --> 00:00:42,652 Art is the easiest thing. BBM: 2ACAEFC6 LINE: RFBET99 6 00:00:42,675 --> 00:00:45,053 That doesn't mean I've worked a little on it, Wechat: RFBET99 Whatsapp: +66944386003 7 00:00:45,078 --> 00:00:47,957 but it's the only one I've never done it. 8 00:00:54,888 --> 00:00:58,199 Eva Hesse is one of them the greatest artists of the 20th century. 9 00:00:59,359 --> 00:01:02,340 The idea is to make artwork 10 00:01:02,362 --> 00:01:05,434 that is on the border cannot be controlled. 11 00:01:07,434 --> 00:01:10,677 This is someone who does not only make small-scale jobs, 12 00:01:10,703 --> 00:01:13,809 but someone who is capable makes a very important statement. 13 00:01:17,510 --> 00:01:21,322 HESSE: I have the most openness about my art. 14 00:01:21,347 --> 00:01:24,760 I am willing, really, walk on the edge. 15 00:01:24,784 --> 00:01:29,233 And if I haven't reached it, that's where I want to go. 16 00:01:29,255 --> 00:01:34,000 The sensibility is very beautiful. And you can feel the tension in his voice 17 00:01:34,027 --> 00:01:36,029 when he talks about his work. 18 00:01:36,062 --> 00:01:37,666 HESSE: I'm very close, 19 00:01:38,731 --> 00:01:40,108 then change, 20 00:01:40,700 --> 00:01:41,906 destroy. 21 00:01:44,037 --> 00:01:45,539 I am not confident... 22 00:01:45,572 --> 00:01:46,915 Today's paintings aren't good... 23 00:01:46,940 --> 00:01:50,251 To be able to complete one and survive. 24 00:01:51,010 --> 00:01:52,614 This is me. 25 00:01:52,645 --> 00:01:55,285 This is what I want to say. 26 00:01:55,315 --> 00:01:57,852 Eva's life and her art must join. 27 00:01:57,884 --> 00:01:59,989 He is not just manipulating material, 28 00:02:00,019 --> 00:02:01,623 he is the material. 29 00:02:03,490 --> 00:02:06,096 Everything falls on one point for it. 30 00:02:06,126 --> 00:02:07,605 And he ran with it. 31 00:02:09,496 --> 00:02:13,069 HESSE: One day, will all fit together, 32 00:02:13,099 --> 00:02:16,979 and I feel capable are there and ready. 33 00:02:17,003 --> 00:02:19,984 That will all be useful for what I get from it. 34 00:02:31,484 --> 00:02:33,828 (JAZZ MUSIC PLAY) 35 00:02:45,965 --> 00:02:47,740 HESSE: I'm not a writer. 36 00:02:47,767 --> 00:02:49,075 Or, may you say, 37 00:02:49,102 --> 00:02:52,083 must be pretentious to write down my thoughts. 38 00:02:53,473 --> 00:02:56,647 Autobiographical Sketch of a Meaningless Person. 39 00:02:58,244 --> 00:03:00,520 This is a story about who, from outside, 40 00:03:00,547 --> 00:03:02,390 reveals a rather beautiful picture. 41 00:03:03,583 --> 00:03:05,085 Beautiful face, 42 00:03:05,118 --> 00:03:06,392 beautiful body, 43 00:03:06,419 --> 00:03:08,330 beautiful dresses. 44 00:03:08,354 --> 00:03:11,824 However, the person doesn't feel beautiful inside. 45 00:03:13,293 --> 00:03:15,967 I feel, for the majority of my life, 46 00:03:15,995 --> 00:03:20,000 different, alone, and separate from the others. 47 00:03:20,033 --> 00:03:22,741 To complicate some problems, 48 00:03:22,769 --> 00:03:26,979 for the past years I have shown and developed talent as a painter, 49 00:03:27,006 --> 00:03:28,280 good, at that time. 50 00:03:29,842 --> 00:03:32,288 Is that in my feelings isolated and different 51 00:03:32,312 --> 00:03:34,724 can I claim title of painter? 52 00:03:36,149 --> 00:03:38,686 What I received as the answer 53 00:03:38,718 --> 00:03:42,165 that the true artist is also paradoxically 54 00:03:42,188 --> 00:03:43,758 correct personal mismatch. 55 00:03:48,761 --> 00:03:50,172 Eva must be my father's favorite. 56 00:03:50,196 --> 00:03:51,470 Not because... 57 00:03:51,497 --> 00:03:54,569 Just because he, I think, feels that he is more vulnerable. 58 00:03:56,169 --> 00:03:59,207 I am older and I understand better. 59 00:03:59,239 --> 00:04:01,845 But I think that he is very alkaline. 60 00:04:01,874 --> 00:04:04,150 Strong Eva. 61 00:04:04,177 --> 00:04:06,555 There are times when he feels helpless. 62 00:04:06,579 --> 00:04:08,820 But he has courage directly from the beginning. 63 00:04:13,052 --> 00:04:17,023 HESSE: When I was 16 years old, I went to the Pratt Institute. 64 00:04:17,056 --> 00:04:19,502 And I don't like it at all. 65 00:04:20,693 --> 00:04:22,229 When you start painting classes, 66 00:04:22,262 --> 00:04:24,868 you have to do lemon still life. 67 00:04:24,897 --> 00:04:29,209 And then, you pass lemon and bread are still alive. 68 00:04:29,235 --> 00:04:33,012 And then, you pass to a lime, bread, and the egg is still alive. 69 00:04:34,674 --> 00:04:36,551 This is not my idea of painting. 70 00:04:37,944 --> 00:04:41,323 I wait until I get As instead of Cs, 71 00:04:41,347 --> 00:04:43,953 and say I stopped. 72 00:04:43,983 --> 00:04:47,726 I have to know that it's not because I didn't do it well. 73 00:04:47,754 --> 00:04:50,291 So, I have to go home. 74 00:04:50,323 --> 00:04:53,634 As soon as I get there, my stepmother says, "Find a job." 75 00:04:55,361 --> 00:04:57,238 So where do you go on 16-and-a-half, 76 00:04:57,263 --> 00:04:59,903 know very little and have an interest in art? 77 00:05:03,102 --> 00:05:06,015 I take it myself Seventeen Magazine. 78 00:05:06,039 --> 00:05:08,041 And for some strange reason, 79 00:05:08,074 --> 00:05:09,985 they hire me. 80 00:05:10,009 --> 00:05:12,990 I think that's just because from bile comes there. 81 00:05:15,448 --> 00:05:18,861 He has experience working in women's magazines 82 00:05:18,885 --> 00:05:22,230 and he said it was made a big difference for him, 83 00:05:22,255 --> 00:05:24,462 that it gives him confidence. 84 00:05:24,490 --> 00:05:27,733 And he got some of his work out into the world. 85 00:05:35,935 --> 00:05:38,609 HESSE: I take mid-year tests for Cooper Union, 86 00:05:38,638 --> 00:05:40,777 and that's the only plan I made. 87 00:05:40,807 --> 00:05:42,013 I have to make it. 88 00:05:42,742 --> 00:05:43,880 I entered. 89 00:05:43,910 --> 00:05:46,891 And next September, I went to Cooper Union, 90 00:05:46,913 --> 00:05:49,450 that I love from the beginning. 91 00:05:55,822 --> 00:05:58,860 Eva is certainly aware that she wants to be an artist. 92 00:05:58,891 --> 00:06:01,235 But my father can't accept that. 93 00:06:02,795 --> 00:06:04,069 WILLIAM HESSE: Dear Evachen, 94 00:06:04,097 --> 00:06:08,136 You are always very successful in everything you do. 95 00:06:08,167 --> 00:06:11,011 But painting and learning is a fun job. 96 00:06:12,071 --> 00:06:14,381 To stand on your feet, 97 00:06:14,407 --> 00:06:18,856 You have to do the things you feel today is not so fun. 98 00:06:18,878 --> 00:06:22,587 And if someone has a job or earn a living, 99 00:06:22,615 --> 00:06:25,425 This is something that also gives satisfaction. 100 00:06:26,886 --> 00:06:30,595 HESSE: Dad, I want to do it more than just being, 101 00:06:30,623 --> 00:06:33,900 to live happily and satisfied with home, children, 102 00:06:33,926 --> 00:06:36,065 to do the same job every day. 103 00:06:37,163 --> 00:06:38,767 I am an artist. 104 00:06:39,999 --> 00:06:42,741 I want to experience it what life is offered. 105 00:06:43,870 --> 00:06:45,850 And I have to do this for myself. 106 00:06:54,347 --> 00:06:57,954 ROSIE GOLDMAN: I met Eva when she was 17 years old. 107 00:06:57,984 --> 00:07:01,124 What fascinated me the most 108 00:07:02,121 --> 00:07:03,498 is his hand. 109 00:07:04,357 --> 00:07:06,530 He speaks with his hand. 110 00:07:06,559 --> 00:07:10,905 All vitality in him comes through his hands. 111 00:07:14,000 --> 00:07:18,278 We spend a lot of money the amount of time together. 112 00:07:18,304 --> 00:07:20,841 And that happens very close friendship. 113 00:07:22,341 --> 00:07:24,048 HESSE: Dear Rosie, 114 00:07:24,076 --> 00:07:26,420 I dream that you and I collaborate in a book 115 00:07:26,446 --> 00:07:29,359 Where we talk about our entire past, 116 00:07:29,382 --> 00:07:31,794 very honest, nothing is hidden. 117 00:07:32,285 --> 00:07:33,662 All parts. 118 00:07:35,455 --> 00:07:37,662 GOLDMAN: He lives on Jane Street. 119 00:07:37,690 --> 00:07:42,332 He has a small room with a giant bed. 120 00:07:42,361 --> 00:07:44,637 He is very comfortable in this matter 121 00:07:45,531 --> 00:07:48,444 box, almost, a room. 122 00:07:48,468 --> 00:07:51,472 As long as he can do his art, it doesn't matter. 123 00:07:54,073 --> 00:07:57,418 SYLVIA: We both Go to Cooper Union and Yale. 124 00:07:57,443 --> 00:07:59,354 I am two years younger than him 125 00:07:59,378 --> 00:08:01,289 so I watch him. 126 00:08:02,448 --> 00:08:05,861 I have this feeling he is someone who must be watched. 127 00:08:08,654 --> 00:08:10,725 He is very smart, 128 00:08:10,756 --> 00:08:14,363 articulate and beautiful people 129 00:08:15,528 --> 00:08:18,304 who needs someone to listen to it 130 00:08:18,331 --> 00:08:21,938 so he can finish it and work. 131 00:08:23,669 --> 00:08:26,275 He goes to Yale and learns to paint, 132 00:08:26,305 --> 00:08:30,219 famous for, most famous with Josef Albers. 133 00:08:30,243 --> 00:08:32,849 HESSE: I am Albers' small color researcher. 134 00:08:32,879 --> 00:08:34,552 Everyone always calls me like that. 135 00:08:34,580 --> 00:08:36,753 And every time he walks into class, 136 00:08:36,782 --> 00:08:39,194 he will ask, "What is Eva doing?" 137 00:08:45,892 --> 00:08:49,738 The last two years may be two of the most important, 138 00:08:49,762 --> 00:08:52,743 with the biggest changes deep inside me. 139 00:08:53,900 --> 00:08:56,540 I have become a painter. 140 00:08:56,569 --> 00:09:00,073 SUSSMAN: He finished art school in the late 50s 141 00:09:00,106 --> 00:09:04,384 and he went from Yale to New York in 1960. 142 00:09:04,410 --> 00:09:05,821 Kennedy was elected. 143 00:09:05,845 --> 00:09:08,587 This is really dawn of a new age. 144 00:09:10,483 --> 00:09:12,485 (UPBEAT MUSIC PLAYING) 145 00:09:25,231 --> 00:09:26,938 HESSE: I have moved very fast. 146 00:09:27,500 --> 00:09:30,037 I feel very alive. 147 00:09:30,069 --> 00:09:34,882 I am almost too anxious for every moment and every future moment. 148 00:09:34,907 --> 00:09:39,720 Being an artist in New York City in the 60s was really beautiful. 149 00:09:49,855 --> 00:09:51,732 That's a great time. 150 00:09:51,757 --> 00:09:55,398 In almost all aspects of work 151 00:09:55,428 --> 00:09:58,898 and music, literature, poetry, 152 00:09:58,931 --> 00:10:00,274 but especially in painting, 153 00:10:01,067 --> 00:10:02,740 everything is open. 154 00:10:02,768 --> 00:10:07,114 There is a feeling like that we recreate the painting. 155 00:10:08,841 --> 00:10:12,948 HESSE: I will leave limits and restrictions imposed on myself. 156 00:10:12,979 --> 00:10:16,358 I will expose me superficial dishonesty. 157 00:10:16,382 --> 00:10:18,623 I will paint every rule. 158 00:10:24,123 --> 00:10:25,932 And you have to understand that time, 159 00:10:25,958 --> 00:10:28,268 there is no art world. 160 00:10:28,294 --> 00:10:29,864 There are people who make jobs 161 00:10:29,895 --> 00:10:32,034 for themselves and for each other. 162 00:10:32,064 --> 00:10:34,169 And there are no products. 163 00:10:34,200 --> 00:10:36,271 Commodification does not occur. 164 00:10:36,302 --> 00:10:40,045 The art world hasn't been taken over by the collector. 165 00:10:40,072 --> 00:10:43,485 Nobody thinks about how much money they will make. 166 00:10:43,509 --> 00:10:47,787 It all dedicates your life to your work. 167 00:10:47,813 --> 00:10:50,020 And I know Eva also feels that. 168 00:10:53,419 --> 00:10:56,457 HESSE: Only paintings that can now see me passing by. 169 00:10:56,489 --> 00:11:00,096 It really depends on each other with all of me. 170 00:11:00,126 --> 00:11:03,130 This is what I found that I can express myself. 171 00:11:22,248 --> 00:11:24,319 SOL LEWITT: He came to New York and I met him. 172 00:11:24,350 --> 00:11:25,852 He just came out of Yale. 173 00:11:26,986 --> 00:11:29,398 Eva is very beautiful and cute, 174 00:11:29,422 --> 00:11:33,700 very lively and hip, and know a lot of people _ because they are at Yale. 175 00:11:33,726 --> 00:11:37,333 I realized that he had something extraordinary about his work. 176 00:11:39,732 --> 00:11:42,110 HESSE: I started selling and showed my work, 177 00:11:42,134 --> 00:11:43,977 in that order. 178 00:11:44,003 --> 00:11:46,916 One gives me confidence to move on to another. 179 00:11:46,939 --> 00:11:49,442 International Watercolor Show at the Brooklyn Museum 180 00:11:49,475 --> 00:11:51,477 and 3 young Americans, 181 00:11:51,510 --> 00:11:53,080 my show last night. 182 00:11:55,648 --> 00:11:58,857 This is the beginning of the full in the middle of the art world. 183 00:12:16,669 --> 00:12:20,139 I've been with Tom Doyle the last three days. 184 00:12:20,806 --> 00:12:23,218 I am very happy. 185 00:12:23,242 --> 00:12:26,917 There is a party held in where my friend is. 186 00:12:27,880 --> 00:12:29,917 And I'm fighting. 187 00:12:29,949 --> 00:12:33,158 This person is making out with my girlfriend, 188 00:12:33,185 --> 00:12:34,459 so I hit it. 189 00:12:34,487 --> 00:12:36,228 Eva is at the party 190 00:12:36,255 --> 00:12:40,203 and he took me to the kitchen 191 00:12:40,226 --> 00:12:42,069 and wash my face, 192 00:12:42,094 --> 00:12:43,573 and he is very good for me, you know. 193 00:12:43,596 --> 00:12:45,735 And that the first time I met him. 194 00:12:46,732 --> 00:12:49,076 HESSE: Tom a beautiful human 195 00:12:49,101 --> 00:12:52,207 and I enjoy all aspects. 196 00:12:52,238 --> 00:12:55,981 It's real, life and beautiful romance. 197 00:12:56,008 --> 00:13:00,218 Tom is an extraordinary, lively, poetic, funny Irish drunk at the time. 198 00:13:02,314 --> 00:13:04,021 GOLDMAN: Yes warns him, 199 00:13:04,049 --> 00:13:06,791 that he comes from a very wild person, 200 00:13:06,819 --> 00:13:09,163 Really not good for him. 201 00:13:09,188 --> 00:13:13,102 But he gave him something that he needed. 202 00:13:14,393 --> 00:13:16,669 HESSE: I feel he is really with me 203 00:13:16,695 --> 00:13:17,969 and I am with him. 204 00:13:19,098 --> 00:13:21,009 I have never felt this before. 205 00:13:22,101 --> 00:13:26,572 That summer, Eva and Tom invited me to go to 206 00:13:26,605 --> 00:13:28,448 George Segal Ranch. 207 00:13:31,544 --> 00:13:32,989 DOYLE: All this young artists will come 208 00:13:33,012 --> 00:13:35,424 From New York to do this carnival. 209 00:13:35,447 --> 00:13:37,324 And there will be a statue dance. 210 00:13:39,051 --> 00:13:42,032 I made a statue like a fighter. 211 00:13:42,054 --> 00:13:44,364 And Eva, that's it the first statue, really, 212 00:13:44,390 --> 00:13:47,269 is very, sort of, formless. 213 00:13:47,293 --> 00:13:49,068 Two people enter and dance. 214 00:13:49,094 --> 00:13:51,165 And all these statues dance. 215 00:13:54,934 --> 00:13:57,574 GOLDMAN: They are also happening. 216 00:13:58,504 --> 00:13:59,983 It's a live theater 217 00:14:00,606 --> 00:14:02,176 without any script. 218 00:14:04,677 --> 00:14:06,623 HONIG: There is a dancer, Yvonne Rainer, 219 00:14:06,645 --> 00:14:10,183 who is dancing on the roof of the warehouse. 220 00:14:10,216 --> 00:14:13,390 SERRA: Artists interact many dancers at that time. 221 00:14:13,419 --> 00:14:17,925 We think there are more ideas generated in dance 222 00:14:17,957 --> 00:14:21,370 from those produced by sculptors or painters. 223 00:14:25,831 --> 00:14:28,812 HONIG: Eva has made a tube 224 00:14:28,834 --> 00:14:32,338 made of cloth that people are to stretch. 225 00:14:37,209 --> 00:14:38,517 That's fun. 226 00:14:38,544 --> 00:14:41,616 That is an artist who is playing and having fun. 227 00:14:45,217 --> 00:14:47,857 HESSE: Everything is fine. 228 00:14:47,887 --> 00:14:49,491 It's been a wonderful week. 229 00:14:50,422 --> 00:14:53,835 I like Tom again every day. 230 00:14:53,859 --> 00:14:58,001 DOYLE: His father said, "I don't want you to marry anyone but a Jew." So I repent. 231 00:14:58,030 --> 00:14:59,475 I became a Jew. I mean, I go to shul, I do all numbers. 232 00:14:59,498 --> 00:15:03,708 233 00:15:05,738 --> 00:15:08,344 CHARASH: You know, they are not interested in any religion. 234 00:15:08,374 --> 00:15:09,682 But for my father, 235 00:15:09,708 --> 00:15:13,155 and because of our German background, 236 00:15:13,178 --> 00:15:16,091 he joined with that and Tom participated. 237 00:15:17,683 --> 00:15:21,426 DOYLE: Two or three of my friends have never been Bar Mitzvah-ed, 238 00:15:21,453 --> 00:15:26,198 so we have a Bar Mitzvah. We play Notes Belle Barth, you know. (LAUGH) 239 00:15:26,225 --> 00:15:29,229 And give each other a pen, 240 00:15:30,496 --> 00:15:31,497 the whole stick. 241 00:15:33,832 --> 00:15:38,679 Tom is a good and interesting sculptor, just come to his adult job 242 00:15:38,704 --> 00:15:40,775 and Eva is clearly a good artist. 243 00:15:40,806 --> 00:15:42,752 But nothing is unique there, not yet. 244 00:15:43,709 --> 00:15:45,347 But he is very ambitious 245 00:15:45,377 --> 00:15:48,119 and full of young art energy. 246 00:15:49,682 --> 00:15:54,131 DOYLE: We got attic on 19th and 5th Avenue. 247 00:15:54,153 --> 00:15:56,633 That's a great attic. It's half a long block. 248 00:15:56,655 --> 00:15:59,932 We rent some of that for Ethelyn Honig. 249 00:15:59,959 --> 00:16:01,836 HONIG: One of the mornings I arrived, 250 00:16:01,860 --> 00:16:05,069 I told them about that fact that I just saw 251 00:16:05,097 --> 00:16:09,512 a big exhibition in Sidney Janis Gallery. 252 00:16:09,535 --> 00:16:11,446 It's called Pop Art. 253 00:16:11,470 --> 00:16:13,143 And I said, "I think you have to go there 254 00:16:13,172 --> 00:16:15,618 " and look and see what happens. 255 00:16:15,641 --> 00:16:17,211 "It will never be the same again." 256 00:16:21,814 --> 00:16:24,192 LIPPARD: Pop art, of course, explodes into the scene 257 00:16:24,216 --> 00:16:25,286 and that's a big problem. 258 00:16:25,317 --> 00:16:27,490 Pop art is a kind of game changer. 259 00:16:33,726 --> 00:16:35,728 SUSSMAN: Discussion that appears afterwards 260 00:16:35,761 --> 00:16:40,039 people for and against are full of passion. 261 00:16:40,065 --> 00:16:42,238 And of course, Eva always goes to the museum 262 00:16:42,267 --> 00:16:44,770 and know exactly what is happening. 263 00:16:44,803 --> 00:16:47,181 And I have a feeling 264 00:16:47,206 --> 00:16:52,246 that he might be over Tom. 265 00:16:57,349 --> 00:17:01,627 WAPNER: He does not have the truth received. 266 00:17:01,653 --> 00:17:04,429 And he checks and doubts 267 00:17:05,524 --> 00:17:07,299 and, um, 268 00:17:09,261 --> 00:17:11,332 thinking about things. 269 00:17:11,363 --> 00:17:15,470 HESSE: Should I force me prejudice about painting? 270 00:17:15,501 --> 00:17:21,144 And for what level do I have to follow what happened to the canvas at this time? 271 00:17:21,173 --> 00:17:24,916 BARBARA BROWN: When he was born painting, he was very blocked. 272 00:17:24,943 --> 00:17:28,686 But the collage was originally 273 00:17:28,714 --> 00:17:32,856 extraordinary. I mean, he can draw like nothing. 274 00:17:32,885 --> 00:17:37,129 Every time he draws something, it is very beautiful. 275 00:17:37,156 --> 00:17:40,729 HESSE: For me, painting has become that, making art, 276 00:17:41,593 --> 00:17:43,595 painting a painting. 277 00:17:43,629 --> 00:17:46,542 History, too many traditions there. 278 00:17:47,399 --> 00:17:48,969 I want to be surprised. 279 00:17:50,302 --> 00:17:52,475 I will continue to draw, 280 00:17:52,504 --> 00:17:54,245 encourage their individuality, 281 00:17:54,273 --> 00:17:56,549 even though they fight every major trend. 282 00:17:57,643 --> 00:17:59,179 Damn it. 283 00:17:59,211 --> 00:18:00,815 So do everyone I admire. 284 00:18:07,352 --> 00:18:11,095 DOYLE: Eva works in a jewelry save on Bleecker Street 285 00:18:11,123 --> 00:18:14,263 and I got a job teaching in New School. 286 00:18:14,293 --> 00:18:16,204 And that's one of them two jobs I have, 287 00:18:16,228 --> 00:18:19,266 and that's how we live with it. 288 00:18:19,298 --> 00:18:22,040 And then what happens is Arnold Rudlinger, 289 00:18:22,067 --> 00:18:23,910 director Kunstverein, 290 00:18:23,936 --> 00:18:26,849 and a group of German collectors 291 00:18:26,872 --> 00:18:28,874 see my stone carvings. 292 00:18:30,709 --> 00:18:33,280 Rudlinger will do it give me a show in Basel. 293 00:18:33,312 --> 00:18:34,518 He said, "How do you move these things?" 294 00:18:34,546 --> 00:18:37,425 I said, "You have to do it build a box and a lala..." 295 00:18:37,449 --> 00:18:41,420 And Scheidt said, "Look, we have very many stones like that. 296 00:18:41,453 --> 00:18:46,027 " Why don't you come Germany and, you know, 297 00:18:46,058 --> 00:18:50,336 "you can make a statue in Germany and we will send it to Switzerland, you know?" 298 00:18:50,362 --> 00:18:52,137 And I said, "Yes, I will." 299 00:18:57,002 --> 00:19:00,347 Eva is a bit scared about going there, you know, 300 00:19:00,372 --> 00:19:02,875 because what happened... has happened to his family. 301 00:19:04,243 --> 00:19:06,655 HESSE: I sit here now panic and cry. 302 00:19:08,147 --> 00:19:11,185 The pressure to go weighs on me. 303 00:19:11,216 --> 00:19:15,187 I said, "Look, this is a good time to get out of New York." 304 00:19:15,220 --> 00:19:17,097 Pop art is a big thing, now. 305 00:19:17,122 --> 00:19:18,897 We will let it subside. 306 00:19:18,924 --> 00:19:22,736 And Scheidt will give me salary and everything, you know. 307 00:19:22,761 --> 00:19:24,104 We don't need to work. 308 00:19:24,129 --> 00:19:25,733 You know, we will only work on our work. 309 00:19:27,466 --> 00:19:30,572 HONIG: I remember he said that he was scared 310 00:19:30,602 --> 00:19:32,741 to return to this place 311 00:19:32,771 --> 00:19:35,274 where he suffered greatly. 312 00:19:35,307 --> 00:19:39,153 CHARASH: But Sol LeWitt, close friend, close confidant, 313 00:19:39,178 --> 00:19:42,182 push it, say it he will be well served 314 00:19:42,214 --> 00:19:44,626 to get out New York art scene. 315 00:19:44,650 --> 00:19:48,120 He will be able to work in a much freer way. 316 00:19:54,359 --> 00:19:56,100 HESSE: Dear Mr. Scheidt, 317 00:19:56,128 --> 00:19:58,870 I've started making it preparation for our trip, 318 00:19:58,897 --> 00:20:02,606 so everything becomes very real to us. 319 00:20:02,634 --> 00:20:04,045 That is Tom's chance. 320 00:20:04,069 --> 00:20:06,481 That Tom first was asked to go to Germany. 321 00:20:07,406 --> 00:20:09,647 That is very difficult for him. 322 00:20:09,675 --> 00:20:12,588 But Eva doesn't allow it an opportunity to pass. 323 00:20:12,611 --> 00:20:14,386 Eva is a risk taker. 324 00:20:14,413 --> 00:20:17,656 Even though Eva is a little more than a wife at the time, 325 00:20:17,683 --> 00:20:18,923 but all that will change. 326 00:20:25,357 --> 00:20:27,132 (WHOOSHING TURBINES) 327 00:20:47,246 --> 00:20:50,989 (SPEAKING GERMANY) 328 00:21:01,460 --> 00:21:05,408 SUSSMAN: Tom and Eva arrange in Kettwig, 329 00:21:05,430 --> 00:21:08,070 this city has these textile factories 330 00:21:08,100 --> 00:21:11,775 who have been in the family Arnard Scheidt for hundreds of years. 331 00:21:16,408 --> 00:21:19,218 Where Eva and Tom live are there, 332 00:21:19,244 --> 00:21:22,384 that is called... 333 00:21:22,414 --> 00:21:23,484 (SPEAKING GERMANY) 334 00:21:26,251 --> 00:21:30,222 But the part where they work 335 00:21:30,255 --> 00:21:32,360 it's already... 336 00:21:32,391 --> 00:21:34,337 JOHANN: That has been closed. 337 00:21:34,359 --> 00:21:36,134 HESSE: Our studio, 338 00:21:36,161 --> 00:21:40,132 upstairs with skylights and windows every two feet. 339 00:21:40,165 --> 00:21:41,872 I sit and hope I will work a few. 340 00:21:43,135 --> 00:21:45,308 I might have to do it believe me more 341 00:21:45,337 --> 00:21:48,284 before work means something to me. 342 00:21:48,307 --> 00:21:50,548 GABRIELE: First time that I saw Eva, 343 00:21:50,575 --> 00:21:53,852 he gives me very warm feeling, 344 00:21:55,280 --> 00:21:58,386 feeling welcomed. 345 00:21:59,618 --> 00:22:01,029 I am five years old, 346 00:22:01,053 --> 00:22:04,899 and he invited me to come to the workshop. 347 00:22:04,923 --> 00:22:08,132 He wants show me how to paint. 348 00:22:09,795 --> 00:22:13,004 And of course, we play a lot in the pool. 349 00:22:14,232 --> 00:22:15,711 (CHILDREN LAUGHING) 350 00:22:15,734 --> 00:22:19,079 You have this playing water ball, 351 00:22:19,104 --> 00:22:21,744 and us... (CHUCKLES) jump to the pool. 352 00:22:23,875 --> 00:22:24,945 That's amazing. 353 00:22:26,611 --> 00:22:29,854 He painted for my other brother, Karl, 354 00:22:29,881 --> 00:22:32,487 image called Waterball Play. 355 00:22:33,385 --> 00:22:35,626 I think he also likes it, 356 00:22:35,654 --> 00:22:38,931 with us and just playing. 357 00:22:38,957 --> 00:22:43,428 So I have very bright shows, 358 00:22:43,462 --> 00:22:49,902 but I also have, um, some memories at the end of the year. 359 00:22:49,935 --> 00:22:54,475 There is something in him which one, um... 360 00:22:55,140 --> 00:22:58,451 traurig, sad. 361 00:22:58,477 --> 00:23:01,856 I think it's hard for him, are in this country. 362 00:23:03,982 --> 00:23:05,984 HESSE: June 13, 1964 Our sixth day here at Kettwig. 363 00:23:07,386 --> 00:23:09,491 Yesterday I had some melancholy. 364 00:23:10,689 --> 00:23:14,136 I develop more troubled thoughts and feelings. 365 00:23:14,159 --> 00:23:18,301 I was born in Germany, in 1936. 366 00:23:19,631 --> 00:23:22,874 (INFANT TALKING) 367 00:23:32,377 --> 00:23:33,913 368 00:23:33,945 --> 00:23:38,690 My family from Hamburg, Germany, northern Germany. 369 00:23:38,717 --> 00:23:41,323 That's where I was born and that's where Eva was born. 370 00:23:42,621 --> 00:23:45,033 HESSE: My father used to be a criminal lawyer. 371 00:23:45,056 --> 00:23:48,003 He just finished his two doctoral degrees and I have the most beautiful mothers in the world. 372 00:23:48,026 --> 00:23:51,439 He saw like Ingrid Bergman. 373 00:23:51,463 --> 00:23:53,136 He studied art in Hamburg. 374 00:23:53,965 --> 00:23:55,876 CHARASH: My father keeps Tageb cher about my life and Eva's life. 375 00:23:59,638 --> 00:24:03,814 This is really a journal. 376 00:24:05,277 --> 00:24:06,551 WILLIAM: Hope this book is from your childhood being a guide in the next life. 377 00:24:07,879 --> 00:24:09,415 378 00:24:09,448 --> 00:24:11,724 379 00:24:13,285 --> 00:24:15,390 Inside, you will realize how you grow up. 380 00:24:16,721 --> 00:24:19,827 All this may be lost, my beloved child, 381 00:24:19,858 --> 00:24:23,567 because there is nothing that supports us more 382 00:24:23,595 --> 00:24:25,472 in the difficulties of our lives 383 00:24:25,497 --> 00:24:27,704 from our childhood review. 384 00:24:35,340 --> 00:24:37,980 When Helen was born, freedom and truth 385 00:24:38,009 --> 00:24:40,649 it's gone from Germany. 386 00:24:42,080 --> 00:24:45,425 It's been five months that Hitler went berserk. 387 00:24:46,685 --> 00:24:49,689 German Jewish life changes very fast. 388 00:24:49,721 --> 00:24:53,533 When the Nazis arrived came to power in January, 1933, 389 00:24:53,558 --> 00:24:56,004 there are so many flaws. 390 00:24:56,027 --> 00:24:58,007 People get hurt. 391 00:24:58,029 --> 00:24:59,906 They can't work in their profession anymore. 392 00:24:59,931 --> 00:25:03,811 It is forbidden to work as a Jewish lawyer called. 393 00:25:03,835 --> 00:25:09,285 WILLIAM: I lost my profession on April 24, 1933. 394 00:25:09,307 --> 00:25:11,378 And then there are more difficult years. 395 00:25:13,411 --> 00:25:15,391 (Crowd Chanting) 396 00:25:24,489 --> 00:25:25,991 After November 10, 397 00:25:26,024 --> 00:25:28,800 when all synagogues have been destroyed, 398 00:25:28,827 --> 00:25:30,966 all Jewish businesses are destroyed, 399 00:25:32,097 --> 00:25:35,237 almost all men have been arrested, 400 00:25:35,267 --> 00:25:38,840 and the most terrible cruelty of all kinds 401 00:25:38,870 --> 00:25:43,785 has been done to Jews throughout Germany. 402 00:25:43,808 --> 00:25:48,689 One try from abroad, at least, to save children as quickly as possible. 403 00:25:54,853 --> 00:25:56,355 On December 7th, 404 00:25:56,388 --> 00:26:00,666 Helen and Eva leave for the Netherlands with the transportation of children. 405 00:26:02,027 --> 00:26:03,404 Will there be a reunion? 406 00:26:04,563 --> 00:26:06,304 Will we be killed first? 407 00:26:07,365 --> 00:26:10,175 We are not permitted on the platform. 408 00:26:10,201 --> 00:26:13,842 Helen and Eva hold hands and line up to the train, 409 00:26:13,872 --> 00:26:18,719 accompanied by certified criminals as customs officials and Gestapo. 410 00:26:22,914 --> 00:26:24,894 (SINGLE CHILDREN IN GERMANY) 411 00:26:39,464 --> 00:26:43,241 CHARASH: Eva is under three years old, and I am five and a half years old. 412 00:26:43,268 --> 00:26:45,248 (CHILDREN CONTINUE LION) 413 00:26:46,104 --> 00:26:48,084 HESSE: We go to the Netherlands. 414 00:26:48,106 --> 00:26:51,610 We should be picked up by my father's brother and his wife, 415 00:26:52,677 --> 00:26:54,987 but they are not allowed to do it. 416 00:26:55,013 --> 00:26:57,118 We were put in home of Catholic children. 417 00:26:58,183 --> 00:26:59,821 CHARASH: I remember Eva 418 00:26:59,851 --> 00:27:01,990 have been toilet trained at home, 419 00:27:02,020 --> 00:27:07,129 but he must have retreated with all that happened and they hit him. 420 00:27:07,158 --> 00:27:09,729 He fell ill around the time of his birthday, 421 00:27:09,761 --> 00:27:13,038 and he is quarantined, so they don't let me see it. 422 00:27:15,066 --> 00:27:16,568 WILLIAM: At the beginning of February, 423 00:27:16,601 --> 00:27:19,707 Ruth and I were also saved. 424 00:27:19,738 --> 00:27:22,378 We come to the Netherlands and pick up the children. 425 00:27:25,043 --> 00:27:26,989 HESSE: My father's sister and his wife 426 00:27:27,012 --> 00:27:30,016 ends in a concentration camp. 427 00:27:30,048 --> 00:27:33,029 And all my grandfathers and everyone. 428 00:27:34,119 --> 00:27:35,223 Nothing works. 429 00:27:36,354 --> 00:27:38,561 But we succeeded. 430 00:27:38,590 --> 00:27:42,663 We go to America through one of my father's cousins. 431 00:27:42,694 --> 00:27:45,004 It's finally summer, 1939. 432 00:27:45,830 --> 00:27:47,537 That's very, very late. 433 00:27:49,034 --> 00:27:50,843 That is the last chance. 434 00:28:07,485 --> 00:28:09,726 July 21, 1964. 435 00:28:11,056 --> 00:28:14,526 Rosie dear, slow week. 436 00:28:14,559 --> 00:28:15,970 Do not push at all. 437 00:28:15,994 --> 00:28:18,201 Bringing it is easy. 438 00:28:18,229 --> 00:28:21,039 I don't know what means to really investigate the past, 439 00:28:21,866 --> 00:28:23,209 family and such. 440 00:28:24,469 --> 00:28:25,880 I have to be too scared. 441 00:28:27,706 --> 00:28:31,176 The first two weeks here, I experienced a terrible nightmare. 442 00:28:35,046 --> 00:28:36,047 A frightening dream. 443 00:28:38,216 --> 00:28:39,627 Big party. 444 00:28:39,651 --> 00:28:40,721 (JAZZ PLAYING) 445 00:28:40,752 --> 00:28:42,129 Hundreds of people. 446 00:28:42,153 --> 00:28:43,223 (CHATTER INDISTINCT) 447 00:28:43,254 --> 00:28:44,562 Official. 448 00:28:44,589 --> 00:28:45,659 (GLASS GLASS) 449 00:28:45,690 --> 00:28:48,136 Tom is very drunk. 450 00:28:48,159 --> 00:28:51,971 I heard someone tell him, "Bring your beautiful wife home." 451 00:28:54,299 --> 00:28:57,678 He took me outside, ran with me, fast. 452 00:28:57,702 --> 00:28:59,443 (FOOTSTEPS RUNNING) 453 00:29:00,538 --> 00:29:01,642 hurt me. 454 00:29:06,678 --> 00:29:09,420 We go higher and higher through the sky. 455 00:29:11,583 --> 00:29:14,086 There is a French Legion parade below us. 456 00:29:16,988 --> 00:29:20,765 Officers out, and with long sword swords 457 00:29:20,792 --> 00:29:23,033 cut off his head from all legionnaires. 458 00:29:24,496 --> 00:29:27,204 I have to control Tom. (ROARS) 459 00:29:27,232 --> 00:29:31,146 The officer then arrested us and threw us into solitary confinement. 460 00:29:31,169 --> 00:29:33,672 We have swords holding a few inches, 461 00:29:33,705 --> 00:29:37,118 I, by my screaming head. 462 00:29:37,142 --> 00:29:40,612 I can no longer control myself, but be warned to behave. 463 00:29:41,446 --> 00:29:42,516 (TRAIN CHUGGING) 464 00:29:42,547 --> 00:29:45,357 They say that if I am not a child, 465 00:29:45,383 --> 00:29:47,124 they will kill me. 466 00:29:55,460 --> 00:29:57,167 Friday. 467 00:29:57,195 --> 00:29:59,402 Initially, I felt different. 468 00:29:59,430 --> 00:30:01,603 But again, I go with myself. 469 00:30:03,301 --> 00:30:06,111 Start working on oil paint today. 470 00:30:06,137 --> 00:30:10,279 Are two small, very expressionistic paintings. 471 00:30:10,308 --> 00:30:13,778 Feel a bit enthusiastic, because I enjoy them and they look real to me. 472 00:30:14,979 --> 00:30:16,583 Somehow, I think it's important. 473 00:30:18,716 --> 00:30:21,788 I am still not functioning properly, as I know in my mind it should. 474 00:30:22,954 --> 00:30:25,867 Tom can also find working hard. 475 00:30:25,890 --> 00:30:30,305 Not so, because he knows what he is doing, what he wants to achieve. 476 00:30:32,497 --> 00:30:33,942 When will he speak about his job, 477 00:30:33,965 --> 00:30:38,072 he will talk about it enough self-deprecating term. 478 00:30:38,102 --> 00:30:41,914 He will say, "You know, I am thinking of new things." 479 00:30:41,940 --> 00:30:43,942 And I think, that's a funny thing to say. 480 00:30:43,975 --> 00:30:46,182 You will never say it Face to face Tom. 481 00:30:47,645 --> 00:30:49,022 He is still not sure. 482 00:30:51,649 --> 00:30:52,719 Tom is sure. 483 00:30:57,188 --> 00:30:59,794 WERNER NEKES: I met Eva and Tom Doyle 484 00:30:59,824 --> 00:31:04,898 during Short Film Days, short film film in Oberhausen, 485 00:31:04,929 --> 00:31:07,808 and I remember that Eva likes specifically 486 00:31:08,900 --> 00:31:13,110 a Japanese film by Yoji Kuri, Aos. 487 00:31:14,105 --> 00:31:15,083 (SUARAKAN) 488 00:31:16,908 --> 00:31:19,252 (SUARA LAGI) 489 00:31:19,277 --> 00:31:25,353 Eva takes the boxes as a scene in some of her paintings later. 490 00:31:26,117 --> 00:31:27,095 (GASPING) 491 00:31:31,689 --> 00:31:34,135 Eva is ready all the time 492 00:31:34,158 --> 00:31:37,503 to take all the conclusions he saw 493 00:31:37,528 --> 00:31:41,169 and work on them to find their own way. 494 00:31:41,199 --> 00:31:42,507 (CHATTER INDISTINCT) 495 00:31:42,533 --> 00:31:46,913 Within 15 months Eva Hesse is in Germany, 496 00:31:46,938 --> 00:31:48,849 there happens a lot. 497 00:31:48,873 --> 00:31:50,147 Together with Tom Doyle, 498 00:31:50,174 --> 00:31:53,883 he goes to every important museum throughout Europe. 499 00:31:53,912 --> 00:31:57,587 They are in London, in Paris, in Rome. 500 00:31:57,615 --> 00:31:59,788 HESSE: Brussels. Go to the museum. 501 00:31:59,817 --> 00:32:04,459 Bruegel and Bosch, Alechinsky, Matsys, Calder, Moore, Chillida, Davie, Noguchi. 502 00:32:06,457 --> 00:32:07,800 PETZINGER: He is someone... 503 00:32:08,693 --> 00:32:13,039 whose eyes are open, open, open. 504 00:32:13,064 --> 00:32:16,204 And he needs food for his eyes. 505 00:32:19,871 --> 00:32:22,249 LEWITT: Tom and Eva Doyle, Kettwig. 506 00:32:22,273 --> 00:32:25,618 Have a nice trip. Now back to work. 507 00:32:25,643 --> 00:32:27,987 All sculptures are objects one type or another. 508 00:32:28,846 --> 00:32:30,757 Don't fight it. Go, go. 509 00:32:30,782 --> 00:32:31,760 Sol. 510 00:32:32,850 --> 00:32:34,887 DOYLE: We work on each item. 511 00:32:34,919 --> 00:32:38,162 I mean, he helped me when I painted my statue. 512 00:32:38,189 --> 00:32:42,137 And I help him, you know, as much... I build frames, I build everything, you know. 513 00:32:42,160 --> 00:32:44,367 Our personal life is not so great, 514 00:32:44,395 --> 00:32:46,932 but our work life is very good. 515 00:32:46,965 --> 00:32:48,569 Unless I drink a little too much, then, 516 00:32:48,599 --> 00:32:50,408 you know. I drink a lot. 517 00:32:51,269 --> 00:32:52,407 That's not very good. 518 00:32:54,005 --> 00:32:55,678 HESSE: Saturday, October 3. 519 00:32:56,741 --> 00:32:58,516 Tom makes someone faint. 520 00:32:59,777 --> 00:33:02,348 Tom is worse than before, 521 00:33:02,380 --> 00:33:05,293 and I cry and suffer all night. 522 00:33:09,220 --> 00:33:12,690 Dear Rosie, My anger at Tom increases. 523 00:33:13,624 --> 00:33:15,103 This breaks at the breaking point. 524 00:33:16,627 --> 00:33:19,039 At parties, he is annoying. 525 00:33:19,063 --> 00:33:22,977 She goes from woman to woman, dips it to the ground. 526 00:33:23,001 --> 00:33:24,605 They like it. 527 00:33:24,635 --> 00:33:27,741 I'm not proud, but I... That's how I am, you know? 528 00:33:27,772 --> 00:33:30,514 And that's how everyone, do you know? It's like... 529 00:33:30,541 --> 00:33:32,020 That's like... 530 00:33:32,043 --> 00:33:35,286 That's why you are an artist, You know, you are... (CHUCKLES) 531 00:33:36,914 --> 00:33:39,758 HESSE: Recently got out of hand. 532 00:33:39,784 --> 00:33:41,320 You will be worried about this. 533 00:33:42,820 --> 00:33:43,958 He kissed them. 534 00:33:45,223 --> 00:33:48,033 Sounds weird to write this. 535 00:33:48,059 --> 00:33:51,768 But Rosie, my self-esteem was there watching. 536 00:33:52,864 --> 00:33:53,865 It hurts. 537 00:33:56,300 --> 00:33:58,541 He sort of backed up, you know, and, uh... 538 00:34:00,371 --> 00:34:03,147 he never really came out opposed it but you know, 539 00:34:03,174 --> 00:34:05,017 he is very hurt because of it, I think. 540 00:34:06,978 --> 00:34:08,252 CHARASH: Eva writes... 541 00:34:08,279 --> 00:34:10,452 he always says that his art is interesting. 542 00:34:11,783 --> 00:34:14,161 Personally, I think he's messy, 543 00:34:14,185 --> 00:34:17,928 and professionally, he forced himself to continue. 544 00:34:22,360 --> 00:34:25,034 HESSE: Thursday, November 19. 545 00:34:25,063 --> 00:34:27,100 I have reversed the new leaf. 546 00:34:28,032 --> 00:34:29,409 I will try another way. 547 00:34:31,069 --> 00:34:34,073 Making pictures for children on Saturdays. 548 00:34:34,105 --> 00:34:38,576 They are colorful. Red, blue, yellow, green. 549 00:34:38,609 --> 00:34:40,987 In the box, respectively alphabetical letter. 550 00:34:42,246 --> 00:34:44,192 This makes me go again 551 00:34:44,215 --> 00:34:46,161 because they are different, 552 00:34:46,184 --> 00:34:48,926 enough to make me wonder where I'm going, 553 00:34:48,953 --> 00:34:53,595 and are there any ideas, or too many different? 554 00:35:03,301 --> 00:35:06,145 LIPPARD: I think maybe that relationship is bad at a certain level 555 00:35:06,170 --> 00:35:09,413 may have something to do with that. You know, that's a terrible fact 556 00:35:09,440 --> 00:35:12,250 of lots of creativity, when you are not happy, you often do a better job. 557 00:35:12,276 --> 00:35:14,119 But, he's really 558 00:35:14,145 --> 00:35:16,352 don't depend on it more, 559 00:35:16,380 --> 00:35:20,123 I think, and really branch out and do his own business. 560 00:35:20,151 --> 00:35:23,655 HESSE: Rosie dear, I want explain what I've done. 561 00:35:23,688 --> 00:35:28,433 In the abandoned factory where we work, there is a lot of garbage around here. 562 00:35:28,459 --> 00:35:32,601 I have, all this month, see more garbage. 563 00:35:32,630 --> 00:35:34,871 I finally started using some of that. 564 00:35:35,566 --> 00:35:37,546 I'm working on masonite. 565 00:35:37,568 --> 00:35:40,811 About this, I build forms with glue and paper. 566 00:35:40,838 --> 00:35:44,809 In some forms, I have installed the umbilical cord. 567 00:35:44,842 --> 00:35:48,289 That's when he did Ringaround Arosie. 568 00:35:48,312 --> 00:35:50,292 Because I was pregnant with Joseph. 569 00:35:51,482 --> 00:35:52,722 HESSE: Yesterday and today 570 00:35:52,750 --> 00:35:55,856 I work on three dimensional tools. 571 00:35:55,887 --> 00:35:57,798 Not finished, but this is strange. 572 00:35:59,757 --> 00:36:01,361 I just don't know. 573 00:36:01,392 --> 00:36:03,303 Old story. Defeatist. 574 00:36:03,861 --> 00:36:05,306 Can't wait. 575 00:36:05,329 --> 00:36:08,139 Or not sure what I want. 576 00:36:12,603 --> 00:36:15,447 April 2, 1965 Dear Sol, this is for you I want to talk about what is on my mind. 577 00:36:15,473 --> 00:36:20,946 I am confident I am not enough to come through with one idea. 578 00:36:20,978 --> 00:36:26,553 So I fluctuate between working in confusion, 579 00:36:26,584 --> 00:36:30,464 or not working in confusion. 580 00:36:30,488 --> 00:36:33,435 When it doesn't really work, 581 00:36:33,457 --> 00:36:35,528 I still struggle with those ideas. 582 00:36:35,560 --> 00:36:37,733 LEWITT: April 14, 1965. 583 00:36:43,701 --> 00:36:46,341 584 00:36:46,370 --> 00:36:49,078 Eva dear, you look the same as usual. 585 00:36:49,106 --> 00:36:50,915 And being yourself, hate every minute. 586 00:36:51,609 --> 00:36:53,247 Don't! 587 00:36:53,277 --> 00:36:55,985 Learn to say "fuck you" to the world occasionally. You have the right to that. 588 00:36:58,482 --> 00:37:02,430 HESSE: I didn't find anything that I did gave me feeling that this was true. 589 00:37:03,454 --> 00:37:05,456 Frustration and constant failure. 590 00:37:05,489 --> 00:37:08,629 LEWITT: Stop thinking, worry, look back, 591 00:37:08,659 --> 00:37:13,074 wonder, doubt, fear, hurt, hope for some easy, struggling, 592 00:37:13,097 --> 00:37:16,943 exit grasping, confusing, nagging, moaning, groaning, horse defecation, urine-trickling, 593 00:37:16,968 --> 00:37:19,574 nose sticking, eye-piercing ball, ass-gouging, searching, perching, 594 00:37:19,604 --> 00:37:22,983 grinding, besmirching, grinding, grinding, yourself. 595 00:37:23,941 --> 00:37:25,249 Just stop and do it. 596 00:37:27,979 --> 00:37:30,118 HESSE: I have finished drawing. 597 00:37:30,147 --> 00:37:31,751 Looks like hundreds. 598 00:37:31,782 --> 00:37:36,356 Clean, clean... But crazy, like a machine. 599 00:37:36,387 --> 00:37:39,459 Bigger and bolder, carefully explained. 600 00:37:39,490 --> 00:37:40,992 Absolutely absurd. 601 00:37:41,025 --> 00:37:44,131 LEWITT: Sounds good, amazing. It really doesn't make sense. 602 00:37:44,161 --> 00:37:47,472 Do more. More absurd, more crazy, more machines. 603 00:37:48,366 --> 00:37:50,607 Make them abundant with nonsense. 604 00:37:50,635 --> 00:37:52,615 HESSE: One must be satisfied with the process 605 00:37:52,637 --> 00:37:54,776 and the results. 606 00:37:55,406 --> 00:37:56,908 I don't. 607 00:37:56,941 --> 00:37:59,717 LEWITT: Stop worrying about big and deep things. 608 00:37:59,744 --> 00:38:03,851 You have to practice being stupid, stupid, not thinking, empty. 609 00:38:04,715 --> 00:38:06,058 Then you will be able to do it. 610 00:38:07,184 --> 00:38:09,095 HESSE: I sit now after two days 611 00:38:09,120 --> 00:38:11,828 working on stupid things, three-dimensional ones. 612 00:38:11,856 --> 00:38:15,633 And I have to continue, but I don't know where I come from. 613 00:38:16,727 --> 00:38:18,434 So I give up again. 614 00:38:18,462 --> 00:38:21,204 LEWITT: Your work is very good. 615 00:38:21,232 --> 00:38:24,975 Try doing a bad job, the worst for you can think about, and see what happens. 616 00:38:26,370 --> 00:38:30,477 But especially, just relax and lei all go to hell. 617 00:38:30,508 --> 00:38:32,249 You are not responsible for the world. 618 00:38:32,276 --> 00:38:34,620 You are only responsible for your work. 619 00:38:34,645 --> 00:38:35,749 So do it. 620 00:38:39,817 --> 00:38:41,524 HESSE: April 23. 621 00:38:41,552 --> 00:38:43,828 Work all afternoon. 622 00:38:43,854 --> 00:38:45,834 Finish the Ear in the Pool. 623 00:38:58,135 --> 00:39:00,741 Dear Sol, I want to thank for your letter. 624 00:39:01,372 --> 00:39:03,045 I finish one more. 625 00:39:03,074 --> 00:39:04,747 They are good. 626 00:39:04,775 --> 00:39:06,516 I'm working on the third. 627 00:39:06,544 --> 00:39:10,287 Many difficulties, but at least I encourage, and I will. 628 00:39:10,815 --> 00:39:11,919 I swear. 629 00:39:26,163 --> 00:39:27,665 NEKES: That's really new, 630 00:39:27,698 --> 00:39:31,771 leave the frame and become part of the image. 631 00:39:31,802 --> 00:39:34,578 Some artists work out of the frame, 632 00:39:34,605 --> 00:39:39,281 but almost nothing is very radical like Eva. 633 00:39:44,348 --> 00:39:45,383 SEROTA: This doesn't work like that 634 00:39:45,416 --> 00:39:47,623 you've ever seen before. 635 00:39:47,651 --> 00:39:51,121 They are made for themselves, they are not made for hearings. 636 00:39:51,155 --> 00:39:53,795 They are made in the same way as... 637 00:39:55,393 --> 00:39:58,602 the diary is created, or the notebook is made. 638 00:39:58,629 --> 00:39:59,767 He is browsing. 639 00:39:59,797 --> 00:40:02,107 Do you know? I mean, you see it at work. 640 00:40:02,133 --> 00:40:05,273 You see him trying different combinations. 641 00:40:40,571 --> 00:40:44,041 My parents love it the work of Eva and Tom. 642 00:40:45,209 --> 00:40:46,950 And they want to show it. 643 00:40:49,280 --> 00:40:51,226 They think, "Well, let's party together 644 00:40:51,248 --> 00:40:56,698 " and show people what Eva and Tom have done this year here at Kettwig. " 645 00:41:08,299 --> 00:41:11,439 That really is an event. 646 00:41:11,469 --> 00:41:14,541 Oxenfest, as we call it, like a group of cows, 647 00:41:14,572 --> 00:41:19,681 and where an intact cow is located uses saliva and then roasts. 648 00:41:22,313 --> 00:41:24,259 NEXT: This is a big exhibition. 649 00:41:24,281 --> 00:41:27,228 650 00:41:27,251 --> 00:41:30,357 651 00:41:30,387 --> 00:41:32,867 652 00:41:33,858 --> 00:41:37,271 in a small garden house. 653 00:41:37,294 --> 00:41:39,797 But people are interested in their work. 654 00:41:42,066 --> 00:41:43,306 HESSE: The program is going well. 655 00:41:43,334 --> 00:41:44,938 I sell two. 656 00:41:44,969 --> 00:41:49,042 I will also show August 6, in the room in Kunsthalle, D sseldorf chart. 657 00:41:50,341 --> 00:41:53,220 PETZINGER: He came to Germany as a painter. 658 00:41:53,244 --> 00:41:56,521 Being in the world of new influences 659 00:41:56,547 --> 00:42:02,395 helps him create his new art universe, 660 00:42:02,419 --> 00:42:05,593 that's the point there's no way back, huh? 661 00:42:05,623 --> 00:42:07,625 Now he is a sculptor. 662 00:42:07,658 --> 00:42:09,638 (CHATTER INDISTINCT) 663 00:42:11,896 --> 00:42:15,343 CHARASH: Eva is in Germany almost a full year 664 00:42:15,366 --> 00:42:18,870 before he goes to find the background. 665 00:42:18,903 --> 00:42:21,110 My father has providing information, 666 00:42:21,138 --> 00:42:24,142 name and address, and he looks for them. 667 00:42:27,545 --> 00:42:29,525 (TRAIN CHUGGING) 668 00:42:31,415 --> 00:42:34,953 He went to Hameln, where my mother was born. 669 00:42:34,985 --> 00:42:38,933 HESSE: We took the train to Hameln, immediately find a house. 670 00:42:39,924 --> 00:42:42,165 Very strange. 671 00:42:42,192 --> 00:42:46,834 Mrs. Wolfe, neighbor, two mother's school friends. 672 00:42:46,864 --> 00:42:50,835 Visit all workers, ex, my grandfather. 673 00:42:54,905 --> 00:42:58,580 It's a strange experience, like a secret mission, 674 00:42:59,777 --> 00:43:02,883 a new generation looking for the past. 675 00:43:02,913 --> 00:43:07,293 I, don't know anything my family, my grandparents. 676 00:43:10,054 --> 00:43:11,089 Depart to Hamburg. 677 00:43:12,156 --> 00:43:13,464 Go to Isestrasse. 678 00:43:14,358 --> 00:43:16,133 Crying. 679 00:43:16,160 --> 00:43:19,972 CHARASH: He went to that place where we live, 680 00:43:19,997 --> 00:43:22,910 and rejected by someone at the door, 681 00:43:22,933 --> 00:43:24,537 which is very hard for him. 682 00:43:25,803 --> 00:43:27,749 JOHANN: To not let it in, let him see his house, 683 00:43:27,771 --> 00:43:29,307 I think it's terrible. 684 00:43:29,340 --> 00:43:34,756 So that only retrospectively can I lead to understand how very difficult 685 00:43:34,778 --> 00:43:36,780 definitely for him to face his past again. 686 00:43:41,552 --> 00:43:45,329 HESSE: Dear Sol, just returned from H and H. 687 00:43:46,590 --> 00:43:48,866 Visiting where I was born in Hamburg, 688 00:43:48,892 --> 00:43:50,803 in Hameln, my mother's house. 689 00:43:52,696 --> 00:43:53,936 The scene is enough to try. 690 00:43:54,765 --> 00:43:56,574 Tears all around, 691 00:43:56,600 --> 00:43:58,409 and talk a lot about that time 692 00:43:58,435 --> 00:44:00,506 when no one knows what is happening. 693 00:44:02,006 --> 00:44:04,509 I am a ghost from the past. 694 00:44:04,541 --> 00:44:06,885 Their guilt and everything just flows out. 695 00:44:08,012 --> 00:44:09,855 At times and better actions. 696 00:44:09,880 --> 00:44:10,915 (SEAGULLS SCREECHING) 697 00:44:10,948 --> 00:44:12,985 Yes, Sol, we go home. 698 00:44:22,993 --> 00:44:24,995 (TRAFFIC BUSTLING) 699 00:44:34,104 --> 00:44:39,019 Travel to Germany, with everything danger, empower. 700 00:44:40,778 --> 00:44:44,954 I think he is back very, very satisfied 701 00:44:46,016 --> 00:44:48,257 that he really has gone. 702 00:44:50,020 --> 00:44:53,763 HESSE: September 30. Almost one complete in the US 703 00:45:03,033 --> 00:45:05,206 Dear Arnhard, Say Isa, 704 00:45:05,235 --> 00:45:08,375 we work hard and are also very busy socially. 705 00:45:09,807 --> 00:45:12,754 Years in Kettwig, Arnhard dear, more, 706 00:45:12,776 --> 00:45:15,086 more than a few help us both. 707 00:45:16,513 --> 00:45:19,722 The work we are doing now shows how much we are growing 708 00:45:19,750 --> 00:45:23,061 and developed because of the beautiful years you gave us. 709 00:45:25,522 --> 00:45:26,796 LIPPARD: When Eva goes to Germany, 710 00:45:26,824 --> 00:45:29,202 he is sort of expressionist post-abstract. 711 00:45:29,226 --> 00:45:32,605 When he returns, he is a funny type of surrealist. 712 00:45:32,629 --> 00:45:35,940 Work in Germany clearly has released him. 713 00:45:35,966 --> 00:45:37,843 And then he returns, and I think at that time 714 00:45:37,868 --> 00:45:40,712 he fell a little down minimalist influence. 715 00:45:40,738 --> 00:45:42,081 I don't think anyone discourages him 716 00:45:42,106 --> 00:45:44,313 of strange little things he does in Germany, 717 00:45:44,341 --> 00:45:46,651 but the art world is running in a different direction 718 00:45:46,677 --> 00:45:48,782 and he intuitively takes it. 719 00:46:00,357 --> 00:46:01,597 When a minimalist comes, 720 00:46:01,625 --> 00:46:04,037 there is a whole new world. 721 00:46:04,061 --> 00:46:09,602 You know, there are no curves, no color, nothing. Presence only. 722 00:46:09,633 --> 00:46:11,613 That's a lot about attendance. 723 00:46:11,635 --> 00:46:15,378 People say, "You're minimalist. What does that mean?" 724 00:46:15,405 --> 00:46:19,751 And I said I had to get rid of it from a lot of useless garbage 725 00:46:19,777 --> 00:46:21,916 and immediately go down to some important things. 726 00:46:23,480 --> 00:46:26,654 I think minimalism comes out abstract expressionism. 727 00:46:26,683 --> 00:46:30,096 This is softened , uh, brush strokes. 728 00:46:31,822 --> 00:46:34,632 At the same time, is another tradition, 729 00:46:34,658 --> 00:46:37,605 people whose jobs are more personal and more intense, 730 00:46:37,628 --> 00:46:39,301 and maybe more surreal. 731 00:46:41,064 --> 00:46:44,671 Eva, of course, is a transitional, from minimalist, 732 00:46:44,701 --> 00:46:48,410 his friends are all minimalist, but he is very personal. 733 00:46:48,438 --> 00:46:50,543 There are lots of eroticism in his work. 734 00:46:50,574 --> 00:46:55,455 It is very warm and humane and full of soul. 735 00:46:55,479 --> 00:46:58,050 HESSE: I feel very strong that is the only art 736 00:46:58,081 --> 00:47:01,893 is the artist's art itself. 737 00:47:01,919 --> 00:47:05,833 My interest is solely find my own way. 738 00:47:05,856 --> 00:47:08,598 I don't mind miles from other people. 739 00:47:10,561 --> 00:47:13,838 He talks a lot about _ eccentricity and absurdity, 740 00:47:13,864 --> 00:47:18,745 certain absurdities, that life is absurd, 741 00:47:18,769 --> 00:47:20,771 his current life doesn't make sense, 742 00:47:20,804 --> 00:47:24,115 and he wants it to get it into work. 743 00:47:25,576 --> 00:47:27,419 HOLT: I only remember that wall 744 00:47:27,444 --> 00:47:30,618 where he has all of that different pieces depend. 745 00:47:30,647 --> 00:47:34,754 I saw him rearrange one of them long pieces of sausage. 746 00:47:34,785 --> 00:47:39,734 And he is rather tall in that silliness. 747 00:47:39,756 --> 00:47:45,832 The life is so full synchronous oddity, 748 00:47:45,863 --> 00:47:50,005 and there is a feeling that, is good, we are not in control. 749 00:47:50,033 --> 00:47:52,980 The universe pulls ropes 750 00:47:53,003 --> 00:47:57,452 and you might also back and enjoy it. 751 00:47:57,474 --> 00:48:00,421 LIPPARD: I look back at that period with Eva's work and think, 752 00:48:00,444 --> 00:48:02,890 "Oh, that is an introduction to feminist art." 753 00:48:04,381 --> 00:48:07,624 HESSE: Of course I am an adult in myself. 754 00:48:07,651 --> 00:48:10,564 I think my hang-up now is almost all related to Tom. 755 00:48:11,755 --> 00:48:15,066 DOYLE: We have two lofts in Bowery. 756 00:48:16,360 --> 00:48:19,136 We live in 134 757 00:48:19,162 --> 00:48:23,770 and my studio is at 135 Bowery, right across the street. 758 00:48:24,868 --> 00:48:26,643 I will... I have worked all the time. 759 00:48:27,504 --> 00:48:28,676 (JAZZ MUSIC PLAY) 760 00:48:28,705 --> 00:48:29,877 (TRAFFIC SPREAD) 761 00:48:31,241 --> 00:48:33,915 HESSE: Now at 12:30 a.m. 762 00:48:33,944 --> 00:48:39,189 I am alone, Tom never with me again. 763 00:48:39,216 --> 00:48:41,992 Walking as usual and running to and fro. 764 00:48:43,053 --> 00:48:45,090 He goes to openings and parties. 765 00:48:45,122 --> 00:48:47,796 But those things he didn't come with me. 766 00:48:49,159 --> 00:48:52,003 DOYLE: He is very difficult, You know, in many ways. 767 00:48:52,029 --> 00:48:54,066 I'm not the only bad person about everything. 768 00:48:54,097 --> 00:48:58,671 It feels like he is very high maintenance, you know? 769 00:49:01,104 --> 00:49:04,574 Christmas comes and I buy this beautiful pipe. 770 00:49:05,575 --> 00:49:08,784 And I go home and Eva says, 771 00:49:08,812 --> 00:49:11,793 "How much is the price?" I said, "35 dollars." 772 00:49:11,815 --> 00:49:13,351 He said, "Get out." 773 00:49:14,718 --> 00:49:17,756 And that's the words I'm waiting and I'm leaving. 774 00:49:19,222 --> 00:49:20,462 HESSE: Everything ends. 775 00:49:21,224 --> 00:49:22,362 Tom is missing. 776 00:49:23,527 --> 00:49:24,631 He wants a divorce. 777 00:49:26,096 --> 00:49:28,235 I mess everything up. Request. 778 00:49:28,999 --> 00:49:31,275 He is indifferent. 779 00:49:31,301 --> 00:49:35,147 I am tired and feel tired again and used and utilized. 780 00:49:36,640 --> 00:49:38,677 That is Eva who is childish, 781 00:49:38,709 --> 00:49:42,680 one that is haunted by the isolation of the past and its loneliness. 782 00:49:42,713 --> 00:49:45,887 What was left by by his sick mother 783 00:49:45,916 --> 00:49:49,090 and therefore cannot have been done otherwise. 784 00:49:55,692 --> 00:49:56,727 CHARASH: That's difficult. 785 00:49:58,028 --> 00:50:01,498 My mother is what we call it bipolar today. 786 00:50:04,801 --> 00:50:07,304 HESSE: My mother is there, but not there. 787 00:50:08,605 --> 00:50:11,415 There, but not there. 788 00:50:11,441 --> 00:50:13,921 CHARASH: My mother is very when it's hard to adapt. 789 00:50:13,944 --> 00:50:17,187 And then it appears on the head at a certain point, 790 00:50:17,214 --> 00:50:22,163 and then he felt like that could no longer take care of us and he left. 791 00:50:24,621 --> 00:50:26,623 HESSE: I was moved from house to house, 792 00:50:26,656 --> 00:50:28,431 and used to be afraid. 793 00:50:29,559 --> 00:50:31,334 CHARASH: That is the end of the war. 794 00:50:31,361 --> 00:50:34,570 And so far, my father has been trying to get 795 00:50:34,598 --> 00:50:37,408 my mother's parents out of Germany. 796 00:50:37,434 --> 00:50:39,345 But that all has no results. 797 00:50:39,369 --> 00:50:41,872 And when my mother gets notifications 798 00:50:41,905 --> 00:50:47,321 that his parents were taken to concentration camps and they have died, 799 00:50:47,344 --> 00:50:50,951 uh, he jumped from the roof. 800 00:50:55,419 --> 00:50:57,626 My father didn't tell us. 801 00:50:57,654 --> 00:50:59,395 It's in the paper, 802 00:50:59,423 --> 00:51:02,632 and children teased my sister at school, 803 00:51:02,659 --> 00:51:04,332 and he refused to go to school. 804 00:51:07,998 --> 00:51:12,071 HESSE: I have extraordinary fears, extraordinary fear. 805 00:51:12,102 --> 00:51:15,948 I told my father to slip my blanket tight into my bed, 806 00:51:15,972 --> 00:51:19,510 who has bars at the bottom, which I will hold at night. 807 00:51:19,543 --> 00:51:20,681 And he must tell me 808 00:51:20,710 --> 00:51:23,316 that he will be there to take Care for me in the morning. 809 00:51:24,981 --> 00:51:27,587 CHARASH: Eva is ten years old my mother died, to be exact. 810 00:51:27,617 --> 00:51:30,154 That's exactly around the time of his birthday. 811 00:51:30,187 --> 00:51:33,225 And that's why January is the worst month of the year for him. 812 00:51:39,396 --> 00:51:43,435 Eva continued to get upset years after my mother died. 813 00:51:43,467 --> 00:51:47,381 And at the urging of my stepmother, they are looking for therapists and Eva start to see Dr. Helene Papanek. 814 00:51:47,404 --> 00:51:49,975 HESSE: Please, Dr. Papanek. 815 00:51:51,875 --> 00:51:53,548 You must help me. 816 00:51:54,344 --> 00:51:56,221 Or maybe soon I will be with my mother. 817 00:51:56,246 --> 00:51:58,283 I will talk to you. I will tell you all. 818 00:51:59,516 --> 00:52:02,554 819 00:52:02,586 --> 00:52:03,564 I hope I can. 820 00:52:05,589 --> 00:52:09,264 SUSSMAN: He suffered greatly from his situation childhood, 821 00:52:09,292 --> 00:52:10,930 and this therapy is very important to him. 822 00:52:10,961 --> 00:52:15,501 HESSE: I can't hold solitude, 823 00:52:21,538 --> 00:52:23,643 because it shows neglect. 824 00:52:23,673 --> 00:52:26,153 CHOCOLATE: He is not happy with Tom, 825 00:52:27,144 --> 00:52:28,748 and he is not happy without him. 826 00:52:28,778 --> 00:52:31,281 But then, he works a lot 827 00:52:31,314 --> 00:52:33,225 and that 828 00:52:33,683 --> 00:52:34,684 cover up his unhappiness. 829 00:52:35,919 --> 00:52:40,390 HESSE: All of my bets are in my work. 830 00:52:42,492 --> 00:52:44,631 I have given up on other things. 831 00:52:45,462 --> 00:52:47,135 I feel I'm an artist, 832 00:52:51,868 --> 00:52:54,678 and one of the best. 833 00:52:54,704 --> 00:52:56,274 I do it, inside. 834 00:52:57,374 --> 00:52:58,751 835 00:53:10,253 --> 00:53:13,325 GOLDMAN: The strength of its purpose 836 00:53:13,356 --> 00:53:16,860 more important than what is happening occurs in his life. 837 00:53:18,094 --> 00:53:20,335 HESSE: Finish two pieces today. 838 00:53:20,363 --> 00:53:22,502 I work hard. 839 00:53:22,532 --> 00:53:25,445 GOLDMAN: He crawls on the floor sometimes, 840 00:53:25,468 --> 00:53:27,470 because of Tom's business, 841 00:53:27,504 --> 00:53:29,279 and art still continues. 842 00:53:32,175 --> 00:53:34,712 HESSE: Dear Isa, Arnhard dear. 843 00:53:34,744 --> 00:53:37,190 The last months have been very difficult. 844 00:53:38,048 --> 00:53:39,959 How sad things happen. 845 00:53:39,983 --> 00:53:42,862 Tom and I are separated. 846 00:53:42,886 --> 00:53:47,266 At the same time, very many occur for both of us in our work. 847 00:53:47,290 --> 00:53:51,295 We both have an exhibition opening the same night, March 1. 848 00:54:02,672 --> 00:54:06,210 I go there to the Graham Gallery when he first shows, 849 00:54:06,243 --> 00:54:09,383 because I really want it to see what he is doing. 850 00:54:09,412 --> 00:54:10,914 And I'm just stunned. 851 00:54:22,292 --> 00:54:24,533 He does this great job, Phone Cover. 852 00:54:25,295 --> 00:54:27,775 That's like, very brave. 853 00:54:27,797 --> 00:54:30,073 I mean it's like a jump for work. 854 00:54:34,571 --> 00:54:37,552 And that's an extraordinary one the statues of that time. 855 00:54:37,574 --> 00:54:39,952 I mean it can't be trusted. 856 00:54:41,244 --> 00:54:42,848 That's not a painting. 857 00:54:42,879 --> 00:54:44,358 It's not a statue. 858 00:54:44,914 --> 00:54:47,758 That's just art. 859 00:54:47,784 --> 00:54:51,288 HESSE: Hang Up is the most important the initial statement I made. 860 00:54:51,321 --> 00:54:54,859 This is the first time my idea of absurdity, 861 00:54:54,891 --> 00:54:56,893 extreme feelings come through. 862 00:54:57,894 --> 00:54:59,464 He uses sheets 863 00:55:00,630 --> 00:55:02,268 from my house. 864 00:55:02,299 --> 00:55:05,337 He said, "Rosie, do you have every sheet I can use? 865 00:55:05,935 --> 00:55:07,642 " Preferably blue. " 866 00:55:07,671 --> 00:55:09,582 I say," Sure, take the sheets. " 867 00:55:09,606 --> 00:55:12,018 = and there is such a thing sage-like, spiritual feeling 868 00:55:12,042 --> 00:55:17,424 someone who uses space like that. 869 00:55:17,447 --> 00:55:19,927 And I always... every time I see it, I say, "Ooh, that's my sheet." 870 00:55:21,951 --> 00:55:24,795 = (LAUGH) 871 00:55:24,821 --> 00:55:25,799 HESSE: It's all ridiculous. 872 00:55:27,524 --> 00:55:29,526 873 00:55:29,559 --> 00:55:32,403 That's the most ridiculous structure I've ever made, 874 00:55:32,429 --> 00:55:34,636 and that's why it's so good. 875 00:55:37,634 --> 00:55:40,274 CHARASH: My father came to the gallery. 876 00:55:40,303 --> 00:55:44,217 He looks very assertive and is very unhappy. 877 00:55:44,240 --> 00:55:48,154 Knowing my father, he must be proud Eva is at an exhibition. 878 00:55:48,178 --> 00:55:50,954 But I think he is fair confused with art 879 00:55:51,981 --> 00:55:53,517 and don't understand it. 880 00:56:02,592 --> 00:56:05,903 I am very crazy about Eva. 881 00:56:05,929 --> 00:56:10,309 And I have learned that a lot of men fall in love with Eva. 882 00:56:11,868 --> 00:56:14,075 He is very full of feelings. 883 00:56:14,104 --> 00:56:18,143 I'm not sure how orthodox or practicing Eva's family is, 884 00:56:18,174 --> 00:56:20,313 but the Jewishness is clear. 885 00:56:21,211 --> 00:56:24,249 This is spirituality 886 00:56:24,280 --> 00:56:26,988 and I think it expresses itself in Eva's art. 887 00:56:37,160 --> 00:56:40,972 HONIG: He is making this circle on the grid. 888 00:56:40,997 --> 00:56:45,139 And I gave him this paper which is clay-based, 889 00:56:45,168 --> 00:56:48,672 and he likes it, because it is soaked ink in certain ways. 890 00:56:54,444 --> 00:56:58,517 They are very beautiful and I never forget. 891 00:56:58,548 --> 00:57:02,360 They say something to me that I want in my work. 892 00:57:09,492 --> 00:57:14,032 HESSE: Weather varies from 103 to 107 degrees Fahrenheit. 893 00:57:14,063 --> 00:57:16,873 Sol and I go to Modern and film. 894 00:57:16,900 --> 00:57:20,347 WAPNER: There is a very strong relationship between Sol and Eva. 895 00:57:20,370 --> 00:57:21,815 They have a lot in common 896 00:57:21,838 --> 00:57:23,442 and really care about each other. 897 00:57:23,473 --> 00:57:25,214 And he told me that, 898 00:57:25,241 --> 00:57:30,247 "It would be great if I could love Sol and if we could be together." 899 00:57:33,116 --> 00:57:36,222 HESSE: Days gone with the most unbearable heat. 900 00:57:36,252 --> 00:57:37,788 I am afraid to give way. 901 00:57:38,655 --> 00:57:40,464 Without Sol, I will do it. 902 00:57:41,658 --> 00:57:44,605 BROWN: He adores and never gets tired 903 00:57:44,627 --> 00:57:48,734 from pampering him and being kind to him 904 00:57:48,765 --> 00:57:53,077 and become inspiration. 905 00:57:53,102 --> 00:57:55,275 ANDRE: Eva is love Sol LeWitt's life. 906 00:57:56,673 --> 00:57:59,279 And Eva loves Sol. 907 00:57:59,309 --> 00:58:00,549 I once asked Eva, I said, 908 00:58:00,577 --> 00:58:03,217 "You know, Sol is a great guy. 909 00:58:03,246 --> 00:58:07,752 "He's a great artist and he loves you and you love him. 910 00:58:07,784 --> 00:58:09,559 " Why don't you ever gather? " 911 00:58:09,586 --> 00:58:12,396 And he said, " You don't go to bed with your brother, " 912 00:58:14,057 --> 00:58:15,866 which to me is very touching. 913 00:58:17,227 --> 00:58:20,106 And I understand, You know what that means. 914 00:58:23,132 --> 00:58:24,509 HESSE: I am numb. 915 00:58:25,802 --> 00:58:27,076 Daddy is dead. 916 00:58:34,010 --> 00:58:35,512 CHARASH: My father is in Europe. 917 00:58:35,545 --> 00:58:37,582 He falls sick and dies. 918 00:58:37,614 --> 00:58:39,594 It was a nightmare for both of us. 919 00:58:43,186 --> 00:58:45,564 HESSE: Sol and I walk New City York today. 920 00:58:46,523 --> 00:58:48,025 There is nothing I can do. 921 00:58:49,492 --> 00:58:51,904 CHARASH: Eva is very bad with my father's death, 922 00:58:51,928 --> 00:58:54,101 only completely destroyed. 923 00:58:54,130 --> 00:58:57,475 And I think they are true love relationships at that time. 924 00:58:57,500 --> 00:58:59,537 That's the Evachen. 925 00:59:00,737 --> 00:59:02,944 HESSE: I stand up at my father's funeral. 926 00:59:03,806 --> 00:59:06,013 I'm big inside, 927 00:59:06,042 --> 00:59:07,749 not a child who is fearful and helpless. 928 00:59:09,145 --> 00:59:10,647 I love my father. 929 00:59:11,347 --> 00:59:12,325 That shows. 930 00:59:14,050 --> 00:59:15,154 Father... 931 00:59:15,184 --> 00:59:17,562 Your books that you make for me are my thoughts about you. 932 00:59:20,023 --> 00:59:24,028 I want you to know about shows and articles. 933 00:59:24,060 --> 00:59:25,801 You must be very happy 934 00:59:25,828 --> 00:59:29,401 and proud and less afraid of me. 935 00:59:29,432 --> 00:59:31,469 We are always too scared, you and me. 936 00:59:32,402 --> 00:59:33,745 We even share that. 937 00:59:35,238 --> 00:59:38,344 WILLIAM: Please, always aware, dear Evachen, 938 00:59:39,509 --> 00:59:41,614 You will never be alone. 939 00:59:42,545 --> 00:59:46,891 Don't forget, I love you so much. 940 00:59:46,916 --> 00:59:50,329 And if you are strong enough to make me very happy, 941 00:59:51,287 --> 00:59:53,597 please try to be happy. 942 00:59:54,457 --> 00:59:55,492 Father. 943 00:59:57,527 --> 01:00:01,498 HESSE: I now have to work harder be strong, get well. 944 01:00:02,332 --> 01:00:04,334 Yes, be happy. 945 01:00:08,204 --> 01:00:09,774 Start working. 946 01:00:09,806 --> 01:00:11,513 Difficult. 947 01:00:11,541 --> 01:00:14,545 But I know how important is now to me, 948 01:00:14,577 --> 01:00:18,286 and it's almost alone can again make me stand tall. 949 01:00:25,355 --> 01:00:26,459 Finish Laocoon. 950 01:00:27,423 --> 01:00:29,801 Rope everywhere. 951 01:00:29,826 --> 01:00:33,364 BROWN: He uses this word "make it" all the time. 952 01:00:33,396 --> 01:00:35,842 He is very obsessed with making it. 953 01:00:39,202 --> 01:00:42,376 HESSE: Lucy wants me to do it a big piece for the show. 954 01:00:42,405 --> 01:00:43,975 Whatever I want to do. 955 01:00:44,641 --> 01:00:45,949 I am happy. 956 01:00:47,510 --> 01:00:50,354 LIPPARD: I'm doing a show called Eccentric Abstraction. 957 01:00:50,380 --> 01:00:55,056 And I think about it in some ways as a type of vehicle for Eva's work. 958 01:00:55,084 --> 01:00:59,396 I am looking for something it is not a minimalist that is cold and hard. 959 01:00:59,422 --> 01:01:01,561 I only want the others. 960 01:01:01,591 --> 01:01:05,835 And I realized then that was something feminist or female. 961 01:01:05,862 --> 01:01:08,536 I want to see this hard network mess up a little 962 01:01:08,564 --> 01:01:11,670 and confused, and Eva certainly do that. 963 01:01:42,031 --> 01:01:45,376 PETZINGER: In the exhibition Eccentric Abstraction, 964 01:01:45,401 --> 01:01:48,780 Eva shows Metronomic aberrations. 965 01:01:50,306 --> 01:01:52,752 And there is a big surprise. 966 01:01:53,876 --> 01:01:58,018 That's the minimalist type. 967 01:01:58,047 --> 01:02:03,087 You have that rectangle, the system is organized. 968 01:02:03,119 --> 01:02:07,465 You have a mess of those cables. 969 01:02:07,490 --> 01:02:12,439 And this contradiction is a very important thing in his work. 970 01:02:13,663 --> 01:02:16,371 SUSSMAN: He can learn 971 01:02:16,399 --> 01:02:18,743 all lessons from minimalism, 972 01:02:18,768 --> 01:02:22,079 however, take it to its own area, 973 01:02:22,105 --> 01:02:25,109 where the issue of absurdity and humor 974 01:02:25,942 --> 01:02:28,218 and roughness of entry. 975 01:02:30,113 --> 01:02:32,150 LIPPARD: The show gets a certain amount of attention 976 01:02:32,181 --> 01:02:34,684 and Hilton Kramer wrote about in the New York Times. 977 01:02:35,985 --> 01:02:39,194 WAPNER: When the Times reviews it, 978 01:02:39,222 --> 01:02:42,294 it gives more space 979 01:02:42,325 --> 01:02:44,635 for men in shows 980 01:02:44,660 --> 01:02:46,469 and he is upset 981 01:02:46,496 --> 01:02:49,602 and feel discriminated against. 982 01:02:49,632 --> 01:02:51,612 He feels he deserves it more space 983 01:02:51,634 --> 01:02:53,773 and more attention. 984 01:02:53,803 --> 01:02:57,512 And I think that's accurate assessment. 985 01:02:59,041 --> 01:03:00,111 HESSE: I'm reading 986 01:03:00,143 --> 01:03:02,521 Simone de Beauvoir Second Sex. 987 01:03:02,545 --> 01:03:05,992 I always feel that all women oppose it. 988 01:03:06,015 --> 01:03:07,358 Simone agrees. 989 01:03:08,851 --> 01:03:12,060 "Extraordinary power is needed, and courage. Men get more encouragement and get more support. 990 01:03:12,722 --> 01:03:14,668 HOLT: Women Are not even seen, so you are not seen. 991 01:03:14,690 --> 01:03:17,796 Eva does this amazing job it breaks some barriers, 992 01:03:17,827 --> 01:03:21,798 and I can see cracks happening in a male-dominated system. 993 01:03:21,831 --> 01:03:24,937 The belief is simple. 994 01:03:29,238 --> 01:03:34,244 I am an artist. 995 01:03:34,277 --> 01:03:36,689 996 01:03:37,513 --> 01:03:41,757 997 01:03:42,618 --> 01:03:45,098 998 01:03:45,121 --> 01:03:49,467 999 01:03:50,927 --> 01:03:54,136 1000 01:03:54,897 --> 01:03:55,875 1001 01:03:57,733 --> 01:03:59,838 And I would like to be known as an artist. 1002 01:03:59,869 --> 01:04:04,648 Every time they try to make it female artist, he is very angry. 1003 01:04:06,642 --> 01:04:11,284 HESSE: How to beat discrimination in art is with art. 1004 01:04:11,314 --> 01:04:13,817 Advantages of not having sex. 1005 01:04:15,418 --> 01:04:19,059 December 23, 1966. 1006 01:04:19,088 --> 01:04:21,830 This is the right ending for the weird again, 1007 01:04:21,858 --> 01:04:24,134 confusing, sad... 1008 01:04:24,160 --> 01:04:26,299 and a rather productive year. 1009 01:04:26,996 --> 01:04:28,805 Good neglect. 1010 01:04:28,831 --> 01:04:30,071 And Father's death. 1011 01:04:31,834 --> 01:04:35,145 And now, for work and other changes. 1012 01:04:39,075 --> 01:04:41,055 (CHATTER INDISTINCT) 1013 01:04:42,078 --> 01:04:45,025 HESSE: January 1, 1967 I work well and are eager to continue. 1014 01:04:45,047 --> 01:04:47,391 1015 01:04:47,416 --> 01:04:50,363 It might even be ready for the first one-man show next fall. 1016 01:04:51,654 --> 01:04:53,463 Tonight we meet at Smithson's. 1017 01:04:53,489 --> 01:04:56,527 midnight. This will be his 28th birthday. 1018 01:04:59,495 --> 01:05:02,840 SMITHSON: We become part of a particular community that is around there. 1019 01:05:02,865 --> 01:05:05,539 Sol Lewitt of course is very important for that. 1020 01:05:11,607 --> 01:05:16,716 HOLT: We hang out with and Graham, Mel Bochner and 1021 01:05:16,746 --> 01:05:20,558 Eva and Sol, and Carl Andre. 1022 01:05:20,583 --> 01:05:23,291 Go to each studio. 1023 01:05:23,319 --> 01:05:25,321 People feel their way, 1024 01:05:25,354 --> 01:05:27,391 like nothing is clear, not yet. 1025 01:05:27,423 --> 01:05:30,063 That's all in formation. 1026 01:05:30,092 --> 01:05:33,665 So having an conversation and exchange, 1027 01:05:33,696 --> 01:05:36,108 at that time was very strong. 1028 01:05:36,132 --> 01:05:37,236 What is it like? 1029 01:05:37,266 --> 01:05:39,143 I mean, you have to define yourself better than that. 1030 01:05:39,168 --> 01:05:40,738 You can't say words. 1031 01:05:40,770 --> 01:05:42,249 You have to be really right. 1032 01:05:42,271 --> 01:05:44,308 Oh, words don't mean anything. Those words... 1033 01:05:44,340 --> 01:05:46,411 Everything really happened in New York. 1034 01:05:46,442 --> 01:05:50,686 This is Max time Kansas City and all this 1035 01:05:50,713 --> 01:05:53,626 the artist still drinks hard, 1036 01:05:53,649 --> 01:05:56,027 nightlife sort of person. 1037 01:05:56,052 --> 01:05:58,430 HESSE: We went to Max's Kansas City. 1038 01:05:58,454 --> 01:06:01,799 Carl, Andre, and Mel have heated up discussions until closing. 1039 01:06:03,259 --> 01:06:05,466 AND GRAHAM: I think intellectually, he is quite brilliant 1040 01:06:05,494 --> 01:06:08,566 and underestimated by all minimal art friends. 1041 01:06:08,597 --> 01:06:09,905 He is very, very ambitious 1042 01:06:09,932 --> 01:06:11,605 so he sees everyone's work. 1043 01:06:11,634 --> 01:06:13,705 Even though the artist is minimal, is quite satisfied with himself 1044 01:06:13,736 --> 01:06:15,306 that they have the answer. 1045 01:06:18,441 --> 01:06:21,388 LEWITT: He is very involved with specific media he is working on. 1046 01:06:21,410 --> 01:06:23,151 A beautiful thing from the 60s, 1047 01:06:23,179 --> 01:06:24,522 is, uh, Canal Street technology. 1048 01:06:24,547 --> 01:06:27,289 And so, that means, he entered into that. 1049 01:06:27,316 --> 01:06:29,762 (CAR HONKING) 1050 01:06:30,686 --> 01:06:32,666 HOLT: Canal Street is just a magical country. 1051 01:06:34,190 --> 01:06:37,933 I like walking up and down Canal Street, seeing all the material. 1052 01:06:37,960 --> 01:06:42,375 1053 01:06:42,398 --> 01:06:46,005 And often the material will lead you to an idea. 1054 01:06:47,670 --> 01:06:49,581 HONIG: It's like, shopping at Tiffany, 1055 01:06:49,605 --> 01:06:53,018 except that Tiffany has small rubber objects 1056 01:06:53,042 --> 01:06:54,749 and you don't know what they are. 1057 01:06:54,777 --> 01:06:56,586 ROBERT: There is a rubber shop. 1058 01:06:56,612 --> 01:06:59,752 There are shops that sell old shells. 1059 01:06:59,782 --> 01:07:01,227 Everything is there. 1060 01:07:01,250 --> 01:07:03,389 That's part of being in Lower Manhattan. 1061 01:07:03,419 --> 01:07:05,399 I mean, Lower Manhattan is great. 1062 01:07:05,421 --> 01:07:07,458 Trucks are passing by, all the time and, 1063 01:07:07,490 --> 01:07:09,094 it's very beautiful, 1064 01:07:09,125 --> 01:07:11,696 stimulates things that happen there 1065 01:07:11,727 --> 01:07:13,729 which affects us all, you know? 1066 01:07:13,763 --> 01:07:15,640 You know the closest to you 1067 01:07:15,664 --> 01:07:17,871 for me, now, is Home Depot. (laughs) 1068 01:07:19,769 --> 01:07:24,912 You know, I went in there and it was like, "Oh, look at all this." 1069 01:07:24,940 --> 01:07:27,853 But it's not Canal Street. No, that's not true. It is not that. 1070 01:07:31,514 --> 01:07:33,892 HESSE: Spend the morning, shop on Canal Street. 1071 01:07:33,916 --> 01:07:37,989 Sol joins me. Must spend $ 20 to $ 30. 1072 01:07:52,401 --> 01:07:54,677 HESSE: Friday, Canal Street. 1073 01:07:54,703 --> 01:07:59,777 Take a magnet, try a washing machine. Two cables and weights. 1074 01:08:08,184 --> 01:08:11,290 LEWITT: He said that he wanted to make it work bad luck. 1075 01:08:11,320 --> 01:08:13,061 Not yucky, but bad luck. 1076 01:08:13,089 --> 01:08:14,796 He must do it something with that, 1077 01:08:14,824 --> 01:08:16,826 eh, make him feel good to him. 1078 01:08:18,294 --> 01:08:20,831 GRAHAM: Eva deals with material, which is demeaned. 1079 01:08:20,863 --> 01:08:22,069 They are industrial materials, 1080 01:08:22,098 --> 01:08:23,668 that is waste material. 1081 01:08:23,699 --> 01:08:25,940 I think Eva has just an attraction, maybe with 1082 01:08:25,968 --> 01:08:29,006 the type of trash culture You can find it in New York. 1083 01:08:29,038 --> 01:08:30,608 LEWITT: But, I mean, he took all of this 1084 01:08:30,639 --> 01:08:33,176 and make it very complete, 1085 01:08:33,209 --> 01:08:39,387 uh, his own lost property all their low quality quality. 1086 01:08:42,051 --> 01:08:43,530 LIPPARD: I can only see Eva 1087 01:08:43,552 --> 01:08:44,997 sitting there, with the ingredients, 1088 01:08:45,020 --> 01:08:47,125 almost like them, it is another creature, 1089 01:08:47,156 --> 01:08:49,067 and work with them. 1090 01:08:49,091 --> 01:08:51,697 But not another creature, maybe himself 1091 01:08:51,727 --> 01:08:54,731 because they are very self-identified. 1092 01:08:54,763 --> 01:08:57,004 I mean, he is where he put a lot of his anxiety, 1093 01:08:57,032 --> 01:08:58,409 is into his art, I think. 1094 01:08:58,434 --> 01:09:00,141 I don't want to be too psychology 1095 01:09:00,169 --> 01:09:01,876 oriented to this because, 1096 01:09:01,904 --> 01:09:05,374 it's very unpopular now to do that. But... 1097 01:09:05,407 --> 01:09:07,785 But with Eva, it's almost impossible 1098 01:09:07,810 --> 01:09:09,756 do not think psychologically, 1099 01:09:09,778 --> 01:09:12,281 when you know his job, and he is a human. 1100 01:09:13,849 --> 01:09:16,056 HESSE: Friday, July 28. 1101 01:09:16,085 --> 01:09:18,691 Called Donald Droll until midnight. 1102 01:09:20,156 --> 01:09:23,069 ROBERT: Donald Droll is more or less running Fischbach, 1103 01:09:23,092 --> 01:09:26,471 which is a powerhouse gallery. 1104 01:09:26,495 --> 01:09:30,705 And he is very skilled in recognizing artists. 1105 01:09:30,733 --> 01:09:31,871 He has extraordinary eyes. 1106 01:09:31,901 --> 01:09:33,346 He has big eyes, huh. 1107 01:09:35,037 --> 01:09:36,607 HESSE: Friday night. 1108 01:09:36,639 --> 01:09:40,052 Donald Droll said, if I'm ready, I can do a show. 1109 01:09:40,075 --> 01:09:43,079 I can have a main large room this spring. 1110 01:09:43,112 --> 01:09:44,785 LIPPARD: And that's a big problem. 1111 01:09:44,813 --> 01:09:46,554 That is a big opportunity. 1112 01:09:55,157 --> 01:09:58,468 HONIG: Eva is very beautiful, black, long hair. 1113 01:09:58,494 --> 01:10:02,237 He symbolically cuts all his hair. 1114 01:10:05,634 --> 01:10:08,080 That will be another time in his life. 1115 01:10:08,103 --> 01:10:11,107 It's far from being this wife, 1116 01:10:11,140 --> 01:10:14,713 and that's all about the job. 1117 01:10:16,178 --> 01:10:18,385 HESSE: Friday, March 8th. 1118 01:10:18,414 --> 01:10:20,553 Dorothy B. Movie. 1119 01:10:32,695 --> 01:10:36,541 Factory for epoxy. Rubber or plastic. 1120 01:10:37,833 --> 01:10:40,143 Flexible durability. 1121 01:10:40,169 --> 01:10:43,150 GOLDMAN: He always develops, 1122 01:10:43,172 --> 01:10:44,913 goes beyond what he knows. 1123 01:10:44,940 --> 01:10:46,783 That's the goal. 1124 01:10:46,809 --> 01:10:50,655 HESSE: Silicone. 120 ccs, 20 ccs. 1125 01:10:50,679 --> 01:10:53,592 Silastex, 120 ccs. 1126 01:10:53,616 --> 01:10:57,655 SUSSMAN: A group called Experiments in Art and Technology 1127 01:10:57,686 --> 01:11:00,860 come together, to bring the artist 1128 01:11:00,889 --> 01:11:05,599 to orbit people using new technology. 1129 01:11:05,628 --> 01:11:07,972 Eva Hesse is treated in the group, 1130 01:11:07,997 --> 01:11:09,772 and he attended college 1131 01:11:09,798 --> 01:11:14,338 in the use of polymers and latex. 1132 01:11:14,370 --> 01:11:19,444 HESSE: One, liquid. Two, clear rubber. 1133 01:11:19,475 --> 01:11:23,753 Three, set after 24 hours. Four... 1134 01:11:23,779 --> 01:11:25,690 Important problem. 1135 01:11:25,714 --> 01:11:29,526 And I think it's very clear in Eva's work, 1136 01:11:29,551 --> 01:11:32,327 material manifestations of 1137 01:11:32,354 --> 01:11:36,200 1138 01:11:38,594 --> 01:11:40,505 form out of intense investigation of this problem. 1139 01:11:40,529 --> 01:11:43,999 HESSE: Tuesday, April 30. 1140 01:11:45,734 --> 01:11:50,774 Go to Arco, Canal Street, Aegis. 1141 01:11:50,806 --> 01:11:54,379 Aegis Reinforced Plastics is made specifically for 1142 01:11:54,410 --> 01:11:57,357 help artists make their special things, 1143 01:11:57,379 --> 01:11:59,416 and Rob Smithson. 1144 01:11:59,448 --> 01:12:03,225 Bob Morris takes Eva in and shows him what you can do. 1145 01:12:03,252 --> 01:12:06,631 How do fiberglass act, when it is saturated? 1146 01:12:06,655 --> 01:12:10,125 When it's difficult, it will look like it's still soft. 1147 01:12:10,159 --> 01:12:13,697 That is one good thing, because he likes to be gentle. 1148 01:12:13,729 --> 01:12:16,232 I think we make connections and 1149 01:12:16,265 --> 01:12:19,872 a few months later, we started working on his works. 1150 01:12:21,904 --> 01:12:23,440 The first part I made for Eva, 1151 01:12:23,472 --> 01:12:25,349 called Repetition Nineteen. 1152 01:12:25,374 --> 01:12:27,513 And he shows some pictures. 1153 01:12:27,543 --> 01:12:31,355 A very simple line drawing of a cylinder. 1154 01:12:31,380 --> 01:12:34,384 He gave me dimensions and 19 of them. 1155 01:12:37,286 --> 01:12:39,698 We make this cylinder, 1156 01:12:39,722 --> 01:12:41,724 coating them with fiberglass, 1157 01:12:44,026 --> 01:12:46,905 and let them harden. 1158 01:12:46,929 --> 01:12:49,637 And then we have to get the newspaper out. 1159 01:12:56,238 --> 01:12:58,616 He came all the way, to Staten Island 1160 01:13:02,444 --> 01:13:05,152 and, um, and he was horrified. 1161 01:13:05,180 --> 01:13:07,490 I mean, beyond horror. 1162 01:13:07,516 --> 01:13:08,927 They are too perfect. 1163 01:13:08,951 --> 01:13:13,923 So I told him, "Look, you make it bucket of mache paper. 1164 01:13:13,956 --> 01:13:16,402 " I will make it exactly, on the road 1165 01:13:16,425 --> 01:13:18,735 "You have made it, in fiberglass." 1166 01:13:20,295 --> 01:13:22,935 So he started doing it again. 1167 01:13:22,965 --> 01:13:25,002 And this time, with his hand, 1168 01:13:25,033 --> 01:13:28,014 he does something in each part, 1169 01:13:28,036 --> 01:13:31,745 and it's not a cylinder. 1170 01:13:31,774 --> 01:13:36,450 For him, his specialty is personal, it is physical, 1171 01:13:36,478 --> 01:13:40,016 and touch, the way. 1172 01:13:42,518 --> 01:13:44,464 JOHNS: A few weeks later, he came out. 1173 01:13:44,486 --> 01:13:47,490 He has 19 buckets and they are bigger, now. 1174 01:13:47,523 --> 01:13:51,835 So we make this basket, coat them with resin, 1175 01:13:51,860 --> 01:13:55,865 put it on the table, turn on the light and bing! 1176 01:14:07,042 --> 01:14:09,852 They are like this beautiful thing. 1177 01:14:09,878 --> 01:14:11,585 He is very happy. 1178 01:14:11,613 --> 01:14:14,219 I mean, this is just the best thing he has ever seen. 1179 01:14:15,117 --> 01:14:17,119 At that time, we were a team. 1180 01:14:17,152 --> 01:14:18,927 That just let's do this, 1181 01:14:18,954 --> 01:14:21,400 and we will make a statue 1182 01:14:21,423 --> 01:14:23,460 and he is very excited. 1183 01:14:25,060 --> 01:14:29,031 He said, "Why not come and stay with me?" So I did it. 1184 01:14:37,206 --> 01:14:39,914 He has an event coming in Fischbach. 1185 01:14:39,942 --> 01:14:42,923 So we will wake up morning and that, 1186 01:14:42,945 --> 01:14:44,822 "Let's do art." 1187 01:14:44,847 --> 01:14:48,090 And we work all day and all night, 1188 01:14:48,116 --> 01:14:49,720 until we just fainted. 1189 01:14:51,019 --> 01:14:55,434 We make a session, which is basically a box 1190 01:14:55,457 --> 01:14:57,095 which we discussed outside, 1191 01:14:57,125 --> 01:14:59,196 with a very thick layer of fiberglass. 1192 01:15:01,263 --> 01:15:03,539 And then we will drill holes 1193 01:15:03,565 --> 01:15:05,340 through this fiberglass section, 1194 01:15:05,367 --> 01:15:08,348 with 29,000 holes, we make that. 1195 01:15:10,138 --> 01:15:13,449 And I help him the tube in this object. 1196 01:15:13,475 --> 01:15:15,580 GOLDMAN: Accessions, are called, tubes? 1197 01:15:17,212 --> 01:15:19,089 Never see anything so sexual 1198 01:15:19,114 --> 01:15:20,991 and fantastic in my entire life. 1199 01:15:21,016 --> 01:15:23,018 And Eva will only sit there, 1200 01:15:23,051 --> 01:15:26,726 and boom, and boom, and boom 1201 01:15:26,755 --> 01:15:31,864 with methodical and thorough rhythm. 1202 01:15:31,894 --> 01:15:33,396 They leave. 1203 01:15:34,463 --> 01:15:36,943 When you put your head inside, 1204 01:15:36,965 --> 01:15:39,343 You can't hear anything, outside. 1205 01:15:39,368 --> 01:15:41,871 And of course, he lives in Bowery. 1206 01:15:41,904 --> 01:15:43,975 And it's noisy, and there's a drunk 1207 01:15:44,006 --> 01:15:46,418 and there are shouts and there are all kinds of noise. 1208 01:15:46,441 --> 01:15:48,079 You can't hear anything. 1209 01:15:48,110 --> 01:15:49,282 That's very beautiful. 1210 01:15:49,311 --> 01:15:52,121 You will go in there and that like being in a cave. 1211 01:15:53,181 --> 01:15:55,058 The feeling is that art 1212 01:15:55,083 --> 01:15:57,529 is an artifact of the process. 1213 01:15:57,553 --> 01:15:59,464 The art is being created, 1214 01:15:59,488 --> 01:16:02,958 artifacts are what's left. 1215 01:16:02,991 --> 01:16:07,167 That's just extraordinary fair time, creating art. 1216 01:16:07,195 --> 01:16:09,641 And I fell in love with him. 1217 01:16:09,665 --> 01:16:12,771 Sure enough, um... 1218 01:16:12,801 --> 01:16:15,247 I don't think he fell in love with me. 1219 01:16:15,270 --> 01:16:18,649 I know he's crazy about with me, that's for sure. 1220 01:16:18,674 --> 01:16:20,984 There is no question about that. 1221 01:16:21,009 --> 01:16:24,218 Uh, but he fell in love with his art. 1222 01:16:34,990 --> 01:16:38,528 HESSE: Tuesday, June 4. Protection. 1223 01:16:38,560 --> 01:16:43,236 Rubber. Four glasses together. Plastic tube. 1224 01:16:43,265 --> 01:16:45,040 Give Doug this. 1225 01:16:46,668 --> 01:16:48,670 Sunday, July 7. 1226 01:16:48,704 --> 01:16:52,174 Organic and inorganic polymers. 1227 01:16:52,207 --> 01:16:54,312 Polymer chains. 1228 01:16:54,343 --> 01:16:57,756 HOLT: He ironed the fabric, thin cotton cloth. 1229 01:16:57,779 --> 01:17:00,521 It was found a new process. 1230 01:17:00,549 --> 01:17:03,359 That is not something like that already exists in the world. 1231 01:17:11,860 --> 01:17:13,669 HESSE: Monday, July 8. 1232 01:17:13,695 --> 01:17:16,972 New Work. Rubber, fiberglass. 1233 01:17:21,036 --> 01:17:27,248 I let him know that plastic and fugitive rubber. 1234 01:17:27,275 --> 01:17:31,121 Rubber will last, the best, ten, 15 years. 1235 01:17:31,146 --> 01:17:33,057 And gradually begin to crack 1236 01:17:33,081 --> 01:17:35,618 and begin to turn into dust. 1237 01:17:35,651 --> 01:17:38,530 He said, "Good. Let them worry about that." 1238 01:17:38,553 --> 01:17:40,533 Speaking of museum people. 1239 01:17:40,555 --> 01:17:44,025 "Then what? I want what the effect now." 1240 01:17:45,727 --> 01:17:48,173 HESSE: Sunday, October 27. 1241 01:17:48,196 --> 01:17:50,938 Sans, complete, fini. 1242 01:17:50,966 --> 01:17:52,445 It turns out amazing. 1243 01:17:59,341 --> 01:18:02,811 Saturday, November 16. Shows. 1244 01:18:38,980 --> 01:18:41,290 HESSE: I want the job to be non-working. 1245 01:18:41,316 --> 01:18:44,923 To find the way my prejudice. 1246 01:18:44,953 --> 01:18:47,991 To go beyond what I know, and can know. 1247 01:18:50,759 --> 01:18:52,397 That's something. 1248 01:18:54,796 --> 01:18:56,002 This is nothing. 1249 01:19:03,572 --> 01:19:05,813 TIMPANELLI: I go to the opening. 1250 01:19:05,841 --> 01:19:10,085 Ah! And I've been looking for in art since I was a kid. 1251 01:19:10,112 --> 01:19:13,616 I see the job I have never seen before. 1252 01:19:13,648 --> 01:19:18,893 However, at all original like that, 1253 01:19:18,920 --> 01:19:23,892 it's extraordinary reflects our time 1254 01:19:23,925 --> 01:19:28,067 and all the time, and real feelings. 1255 01:19:35,303 --> 01:19:38,773 SEROTA: Eva's work increases new sensibility. 1256 01:19:39,541 --> 01:19:42,283 That's typical. 1257 01:19:42,310 --> 01:19:45,189 That is his own. 1258 01:19:45,213 --> 01:19:48,660 Fragile, beautiful, tentative. 1259 01:19:49,951 --> 01:19:51,760 Those are all things the statue, 1260 01:19:51,787 --> 01:19:53,164 not supposed to. 1261 01:19:56,224 --> 01:19:58,261 HESSE: "Eva Hesse. 1262 01:19:58,293 --> 01:20:02,332 " This is the first one-person show unusual interest. 1263 01:20:02,364 --> 01:20:05,504 "Ms. Hesse's work is restless, 1264 01:20:05,534 --> 01:20:08,674 "But pulling between two poles. 1265 01:20:08,703 --> 01:20:11,513 " Nature is very rational form, 1266 01:20:11,540 --> 01:20:14,987 "and the world surreal dreams." 1267 01:20:16,178 --> 01:20:18,624 We have about eight or nine shows, 1268 01:20:18,647 --> 01:20:20,991 we want to see that day. 1269 01:20:21,016 --> 01:20:25,658 And the last one is on the list it turns out Eva Hesse. 1270 01:20:25,687 --> 01:20:28,463 And I enter Fischbach Gallery, 1271 01:20:28,490 --> 01:20:31,403 and I suddenly see, the most beautiful things 1272 01:20:31,426 --> 01:20:33,702 I've seen and most interesting. 1273 01:20:35,463 --> 01:20:38,103 TONY GANZ: There are this amazing work. 1274 01:20:38,133 --> 01:20:41,876 And Eva herself is there in the back room. 1275 01:20:41,903 --> 01:20:46,443 And he doesn't look like my sister Kate, 1276 01:20:46,474 --> 01:20:50,320 a fact that is not lost on him. 1277 01:20:50,345 --> 01:20:54,623 VICTOR: I was fascinated and immediately fell in love with him. 1278 01:20:54,649 --> 01:20:56,356 Think he's amazing. 1279 01:20:56,384 --> 01:21:00,560 He decides to do something he hasn't done it for years, 1280 01:21:00,589 --> 01:21:03,832 who buys some work. 1281 01:21:03,859 --> 01:21:06,965 JOHNS: When Ganzs buy a few pieces, 1282 01:21:06,995 --> 01:21:09,839 he returned to the studio, and he said, 1283 01:21:09,865 --> 01:21:12,641 "They will buy some of my parts. 1284 01:21:12,667 --> 01:21:14,669 " They collected Picasso too. 1285 01:21:14,703 --> 01:21:16,979 "That's all, me and Picasso." (LAUGH) 1286 01:21:17,005 --> 01:21:18,313 It's like, "Wow!" 1287 01:21:20,709 --> 01:21:23,918 He will come for dinner more often, 1288 01:21:23,945 --> 01:21:25,982 and we always enjoy a beautiful night. 1289 01:21:31,987 --> 01:21:33,466 HESSE: For four more pictures. 1290 01:21:33,488 --> 01:21:38,597 Whitney Spring Show, TIME Magazine's art section. 1291 01:21:38,627 --> 01:21:41,972 He is one of them artists in New York. 1292 01:21:41,997 --> 01:21:44,170 He is the only woman, basically, 1293 01:21:44,199 --> 01:21:46,577 that is in the group. 1294 01:21:46,601 --> 01:21:48,205 He is one of the boys. 1295 01:21:59,547 --> 01:22:04,121 He goes to incredible work mode. 1296 01:22:04,152 --> 01:22:06,257 I mean, he is extraordinarily productive and begin to appear, 1297 01:22:06,288 --> 01:22:07,926 and get a response from the place. 1298 01:22:07,956 --> 01:22:10,562 HESSE: So much is happening. 1299 01:22:11,626 --> 01:22:13,572 I have a lot of success. 1300 01:22:13,595 --> 01:22:15,506 I was asked to appear in many events, 1301 01:22:15,530 --> 01:22:17,476 I can't follow. 1302 01:22:17,499 --> 01:22:18,705 1303 01:22:23,738 --> 01:22:25,945 In October, I will go to Europe, 1304 01:22:25,974 --> 01:22:29,080 have one male show at Gallery Ricka in Cologne. 1305 01:22:29,110 --> 01:22:32,216 For March, I was preparing to work for Whitney. 1306 01:22:39,788 --> 01:22:43,065 Show includes Carl Andre, Robert Morris, 1307 01:22:43,091 --> 01:22:47,096 Bruce Nauman, Richard Serra and me. 1308 01:23:00,542 --> 01:23:02,351 JOHNS: He gets a lot of headaches. 1309 01:23:02,377 --> 01:23:04,254 He will get dizzy 1310 01:23:04,279 --> 01:23:07,351 and cannot function. 1311 01:23:07,382 --> 01:23:11,091 He will squint and be fair this severe pain. 1312 01:23:11,119 --> 01:23:13,429 And I kept telling him, "Look, 1313 01:23:13,455 --> 01:23:17,665 " You have to see a doctor. " And he avoided it. 1314 01:23:19,661 --> 01:23:20,969 LIPPARD: I remember that night, 1315 01:23:20,996 --> 01:23:22,942 and we are all there with Eva, 1316 01:23:22,964 --> 01:23:25,945 and we realize that something that is really wrong. 1317 01:23:25,967 --> 01:23:28,038 His headache is very bad. 1318 01:23:32,807 --> 01:23:35,686 Previously, psychiatrist had said it was physical, 1319 01:23:35,710 --> 01:23:38,122 and physical physicians have said it is psychic. 1320 01:23:38,146 --> 01:23:40,956 And he is very ridden by anxiety, 1321 01:23:40,982 --> 01:23:44,327 and it seems like that is possible, that's what is happening. 1322 01:23:44,352 --> 01:23:46,923 But at that time, he was really in pain 1323 01:23:46,955 --> 01:23:50,232 and I think we know, that this is 1324 01:23:50,258 --> 01:23:52,101 more than we thought. 1325 01:23:52,127 --> 01:23:53,970 (AMBULANCE SIREN WAILS) 1326 01:23:57,032 --> 01:24:00,343 HESSE: April 10. I am treated at the New York Hospital, 1327 01:24:00,368 --> 01:24:02,473 to be checked, tested. 1328 01:24:04,205 --> 01:24:06,913 CHARASH: He was there for days, 1329 01:24:06,941 --> 01:24:09,751 and they can't find anything wrong. 1330 01:24:09,778 --> 01:24:12,520 And they do spinal taps and thank God. 1331 01:24:12,547 --> 01:24:13,855 He will die that day. 1332 01:24:16,351 --> 01:24:18,456 HESSE: My tumor is very enlarged, 1333 01:24:18,486 --> 01:24:20,727 there is no free space to move. 1334 01:24:20,755 --> 01:24:23,599 So it turns my brain. 1335 01:24:24,392 --> 01:24:26,235 There isn't much time. 1336 01:24:27,662 --> 01:24:30,939 Viewing images, flashing colors. 1337 01:24:30,965 --> 01:24:34,469 Very very beautiful. 1338 01:24:34,502 --> 01:24:36,778 Not afraid. 1339 01:24:36,805 --> 01:24:38,375 Want to touch, 1340 01:24:38,406 --> 01:24:41,353 connect with them with me. 1341 01:24:41,376 --> 01:24:45,483 I am very connected with them, and they are with me. 1342 01:24:45,513 --> 01:24:47,220 I speak. 1343 01:24:47,248 --> 01:24:50,889 I smile. I fantasize. 1344 01:24:50,919 --> 01:24:54,162 I have a vision. I love. 1345 01:24:54,889 --> 01:24:56,994 I can't speak enough. 1346 01:24:57,025 --> 01:25:01,667 I see a face. I see love, happiness. 1347 01:25:05,100 --> 01:25:06,943 CHARASH: He used to be operated and I entered 1348 01:25:06,968 --> 01:25:08,504 there, I really can still see it. 1349 01:25:08,536 --> 01:25:10,277 And he sits in bed, 1350 01:25:10,305 --> 01:25:12,285 wrapped around the head, 1351 01:25:12,307 --> 01:25:15,186 and he feels amazing. 1352 01:25:15,210 --> 01:25:18,248 And he only, now, missing headaches 1353 01:25:18,279 --> 01:25:21,556 and he is not in pain, and he feels great. 1354 01:25:21,583 --> 01:25:24,154 And he said, "How lucky I am, they have everything 1355 01:25:24,185 --> 01:25:26,791 " And I'm very lucky. " 1356 01:25:26,821 --> 01:25:29,529 HESSE: I think going back to where everything started. 1357 01:25:29,557 --> 01:25:31,036 I am very sick. 1358 01:25:31,059 --> 01:25:34,632 I have signs, but I will do it don't recognize them. 1359 01:25:34,662 --> 01:25:37,802 Someone can deny anything. 1360 01:25:37,832 --> 01:25:40,813 People think when he is sick, 1361 01:25:40,835 --> 01:25:42,746 that the ingredients must be blamed. 1362 01:25:42,770 --> 01:25:44,750 I mean, there are others people who work with latex, 1363 01:25:44,772 --> 01:25:47,844 but he, as I said, really becomes the material. 1364 01:25:47,876 --> 01:25:51,551 So he might breathe them and, you know, 1365 01:25:51,579 --> 01:25:54,492 taste them, even. Who knows? 1366 01:25:54,516 --> 01:25:57,520 JOHNS: I mean this the beginning of fiberglass. 1367 01:25:57,552 --> 01:25:59,930 But it's not too toxic, 1368 01:25:59,954 --> 01:26:02,366 and the tumor is too big 1369 01:26:02,390 --> 01:26:06,429 to think of that, a little amount of exposure 1370 01:26:06,461 --> 01:26:10,068 he has, gives him a brain tumor. 1371 01:26:12,200 --> 01:26:13,804 WAPNER: I often try to tease, 1372 01:26:13,835 --> 01:26:15,746 is it the resin that it does, 1373 01:26:15,770 --> 01:26:21,152 or is it just a coincidence of genetic DNA? 1374 01:26:24,312 --> 01:26:25,950 We will never know. 1375 01:26:29,317 --> 01:26:33,356 HESSE: In the past year and now, since my illness, 1376 01:26:33,388 --> 01:26:36,335 I just want to live, surrender, 1377 01:26:36,357 --> 01:26:39,736 call the past, past and try again. 1378 01:26:39,761 --> 01:26:42,071 Oh my God, anyone who knows my history, 1379 01:26:42,096 --> 01:26:45,236 who knows me, know I deserve it. 1380 01:26:45,733 --> 01:26:47,269 That's right. 1381 01:26:47,302 --> 01:26:51,148 There is never a time or scene that qualifies as the norm. 1382 01:26:51,172 --> 01:26:53,948 Extreme on each side. 1383 01:26:57,779 --> 01:27:00,350 TIMPANELLI: He lives with me in Woodstock. 1384 01:27:00,381 --> 01:27:03,624 He came with his paint bag. 1385 01:27:04,919 --> 01:27:07,126 That's right after that. He doesn't have that 1386 01:27:07,155 --> 01:27:08,793 energy to go back to studio alone 1387 01:27:08,823 --> 01:27:10,166 and to make a statue. 1388 01:27:10,191 --> 01:27:12,865 So, he will do it this paper painting. 1389 01:27:17,599 --> 01:27:20,637 HESSE: Today is the third day I feel a little better, 1390 01:27:20,668 --> 01:27:24,673 a little stronger, a little more hopeful, 1391 01:27:24,706 --> 01:27:26,811 a little sick. 1392 01:27:27,842 --> 01:27:31,153 How grateful I am. I have a lot to do. 1393 01:27:32,380 --> 01:27:34,223 TIMPANELLI: We wake up in the morning in the morning. 1394 01:27:34,249 --> 01:27:38,425 We have muesli, cup of tea, and then we go to work. 1395 01:27:38,453 --> 01:27:40,194 And the work is on the porch. 1396 01:27:40,221 --> 01:27:43,395 And the rain starts to fall, and it never stops. 1397 01:27:44,359 --> 01:27:46,339 But we work every day. 1398 01:27:47,395 --> 01:27:50,467 I have never done art like that. 1399 01:27:50,498 --> 01:27:53,206 We only devote ourselves to work 1400 01:27:53,234 --> 01:27:55,407 and he made these paintings, 1401 01:27:55,436 --> 01:27:57,177 this beautiful paper painting. 1402 01:28:02,977 --> 01:28:06,618 He erodes it, he makes a line. 1403 01:28:06,648 --> 01:28:10,926 SUSSMAN: He layering the same paint washing 1404 01:28:10,952 --> 01:28:14,900 the subtle way he has handled the sap, 1405 01:28:14,922 --> 01:28:19,029 to the point where material consistency 1406 01:28:19,060 --> 01:28:22,906 on paper to be right for him. 1407 01:28:22,930 --> 01:28:25,774 They have ambitions paintings and they have 1408 01:28:25,800 --> 01:28:28,747 compared to late works from Mark Rothko. 1409 01:28:33,675 --> 01:28:35,848 TIMPANELLI: We also sometimes go shopping. 1410 01:28:35,877 --> 01:28:39,723 And he bought this worm, once, a handful. 1411 01:28:39,747 --> 01:28:43,627 And I asked him, I said, "Oh, what are you going to do?" 1412 01:28:43,651 --> 01:28:44,823 He said, "I don't know yet." 1413 01:28:44,852 --> 01:28:46,456 He said, "I will play with them for a while." 1414 01:28:46,487 --> 01:28:49,559 And he will see, and he will decide 1415 01:28:49,590 --> 01:28:50,796 what to do with something. 1416 01:28:51,926 --> 01:28:54,532 SUSSMAN: A great one the things he taught us, 1417 01:28:54,562 --> 01:28:56,166 I think, is playing. 1418 01:28:56,197 --> 01:28:59,872 That's really the best we can do, 1419 01:28:59,901 --> 01:29:02,643 with material, play with them. 1420 01:29:02,670 --> 01:29:07,449 Play with them until the form starts to impact. 1421 01:29:07,475 --> 01:29:11,355 And he really can't stop playing. 1422 01:29:11,379 --> 01:29:14,826 And I think it saved his life. 1423 01:29:14,849 --> 01:29:17,125 HESSE: Lack of energy I have contrast 1424 01:29:17,151 --> 01:29:19,529 by psychic energy, rebirth, 1425 01:29:19,554 --> 01:29:22,091 Will to start living again, 1426 01:29:22,123 --> 01:29:26,902 work again, be seen, love. 1427 01:29:26,928 --> 01:29:30,273 I fight sleep to respond to for this real excitement 1428 01:29:30,298 --> 01:29:34,576 which is frustrating because there is little I can do. 1429 01:29:34,602 --> 01:29:37,139 ROBERT: Oh, that will happen very easily give up and say, 1430 01:29:37,171 --> 01:29:39,344 "I can't deal with everything from these negative things, 1431 01:29:39,374 --> 01:29:41,411 " I can't think of my work, 1432 01:29:41,442 --> 01:29:45,322 "So I will only concentrate on my medical problems." 1433 01:29:45,346 --> 01:29:48,884 But Eva insisted on having everything. 1434 01:29:48,916 --> 01:29:50,156 SYLVIA: I think he did it because 1435 01:29:50,184 --> 01:29:52,460 he doesn't know what else to do. 1436 01:29:52,487 --> 01:29:55,593 Makes him feel alive. That makes him feel alive, right. 1437 01:29:55,623 --> 01:29:57,660 The chance to become a great artist 1438 01:29:57,692 --> 01:29:59,433 is there for him, and he knows that. 1439 01:29:59,460 --> 01:30:01,235 He knows he is doing very good work. 1440 01:30:01,262 --> 01:30:04,038 And of course, everyone becomes very supportive too. 1441 01:30:04,065 --> 01:30:07,535 You know, lots of famous artists, you know, 1442 01:30:07,568 --> 01:30:09,980 love him very much and really tell him 1443 01:30:10,004 --> 01:30:12,610 this is good, keeps going, this is amazing. 1444 01:30:12,640 --> 01:30:14,119 So, in a funny way, 1445 01:30:14,142 --> 01:30:16,383 that is the right moment from his life, I think. 1446 01:30:21,716 --> 01:30:24,424 JOHNS: He returned to Bowery, and he called me, 1447 01:30:24,452 --> 01:30:29,094 and that's just, "Let's go, let's start working." 1448 01:30:29,123 --> 01:30:32,161 Then we started doing it the statue was right after it. 1449 01:30:36,597 --> 01:30:37,803 There is so much energy. 1450 01:30:37,832 --> 01:30:40,142 We giggle and experience this beautiful time. 1451 01:30:40,168 --> 01:30:42,307 The items drip, everywhere. 1452 01:30:42,336 --> 01:30:45,943 And this is only, this is extraordinary sort of cobwebby 1453 01:30:45,973 --> 01:30:47,350 whole room. 1454 01:30:47,375 --> 01:30:49,787 We have a hard time, around it. 1455 01:30:49,811 --> 01:30:52,485 HESSE: Climbing around, completing something, 1456 01:30:52,513 --> 01:30:55,289 move, rotate and depend. 1457 01:30:55,316 --> 01:30:58,593 Four hands change, manipulate changes. 1458 01:30:58,619 --> 01:31:01,566 Things that are possible, things happen. 1459 01:31:01,589 --> 01:31:05,162 Suspended hangers allow themselves to continue, 1460 01:31:05,193 --> 01:31:07,036 connect and multiply. 1461 01:31:13,000 --> 01:31:15,947 GOLDMAN: He accepts that feeling, 1462 01:31:15,970 --> 01:31:19,440 right after the cancer surgery. 1463 01:31:19,474 --> 01:31:22,353 Scars and use of wigs 1464 01:31:22,376 --> 01:31:26,256 and all that means, now he has pride. 1465 01:31:27,348 --> 01:31:29,794 Eva has pride. 1466 01:31:29,817 --> 01:31:33,731 So he took everything and put it in that section. 1467 01:31:34,922 --> 01:31:38,870 He has a terrible wig from Sassoon. 1468 01:31:38,893 --> 01:31:41,237 But he will laugh at him. 1469 01:31:41,262 --> 01:31:43,264 I remember visiting he was in the hospital 1470 01:31:43,297 --> 01:31:44,970 and whipping his wig 1471 01:31:44,999 --> 01:31:46,273 proudly and say, 1472 01:31:46,300 --> 01:31:48,610 "Look at what I look like bald." (LAUGH) 1473 01:31:48,636 --> 01:31:50,741 He thinks it's quite funny. 1474 01:31:50,771 --> 01:31:52,341 In a difficult year, 1475 01:31:52,373 --> 01:31:53,909 with so many operations 1476 01:31:53,941 --> 01:31:56,012 and many things are wrong, 1477 01:31:56,043 --> 01:32:01,891 um, we have lots good time. Extraordinary! 1478 01:32:01,916 --> 01:32:04,328 And I really appreciate that, 1479 01:32:04,352 --> 01:32:06,263 that I just did 1480 01:32:06,287 --> 01:32:09,598 and he does it naturally, is to live at that moment. 1481 01:32:13,461 --> 01:32:16,840 HESSE: Of course there are desires to write and work. 1482 01:32:16,864 --> 01:32:18,639 I can't start. 1483 01:32:18,666 --> 01:32:21,875 Days passed. I do very little. 1484 01:32:24,605 --> 01:32:27,381 I have a recording interview with Cindy Nemser. 1485 01:32:27,408 --> 01:32:29,285 Three different days. 1486 01:32:30,711 --> 01:32:33,282 (NEMSER ON TAPE) Oh, I have a good question for you. 1487 01:32:33,948 --> 01:32:35,450 (SPEAKING) 1488 01:32:38,185 --> 01:32:39,721 (SPEAKING HESSE) 1489 01:33:23,331 --> 01:33:26,801 SUSSMAN: Untitled Rope Piece is the last to last 1490 01:33:26,834 --> 01:33:28,211 main pieces of sculpture 1491 01:33:28,235 --> 01:33:30,511 Eva Hesse, who was made in her life. 1492 01:33:30,538 --> 01:33:33,417 And that is very possible, his masterpiece. 1493 01:33:33,441 --> 01:33:35,148 He explained making this part 1494 01:33:35,176 --> 01:33:37,656 as a kind of choreography. 1495 01:33:37,678 --> 01:33:42,093 He dips the rope, into a bucket of latex, 1496 01:33:42,116 --> 01:33:44,096 and then work with the assistant 1497 01:33:44,118 --> 01:33:48,396 and hang it from rafter from his studio. 1498 01:33:48,422 --> 01:33:54,771 So serendipity takes the material found, 1499 01:33:54,795 --> 01:33:59,676 processes it, and lets gravity do that. 1500 01:33:59,700 --> 01:34:02,943 HESSE: Hung is irregular, binds a node as a connection, 1501 01:34:02,970 --> 01:34:06,042 really let it go, because it will, 1502 01:34:06,073 --> 01:34:07,984 allows it to determine more 1503 01:34:08,009 --> 01:34:10,455 from the way it complements itself. 1504 01:34:10,478 --> 01:34:16,485 Not a form, not planned, non art, nothing. 1505 01:34:27,194 --> 01:34:31,336 Serota: He uses him his own body, his own experience, 1506 01:34:31,365 --> 01:34:36,246 dealing with problems his own death. 1507 01:34:37,204 --> 01:34:39,309 Dealing with that. 1508 01:34:43,644 --> 01:34:45,681 CHARASH: Not much longer after that, 1509 01:34:45,713 --> 01:34:47,852 that he was rushed to the New York Hospital 1510 01:34:47,882 --> 01:34:49,759 because he suffered tremendous pain. 1511 01:34:50,751 --> 01:34:52,890 HESSE: It's time again. 1512 01:34:53,821 --> 01:34:56,597 I have another brain tumor. 1513 01:34:57,892 --> 01:35:01,101 CHARASH: He operated, on March 29. 1514 01:35:01,128 --> 01:35:03,768 That is an operation, it does have an effect. 1515 01:35:03,798 --> 01:35:07,177 He lost it after the operation. 1516 01:35:07,201 --> 01:35:10,944 The decision was made by Helen 1517 01:35:10,971 --> 01:35:15,647 do not tell Eva that she is indeed sick and will die. 1518 01:35:17,011 --> 01:35:19,685 TIMPANELLI: I was there when he asked the doctor, 1519 01:35:19,714 --> 01:35:21,284 Will this come back again? 1520 01:35:21,315 --> 01:35:23,022 We hold hands. 1521 01:35:23,050 --> 01:35:25,189 And he said, "Yes, this is a type of tumor. " It might come back again. " 1522 01:35:25,219 --> 01:35:26,892 (DIRECT MUTTERS) 1523 01:35:26,921 --> 01:35:28,457 That's it. He knows. 1524 01:35:28,489 --> 01:35:30,594 People say "Oh, he doesn't know." Of course he knows. 1525 01:35:30,624 --> 01:35:32,763 HESSE: I know. No fear. 1526 01:35:33,828 --> 01:35:37,275 I'm not afraid to die. 1527 01:35:37,298 --> 01:35:40,040 I know it's there. 1528 01:35:40,067 --> 01:35:43,139 But I not afraid. 1529 01:35:44,305 --> 01:35:45,943 1530 01:35:50,711 --> 01:35:52,622 TIMPANELLI: When he entered the hospital for the third time, 1531 01:35:52,646 --> 01:35:54,091 I go visit. 1532 01:35:54,115 --> 01:35:55,492 He feels better. 1533 01:35:55,516 --> 01:35:58,463 He is sitting. He has a printed book 1534 01:35:58,486 --> 01:36:01,262 and he is making something. 1535 01:36:01,288 --> 01:36:03,131 And he said, "Look, what do you think?" 1536 01:36:03,157 --> 01:36:05,296 I said, "They look like a bunch of legs. What is that?" 1537 01:36:05,326 --> 01:36:06,703 And he laughed. He said, 1538 01:36:06,727 --> 01:36:09,606 "Oh, I didn't think... Oh, they're legs. Isn't that surprising..." 1539 01:36:09,630 --> 01:36:12,270 And we laughed and he made a small model. 1540 01:36:16,170 --> 01:36:18,673 And then, of course, he made it that big statue. 1541 01:36:47,902 --> 01:36:49,882 JOHNS: He was very sick at the time 1542 01:36:49,904 --> 01:36:52,043 and he can't work. 1543 01:36:52,072 --> 01:36:55,610 But he has several students that is a star student, 1544 01:36:55,643 --> 01:36:57,054 and they make that song. 1545 01:37:03,784 --> 01:37:05,525 TIMPANELLI: They put it too many orders. 1546 01:37:05,553 --> 01:37:07,464 He said, "Oh, I don't want them to be in that order." 1547 01:37:07,488 --> 01:37:09,331 He wants to make more sense. 1548 01:37:10,925 --> 01:37:14,270 He has a show at Steuben Glass, 1549 01:37:14,295 --> 01:37:17,037 on Fifth Avenue and 57th Street. 1550 01:37:17,064 --> 01:37:20,705 Seven poles are in it show, and at the same time, 1551 01:37:21,802 --> 01:37:23,543 he is the cover of Artforum. 1552 01:37:24,939 --> 01:37:27,886 Contingent is ongoing cover Artforum. 1553 01:37:27,908 --> 01:37:31,446 And that at that time he really didn't like fighting. 1554 01:37:31,946 --> 01:37:33,289 We come out. 1555 01:37:33,314 --> 01:37:36,659 We scotch it on the bed. 1556 01:37:36,684 --> 01:37:40,154 And at one point, he said, "That. That's me." 1557 01:37:49,463 --> 01:37:53,639 HESSE: I'm not happy, not at all. 1558 01:37:53,667 --> 01:37:56,170 I see past three and a half years 1559 01:37:56,203 --> 01:37:58,683 with some kind of surprise. 1560 01:37:58,706 --> 01:38:01,585 All that has happened. 1561 01:38:01,609 --> 01:38:04,249 My changes outside and inside. 1562 01:38:06,447 --> 01:38:07,892 I can be proud. 1563 01:38:10,284 --> 01:38:15,734 CHARASH: Eva died on May 29, 1970, Friday. 1564 01:38:15,756 --> 01:38:17,963 He is 34 years old. 1565 01:38:23,731 --> 01:38:26,803 LEWITT: Dear, I received a telegram 1566 01:38:26,834 --> 01:38:28,211 from Helen about Eva's death 1567 01:38:28,235 --> 01:38:29,771 when I arrived here Saturday. 1568 01:38:30,704 --> 01:38:32,274 I am very sad. 1569 01:38:32,306 --> 01:38:33,614 You must too. 1570 01:38:34,875 --> 01:38:38,345 He is a good friend, best friend for both of us. 1571 01:38:39,380 --> 01:38:40,757 It's still not about the house, because 1572 01:38:40,781 --> 01:38:43,227 I wasn't there to see and talk to him. 1573 01:38:43,250 --> 01:38:45,730 When I realize that it can never happen again, 1574 01:38:45,753 --> 01:38:47,494 I will be heartbroken. 1575 01:38:49,590 --> 01:38:50,898 Love, Sol. 1576 01:39:27,594 --> 01:39:31,303 CHARASH: Apart from that fact Eva Hesse held an exhibition 1577 01:39:31,332 --> 01:39:34,836 around the world, this is more special, 1578 01:39:34,868 --> 01:39:37,974 maybe more emotional, because this is the city 1579 01:39:38,005 --> 01:39:39,780 where Eva and I were born. 1580 01:40:05,199 --> 01:40:08,408 PHYLLIDA BARLOW: I first met Eva Hesse's work, 1581 01:40:08,435 --> 01:40:12,383 and it's like feeding hungry people. 1582 01:40:12,406 --> 01:40:16,320 That's exactly what I'm waiting for. 1583 01:40:18,445 --> 01:40:20,891 He tells me again, 1584 01:40:20,914 --> 01:40:23,895 work can come from you. 1585 01:40:23,917 --> 01:40:28,161 And that has a profound meaning this intimacy and closeness. 1586 01:40:28,188 --> 01:40:31,226 You can still feel his presence from making actions. 1587 01:40:32,092 --> 01:40:35,096 Artists are there, embedded 1588 01:40:35,129 --> 01:40:37,006 in what you see. 1589 01:40:41,568 --> 01:40:44,412 That's the most interesting one take painting, 1590 01:40:44,438 --> 01:40:47,112 I have seen in recent years. 1591 01:40:47,141 --> 01:40:49,121 Very pleasant to see something very material 1592 01:40:49,143 --> 01:40:51,316 and so bright and charming. 1593 01:40:55,649 --> 01:40:57,185 LIPPARD: He is part history, now. I mean, 1594 01:40:57,217 --> 01:40:59,527 he is someone who is a young artist 1595 01:40:59,553 --> 01:41:01,897 I will always know about, is amazing. 1596 01:41:03,357 --> 01:41:07,396 SEROTA: I don't think work hasn't been fully digested. 1597 01:41:07,428 --> 01:41:09,203 Still full of surprises. 1598 01:41:10,964 --> 01:41:13,376 There are many that can be pulled out. 1599 01:41:13,400 --> 01:41:18,975 So I think the conclusion will continue to grow. 1600 01:41:19,006 --> 01:41:23,352 Ripples will continue to arrive from Ringaround Arosie. 1601 01:41:35,189 --> 01:41:39,433 In 1972, Guggenheim installed a memorial exhibition. 1602 01:41:39,460 --> 01:41:41,599 And that's amazing. That is the whole Guggenheim. 1603 01:41:48,569 --> 01:41:52,107 I don't think we all realize how good the job is. 1604 01:41:52,139 --> 01:41:55,348 I mean, you know, is a five-year job. 1605 01:41:55,375 --> 01:41:56,854 I have an event in Guggenheim 1606 01:41:56,877 --> 01:41:58,879 work around five years. 1607 01:41:58,912 --> 01:42:01,222 And that is a ring around it museum, you know? 1608 01:42:02,816 --> 01:42:05,592 When you see what volume 1609 01:42:05,619 --> 01:42:08,600 Eva managed to achieve it in that time period, 1610 01:42:08,622 --> 01:42:10,624 it makes you aware 1611 01:42:10,657 --> 01:42:12,898 what you can do in five years. 1612 01:42:15,362 --> 01:42:17,535 GOLDMAN: Everything happened to him, 1613 01:42:17,564 --> 01:42:20,340 good or bad, empower it. 1614 01:42:20,367 --> 01:42:25,077 That is the splendor of art. 1615 01:42:31,912 --> 01:42:34,290 WAPNER: I remember being around 1616 01:42:34,314 --> 01:42:37,056 three or four of us, sit around talking. 1617 01:42:38,051 --> 01:42:40,998 And he describes his work 1618 01:42:41,021 --> 01:42:44,628 and how short it is, 1619 01:42:44,658 --> 01:42:48,731 and how he doesn't care about the eternal. 1620 01:42:48,762 --> 01:42:51,606 And that ingredients can decrease 1621 01:42:51,632 --> 01:42:54,044 is part of the package. 1622 01:42:54,067 --> 01:42:59,073 And he said, "Look at this glass?" 1623 01:42:59,106 --> 01:43:04,317 And he threw it the fireplace and it was destroyed. 1624 01:43:04,344 --> 01:43:07,450 And he said, "That's my job." 1625 01:43:09,683 --> 01:43:11,390 HESSE: Life doesn't last long. 1626 01:43:15,389 --> 01:43:17,733 Art doesn't last long. 1627 01:43:23,297 --> 01:43:25,402 It is not matte It is translated by: www.subtitlecinema.com